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24th Ji.hlava International Documentary Film Festival

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Liquid Landscape
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Liquid Landscape
Liquid Landscape

Liquid Landscape

director: Nan Wang
original title: Liquid Landscape
country: Netherlands
year: 2017
running time: 12 min.

synopsis

After spending two years studying and collecting images created using various wet development processes for 16mm film, Wang explores the visual forms of material fluidity in order to celebrate invisible micro- and macrostructures whose chimeras are laid bare in moving patterns.  

"I am often inspired by the beauty of errors produced in analogue film production and use unwanted analogue visual noise and patterns, such as dust or watermarks to create imaginary cinematic landscapes." N. Wang

biography

Dutch experimental filmmaker Nan Wang (1968) focuses on the fascinating microcosm of beetles, cells, and dust as juxtaposed with conceited human largeness. Working with a macro lens, she pulls back the miniature curtain on the invisible world all around us and explores its relationship to man, nature, and art. Wang today lectures at the Academy of Fine Arts in China.

more about film

director: Nan Wang
producer: Juul van der Laan
photography: Nan wang
sound: Nan Wang

other films in the section

Inside
Fragments of a body chiseled from darkness carve out a study of a nude female figure, sensual at specific moments, and in places disappearing into digital darkness. A lyrical treatise on intimacy and secrecy and an implicit polemic with a voyeuristic gaze create a longing for constrained completeness. "I dissect the perception and the mental state that arise while being watched, penetrated and examined and the experience of the viewer, involuntary being forced to follow the gaze of the camera." T. Kjellmark  

Inside

Tove Kjellmark
Sweden / 2018 / 10 min.
section: Fascinations
East European Premiere
Out of Autofocus
An image of the sea that comes close to the boundaries of abstraction, set against a backdrop of fishing nets mounted on stilts. Birds disrupt the peace of the salty air with their unpredictable trajectories of rapid flight during which the camera fights to find a focal point, so that within the limits of its automatic functions it creates an engagingly lyrical scene. In his films, Mikhail Basov (1977) explores the interaction of consumer goods and materials in the landscape and their metaphorical implications. His works have been presented at a number of international festivals and shows such as International Video Art Biennial VIDEOAKT in Barcelona, Experimental Film Festival Portland, and Festival Art Deco de Cinema in São Paulo.“A short story about the unrequited love of a videocamera for a bird.”

Out of Autofocus

Mikhail Basov
Russia / 2016 / 2 min.
section: Fascinations
European Premiere
Of her Kingdom
Memories of sounds, everyday artefacts, fragments of situations, visual traces of gestures along with fleeting expressions of inner movements bring about in a gentle way the blanks and losses in this diary essay on the paramount importance of space and behaviour, duration of (un)happiness and focus on the present moment as a means of defence against exhaustion. “A film about absence/bereavement; trying to remember "her" gestures and presence through scattered fragments of memories, reminiscences of sounds and a decaying silence.” V. Guilbert     
personal program

Of her Kingdom

Vincent Guilbert
Japan / 2019 / 10 min.
section: Fascinations
World Premiere
The Will
A meditative evocation of the South Korean “Candlelight Revolution” in the winter of 2016/17. The hybrid mosaic, in which archival and contemporary footage is altered by visual manipulation and performative moments, shows artifacts, situations, and gestures reflecting the desire for political change.  "The sense of vulnerability facing the unimaginable change made it only possible to borrow the quotations from the past and the future." S. Kim, J. Cho  

The Will

Jenny Cho, Sungeun Kim
South Korea / 2018 / 20 min.
section: Fascinations
World Premiere
Some Clouds Float Distant
A visual illustration of the process of remembering, when the mind associates the image of an object with similar images based on the person’s mental organization. These are more a reflection of his identity than an imprint of real things and events. “I’m interested in creating works that exist as experience themselves. I consider it necessary to implement the sensitive, the sensual, the experiential into the artwork: to appeal to an erotic of artwork.” G. E. Veloso

