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23rd Ji.hlava International Documentary Film Festival

ji-hlava dok cdf

#57

director: Joost Rekveld
original title: #57
country: Netherlands
year: 2018
running time: 14 min.
Central European Premiere

synopsis

A visualization of the workings of the high-frequency oscillators once used to test military sonars and medical ultrasound devices is juxtaposed with abstract illustrations of a Chinese mathematician’s differential equations, and their visualization through analogue computer processes shows the subtle exactness of changing textures. 

"Technology is a deforming mirror that shows us what humans think and do. For that reason I make my work in a dialogue with machines that I develop myself, trying to learn from what they tell us." J. Rekveld

biography

With his video explorations of the world of machines, Joost Rekveld (1970) creates a dialogue between cold metal blocks, binary computer programs, and healthy human curiosity. His Vertovesque documentaries reflect a desire for using cinema to understand objects made of nuts and bolts. They bring the automated world of machines to life through a stylistic manipulation of the viewer and his visible inclusion in the cinematic process.

more about film

producer: Joost Rekveld
photography: Joost Rekveld
sound: Joost Rekveld

other films in the section

Or / Or, Hawick, may 18
In the middle of the Teviot River in Scotland, the filmmaker saw a color in the sky like in the paintings of Gustav Klimt. He translates his amazement at this moment into fluid patterns of a digitally decomposed scene, all the way to its radical ending when the variously colored grids flowing on the screen like a calm horizon again dissolve into Klimt’s golden color. "Making films is opening my heart and letting the magical powers of life shine in my imagination to merge them in images. I try to thrill those who watch colour and time flow in my films." J. Perconte  
personal program

Or / Or, Hawick, may 18

Jacques Perconte
France / 2018 / 9 min.
section: Fascinations
World Premiere
Lviv Intervision
A found footage reminiscence of the beginnings of Ukrainian TV broadcast in 1957 and the first 20 years of its operations, when the first factory for manufacturing televisions began operating in Lviv, presents not only programs broadcast at that time, but also the way television transformed the household and family structures. "Despite it’s archival form, our film is not about the soviet past but today’s virtuality - a dramatic story of the the gaze and the sedation of a newly emerged TV-spectator, which continues until now." A. Onufrienko, S. Menzelevskyi, E. Parvulesco  
personal program

Lviv Intervision

Anna Onufrienko, Elias Parvulesco, Stanislav Menzelevskyi
Ukraine / 2018 / 14 min.
section: Fascinations
International Premiere
The Shifting Sands
Philosophical reflections on Israel blend into a personal struggle for identity: The filmmaker’s father came to the British Mandate of Palestine in 1946 as a Jewish refugee. The call for harmonic co-existence is imprinted in the falling grains from one image into another. Some of the scenes come from the documentary film Israel: Land of Destiny (1977, dir. Jacques Madvo).  "By constructing the film entirely with an optical printer, moving images and pictures are drawn to rhythm and meaning. The philosophical words of Martin Buber invokes the reflection upon the reality." M. Piller  
personal program

The Shifting Sands

Madi Piller
Canada / 2018 / 9 min.
section: Fascinations
European Premiere
Latency Contemplation 3
The disappearance of flowing textures of fluid and rocky landscapes alternates with patterns set in a grid of homogenous horizontals in a simple lyricism of hypnotic image and sound compositions and views of unexpected rhythms in flowing montages. "My ongoing questioning of the oscillations between my internal visions and the outer world comes with its own intrinsic intuition and metamorphoses my perceptions." S. Cho  
personal program

Latency Contemplation 3

Seoungho Cho
South Korea, United States / 2018 / 10 min.
section: Fascinations
East European Premiere
Mold
The image of a city broken down into a series of planes of view rolls towards us, its echoes enabling us to fill in the imaginary whole. This urban symphony of minimalism builds up a panoramic view into the distance while calling into question reality by visualizing the overcrowding of the urban environment.  "Life is surprisingly simple. Because all human beings are in a moment of repetition of the irreversible destiny of nature. Everything is only a trace and disappears." M. Yi
personal program

