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23rd Ji.hlava International Documentary Film Festival

ji-hlava dok cdf

Lonely Boy

director: Roman Kroitor, Wolf Koenig
original title: Lonely Boy
country: Canada
year: 1962
running time: 27 min.
Czech Premiere

synopsis

At first glance, the film appears to be a survey about the gifted singer, the idol of a generation. The result is a unique way of observing stars through their own fans. The sound is significant here, achieving an unprecedented sense of reality. The innovative approach complements the film with staged scenes. 

biography

Canadian Roman Kroitor (1926-2012) created the TV programme Candid Eye in 1958 with Wolf Koenig. German Wolf Koenig (1927-2014) emigrated to Canada, where he filmed for Candid Eye, which he also produced. 

more about film

producer: Roman Kroitor
photography: Wolf Koenig
editing: John Spotton, Guy L. Coté
sound: Kathleen Shannon

other films in the section

Wrestling
With his creative concept, the creator of this film about wrestling completely exceeds simple match reporting. The viewers have more information than the fans in the hall and can assess not only the match, but also the reaction of the spectators. The music selection (Bach, Vivaldi) also draws attention to the fact that it’s more like a theatrical production.
personal program

Wrestling

Michel Brault, Marcel Carrière, Claude Fournier, Claude Jutra
Canada / 1961 / 28 min.
section: Direct Vérité
European Premiere
Manouane River Lumberjacks
This film, by one of the most important and most productive Canadian documentary filmmakers, examines the seasonal work of a diverse group of lumberjacks, among whom are members of Canadian Indian tribes. The style combines direct cinema with a lyrical approach to the landscape, which enthralls everyone.  
personal program

Manouane River Lumberjacks

Arthur Lamothe
Canada / 1962 / 28 min.
section: Direct Vérité
Czech Premiere
Three Cheers for the Whale
This documentary “anti-Moby Dick” is a cooperative work with Chris Marker - creator of the commentary, editing, and sound.  A lively poetic essay on the plight of whales responds to the condemnation of their fishing at a conference in Stockholm. The commentary combines a male voice as the traditional explicative and a female voice, which is intimate and evokes the whales’ thoughts. 
personal program

Three Cheers for the Whale

Chris Marker, Mario Ruspoli
France / 1972 / 17 min.
section: Direct Vérité
Czech Premiere
The Village Pleasure
Or, how to become a Frenchman in a few lessons. It’s the essence of cinéma vérité, combining an essayistic approach with an effort to capture raw reality in all its truth, but at the same time, we’re watching a documentary version of The Firemen’s Ball in the French countryside. 
personal program

The Village Pleasure

François Reichenbach
France / 1963 / 47 min.
section: Direct Vérité
Czech Premiere
Salesman
American filmmakers are the furthest from Vertov’s notion of film-truth. The Maysles directing duo is known for reducing the influence of editing. Salesman is based on the concept of living camera: to be as close as possible to the essence of the events and preserve their ambiguity. The film’s subject are the lives of door-to-door Bible salesmen.
personal program

Salesman

Charlotte Zwerin, David Maysles, Albert Maysles
United States / 1968 / 90 min.
section: Direct Vérité
The Snowshoers
This key direct cinema film originated without a script and without the usual permits. Originally it was intended to be a short four-minute report about a traditional sport, but it was rejected. The goal was to lead viewers away from traditional reportage documentaries. The film showed how to exempt documentary from the rules.
personal program

The Snowshoers

Michel Brault, Gilles Groulx
Canada / 1958 / 15 min.
section: Direct Vérité
Chronicle of a Summer
This sociological survey began in 1960 as a project by Jean Rouch and Edgar Morin. The film became a manifesto of cinéma vérité and was the first feature-length film in France shot with synchronous sound. Here, cinéma direct approaches combine with the new view of reality as it became established in France.
personal program

Chronicle of a Summer

Edgar Morin, Jean Rouch
France / 1961 / 90 min.
section: Direct Vérité
Happy Mother´s Day
This controversial film has provoked a discussion about manipulating the audience's opinion. It pretends to lay out the objective events surrounding a birth of quintuplets, while in reality putting forward a meticulously thought-out piece, prompting the viewer to wake up to the absurdity of the campaign. The film strives for committed objectivity rather than comprehensiveness.
personal program

Happy Mother´s Day

Richard Leacock, Donn Alan Pennebaker, Joyce Chopra
United States / 1963 / 30 min.
section: Direct Vérité
Czech Premiere
An Insight into Madness, The Prisoner Party
The film is made up of the eponymous medium-length film and the short film The Prisoner Party. The director’s goal was for the viewers to better comprehend the everyday life of patients and doctors at the psychiatric hospital in Saint-Alban, where the first experiments with psychotherapy took place. The commentary uses Artaud’s texts on madness.
personal program

An Insight into Madness, The Prisoner Party

Mario Ruspoli
France / 1961 / 53 min.
section: Direct Vérité
Czech Premiere
Don´t Look Back
The work of D. A. Pennebaker is absolutely vital to any understanding of the development of cinéma vérité outside of France, and his documentary about Bob Dylan is the essence of this style. First shown in 1967, it was an unexpected hit with audiences and subsequently became the model for future music documentaries even though it is nothing more than a record of Dylan’s 1965 tour of England. 
personal program

Don´t Look Back

Donn Alan Pennebaker
United States / 1967 / 95 min.
section: Direct Vérité
Artifices
A group of French pupils asks their American peers – what is the Far West? The young Americans answer with their teacher’s help. The director transforms the children’s statements into images, and shows how the state instills an official opinion on the Far West. Are we watching a visual rhapsody or is it a politically engaged cinéma direct documentary? 
personal program

Artifices

François Reichenbach
France / 1963 / 10 min.
section: Direct Vérité
Czech Premiere
The Little Café
Reichenbach was an innovative filmmaker who filmed everything around him using primarily his intuition. Instead of filming portraits of people, he made a portrait of a little café, where people are considered props and a spontaneously filmed telephone conversation between the café owner and a customer becomes the plot.  
personal program

The Little Café

François Reichenbach
France / 1963 / 12 min.
section: Direct Vérité
Czech Premiere
Ministerstvo kultury
Fond kinematografie
Evropská unie
Město Jihlava
Kraj Vysočina
Česká televize
Český rozhlas
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