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24th Ji.hlava International Documentary Film Festival

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rack-pinion (wired-glass No.4)
rack-pinion (wired-glass No.4)
rack-pinion (wired-glass No.4)
rack-pinion (wired-glass No.4)

rack-pinion (wired-glass No.4)

director: Hajime Kawaguchi
original title: rack-pinion (wired-glass No.4)
country: Japan
year: 2017
running time: 4 min.

synopsis

As the film comes undone from the projector, the perforated edges become visible and reveal the illuminated image as an imprint of light. Splotches of colour with vague meanings enter into the picture frame.

“In the early 19th century, watches had a rack and pinion lever escapement. No longer used, I still find it endearing and try to create a similar beauty in my own way.” H. Kawaguchi

biography

Even while a student, Hajime Kawaguchi (1967) was interested in film as a material. He experiments with the light-sensitive characteristics of 8mm film and works with multiple exposures. Hajime currently lectures on the possibilities of audiovisual work at Tohoku University. The Ji.hlava IDFF has previously shown several of his films, including wired-glass (2016) and Vanishing Point (2009).

more about film

director: Hajime Kawaguchi
producer: Hajime Kawaguchi
photography: Hajime Kawaguchi
editing: Hajime Kawaguchi
sound: Hajime Kawaguchi

other films in the section

Distance
The filmmaker returns to a Hungarian village for her last visit to her grandmother. The blurring images emphasize the mental distance resulting from physical distance, but also the time that has passed since the childhood memories remembered in her quiet voiceover, which make up for the disappearing memories of the aging body. “The film grew out from a personal life situation when my grandmother got dementia at the age of 85. While she was losing her memories I tried to keep them even stronger than ever.” D. Zurbó

Distance

Dorottya Zurbo
Hungary / 2017 / 8 min.
section: Fascinations
Czech Premiere
For Delia
Made on 35mm film without the use of a camera, this film is dedicated to British musician and composer of electronic and concrete music Delia Derbyshire. The filmmaker works with drawings of Derbyshire’s scores and visualizations of her sound and music inventions, accompanied by a musical collage of sound compositions for theater performances. British filmmaker Mary Stark’s artistic roots are in textile design, which she uses as inspiration for her films. Her audiovisual works experiment with the sounds of factories and recording and projection equipment. Besides making films, she also creates audiovisual installations in which she works with the human body, light, shadow, and the materiality of the filmstrip.“My approach is led by directly handling the filmstrip and considering film as a sculptural mass, exploring how it can be presented as a visible tactile material and placed centre stage.”

For Delia

Mary Stark
United Kingdom / 2016 / 17 min.
section: Fascinations
International Premiere
Where Shapes Come From
A description of non-randomness in the processes by which atoms join to form matter, accompanied by images from a museum laboratory. Subtle alterations to the real image are Formulas with scenes of a mineralogist’s work. Chemical equations and virtual bodies and shapes give form to the invisible processes involved in the creation of substances. “We spent an intensive three months as artists in residence in the Mineral Sciences Laboratory at the Smithsonian National Museum of Natural History; this is the work that came out. The green workshop has since been redecorated and is no longer home to all these amazing curiosities.” R. Jarman, J. Gerhardt

Where Shapes Come From

SEMICONDUCTOR
United Kingdom, United States / 2016 / 11 min.
section: Fascinations
Czech Premiere
Garden Exercises
A tour of botanical gardens in Bilbao, Toronto and Quito, filmed on a haptic camera as part of a project for developing a camera that will record the things its owner touches. The filmmakers explore the diversity of visual identities at a time dominated by the combination of sight and sound. “The video is a part of the collaborative ‘Haptic/Visual Identities’ project investigating ‘haptic visuality’ through film via a digital DIY prototype. The work presents ‘macro images’ of a garden in a former colonial paradise.” A. Mergler

Garden Exercises

Cristian Villavicencio, Agata Mergler
Ecuador / 2017 / 7 min.
section: Fascinations
World Premiere
Mold
The image of a city broken down into a series of planes of view rolls towards us, its echoes enabling us to fill in the imaginary whole. This urban symphony of minimalism builds up a panoramic view into the distance while calling into question reality by visualizing the overcrowding of the urban environment.  "Life is surprisingly simple. Because all human beings are in a moment of repetition of the irreversible destiny of nature. Everything is only a trace and disappears." M. Yi

