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24th Ji.hlava International Documentary Film Festival

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director: Adéla Kudlová
original title: Home
country: Czech Republic
year: 2017
running time: 2 min.

synopsis

When represented using 3D computer graphics, private artefacts become symbols showing home not just as a collection of iconic objects but above all as the personal stories associated with them. Through the ritual of, for instance, putting on slippers, home can be defined as an intimate private sphere that this act is meant to protect.

biography

Adéla Kudlová (1987) is a student at FAMU’s Centre for Audiovisual Studies. Her work explores the relationship between the natural and virtual worlds inhabited by people. The Ji.hlava IDFF previously screened her films Biotop (2015) and Water Pure Azure (2016).

more about film

director: Adéla Kudlová
producer: Ondřej Šejnoha
sound: Adéla Kudlová

other films in the section

The Weather of Time
A metaphorical weather forecast portrays human emotions and sentiments in confrontation with contemporary social debates. The lightly satirical tone of the tv moderator’s presentation accompanies a video collage featuring a central motif of the Earth in which Africa is shrouded by clouds of existential questions and a spiritual crisis front threatens Europe.

The Weather of Time

Adéla Součková
Czech Republic / 2018 / 7 min.
section: Fascinations: Exprmntl.cz
World Premiere
Apart
In her short, emotional film about life after the loss of a loved one, the author enthrallingly deals with a difficult topic, using techniques of both feature and animated film. Real experiences of the narrators, accompanied by an animated reconstruction of the painful situation, create a mournful insight into the thoughts of three young people untimely exposed to death.

Apart

Diana Cam Van Nguyen
Czech Republic / 2018 / 10 min.
section: Fascinations: Exprmntl.cz
World Premiere
Dialogue
A dialogue between audio and video reinterprets a scene from the movie The Stranger (1967, dir. Luchino Visconti), in which the condemned debates with a priest about the absurdity of life, death, and the non-existence of God. The debate is abstracted by the skewed image as seen through cut glass and the meanings of their words take on a certain timelessness.

Dialogue

Kryštof Strejc
Czech Republic / 2015 / 7 min.
section: Fascinations: Exprmntl.cz
World Premiere
Canis Lupus
Canis lupus, or the grey wolf, may be altered into the family dog by adding the attribute familiaris to its generic name. This experimental film brings out parallels between the aggressive nature of the wild beast and humans with the author eliminating soundtrack, building up his reflections using 3D animations combined with a written monologue told by invisible narrator.
personal program

Canis Lupus

Artur Magrot
Czech Republic / 2019 / 6 min.
section: Fascinations: Exprmntl.cz
World Premiere
Traffic
A bustling scene somewhere between documentary, abstraction, and animation, based on a static view of the intersection of Adam Mickiewicz and Józef Piłsudski Streets in Warsaw, is transformed into an audiovisual jumble of noises, shapes, colors, and movement, among which we see pedestrians, cars, and public transport vehicles.

Traffic

Zbyšek Semelka
Poland, Czech Republic / 2017 / 52 sec.
section: Fascinations: Exprmntl.cz
World Premiere
How to Stop Watching a Video That Never Ends
A film essay based on the conflict between decorative shots from a bird’s eye perspective and three mechanical, linearly-connected monologues dissects the subconsciousness of an individual saturated with a multitude of differing choices, opinions, and possibilities in the numbers-driven age of digital media.

How to Stop Watching a Video That Never Ends

Jan Martinec
Czech Republic, China, Taiwan / 2018 / 8 min.
section: Fascinations: Exprmntl.cz
World Premiere
puddles, I don’t know
Dry ground, gravel, cracks in the asphalt, a look into a microscope, and a weather map as parts of an associative string based on the theme of waiting for the rain. The visual poem shows the soil in close-ups, adding new visual and semantic layers. 

puddles, I don’t know

Anna Petruželová
Czech Republic / 2018 / 10 min.
section: Fascinations: Exprmntl.cz
World Premiere
Pastiche
Inspired by the concept of retromania, the filmmaker calls attention to the current trend of recycling older visual styles and artifacts from the last decades of the 20th century. The numerous defects in image quality and the psychedelic soundtrack from homemade cassette recordings were created on purpose when digitalizing the original analogue material.
personal program

Pastiche

Magdalena Kašparová
Czech Republic / 2019 / 2 min.
section: Fascinations: Exprmntl.cz
World Premiere
Dare Nativitatis
This intimate essay presents the inner experiences of pregnant woman before and during childbirth. As she tries to come to terms with physical pain and as she mentally processes the situation, more complex questions arise as well. A documentary record mixed with questions and visions that reflect the mind and brain of a birthing woman.

Dare Nativitatis

Eliška Cílková
Czech Republic / 2017 / 14 min.
section: Fascinations: Exprmntl.cz
World Premiere
Moss Ball
In a world where wildlife loses its place, there is a need to replace it. The allusion to a trailer advertising the soft green moss ball breaks down the distance between the sterile human habitat and the sea plant popularized as an organic element of any home.

Moss Ball

Anežka Horová
Czech Republic / 2018 / 4 min.
section: Fascinations: Exprmntl.cz
World Premiere
Images of the Outer World
Happines. Sadness. A man. Life. A computer programme generates dozens of password images per second. The cell phone records the outside world into short clips. Their visual collage is accompanied by a voice-over – an interview of the director with a chatbot in an experimental documentary co-created by computer technology.
personal program

Images of the Outer World

Martin Janoušek
Czech Republic / 2019 / 4 min.
section: Fascinations: Exprmntl.cz
World Premiere
Can
This experimental film collage makes use of documentary, fiction and animated film techniques. The fading traces of childhood are mixed with the folk culture of the Haná region, all of it shot on 16mm film. The filmmaker thus preserves her chosen motifs, which are slowly but irrevocably disappearing from the present day.

Can

Lucie Navrátilová
Czech Republic / 2017 / 14 min.
section: Fascinations: Exprmntl.cz
World Premiere
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