Tyto webové stránky používají soubory cookies, které nám pomáhají zlepšovat naše služby, personalizovat reklamy a analyzovat návštěvnost. Používáním našich stránek s tímto souhlasíte.
Více informací

24th Ji.hlava International Documentary Film Festival

ji-hlavadok-revuecdfEmerging producersInspiration Forum
Liquid Landscape
play
Liquid Landscape
Liquid Landscape

Liquid Landscape

director: Nan Wang
original title: Liquid Landscape
country: Netherlands
year: 2017
running time: 12 min.

synopsis

After spending two years studying and collecting images created using various wet development processes for 16mm film, Wang explores the visual forms of material fluidity in order to celebrate invisible micro- and macrostructures whose chimeras are laid bare in moving patterns.  

"I am often inspired by the beauty of errors produced in analogue film production and use unwanted analogue visual noise and patterns, such as dust or watermarks to create imaginary cinematic landscapes." N. Wang

biography

Dutch experimental filmmaker Nan Wang (1968) focuses on the fascinating microcosm of beetles, cells, and dust as juxtaposed with conceited human largeness. Working with a macro lens, she pulls back the miniature curtain on the invisible world all around us and explores its relationship to man, nature, and art. Wang today lectures at the Academy of Fine Arts in China.

more about film

director: Nan Wang
producer: Juul van der Laan
photography: Nan wang
sound: Nan Wang

other films in the section

Dead End, rewind reversal
This inventive experiment with a stereo 3D image follows a train track ending at a ruined bridge and then back again through the forest. The focus is on the spatial perception of diverse depictions of the journey laid side by side, captured with a film camera and confusing the eye of the viewer with various overlays and inversions of time levels. “Stereo3D films shall be done such a kind that they make no – or another – sense if they where only in mono2D. What we know from flat filmmaking is no help. So filmmakers have to start from scratch again and spectators too.”

Dead End, rewind reversal

Björn Speidel
Germany / 2016 / 11 min.
section: Fascinations
World Premiere
Wanderlust Iteration #1
64 trees in a valley are presented in 3D, becoming both the object and space for every eye – exteriorized on the basis of various principles. The filmmaker continues to explore various possible approaches to spatial representation of creates ingeniously thrilling wanderings among images. "Stereo3D films shall be done of such a kind that they make no - or another - sense than if they where only in mono2D. What we know from flat filmmaking is no help." B. Speidel  

Wanderlust Iteration #1

Björn Speidel
Germany / 2018 / 9 min.
section: Fascinations
World Premiere
more than everything
A pensive analysis of the vision and perception apparatus shared by all two-eyed beings gazes far ahead and in an intriguing perception experiment, explores the imagination of the depth of field and the illusory consistency of the image while dissecting the routine perspective on objects, shapes, motion and the phenomena around us."This is a dance between your brain and the world. We are bathed in interferences from sensual data to what might be out there. We will go to another land, we will try another sea. One plus one equals three." R. Kohlberger

more than everything

Rainer Kohlberger
Germany / 2018 / 13 min.
section: Fascinations
East European Premiere
ROTARIO
This stereoscopic 3D film explores field of vision by slicing the visible image into sections of time and space. The centrifugal images of movement are combined in surreal compositions in which the seams disappear and reappear in moving illusions. "Stereoscopic films make sense if they make non in mono2D. ROTARIO provides the same film to each eye but with a one frame delay. The spinning carousel unfolds its depth in the spectator's vision only." B. Speidel

ROTARIO

Björn Speidel
Germany / 2017 / 8 min.
section: Fascinations
International Premiere
Double 8
Christiana Perschon shot her meeting with the artist Linda Christanell, a representative of Austria’s feminist avant-garde of the 1970s, on double 8mm fi lm without cutting. When shown, the fi lm’s split image shows footage of the two women fi lming one another to create a dialogue on seeing and being seen. “Every interaction with an image searches for its own form.  Approaching someone with my camera is not a one-way encounter but an act of getting to know each other: I see you seeing me instead of looking at you.” C. Perschon

Double 8

Christiana Perschon
Austria / 2016 / 3 min.
section: Fascinations
International Premiere
Portbou
An exploration of the place, plants, stones, and buildings in a village located in a rocky bay in northeastern Catalonia near the French border, where Walter Benjamin died and is buried. A tactile encounter with a place, made using a prototype haptic camera that records the objects its user touches from unexpected perspectives. Agata Mergler is a postgraduate student of the humanities at Canada’s University of York, where she is involved in developing apparatus that record what their users touch. Cristian Villavicencio Ruiz (1984) is from Ecuador and is studying at the University of the Basque Country in Leioa. His work explores the relationship between tangible and visible perception and how it changes during the digital transfer of stimuli using modern technologies.“In our collaborative work using DIY digital prototype ‘haptic cameras’ provides us with opportunity to question the hegemony of the visual and the role of touch in moving image production.”

