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23rd Ji.hlava International Documentary Film Festival

ji-hlava dok cdf
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TIMEBOX

director: Nora Agapi
original title: TIMEBOX
country: Romania
year: 2018
running time: 69 min.
International Premiere

synopsis

Professor Ioan-Matei Agapi, an 80-year-old photographer and cameraman from Iași, Romania, owns a unique collection of 16mm films and photographs documenting almost fifty years of the city’s history. His daughter, also a filmmaker, has decided to make a film about her father's archives. In the unconventional surroundings of his old apartment, he reminisces about the past until one day, Ioan is informed that he must leave or be evicted from the apartment where he has spent the past 40 years. Ioan’s years of work suddenly transform into a huge burden, and the film unexpectedly changes into drama in which conflicts with city officials reveal old and hidden conflicts within the family. 

"The deepest thing I learned while doing this film is that we are stronger than we think we are." N. Agapi 

biography

Nora Agapi (1974) graduated from the University of Drama and Cinematography in Bucharest. Her credits as a cinematographer include several feature-length documentaries (Decoding Dacia, Leaving Transylvania, Off The Beaten Track, and more) and a number of short documentaries and fictional films. She is also a successful photographer who works with National Geographic magazine, The Sunday Times, Cosmopolitan, and other major media. 

more about film

producer: Monica Lazurean-Gorgan
script: Nora Agapi, Maxim Carlan
photography: Nora Agapi
editing: Rita Bakacs

other films in the section

Birthday
A lonely life made up of daily routine tasks is depicted in this documentary made by the director about his own mother. It’s her birthday – her husband has been dead for years and her children have forgotten her, with the exception of her son, who remains behind the camera. Despite this, the ageing woman cleans, cooks, and makes ready for a possible celebration. Cursory inspections of her mobile phone screen show that she would have been happy with just a phone message. Birthdays give new meaning to loneliness, just as the director cuts away various natural barriers of the camera image and amplifies the sound effects track to allow silence to emerge and envelop the main character."One day of any person is the summary of his life. What we feel in one day is the same for all our life. Nothing changes. Repetitions, Repetitions and Repetitions. Just like my mother on her birthday." H. Baydarov
personal program

Birthday

Hilal Baydarov
Azerbaijan / 2018 / 63 min.
section: Between the Seas
World Premiere
Bojo Beach
Regular rushes of waves wash the Ghanaian coast, and a group of fishermen pulls their catch from the sea as they do every day. This short film depicts the labours of local fishermen in several chapters. Almost aescetically static cinematography and minimal editing during the fishermen’s work set it off from anything that could happen on the beach that day. Thanks to the slow pace, unintentional abstract compositions of the fishing nets end up in the picture, or a lonely mountain is traced in the background. The film’s atmosphere isn’t determined by people, but rather by the rhythm of the sea, the color of the sky, and the structure of the sand on Bojo Beach."The idea of being sat on the beach is always one of soaking up the atmosphere, breathing in the air, being contemplative, just watching things, just letting them happen. All this in a globalized world" E. Groen
personal program

Bojo Beach

Elke Groen
Austria / 2017 / 25 min.
section: Between the Seas
International Premiere
The End and the Means
Massage, doing the laundry, grazing water buffalo, snake charmers, street jugglers and dentists, music and dance lessons. Through his humble contemplation on various expressions of people’s devotion to their work, Paweł Wojtasik shows the web of human activities that each have their fixed place within India’s caste society. Work is not a path out of poverty or towards wealth, but a form of Hindu meditation on the roots of human activity and established working techniques and rituals. Man is a machine controlled by a higher power. This observational documentary, filmed primarily in India’s oldest city, Varanasi, focuses on the sacred Ganges River as a source of all human endeavors. „I wanted to investigate the Indian idea that work can lead to liberation rather than alienation. As a film worker myself, I learned from the people I filmed – to be present with the whole body and mind.“ P. Wojtasik
personal program