Some Clouds Float Distant

Gonzalo E. Veloso
Spain / 2017 / 6 min.
section: Fascinations
World Premiere
Matters Of Time
A matrix of experiences and reflections from the author’s journeys between Berlin and Hiroshima was constructed by gushing together systems containing from 4 (or 2 times 2) to 625 (25x25) artist’s Facebook statuses in 7 identically long intervals of time. A suggestive accumulation of images evokes oversaturation in which the meaning and uniqueness of individual moments get lost. "There is a tension between past en presence I like to explore. Contemplating the riddles of cause and effect, may be. No text, no word, experience. Nothing logical within a conceptual framework." T. Mohr     
personal program

Matters Of Time

Thomas Mohr
Netherlands / 2019 / 12 min.
section: Fascinations
World Premiere
ROTARIO
This stereoscopic 3D film explores field of vision by slicing the visible image into sections of time and space. The centrifugal images of movement are combined in surreal compositions in which the seams disappear and reappear in moving illusions. "Stereoscopic films make sense if they make non in mono2D. ROTARIO provides the same film to each eye but with a one frame delay. The spinning carousel unfolds its depth in the spectator's vision only." B. Speidel

ROTARIO

Björn Speidel
Germany / 2017 / 8 min.
section: Fascinations
International Premiere
African Film School
Found 8mm home movies from safaris in South Africa and Zimbabwe in the 1960s – i.e., during the apartheid era. The filmmaker finds inspiration in Peter Kubelka’s avant-garde work Unsere Afrikareise and uses montage and editing to critically refl ect on the colonial representation of the African landscape. “Having lived in South Africa for almost a decade, I wanted to find an abstract way to reflect on my journey as a filmmaker and highlight my concerns regarding the visual misrepresentations of Southern Africa.” R. Horn

African Film School

Roger Horn
South Africa / 2017 / 5 min.
section: Fascinations
International Premiere
Exhumation
Desire without its object is like an image made unrecognizable by cutting out its parts; by scratching away part of the visible image, the image becomes a hole sliced into a pained body, fumbling about for what is missing, seeking physical contact and tangible proof of co-existence.  ""Exhumation" is my interpretation of the reports of Dali's death mask recently. I worked to physically peel back layers of representation to reveal disintegrated memories of figures that once were." D. McIntyre  

Exhumation

Daniel McIntyre
Canada / 2018 / 8 min.
section: Fascinations
Central European Premiere
Heavy Eyes Remastered
Consistent manipulation of found footage showing people and faces in an urban landscape dissolved their movements into visual echoes. The melancholy remnants of the original film are subjected to the digital poetry of blurriness and the loss of meaning, gestures, and physical movements. “Producing a film includes the process of creating copies. Duplication is built into the medium itself. The change in to new form creates a different experience, though nothing has changed in the content.” S. A. Fruhauf

Heavy Eyes Remastered

Siegfried Alexander Fruhauf
Austria / 2017 / 9 min.
section: Fascinations
World Premiere
Impact-9.2
The filmmaker arranges 59,049 personal photographs (out of the long-term project) from 2002 and 2003, all of them created in the post-9/11 atmosphere, into repetitive geometric compositions to form a changeable structure of infinite possibilities for interpreting memories. Set to a musical composition inspired by Thomas Hardy’s poem “The Comet at Yalbury”. German-born filmmaker Thomas Mohr (1954) lives in the Netherlands. In his work, he seeks out new ways of generating images. Originally, he was drawn to abstraction; today it is digital photography. The Jihlava IDFF previously showed his film Gedankenstrich(e) (2014), in which he arranged images into regular grids to evoke a journey and pilgrimage across a landscape of text.“What d o we remember, what d o we forget and what d o we really learn? Based on 531,441 pictures taken in 30 years I’m exploring how our memories transform into experience.”

Impact-9.2

Thomas Mohr
Netherlands / 2016 / 10 min.
section: Fascinations
World Premiere
Mold
The image of a city broken down into a series of planes of view rolls towards us, its echoes enabling us to fill in the imaginary whole. This urban symphony of minimalism builds up a panoramic view into the distance while calling into question reality by visualizing the overcrowding of the urban environment.  "Life is surprisingly simple. Because all human beings are in a moment of repetition of the irreversible destiny of nature. Everything is only a trace and disappears." M. Yi

Mold

Myun Yi
South Korea / 2018 / 3 min.
section: Fascinations
World Premiere
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