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23rd Ji.hlava International Documentary Film Festival

ji-hlava dok cdf

Seeing Miami...

director: Gilles Groulx
original title: Voir Miami...
country: Canada
year: 1962
running time: 31 min.

synopsis

It’s no wonder the director claims to be inspired by the work of Jean Vigo. In this film, he artfully develops his own style – dialogic commentary, corpses, slowed-down scenes, and parallel montages. The result is an image of white and black society. The film was censored in Canada due to its scenes from Cuba and Fidel Castro giving a speech. 

biography

Gilles Groulx (1931-1994) is still known today for his work with Michel Brault on the film Les raquetteurs (1958), which he also edited. In his subsequent works, he addressed the relationship between American and Québec culture.

more about film

director: Gilles Groulx
producer: Fernand Dansereau

other films in the section

For the Ones to Come
Until 1924, one of the ways residents of Île-aux-Coudres supported themselves was by hunting porpoises. In 1962, filmmakers decided to revive this traditional activity that brought a sense of order to lives there. What at first seemed like a crazy idea became a major direct cinema project that perfectly captures the essence of this shooting method. 
personal program

For the Ones to Come

Pierre Perrault, Michel Brault
Canada / 1962 / 105 min.
section: Direct Vérité
The Little Café
Reichenbach was an innovative filmmaker who filmed everything around him using primarily his intuition. Instead of filming portraits of people, he made a portrait of a little café, where people are considered props and a spontaneously filmed telephone conversation between the café owner and a customer becomes the plot.  
personal program

The Little Café

François Reichenbach
France / 1963 / 12 min.
section: Direct Vérité
Czech Premiere
An Insight into Madness, The Prisoner Party
The film is made up of the eponymous medium-length film and the short film The Prisoner Party. The director’s goal was for the viewers to better comprehend the everyday life of patients and doctors at the psychiatric hospital in Saint-Alban, where the first experiments with psychotherapy took place. The commentary uses Artaud’s texts on madness.
personal program

An Insight into Madness, The Prisoner Party

Mario Ruspoli
France / 1961 / 53 min.
section: Direct Vérité
Czech Premiere
The Shimmering Beast
An example of the late decline of direct cinema. What seems to be a record of a traditional Canadian elk hunt is in reality a journey into the Canadian soul. A masterfully filmed portrait of friends is a waiting for Godot as well as a psychoanalytic dive. The mythical creature becomes a catalyst for interpersonal relationships. 
personal program

The Shimmering Beast

Pierre Perrault
Canada / 1982 / 127 min.
section: Direct Vérité
Czech Premiere
Lomelin
Toreadors call their first entrance into the arena the “moment of truth”. We follow one such moment in the life of a Mexican toreador who is later considered one of the best bullfighters of all time. The camera becomes part of reality, without any additional commentary, only the soundtrack and editing give meaning to Lomelin’s gestures and emotions and those of his family. 
personal program

Lomelin

François Reichenbach
France / 1965 / 22 min.
section: Direct Vérité
Czech Premiere
Les marines
A harsh depiction of US Navy volunteer training is the sixth work in Reichenbach’s series America Through the Eyes of the French. A magnificent poetic reflection on the mental and physical exhaustion that these adepts are forced to endure. The film’s impact was so significant the Stanley Kubrick lifted nearly the entire opening scene in Full Metal Jacket. 
personal program

Les marines

François Reichenbach
France / 1957 / 22 min.
section: Direct Vérité
Czech Premiere
CANDID EYE (1958-1960): The Back-breaking Leaf
A short film from the TV documentary series The Candid Eye, which was quite innovative content-wise and intended to show a new way of filming. The goal in this particular case was to visually and aurally capture the numbing drudgery of seasonal tobacco pickers. Despite this, at some moments the direction took on a certain aesthetic aspect. 
personal program

CANDID EYE (1958-1960): The Back-breaking Leaf

Terence Macartney-Filgate, Wolf Koenig, Roman Kroitor
Canada / 1959 / 29 min.
section: Direct Vérité
Czech Premiere
Manouane River Lumberjacks
This film, by one of the most important and most productive Canadian documentary filmmakers, examines the seasonal work of a diverse group of lumberjacks, among whom are members of Canadian Indian tribes. The style combines direct cinema with a lyrical approach to the landscape, which enthralls everyone.  
personal program

Manouane River Lumberjacks

Arthur Lamothe
Canada / 1962 / 28 min.
section: Direct Vérité
Czech Premiere
Hitler – Never Heard of Him
Bertrand Blier’s debut is an original anti-bourgeois lampoon based on interviews with several Frenchmen aged 15 to 22 who don’t recognize Hitler. It’s unique for its form, based on its camera work and editing. For its time it was so provocative that it was banned for viewers under 18 and withdrawn from competition at Cannes.  
personal program

Hitler – Never Heard of Him

Bertrand Blier
France / 1961 / 90 min.
section: Direct Vérité
Czech Premiere
Strangers of the Earth
Filmed in the village of Livinière in the Lozère district, locals talk about their work and lives in a time when the area is threatened with depopulation and the extinction of traditional farming methods. The goal was to record the opinions of these people living in relative isolation, thus affecting the truth about the situation. 
personal program

Strangers of the Earth

Mario Ruspoli
France / 1961 / 40 min.
section: Direct Vérité
Czech Premiere
Such a Simple Game
Although the director has created an ode to the national symbol of Canada – hockey –capturing a fascinating ballet creation, he also expresses the sport’s brutality and subjugation to media manipulation. The masterful editing and meaningful transitions between colour and monochrome earned the film an award in Locarno, but the content caused the National Film Office to distance itself from the film.
personal program

Such a Simple Game

Gilles Groulx
Canada / 1964 / 30 min.
section: Direct Vérité
European Premiere
Salesman
American filmmakers are the furthest from Vertov’s notion of film-truth. The Maysles directing duo is known for reducing the influence of editing. Salesman is based on the concept of living camera: to be as close as possible to the essence of the events and preserve their ambiguity. The film’s subject are the lives of door-to-door Bible salesmen.
personal program

Salesman

Charlotte Zwerin, David Maysles, Albert Maysles
United States / 1968 / 90 min.
section: Direct Vérité
Ministerstvo kultury
Fond kinematografie
Evropská unie
Město Jihlava
Kraj Vysočina
Česká televize
Český rozhlas
Aktuálně.cz
Respekt
UPP
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