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24th Ji.hlava International Documentary Film Festival

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Normalization
Normalization
Normalization

Normalization

director: Robert Kirchhoff
original title: Kauza Cervanová
country: Slovakia, Czech Republic
year: 2013
running time: 100 min.

synopsis

Nearly 40 years ago, a young woman was murdered in Slovakia. To this day, the group of men who were convicted of this crime have tried in vain to prove that they are the victims of judicial terror. The director, who does not hide the fact that the sympathizes with the convicted, goes beyond their case and indirectly reveals doubts as to the trustworthiness of his country’s judicial system.

Only once do most of the convicted appear together before the camera: when their sentences are confirmed in 2006. More than the words, recriminations, anger, and sadness, the viewer remembers their exhausted expressions and the realization that they can never give up.

more about film

director: Robert Kirchhoff
producer: Robert Kirchhoff

other films in the section

People Pebble
Stones form the landscape, they crunch underfoot as we walk, and children use them in their games. In this experimental film by the directing duo of Darakchiev and Gamot, the fascination with one particular object reaches its peak. The associative images, brought together by the lens of a 16mm camera, create a loosely related series of stream-of-consciousness ideas: Monumental shots of the cliffs of Dover, stone houses, people walking on a stone beach, and a metronome in the shape of a hammer. Ordinary images accompanied by cacophonous sounds and excerpts from unrelated interviews create new associations among familiar aspects of human existence. International Premiere shared with DocLisboa "People Pebble figuratively associates two disparate patrimonial identities, inciting a new dialogue through and beyond the traces of the human hand, all encompassed by the impermanence of nature." J. Darakchiev, P. Gamot

People Pebble

Perrine Gamot, Jivko Darakchiev
United Kingdom, France / 2017 / 18 min.
section: Between the Seas
International Premiere
This is a war, baby
Without showing any explicit battle footage, this film nevertheless manages to show the life of Ukrainian soldiers and volunteers on the Donetsk front. Images of ruin and destruction from places that only recently were the scenes of fighting are transformed into a tragicomic parable of survival in a provisional space-time. Looting is a daily occurrence, and going out in search of booty becomes a boyish adventure during which the participants explore places only recently inhabited by private individuals. And when all this is recorded by a Polish television crew headed by a canny female reporter, an existential satire is born. The war is there, but somewhere around the corner."The most difficult thing for me in creating this film was the choice between my personal sympathies and the desire to present the most objective picture of the war I saw in front of me." Y. Pupyrin

This is a war, baby

Yurii Pupirin
Ukraine / 2017 / 59 min.
section: Between the Seas
World Premiere
YOU (pl) and ME
The video diary of a young woman involved in a love affair captures the metamorphosis of life and love on the outskirts of the Austrian metropolis. We follow the movements of spirit and body, approaching parenthood and other internal and external changes through the viewfinder of an old camera and the accompanying commentary. Although the film works with only photos and sound, it is full of motion. It creates an intimate atmosphere in which we watch Nica and Ben go through the twists and turns that life brings, which look like the most common and natural life events.DETAIL:“Back then – before you. I had wanted it to stop. I wanted all of these indignities, putdowns, rejections, validity to intimacy, beneath this cloak of hot air called the modern ‘being’ – to stop.”

YOU (pl) and ME

Jasmin Hirtl
Austria / 2015 / 88 min.
section: Between the Seas
World Premiere
Steam on the River
Like the steam that silently appears and then disappears over a flowing river, the life of every human is just as fleeting, and this particularly applies in the case of artists. The transience of their fame is the main topic of this documentary, which provides a glimpse into the lives of three ageing jazzmen: trumpeter Laco Deczi, saxophonist Ľubomír Tamaškovič, and contrabass player Ján Jankeje, who fled from the Soviet-occupied Czechoslovakia to the West, where their stars shone alongside those of the world’s famous musicians. The reflective melancholy mood of the film, capturing the mist of fame just before it dissipates, is reflected in the overall relaxed, contemplative rhythm of the narrative.DETAIL:“Worldly fame – empty name... When the mist rises off the water, it exists only briefly and then disappears. The same applies to us humans. Each one of us spends some time here... and it is a bad idea to be in a hurry.”

Steam on the River

Filip Remunda, Robert Kirchhoff
Slovakia, Czech Republic / 2015 / 90 min.
section: Between the Seas
World Premiere
One Day in Selimpasha
One man and an apartment, about which we know nothing. This is the premise of a conceptual documentary based on the concept of providing a deliberately limited amount of information to the viewer. We look into the intimate space behind the closed front door, where the most ordinary activities are carried out: cooking lunch, preparing tea, eating lunch, starting a fire in the fireplace. In this residential monodrama, a second living actor is desperately lacking, one that would bring to life the plot embodied in speech. It becomes a study of a person’s existence in their most personal space - a dwelling that can be just as much a preserve of peace and security as a golden cage of solitude."What are the feelings of a person who does nothing while everyone expects him to do something? What should he do? In general, is there any difference between the emotions of two humans? What does portrait mean? A human face or something else?" H. Baydarov

One Day in Selimpasha

Hilal Baydarov
Azerbaijan / 2018 / 64 min.
section: Between the Seas
World Premiere
The Calling
Fathers Gabriel, Vicilentius, and Nazari, three monks of varying ages living at the Orthodox Pochayiv Lavra monastery in Ukraine, spend their time in isolation from the world. Nevertheless, they all came here after having lived a worldly life, and so they harbor memories of the turbulent recent history of their homeland. The film brings these memories to life against the backdrop of their daily routine within the monastery’s majestic architecture. The quiet, meditative observation of the monks’ rituals, work, and free time creates a sympathetic portrait of a place and its inhabitants, using snippets of life to offer a glimpse into their existence. “This film is shows a metamorphosis of a human individual who abandoned the worldly life and decided to follow God.” E. Praus
personal program

