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24th Ji.hlava International Documentary Film Festival

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Vilyž
Vilyž
Vilyž

Vilyž

director: Zbyšek Semelka, Tomáš Červený, Petr Kutek, Marie Píchová, Kristina Bártová, Klára Míčkočková
original title: Vilyž
country: Czech Republic
year: 2016
running time: 2 min.

synopsis

By combining animated real objects, abstract illustrations, and computer graphics, a collage emerges of seemingly incompatible elements through which the filmmakers show the four basic elements – earth, air, water, and fire – and one place – they search for inspiration and passion in structures, shapes, surfaces, and materials of Švihov Castle.

biography

The film is a collective work by a group of six students from the Faculty of Design and Art at the University of Western Bohemia, who took advantage of the fact that each works in a different area of art when creating this film.

more about film

director: Zbyšek Semelka, Tomáš Červený, Petr Kutek, Marie Píchová, Kristina Bártová, Klára Míčkočková
producer: Zbyšek Semelka
editing: Zbyšek Semelka
music: Keith Fullerton Whitman
sound: Tomáš Červený, Petr Kutek

other films in the section

The Colonel’s Photograph
Excerpts from a television interview with Eugène Ionesco in an adaptation of his absurd story The Colonel’s Photograph, which is dominated by the motif of a swimming pool that conceals drowned bodies. The visual pun is a compilation of techniques: animation, video, 3D graphics, and text, which give the seemingly random scenes a sort of structure.

The Colonel’s Photograph

Martina Holá
Czech Republic / 2015 / 4 min.
section: Fascinations: Exprmntl.cz
Transformations /  Vapors / Melanosis
An essay focusing on the topic of the exploitation of natural resources has as its primary theme water, showing its forms and changes in the chain of industry. The deep soundtrack is as dark as dirty water leaking from a power plant and, together with images of industry, evokes a sense of ecological anxiety.

Transformations / Vapors / Melanosis

Michal Kindernay
Czech Republic / 2017 / 8 min.
section: Fascinations: Exprmntl.cz
Dog Days
imperfect media image can make you give in to emotional illusions. The combination of animation and stable shots of the forest ground is accompanied by the author’s comment on the absurdity of the situation presented.

Dog Days

Martina Holá
Czech Republic / 2018 / 7 min.
section: Fascinations: Exprmntl.cz
World Premiere
Trace I Leave (behind)
Analogue film as an analogy for the physical world; the digital image as an analogy for the immaterial world. An experimental film that combines two substances to become an audiovisual imprint of our life within a space defined by material boundaries but that nonetheless possess the potential to “rise up” to the level of dimensionless.Fascinations: Exprmntl.cz - Out of competition

Trace I Leave (behind)

Simona Donovalova
Slovakia, Czech Republic / 2016 / 8 min.
section: Fascinations: Exprmntl.cz
Operation Urban Warrior
Anthony Bird is a war veteran who was the sole survivor of a military operation in his unit. His memories are as surreal as the animation which simulates the course of the incident in the form of a computer game. Everything looks flat but we must trust our own sensees which tell us that in reality, the world isn't flat.
personal program

Operation Urban Warrior

Dávid Lipkovič
Czech Republic / 2019 / 5 min.
section: Fascinations: Exprmntl.cz
World Premiere
noimage
Civilization at the Crossroads: The Scientific-Technical Revolution and the Future of Socialism in Educational Films of the Sixties The screening is a precursor to the exhibition The Self-Awareness of Science: The Scientific-Technical Revolution and the Limits of Emancipation, which will open in December 2018 at Prague’s Display and FUTURA galleries. The exhibition will look at the activities in the 1960s of an interdisciplinary research team led by philosopher Radovan Richta that was expected to present a vision for “the new Czechoslovak model of socialism.” The advent of cybernetics and automatization was expected to help create a more humane socialist society in which people would be liberated from manual labor and from preexisting ideological authorities and predefined roles. The exhibition, which is being prepared by a team of historians, curators, and artists, tries to find the fine line between the liberating potential of science and technology and their use for maintaining and cementing technocratic power or authoritarian regimes. Its aim is to reconstruct the interdisciplinary dialogue of the 1960s, which has recently taken on new meaning, in particular in relation to the subjects of automatization, a society without work, or climate change.   The screening is part of the project “Shape the Future! The Concept of the Science-Technical Revolution,” organized as part of the program “Strategies AV21: Europe and the State: Between Barbarism and Civilization” (Czech Academy of Sciences, 2018)  

The Scientific-Technical Revolution and the Future of Socialism in Educational Films of the Sixties

120 min.
section: Fascinations: Exprmntl.cz
Composition about nature
A series of three experimental films, which can be projected also in a loop, deals with nature through quick, dynamic camera movements, attacking the viewer’s perception. The films were produced as a final examination work in the studio of time-based media whose students try a variety of methods of multimedia processing of sound and image.
personal program

Composition about nature

Vojtěch Groot
Czech Republic / 2019 / 3 min.
section: Fascinations: Exprmntl.cz
World Premiere
Loathing...
A personal essay inspired by Kurt Vonnegut’s Player Piano (1952). Using machins learning on the level of deep reading, the film processes visual and audio records, distorting them, rearranging them, and subsequently submitting them to an algorithm created in part by artificial intelligence that reconstructs the sequences and arranges them in chronological order.

Loathing...

Franz Milec
Germany, Czech Republic / 2017 / 17 min.
section: Fascinations: Exprmntl.cz
World Premiere
Wet Wedding
Behind the curtain of the film strip the concreteness of images appears and disappears again with varying levels of visuals shifts and deformations. The sounds of the film’s movement mix with voices that give the scenes context but nevertheless prevent a reconstruction of the fable. – The story dissolves, and during this layering we move further away from it ever being one.

Wet Wedding

Jan Daňhel, Jakub Halousek
Czech Republic / 2017 / 24 min.
section: Fascinations: Exprmntl.cz
Czech Premiere
Horizontalis
The audiovisual essay explores the Danish part of Jutland from the view of both a living eye and an inanimate object. The horizontal line of the water surface represents a penetrable borderline between the world of people and the world of nature, bubbling with rippling reflections of the outer realities while accompanied with wind, voice and silence blasts.
personal program

Horizontalis

Louise K Wilson, Michal Kindernay
Czech Republic, Denmark / 2019 / 8 min.
section: Fascinations: Exprmntl.cz
World Premiere
Storyline
An interplay of horizontal and vertical lines, as well as other types of lines, found in in the public space, evokes a lyrical narrative combining them into a visual continuity in one image. Among found objects, events, and spaces, new relationships and continuations are created.

Storyline

Alžběta Kovandová
Czech Republic / 2017 / 4 min.
section: Fascinations: Exprmntl.cz
World Premiere
To Be Framed
Recent history dies out in the overgrown landscape of a former German military base where children are playing. Through performances by young protagonists and disturbing commentary that suggests that the innocence of the images isn’t what it appears to be, the film reflects on the phenomenon of violence and encourages us to learn from the past.

To Be Framed

Zbyněk Baladrán
Czech Republic, Netherlands / 2016 / 8 min.
section: Fascinations: Exprmntl.cz
Central European Premiere
Ministerstvo kultury
Fond kinematografie
Evropská unie
Město Jihlava
Kraj Vysočina
Česká televize
Český rozhlas
Aktuálně.cz
Respekt