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25th Ji.hlava International Documentary Film Festival

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There will be no more night
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There will be no more night
There will be no more night
There will be no more night

There will be no more night

director: Eléonore Weber
original title: Il n'y aura plus de nuit
country: France
year: 2020
running time: 75 min.

synopsis

Small silhouettes appear in the middle of the sights, observed from afar. They move quickly but they cannot escape the quick all-seeing eye. They are monitored all the time. Despite the apparent absence of the human element we are not watching an animated film or a computer game but authentic videos from Afghan, Iraqi and Syrian missions of American and French soldiers. The silhouettes belong to real people who are only a trigger pull away from death. This is the 21st-century warfare. Everyone who can be seen is under threat. Eléonore Weber used dehumanized images of dying for her chilling reflection of the modern form of war.

Q&A with the director Eléonore Weber:

 

biography

French writer and film and theatre director Eléonore Weber has directed several experimental theatre performances, two fiction films (Temps mort and Les Hommes sans gravité), and a documentary on the experiences of refugees trying to get from Mexico to the United States (Night Replay).

more about film

director: Eléonore Weber
producer: Gaëlle Jones
editing: Charlotte Tourrès, Fred Piet, Eléonore Weber

other films in the section

Bulletproof
The film opens up the topic of safety in public American high schools in response to the country’s frequent school shootings committed by armed students. While sports games, homecoming, and prom remain traditional high school rituals as always, a new set rituals have become commonplace: school lockdown drills, bag checks when entering the school, and even firearm training for teachers. The film approaches the deep, systemic problem of mass murders caused by racial and economic inequality among adolescents in American society, while also exploring the unimaginable fear for many European viewers that you can actually get shot in math class. “We’re doing everything we can to harden the infrastructure to keep people from getting in, but what keeps me up at night is that the wolf is in the henhouse. The threat always comes from inside.“ Bulletproof, (15:30–15:50)
personal program

Bulletproof

Todd Chandler
United States / 2020 / 83 min.
section: Constellations
Czech Premiere
Martin Margiela: In His Own Words
The narrator of the film is Belgian fashion designer Martin Margiela. The film portrait captures his career from the 1980s to the present day using the footage of fashion shows and comments by Margiela’s close collaborators. The most important part of the film, however, is the designer, his voice and participation in the film. Margiela is known for his introversion; he does not let anyone photograph or interview him. When he does speak, he never speaks for himself but always on behalf of a collective. The film respects his approach and gives him a voice, not a face; we can see only his hands – the instruments of his imagination. “My documentary work is very personal and intimate in many ways, and what I want to achieve is to discreetly communicate these elements to the audience.” R. Holzemer
personal program

Martin Margiela: In His Own Words

Reiner Holzemer
Germany, Belgium / 2019 / 90 min.
section: Constellations
East European Premiere
L' ULTIMU SOGNU
Deep inside the wild nature of Corsica, a woman leads her lonesome life, with menacing forebodings of the future passing through her dreams. She keeps entering the forest, hunting after wildlife and in the eyes of her dead pray, she can see faces of people doomed to pass away soon. The locals think about her as an insane beldam, turning away from her except for a shepherd who had already found out for himself that her gift of telling fortunes is real. A dark film filled with mysterious atmosphere lets the audience into the world of island legends, folk tales and rural superstitions. The film also makes observations on the everyday work of shepherds in the open nature, meanwhile involuntarily contemplating topics posed beyond the horizons of human understanding.

L' ULTIMU SOGNU

Lisa Reboulleau
France / 2019 / 33 min.
section: Constellations
Czech Premiere
Dark Suns
The murders, which have steadily been on the rise since the 1990s, form the subject matter of this epic documentary depicting the horrific scale of violence in a crime-stricken, Mexican society riddled with corruption. The ghost-like appearance of the overall picture is reinforced by the chosen black-and-white material and the division of the film into chapters, capturing with almost anthropological consistency a series of testimonies from the bloody history of the country. The sun shines on the horror: the search for the kidnapped, raped, and murdered women and missing students, the murder of a photojournalist who pointed out the links between politicians and criminal cartels, the uncovering of mass graves on private sites.

Dark Suns

Julien Elie
Canada / 2018 / 154 min.
section: Constellations
Czech Premiere
A Stranger
Mikel, director of the film, along with the protagonist Mathias, are childhood friends, nevertheless due to the time that has elapsed, the former finds that he knows hardly anything about the latter. The mad circumstances leading up to a fatal twist in their lives makes them shoot a documentary reconstruction about the process that turns into a very personal portrayal of a man who was made to live a double life against his will, the border between each one of them being as thin as a line drawn between victim and perpetrator in a ruthless criminal underworld. More than to the criminal plot though, attention is turned to stubborn attempts of a person dragged down by a spiral of serious problems while being able to wear a mask of seemingly happy and steady life.