Portbou

Agata Mergler, Cristian Villavicencio
Spain, Canada / 2016 / 4 min.
section: Fascinations
World Premiere
Blending and Blinding
Strictly working with the film material inside the camera, Tuohy updates slowly forgotten approaches to create a collage of architectural geometries. The monolithic nature of the image blurs the outlines of the buildings as the film frame disintegrates into grids cutting through the layers of the image in multiple exposures. The buildings depicted represent the cultures of the three main ethnic groups of Malaysia. "This film is dedicated to Paul Clipson and Robert Todd, both of whose works were specifically on my mind while filming this film in Malaysia in 2016." R. Tuohy  

Blending and Blinding

Richard Tuohy
Australia / 2018 / 11 min.
section: Fascinations
European Premiere
Time, why think about it?
The memories of old people at a senior care facility come to life in fragmentary recollections accompanied by photographs of them and their loved ones and the places and events they remember. The ephemeral nature of these memories is visualised by using painting to alter these images of the passing of time. Belgian artist Charlotte Dunker (1987) uses painting techniques in her films, and also experiments with light-sensitive materials. She works with silence as an opportunity for self-reflection and explores the changeable nature of truth in relation to cultural contexts. The Jihlava IDFF previously showed her film Jupiter Lolopop (2014), in which she used a mosaic of 3,564 paintings to bring to life microstories of everyday life.“This film was realized to gether with the residents of a retirement home through a series of workshops. It fo cuses on the notion of time through the use of family photographs.”

Time, why think about it?

Charlotte Dunker
Belgium / 2015 / 9 min.
section: Fascinations
World Premiere
Derrubada não!
Out of the forests of north-eastern Brazil, an essay on the relationships with nature, location and soil grows out, developing into musings on the configuration of space, proprietary demands and care about landscape. Against the background of biological diversity, which stands for a commentary from the perspective of history and culture, it introduces the issue of ownership of forests, conceivably by those who inhabit them. "Kaleidoscopic and impressionistic views from a site in the in Brasilian 's sertão in which anthe Atikum artist Edson Barrus has preserved a tree: the Imburana which is a specy in danger. " Y. Beauvais
personal program

Derrubada não!

Yann Beauvais
Brazil / 2019 / 23 min.
section: Fascinations
European Premiere
#57
A visualization of the workings of the high-frequency oscillators once used to test military sonars and medical ultrasound devices is juxtaposed with abstract illustrations of a Chinese mathematician’s differential equations, and their visualization through analogue computer processes shows the subtle exactness of changing textures.  "Technology is a deforming mirror that shows us what humans think and do. For that reason I make my work in a dialogue with machines that I develop myself, trying to learn from what they tell us." J. Rekveld

#57

Joost Rekveld
Netherlands / 2018 / 14 min.
section: Fascinations
Central European Premiere
1/8
The film’s title refers to the sharpness of human vision when compared to that of a hawk. The deformations and blurriness of the image, dependent on the density of photoreceptors, hide concreteness. The allusion to the myth of Icarus addresses questions of distance and clarity, while the meticulous rhythm of the narrative develops the themes of point of view and falling from great heights.“This film focuses on the world that exists outside of stories. By destroying the main story of man, I wanted to discover all that has been erased from him or that is trapped outside of him.” R. Hayama

1/8

Rei Hayama
Japan / 2017 / 13 min.
section: Fascinations
World Premiere
8th October 2016
The title of the film is the date on which the editorial staff of the Hungary´s largest opposition newspaper, Népszabadság, was fred. The filmmaker tore up copies of that day’s issue, layered them, and then turned them into an urgent collage expressing his yearning for the free expression of opposition viewpoints. The visible edges of the film emphasize the impossibility of presenting information in a complete context. “Our film is a simple political statement. It was made in two days, right after the shut-down of Népszabadság.” B. Máté, P. Lichter

8th October 2016

Péter Lichter, Bori Máté
Hungary / 2016 / 2 min.
section: Fascinations
European Premiere
Ministerstvo kultury
Fond kinematografie
Evropská unie
Město Jihlava
Kraj Vysočina
Česká televize
Český rozhlas
Aktuálně.cz
Respekt