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23rd Ji.hlava International Documentary Film Festival

ji-hlavadok-revuecdfEmerging producersInspiration Forum
#57
#57

#57

director: Joost Rekveld
original title: #57
country: Netherlands
year: 2018
running time: 14 min.

synopsis

A visualization of the workings of the high-frequency oscillators once used to test military sonars and medical ultrasound devices is juxtaposed with abstract illustrations of a Chinese mathematician’s differential equations, and their visualization through analogue computer processes shows the subtle exactness of changing textures. 

"Technology is a deforming mirror that shows us what humans think and do. For that reason I make my work in a dialogue with machines that I develop myself, trying to learn from what they tell us." J. Rekveld

biography

With his video explorations of the world of machines, Joost Rekveld (1970) creates a dialogue between cold metal blocks, binary computer programs, and healthy human curiosity. His Vertovesque documentaries reflect a desire for using cinema to understand objects made of nuts and bolts. They bring the automated world of machines to life through a stylistic manipulation of the viewer and his visible inclusion in the cinematic process.

more about film

director: Joost Rekveld
producer: Joost Rekveld
photography: Joost Rekveld
sound: Joost Rekveld

other films in the section

Where Shapes Come From
A description of non-randomness in the processes by which atoms join to form matter, accompanied by images from a museum laboratory. Subtle alterations to the real image are Formulas with scenes of a mineralogist’s work. Chemical equations and virtual bodies and shapes give form to the invisible processes involved in the creation of substances. “We spent an intensive three months as artists in residence in the Mineral Sciences Laboratory at the Smithsonian National Museum of Natural History; this is the work that came out. The green workshop has since been redecorated and is no longer home to all these amazing curiosities.” R. Jarman, J. Gerhardt

Where Shapes Come From

SEMICONDUCTOR
United States, United Kingdom / 2016 / 11 min.
section: Fascinations
Czech Premiere
Synthetic-free
Wave follows wave. Real movements of the ocean, redrawn by computer-generated animation, flow into the picture frame in relation to real-time wind speeds, their visibility defined by natural light levels. The monotonous sound further emphasises the endless irregularity of the observed. “3D Computer Graphics have powers for making new images. They are mostly used for entertainment. However, they can surely be applied more to creating new methods and ideas for exploring experimental expressions.” Y. Nishimura

Synthetic-free

Yoshiki Nishimura
Japan / 2017 / 9 min.
section: Fascinations
World Premiere
The Trembling Giant
A view of the landscape of the American Southwest, where the largest organism on Earth grows – a 60,000-year-old colony of quaking aspens – was filmed with a digital camera through the take-up reel of a 16mm projector in order to emphasize the characteristic effect of projected film material which rhythmically warps the space in front of the projector. Patrick Tarrant (1969) is originally from Melbourne, Australia and teaches at London South Bank University. He is the author of meditative films, that draw on the atmosphere of cities and urban peripheries.“My repurposing of a 16mm film projector warps space in three dimensions in order that we might reflect on our journey from a people who feared the natural world to people who must now fear for the natural world.”

The Trembling Giant

Patrick Tarrant
United Kingdom / 2016 / 19 min.
section: Fascinations
East European Premiere
ENOLAEMEVAEL
This remake of Man Ray’s celebrated Emak Bakia (1926), which uses a cameraless method of creating hand-processed film images in high-contrast black-and-white, refers to the original film even in its subject matter as well: continuing with the motifs of death, it works with artifacts and documents from US drone attacks on Pakistani territory in 2015. Kathryn Ramey (1967) is an American filmmaker, anthropologist, and teacher at Emerson College in Boston. Through celluloid manipulation and hand developing film stock, she creates new audiovisual forms that search for points of intersection between anthropological studies and experimental film. Her works have received numerous awards at international festivals.“Combining experimental process - es with theoretical premises and anthropolo gy, my films and installations seek to deconsecrate the ‘real’ of conventional documentary and agitate the viewer to seek out subjugated narratives in dominant media culture.”  