A Stranger

Mikel Cee Karlsson
Sweden, Finland / 2019 / 99 min.
section: Constellations
East European Premiere
The Wall of Shadows
In eastern Nepal, the sacred mountain Janna looms at 7000m tall. The top of Janna is considered the seat of gods and demons. It is said that whoever tries to humble her will pay for it with his life. Under the mountain lies the village where Ngada Sherpa lives with his family. One of the most reliable mountain carriers in the area, he is struggling with poverty. Nevertheless, he is determined to pay for his son to attend medical school. He therefore decides to break the taboo and accompany a climbing expedition to the summit of Janna. He hopes the gods will be merciful to him. The majestic mountain scenery becomes the set for a drama about a man tempting the elements and his own religious beliefs.     “People are often guided by emotions, and in the mountains it’s even more pronounced. Over there, we are who we are. Everything is black and white. Only here in the lowlands do we have many shades of grey.” E. Kubarska     Q&A with Eliza Kubarska:
personal program

The Wall of Shadows

Eliza Kubarska
Poland, Germany, Switzerland / 2020 / 94 min.
section: Constellations
Czech Premiere
Irradiated
An archival memento of the horrors of war in the 20th century that delves into philosophical reflections on the nature of evil and the meaning of suffering. Raw images of prisoners in concentration and labor camps and victims of nuclear attacks are a chronicle of global human tragedy. The sensory and emotional experience is multiplied by a vertically divided image, which triples each shot. The dramatic content and Pahn’s stylistic quirkiness, however, are not an outright attempt to rattle the viewers’ cages. His philosophical essay, dedicated to documentary filmmaker and concentration camp survivor Marceline Loridan-Ivens, fights back against the contagion of oblivion that is spreading through the current infinitely changing and accelerated audiovisual landscape.     “Big media changes images every ten seconds. The next day, no one cares what happened yesterday. No one thinks about the consequences of what happened in the past.” R. Panh
personal program

Irradiated

Rithy Panh
France, Cambodia / 2020 / 88 min.
section: Constellations
East European Premiere
Corporate Accountability
The Argentine Ministry of Justice encouraged research resulting in a thousand-page report on crimes against humanity committed during the military dictatorship in 1976–1983. The generally not very well-known content of the report can be heard from the mouth of the director who reads it in his car parked in front of twenty-five, mostly still functioning companies that used to denounce trade unionists and left-wing workers in exchange for their own profit. Illustratively brings evidence of thousands of missing people, hundreds of murders and countless cases of torture caused and links between dictatorship and capitalism.    „The ruling paradigm in Argentine justice focused within the State itself, and not outside of it.“ J. Perel  
personal program

Corporate Accountability

Jonathan Perel
Argentina / 2020 / 68 min.
section: Constellations
Czech Premiere
Of Land and Bread
The nonprofit B´Tselem organization documents the violation of human rights in Jordan’s West Bank. Thanks to the efforts of volunteers, it has collected thousands of hours of video records capturing the everyday hardships of Palestinians who are tormented by the Israeli army, the police, and even ordinary civilians. Amateurly filmed night raids and daily hardships provide a vivid narrative about injustice, helplessness and violence in the Israeli-occupied territories. The hand-held camera, which is the only weapon the volunteers use, creates a raw, aesthetically unadorned image of a world where people are deprived of their land, their privacy, a carefree childhood, and even a dignified death.   “It is a story of a vulnerable life, with no political rights or the right to protest, a life on the receiving end of the project of dispossession of land and resources which is the Israeli occupation.” E. Tarabien     
personal program

Of Land and Bread

Ehab Tarabieh
Israel, Palestine / 2019 / 88 min.
section: Constellations
Czech Premiere
This Movie is a Gift
A sensitive portrait of Daniel Spoerri that takes viewers not only to the workroom of this versatile artist, but also to his childhood spent in Romania where his father fell victim to the Jewish pogrom. In addition to Spoerri himself, his assemblages speak to them, breathing new life into various objects. They enhance the theme of rebirth around which the director constructed her own personal, fine-tuned film. - Daniel Spoerri (1930) is a Swiss visual artist and writer born in Romania. He is famous for his snare-pictures (tableau pièges), in which he places groups of objects found in chance positions onto a plane surface so that the resulting object can be hung up like a painting.

This Movie is a Gift

Anja Salomonowitz
Austria / 2019 / 72 min.
section: Constellations
East European Premiere
The Vasulka Effect
Art experimentation, image deconstruction, observation process. For over half a century now, the pioneers of video art Woody and Steina Vasulka have been exploring human memory, media memory and memory of art as an institution. A taste of life-long cohabitation of this partner and creative couple presents a personal story of a journey along places marked by their common fate: Brno, Prague, Reykjavik, New York and Buffalo. The odyssey of artistic fame of the living legends is put in contrast with their fragile social world and uncertain life perspectives. The heritage of video art is structured according to the texture of media of individual eras of film (35mm, video and hard disk). Fifty years of avant-garde saved on an external disk.

The Vasulka Effect

Hrafnhildur Gunnarsdóttir
Czech Republic, Iceland, Sweden / 2019 / 87 min.
section: Constellations
International Premiere
Honeyland
An ageing beekeeper in the rural Macedonian mountains strives to maintain the tradition of honest, environmentally friendly beekeeping. Her quiet everyday life – caring for the colony and selling honey in a nearby town, the untiring care of her mother, living off their farm without electricity – is interrupted by the arrival of nomadic beekeepers, who perceive nature primarily as an opportunity for profit, a way to break free from their poverty. The filmmakers spent three years with the heroine of the film, shooting over four hundred hours of material which became the basis of this melancholy environmental appeal, lyrically depicting the immaculate beauty of nature.

Honeyland

Ljubomir Stefanov, Tamara Kotevska
Macedonia / 2019 / 85 min.
section: Constellations
Czech Premiere
Ministerstvo kultury
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