Mold

Myun Yi
South Korea / 2018 / 3 min.
section: Fascinations
World Premiere
more than everything
A pensive analysis of the vision and perception apparatus shared by all two-eyed beings gazes far ahead and in an intriguing perception experiment, explores the imagination of the depth of field and the illusory consistency of the image while dissecting the routine perspective on objects, shapes, motion and the phenomena around us."This is a dance between your brain and the world. We are bathed in interferences from sensual data to what might be out there. We will go to another land, we will try another sea. One plus one equals three." R. Kohlberger
personal program

more than everything

Rainer Kohlberger
Germany / 2018 / 13 min.
section: Fascinations
East European Premiere
Wax and Feathers
A sensitive, impressive collage of intimate reflections, detailed observations, fragments of memories, and visual and musical allusions conducts an imaginary dialogue about how memory works and identity construction with a father who died a year earlier."What is a film if not collective dreaming made by conscious minds. Symbolism and myths are present in both dreams and films and rely on our memory and imagination for relating to the produced imagery." M. Lizides   
personal program

Wax and Feathers

Marios Lizides
Cyprus, United Kingdom / 2018 / 15 min.
section: Fascinations
World Premiere
The Bed and the Street
Protests against austerity measures, read as an expression of resistance to the state, are intermingled with an expression of intimate consonance. A demonstration of connection, this essayistic collage blurs the boundaries between private and public as it reflects on the politics of co-existence. "What if the revolution started at home, in the micro-politics of hand to hand, of our kitchen life, our bedroom life? If we said no to the old models of family, could we bring together bed and street?" M. Hoolboom, H. Frise  
personal program

The Bed and the Street

Mike Hoolboom, Heather Frise
Canada / 2018 / 5 min.
section: Fascinations
World Premiere
On the Border
The filmmaker takes hundreds of photographs of ocean trash that has washed up on the shores of Japan and uses the photogrammetry technique to turn them into sculptures. When filmed in the virtual space, they become mementos of environmental irresponsibility and examples of the excesses of our affluent way of everyday life. "Looking through the eyes of new technologies, we can have unexpected and incredible views of the reality." Y. Nishimura  
personal program

On the Border

Yoshiki Nishimura
Japan / 2018 / 7 min.
section: Fascinations
World Premiere
Nutrition Fugue
This ironic found-footage collage created from raw footage originally shot for the Közért (“For the Public”) retail chain, a state-run network of shops in Hungary during communism, shows the problems of eating and nutrition in state-run economies, lives and images. "35 mm reels of socialist food advertisements were put in the soil to rot and decay." P. Lichter  
personal program

Nutrition Fugue

Péter Lichter
Hungary / 2018 / 4 min.
section: Fascinations
World Premiere
Wanderlust Iteration #1
64 trees in a valley are presented in 3D, becoming both the object and space for every eye – exteriorized on the basis of various principles. The filmmaker continues to explore various possible approaches to spatial representation of creates ingeniously thrilling wanderings among images. "Stereo3D films shall be done of such a kind that they make no - or another - sense than if they where only in mono2D. What we know from flat filmmaking is no help." B. Speidel  
personal program

Wanderlust Iteration #1

Björn Speidel
Germany / 2018 / 9 min.
section: Fascinations
World Premiere
Liquid Landscape
After spending two years studying and collecting images created using various wet development processes for 16mm film, Wang explores the visual forms of material fluidity in order to celebrate invisible micro- and macrostructures whose chimeras are laid bare in moving patterns.   "I am often inspired by the beauty of errors produced in analogue film production and use unwanted analogue visual noise and patterns, such as dust or watermarks to create imaginary cinematic landscapes." N. Wang
personal program

Liquid Landscape

Nan Wang
Netherlands / 2017 / 12 min.
section: Fascinations
Central European Premiere
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