The End and the Means

Pawel Wojtasik
France, India, United States / 2018 / 99 min.
section: Between the Seas
World Premiere
THE GOOD DEATH
Terminally ill Janette wants to die with dignity, but it’s not possible in the UK, where she lives. She therefore decides for assisted suicide. She must plan her journey to Switzerland before her rapidly advancing disease makes it impossible. The question of whether we own our own lives or whether they own us is the primary impetus behind this documentary portrait, which shows that death can be good despite the sadness that always accompanies it. The film, with dramatically suggestive camera work, uses feature film techniques, and engaging characters and stories of their loved ones are interwoven with Janette’s story."Let's talk about death because we will all die someday. The question is: can we choose when and how? I think we should." T. Krupa
personal program

THE GOOD DEATH

Tomáš Krupa
Switzerland, France, Austria, Czech Republic, Slovakia / 2018 / 83 min.
section: Between the Seas
World Premiere
The Betrayed Square
The Arab Summer of 2011. Day after day, thousands of young Egyptian protesters flooded Tahrir Square in Cairo. Poet and sound artist Stéphane Montavon assembled a psychedelic collage composed of freely accessible images of the revolution, adding an acoustic probe full of tension, rebellion and aggression of the repressive forces. The revolutionary turmoil is expanded into a sonic dimension of auteur installation. It is an impressive story of symbolic moments of ecstatic struggles for democracy and a new Constitution. It exposes mottos, protesters’ slogans and dialogues of the massacred victims. The images of repressive government forces are confronted with everyday life. On a cold morning, the betrayed revolution melts into a day-to-day routine."Rebuilding the revolution with found footage reminds us not only of the past fight, but most importantly of the Egyptian’s revolutionary will still awaiting to be accomplished." Maciej Madracki, Michał Mądracki, MML collective
personal program

The Betrayed Square

MML collective
Poland, Switzerland / 2018 / 45 min.
section: Between the Seas
World Premiere
The Sun Sets in the East
The film depicts the year 1984/85 through the diary entries by the director’s grandfather, a Soviet peasant from Lithuania, which reflect contemporary values associated with faith in God, as well as details about daily routines and political change. Despite its historicizing base, the film is still relevant today. The formal side is made up of live images taken with static cameras that contemplate the depopulated state of the Lithuanian rural areas. The poetic documentary essay about the irreparable impact of man examines the transformation of society from rural to urban and forces the viewer to question the hectic lifestyles we lead today."The Sun Sets in the East is a sincere film that can be watched and felt by anyone, and we hope that everyone will be able to find a reflection of themselves or their family's past in it." A. Dovydaityte, A. Belinski
personal program

The Sun Sets in the East

Agne Dovydaityte, Alexander Belinski
Lithuania / 2018 / 83 min.
section: Between the Seas
World Premiere
de fac-to
How do we deal with our history? Is it possible that history becomes rather a tool made to justify our current interests and views? Such questions are posed in the observation documentary called de fac-to. The filmmakers visited several public events commemorating World War II in the Ukrainian town of Lviv. Moving recitations of poems are followed by anti-alcoholism propagandist bashings, allegations claiming that decommunization process in the Ukraine had been started by Hitler or comparing numbers of victims during Nazi and Communist eras. This diverse, often absurd kaleidoscope is structured as a stream of footage of events in chronological order with no commentary. „With our film we want to give an insight into specific situations and atmospheres, documenting the various protagonists as they find a relationship to the present through rituals celebrating the past.“ E. Shapiro-Obermair
personal program

de fac-to

Ekaterina Shapiro-Obermair, Alexandra Wachter
Austria, Russia / 2018 / 32 min.
section: Between the Seas
International Premiere
The Winter Garden's Tale
Valentina Voronina, gardener and tenacious manager of a large conservatory, is fired after forty-five years on the job. Time is winning in its unequal battle with lack of financing, a decaying building, and the approach of retirement age. The dilapidated conservatory reflects the weakening strength of its distinctive manager and visionary. The conviction that the plants will die if nobody looks after them, is intertwined with the appearance of esoterics and a shaman with a divining rod who discovers a spring of positive energy in front of the building’s entrance. Palm fronds rustle like a silent witness to the melancholy struggle against time and the relentlessness of decay. Another cruel winter is on the horizon. "It is built on its own internal rhythm without the author’s direct speech. Just rethought reality, placed in ironical and a little magic conditions with the main conflict between dreams and reality. " S. Mozgovyi
personal program