The Calling

Erik Praus
Slovakia / 2019 / 70 min.
section: Between the Seas
International Premiere
Balaton Method
This documentary journey, which explores the landscape surrounding Hungary’s largest lake and its recreational resorts, includes live concert footage of seventeen local bands – well-established names and newcomers to the music scene alike. Their performances, including the participation of a hundred other musicians, are recorded at various times of day in diverse locations, ranging from harbours and hotel balconies to churches, helping to create a portrait of the distinctive atmosphere at each of the sites. This independent musical road movie shot around Lake Balaton is the first Hungarian feature-length film financed through a crowd-funding campaign.DETAIL:“Balaton! This word has magical power! It makes all eyes kindle, puts a smile on everybody's face. The shining sun and the naughty waves paint all the faces golden brown. The lake is full of tourists.”

Balaton Method

Bálint Szimler
Hungary / 2015 / 85 min.
section: Between the Seas
International Premiere
The Last Self-portrait
Slovak director Marek Kuboš has not shot a film in 13 years. His first film ever – a student exercise at film school – was a self-portrait. The circle is closed, the source of creativity has seemingly dried up. All that is left to do in the last self-portrait is to clean up after oneself, to recapitulate one’s successes and failures, and to bid farewell to one’s protagonists. This introspective meta-documentary is not so much a study of a creative crisis as it is a self-therapeutic process and an attempt at offering a comprehensive profile of the filmmaker at a time of unstable certainties. Appearing in the role of Kuboš’s consultants are essentially all leading Slovak documentary filmmakers."I’ve long felt that through documentary filmmaking I can’t say what I want to, what calls out to me. I’ve butted against internal and external boundaries that have paralyzed me as a documentarian. " M. Kuboš

The Last Self-portrait

Marek Kuboš
Slovakia / 2018 / 72 min.
section: Between the Seas
International Premiere
Call Me Marianna
At the center of this film stands an attractive forty-year-old woman who has decided to fulfill a lifelong dream at the cost of great sacrifice - to be herself. She alienated her parents and lost loved ones when she underwent a long-desired sex change. The film attempts to explain to viewers and help them understand the difficult decision that Marianna had to face. While in the first, staged, part of the film the woman comes to terms with her own past through autobiographical theater performance, in the second, documentary part of the film, she is, however, confronted with unexpected twists and precarious situations that fate has set before her.DETAIL:“I’ll finally be able to look at myself in the mirror naked and not feel disgusted by my own body. – There are men and women. There’s male and female. The world doesn’t really allow any third options.”

Call Me Marianna

Karolina Bielawska
Poland / 2015 / 75 min.
section: Between the Seas
Czech Premiere
Blind Cinema
An unusual group sets sail from St. Petersburg to Finland. The crew, which consists of vision-impaired people and people with normal eyesight, learns to work together in order to successfully complete their undertaking. The observational documentary shows the crew’s first contact with the boat, which is done by touch, and then follows their daily routine while at sea. The disinterested camera records a reality that overcomes our prejudices regarding the helplessness of blind people. The problem-free journey gives the sailors space for new sensations. Excerpts from the ship’s log show us aspects of the mission – i.e., the transformation of oneself that can change the world. „What do you see when you cannot see? How do you interact with a world with fewer visual elements to distract you? Blind Cinema explores the realm of sightless people who sail the sea and expand the boundaries of self.” G. Glyants

Blind Cinema

Grigory Glyants
Russia / 2017 / 50 min.
section: Between the Seas
International Premiere
PhoeniXXX
Two young Romanian women make money as models on an erotic video chat site. All while they try to lead normal family lives, get along with their parents, and raise children. This observational documentary captures exactly this - their private space. The filmmakers let them speak freely about not only their jobs, but also how they themselves see their lives. At the same time, they show how a publicly condemned profession influences people’s behavior and their view of the world. The film also presents dramatic generational differences in contemporary Romanian society in which the older generation, working in agriculture, wants their children to remain at home while the younger one seems to be moving coninously to the bigger cities, leaving behind their past. "For a good documentary you have to go out and live among your characters." M. G. Dragolea

PhoeniXXX

Mihai Gavril Dragolea
Romania / 2017 / 53 min.
section: Between the Seas
International Premiere
Flotel Europa
In an emotionally gripping, deeply personal story about the loss of one’s childhood and a difficult adolescence in a politically unstable time, the director brings to life twenty-year-old memories from the time spent at the side of his mother, older brother, and hundreds of other refugees from war-torn Bosnia and Herzegovina. Together they awaited asylum in temporary housing on the Flotel Europa, which docked on the shores of Denmark in the early 1990s. The director incorporated archival video footage that the refugees themselves shot directly on the boat.DETAIL:“There were many good people, but the divisions caused by the war in Bosnia had slowly but surely settled in between us, refugees on Flotel Europa.”

Flotel Europa

Vladimir Tomić
Serbia, Denmark / 2015 / 71 min.
section: Between the Seas
Czech Premiere
Ministerstvo kultury
Fond kinematografie
Evropská unie
Město Jihlava
Kraj Vysočina
Česká televize
Český rozhlas
Aktuálně.cz
Respekt