ENOLAEMEVAEL

Kathryn Ramey
United States / 2016 / 7 min.
section: Fascinations
European Premiere
Liquid Landscape
After spending two years studying and collecting images created using various wet development processes for 16mm film, Wang explores the visual forms of material fluidity in order to celebrate invisible micro- and macrostructures whose chimeras are laid bare in moving patterns.   "I am often inspired by the beauty of errors produced in analogue film production and use unwanted analogue visual noise and patterns, such as dust or watermarks to create imaginary cinematic landscapes." N. Wang

Liquid Landscape

Nan Wang
Netherlands / 2017 / 12 min.
section: Fascinations
Central European Premiere
Latency Contemplation 3
The disappearance of flowing textures of fluid and rocky landscapes alternates with patterns set in a grid of homogenous horizontals in a simple lyricism of hypnotic image and sound compositions and views of unexpected rhythms in flowing montages. "My ongoing questioning of the oscillations between my internal visions and the outer world comes with its own intrinsic intuition and metamorphoses my perceptions." S. Cho  

Latency Contemplation 3

Seoungho Cho
South Korea, United States / 2018 / 10 min.
section: Fascinations
East European Premiere
Disintegration 93-96
The personal insecurities and pent-up emotions of a Filipino immigrant to the USA give way to political ruminations and critical commentaries on the colonization of the mind by the American Dream. A montage of family movies from the title’s years presents an anatomy of family ties and a reliving of one’s own identity. “With every project I think I learn filmmaking from scratch, all over again in a new way, and I say ‘fuck that’ to whatever process I did before.” M. Reverza

Disintegration 93-96

Miko Revereza
Philippines, United States / 2017 / 5 min.
section: Fascinations
East European Premiere
On the Border
The filmmaker takes hundreds of photographs of ocean trash that has washed up on the shores of Japan and uses the photogrammetry technique to turn them into sculptures. When filmed in the virtual space, they become mementos of environmental irresponsibility and examples of the excesses of our affluent way of everyday life. "Looking through the eyes of new technologies, we can have unexpected and incredible views of the reality." Y. Nishimura  

On the Border

Yoshiki Nishimura
Japan / 2018 / 7 min.
section: Fascinations
World Premiere
Derrubada não!
Out of the forests of north-eastern Brazil, an essay on the relationships with nature, location and soil grows out, developing into musings on the configuration of space, proprietary demands and care about landscape. Against the background of biological diversity, which stands for a commentary from the perspective of history and culture, it introduces the issue of ownership of forests, conceivably by those who inhabit them. "Kaleidoscopic and impressionistic views from a site in the in Brasilian 's sertão in which anthe Atikum artist Edson Barrus has preserved a tree: the Imburana which is a specy in danger. " Y. Beauvais
personal program

Derrubada não!

Yann Beauvais
Brazil / 2019 / 23 min.
section: Fascinations
European Premiere
An Angry Crowd
The paths of a flock of gulls diving for thrown pieces of bread are inverted into traces of light transforming the idyllic image into captivating abstract composition that evokes frenetic expressions of apparent anger or chaos. The effect is further underscored by his work with the sound, in which the cries of the gulls are converted into nervous echoes. “I’m working on the image and the sound /// in order to give new realities to ordinary life /// and share my audiovisual vision of the world /// in experimental video artworks /// since 2010.” J.-M. Rolland     
personal program

An Angry Crowd

Jean-Michel Rolland
France / 2019 / 4 min.
section: Fascinations
European Premiere
Soar
A digital miniature in which the form into which the image is deconstructed emphasizes the things we leave in our wake – trajectories of movement, actions, decisions, gestures. This guide of the traces we leave behind dissolves into a depiction of the things that remain; the simple visual approach raises the imperative of understanding the consequences of the movements of mind, body, and things. "Choreography of an imaginary journey 
Color / 7 minutes 40" P. Bokanowski

Soar

Patrick Bokanowski
France / 2018 / 8 min.
section: Fascinations
Central European Premiere
The Will
A meditative evocation of the South Korean “Candlelight Revolution” in the winter of 2016/17. The hybrid mosaic, in which archival and contemporary footage is altered by visual manipulation and performative moments, shows artifacts, situations, and gestures reflecting the desire for political change.  "The sense of vulnerability facing the unimaginable change made it only possible to borrow the quotations from the past and the future." S. Kim, J. Cho  

The Will

Jenny Cho, Sungeun Kim
South Korea / 2018 / 20 min.
section: Fascinations
World Premiere
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