The Winter Garden's Tale

Simon Mozgovyi
Ukraine / 2018 / 75 min.
section: Between the Seas
World Premiere
Our Daily Water
Drinking water deliveries by boat to remote Croatian islands is a great opportunity to observe often humorous daily life. Especially when the ship’s captain has a tendency to make coarse comments, regaling his young nephew, the newest member of the crew, with his choleric outbursts. Our Daily Water is an observational film, but it gives inner energy and humor to its protagonists. The film’s creators successfully convey the atmosphere of lazy days along the hot Croatian coast and the explosive temperament of the locals."Through this Mediterranean comedy about a Captain and his crew I wanted to tell a story of invisible people who work honestly in order to prevent our country from becoming an "accidental state"." V. Vorkapić
personal program

Our Daily Water

Vlatka Vorkapic
Croatia / 2018 / 57 min.
section: Between the Seas
International Premiere
Extra-Terrestrial Ecologies (Retroflectors: the astronaut, the robot, the alien)
What new things can we learn about ecology from science fiction? According to this video essay by artist Ralo Mayer, quite a lot. A flow of thoughts and analogies inspired not only by such sci-fi films as The Martian, E. T. the Extraterrestrial, and Silent Running, but also by Biosphere 2, a project simulating an enclosed ecosystem located far away in outer space, have led the artist to reevaluate the way in which ecology is currently considered.  For his new view of things, which relies more on a cosmic rather than an earthly perspective, the key concepts consist of humans as space travelers, robotic technologies, and extraterrestrials as apparitions whom we suspect exist in distant star systems."Ecology in outer space, far from our home planet, is literally unheimlich–uncanny, or better: unsettling. After years of research about Biosphere 2, I met E.T. & we talked Haraway in a Redwood forest." R. Mayer
personal program

Extra-Terrestrial Ecologies (Retroflectors: the astronaut, the robot, the alien)

Ralo Mayer
Austria / 2018 / 43 min.
section: Between the Seas
International Premiere
One Day in Selimpasha
One man and an apartment, about which we know nothing. This is the premise of a conceptual documentary based on the concept of providing a deliberately limited amount of information to the viewer. We look into the intimate space behind the closed front door, where the most ordinary activities are carried out: cooking lunch, preparing tea, eating lunch, starting a fire in the fireplace. In this residential monodrama, a second living actor is desperately lacking, one that would bring to life the plot embodied in speech. It becomes a study of a person’s existence in their most personal space - a dwelling that can be just as much a preserve of peace and security as a golden cage of solitude."What are the feelings of a person who does nothing while everyone expects him to do something? What should he do? In general, is there any difference between emotions of two humans? What does portrait mean? Human face or something else?" H. Baydarov
personal program

One Day in Selimpasha

Hilal Baydarov
Azerbaijan / 2018 / 64 min.
section: Between the Seas
World Premiere
The Last Self-portrait
Slovak director Marek Kuboš has not shot a film in 13 years. His first film ever – a student exercise at film school – was a self-portrait. The circle is closed, the source of creativity has seemingly dried up. All that is left to do in the last self-portrait is to clean up after oneself, to recapitulate one’s successes and failures, and to bid farewell to one’s protagonists. This introspective meta-documentary is not so much a study of a creative crisis as it is a self-therapeutic process and an attempt at offering a comprehensive profile of the filmmaker at a time of unstable certainties. Appearing in the role of Kuboš’s consultants are essentially all leading Slovak documentary filmmakers."I’ve long felt that through documentary filmmaking I can’t say what I want to, what calls out to me. I’ve butted against internal and external boundaries that have paralyzed me as a documentarian. " M. Kuboš
personal program

The Last Self-portrait

Marek Kuboš
Slovakia / 2018 / 72 min.
section: Between the Seas
International Premiere
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