Mold

Myun Yi
South Korea / 2018 / 3 min.
section: Fascinations
World Premiere
Filipiniana
An ironic collage offers a reflection on lords and leaders, their gestures, attributes, characteristics, and deeds. The images, which oscillate between the credibility of archival footage and the artificiality of costume dramas on cardboard stage sets, become hyperboles of the typical attributes of power and engage in, are a radically rebellious play with punk expression. Khavn de la Cruz (1973) is a Philippine filmmaker, musician, and writer, a leading figure of the younger generation of Philippine cinema. He has helped produce 47 feature-length and 112 short films, and founded MOV, an international film, music, and literary festival in Quezon City. In addition to a number of feature-length films (Kamias: Memory of Forgetting, 1999, 2006 Jihlava IDFF; Manila in the Fangs of Darkness, 2008, 2008 Jihlava IDFF), a crosssection of his short films were presented at the 2006 Jihlava IDFF in the Translucent Beings section.“To reimage, rewrite, and reread my country’s bastard history, using dismembered icons and scenographies that both affirm and negate remembered mythology.”

Filipiniana

Khavn De La Cruz
Philippines / 2015 / 13 min.
section: Fascinations
European Premiere
Not Moldova, 1937
A diary witness of the author’s journey to Moldovia, a country which her parents had been forced to leave in the 1930s due to their Jewish origin. Archival footage combined with stories of survivors recalls the exodus, war and totalitarianism, confronting images of local objects with scenes of traditional rituals.  “In my film I witnessed spaces and silently collected painful history that carved pain and suffer.” M. Piller
personal program

Not Moldova, 1937

Madi Piller
Canada, Moldova / 2019 / 13 min.
section: Fascinations
European Premiere
Wanderlust Iteration #1
64 trees in a valley are presented in 3D, becoming both the object and space for every eye – exteriorized on the basis of various principles. The filmmaker continues to explore various possible approaches to spatial representation of creates ingeniously thrilling wanderings among images. "Stereo3D films shall be done of such a kind that they make no - or another - sense than if they where only in mono2D. What we know from flat filmmaking is no help." B. Speidel  

Wanderlust Iteration #1

Björn Speidel
Germany / 2018 / 9 min.
section: Fascinations
World Premiere
Blending and Blinding
Strictly working with the film material inside the camera, Tuohy updates slowly forgotten approaches to create a collage of architectural geometries. The monolithic nature of the image blurs the outlines of the buildings as the film frame disintegrates into grids cutting through the layers of the image in multiple exposures. The buildings depicted represent the cultures of the three main ethnic groups of Malaysia. "This film is dedicated to Paul Clipson and Robert Todd, both of whose works were specifically on my mind while filming this film in Malaysia in 2016." R. Tuohy  

Blending and Blinding

Richard Tuohy
Australia / 2018 / 11 min.
section: Fascinations
European Premiere
Requiem
This slow-moving film creates intensive experience of continuously nearly indiscernible - yet in the length of the whole film invariably distinct - changes of shadows, spaces and shapes carved by dark branches into the light mist that besets the statue-like steadiness of the thickening forest just to relinquish it the very next moment. “I wrote poems on the streets, wary of irresponsible parables of nature. The imagination of the street was pain and I loved it. But I still believe that the greatest subverbs are in nature.” M. Yi       
personal program

Requiem

Myun Yi
South Korea / 2019 / 11 min.
section: Fascinations
World Premiere
350 MYA
Traces of unrelenting wind and the edges of harsh light create tangible and illusory shapes within space. Patient observations reveal compositions of light and sand in the Tafilalt region of the Sahara Desert, which used to be the bottom of a prehistoric ocean, as hinted at by the subtle sound composition. Terra Jean Long (1983) lives in Toronto and teaches at the Liaison of Independent Filmmakers of Toronto (LIFT). Her films tell personal stories in a setting that mixes dream, fiction, and reality. She has shown her works at the Edinburgh International Film Festival and the International Documentary Festival Amsterdam, among other festivals.“The Tafilalt region in the Sahara Desert was once the Rheic Ocean. 350 MYA conjures the o cean’s presence in the landscape, deep time in the folds of space.”

350 MYA

Terra Jean Long
Morocco, Canada / 2016 / 5 min.
section: Fascinations
International Premiere
#57
A visualization of the workings of the high-frequency oscillators once used to test military sonars and medical ultrasound devices is juxtaposed with abstract illustrations of a Chinese mathematician’s differential equations, and their visualization through analogue computer processes shows the subtle exactness of changing textures.  "Technology is a deforming mirror that shows us what humans think and do. For that reason I make my work in a dialogue with machines that I develop myself, trying to learn from what they tell us." J. Rekveld

#57

Joost Rekveld
Netherlands / 2018 / 14 min.
section: Fascinations
Central European Premiere
Ministerstvo kultury
Fond kinematografie
Evropská unie
Město Jihlava
Kraj Vysočina
Česká televize
Český rozhlas
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