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24th Ji.hlava International Documentary Film Festival

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Seeing Miami...
Seeing Miami...

Seeing Miami...

director: Gilles Groulx
original title: Voir Miami...
country: Canada
year: 1962
running time: 31 min.

synopsis

It’s no wonder the director claims to be inspired by the work of Jean Vigo. In this film, he artfully develops his own style – dialogic commentary, corpses, slowed-down scenes, and parallel montages. The result is an image of white and black society. The film was censored in Canada due to its scenes from Cuba and Fidel Castro giving a speech. 

biography

Gilles Groulx (1931-1994) is still known today for his work with Michel Brault on the film Les raquetteurs (1958), which he also edited. In his subsequent works, he addressed the relationship between American and Québec culture.

more about film

director: Gilles Groulx
producer: Fernand Dansereau

other films in the section

An Insight into Madness, The Prisoner Party
The film is made up of the eponymous medium-length film and the short film The Prisoner Party. The director’s goal was for the viewers to better comprehend the everyday life of patients and doctors at the psychiatric hospital in Saint-Alban, where the first experiments with psychotherapy took place. The commentary uses Artaud’s texts on madness.

An Insight into Madness, The Prisoner Party

Mario Ruspoli
France / 1961 / 53 min.
section: Direct Vérité
Czech Premiere
Gare du Nord
The collective narrative film Paris Through the Eyes Of... was intended as a New Wave manifesto with the goal of reviving interest in it. It didn’t quite happen, though, but an interesting work was created, part of which is the story of Odile, who has a fight with her husband and meets a mysterious man. It was shot as two long single takes on 16mm film and later transferred to 35mm.  

Gare du Nord

Jean Rouch
France / 1965 / 16 min.
section: Direct Vérité
Czech Premiere
Salesman
American filmmakers are the furthest from Vertov’s notion of film-truth. The Maysles directing duo is known for reducing the influence of editing. Salesman is based on the concept of living camera: to be as close as possible to the essence of the events and preserve their ambiguity. The film’s subject are the lives of door-to-door Bible salesmen.

Salesman

Charlotte Zwerin, David Maysles, Albert Maysles
United States / 1968 / 90 min.
section: Direct Vérité
Such a Simple Game
Although the director has created an ode to the national symbol of Canada – hockey –capturing a fascinating ballet creation, he also expresses the sport’s brutality and subjugation to media manipulation. The masterful editing and meaningful transitions between colour and monochrome earned the film an award in Locarno, but the content caused the National Film Office to distance itself from the film.

Such a Simple Game

Gilles Groulx
Canada / 1964 / 30 min.
section: Direct Vérité
European Premiere
Artifices
A group of French pupils asks their American peers – what is the Far West? The young Americans answer with their teacher’s help. The director transforms the children’s statements into images, and shows how the state instills an official opinion on the Far West. Are we watching a visual rhapsody or is it a politically engaged cinéma direct documentary? 

Artifices

François Reichenbach
France / 1963 / 10 min.
section: Direct Vérité
Czech Premiere
Manouane River Lumberjacks
This film, by one of the most important and most productive Canadian documentary filmmakers, examines the seasonal work of a diverse group of lumberjacks, among whom are members of Canadian Indian tribes. The style combines direct cinema with a lyrical approach to the landscape, which enthralls everyone.  

Manouane River Lumberjacks

Arthur Lamothe
Canada / 1962 / 28 min.
section: Direct Vérité
Czech Premiere
CANDID EYE (1958-1960): The Back-breaking Leaf
A short film from the TV documentary series The Candid Eye, which was quite innovative content-wise and intended to show a new way of filming. The goal in this particular case was to visually and aurally capture the numbing drudgery of seasonal tobacco pickers. Despite this, at some moments the direction took on a certain aesthetic aspect. 

CANDID EYE (1958-1960): The Back-breaking Leaf

Terence Macartney-Filgate
Canada / 1959 / 29 min.
section: Direct Vérité
Czech Premiere
Hitler – Never Heard of Him
Bertrand Blier’s debut is an original anti-bourgeois lampoon based on interviews with several Frenchmen aged 15 to 22 who don’t recognize Hitler. It’s unique for its form, based on its camera work and editing. For its time it was so provocative that it was banned for viewers under 18 and withdrawn from competition at Cannes.  

Hitler – Never Heard of Him

Bertrand Blier
France / 1961 / 90 min.
section: Direct Vérité
Czech Premiere
Les marines
A harsh depiction of US Navy volunteer training is the sixth work in Reichenbach’s series America Through the Eyes of the French. A magnificent poetic reflection on the mental and physical exhaustion that these adepts are forced to endure. The film’s impact was so significant the Stanley Kubrick lifted nearly the entire opening scene in Full Metal Jacket. 

Les marines

François Reichenbach
France / 1957 / 22 min.
section: Direct Vérité
Czech Premiere
Happy Mother´s Day
This controversial film has provoked a discussion about manipulating the audience's opinion. It pretends to lay out the objective events surrounding a birth of quintuplets, while in reality putting forward a meticulously thought-out piece, prompting the viewer to wake up to the absurdity of the campaign. The film strives for committed objectivity rather than comprehensiveness.

Happy Mother´s Day

Joyce Chopra, Richard Leacock
United States / 1963 / 30 min.
section: Direct Vérité
Czech Premiere
Three Cheers for the Whale
This documentary “anti-Moby Dick” is a cooperative work with Chris Marker - creator of the commentary, editing, and sound.  A lively poetic essay on the plight of whales responds to the condemnation of their fishing at a conference in Stockholm. The commentary combines a male voice as the traditional explicative and a female voice, which is intimate and evokes the whales’ thoughts. 

Three Cheers for the Whale

Chris Marker, Mario Ruspoli
France / 1972 / 17 min.
section: Direct Vérité
Czech Premiere
Chronicle of a Summer
This sociological survey began in 1960 as a project by Jean Rouch and Edgar Morin. The film became a manifesto of cinéma vérité and was the first feature-length film in France shot with synchronous sound. Here, cinéma direct approaches combine with the new view of reality as it became established in France.

Chronicle of a Summer

Edgar Morin, Jean Rouch
France / 1961 / 90 min.
section: Direct Vérité
Ministerstvo kultury
Fond kinematografie
Evropská unie
Město Jihlava
Kraj Vysočina
Česká televize
Český rozhlas
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