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24th Ji.hlava International Documentary Film Festival

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The Haunted
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The Haunted
The Haunted
The Haunted
The Haunted

The Haunted

director: Saodat Ismailova
original title: The Haunted
country: Norway, Uzbekistan
year: 2017
running time: 23 min.

synopsis

The Turan tiger, a majestic symbol of the Central Asian landscape, has been extinct for several decades, but it lives on as a sacred symbol in the collective imagination of the local population. In her captivating film essay, Ismailova pays homage to this animal as she shows how firmly bound it is, in people’s minds, with the region’s history. The tiger is a spectre that emerges from the darkness and disappears again, the landscape is like a network of ruins buried under layers of the past. The collage of visual and audio fragments, accompanied by the filmmaker’s passionate commentary, shows that “real” history cannot be separated from shared ideas and dreams.

"The Haunted is an intimate video letter to the spirit of the extinct Turan tiger, which disappeared from Central Asia in the 20th century. Today, the tiger lives on in people’s collective memory." S. Ismailova

biography

Saodat Ismailovová (1981) je uzbecká režisérka a vizuální umělkyně. Jakkoli je už mnoho let svázána s evropským uměleckým prostředím, ve své tvorbě se stále zaměřuje na Střední Asii, na historii, mýty a každodenní rituály, které jsou s ním spjaté. Mezi její snímky patří například 40 dní ticha (2013), dokument o ženě pronásledované minulostí, jenž měl premiéru na Berlinale a objevil se i v ČR.

more about film

director: Saodat Ismailova
producer: Saodat Ismailova
music: Camille Norment

other films in the section

The Last Self-portrait
Slovak director Marek Kuboš has not shot a film in 13 years. His first film ever – a student exercise at film school – was a self-portrait. The circle is closed, the source of creativity has seemingly dried up. All that is left to do in the last self-portrait is to clean up after oneself, to recapitulate one’s successes and failures, and to bid farewell to one’s protagonists. This introspective meta-documentary is not so much a study of a creative crisis as it is a self-therapeutic process and an attempt at offering a comprehensive profile of the filmmaker at a time of unstable certainties. Appearing in the role of Kuboš’s consultants are essentially all leading Slovak documentary filmmakers."I’ve long felt that through documentary filmmaking I can’t say what I want to, what calls out to me. I’ve butted against internal and external boundaries that have paralyzed me as a documentarian. " M. Kuboš

The Last Self-portrait

Marek Kuboš
Slovakia / 2018 / 72 min.
section: Between the Seas
International Premiere
365 days, also known as a Year
Day after day, images of film life in the author's collage glued together from fragments of feature films flow at a frame rate in which the date of the day appears in various forms. The original jigsaw puzzle shows what one year of diverse film footage might look like. The selection of scenes by calendar key is an interesting probe into the history of cinematography in different countries, a showcase of moods and diverse styles of film narration. The link between the selected scenes is a certain urgency connected with the realization of a specific date, whether such a date denotes a historical milestone or a simple act of brushing one’s teeth. „365 Days' can be perceived simply as a recycled fiction story. As a video essay it discovers meaning of calendar dates for cinema and invites to think about life, memory and time.“ D. Bondarchuk 
personal program

365 days, also known as a Year

Dmytro Bondarchuk
Ukraine / 2019 / 99 min.
section: Between the Seas
International Premiere
Birthday
A lonely life made up of daily routine tasks is depicted in this documentary made by the director about his own mother. It’s her birthday – her husband has been dead for years and her children have forgotten her, with the exception of her son, who remains behind the camera. Despite this, the ageing woman cleans, cooks, and makes ready for a possible celebration. Cursory inspections of her mobile phone screen show that she would have been happy with just a phone message. Birthdays give new meaning to loneliness, just as the director cuts away various natural barriers of the camera image and amplifies the sound effects track to allow silence to emerge and envelop the main character."One day of any person is the summary of his life. What we feel in one day is the same for all our life. Nothing changes. Repetitions, Repetitions and Repetitions. Just like my mother on her birthday." H. Baydarov

Birthday

Hilal Baydarov
Azerbaijan / 2018 / 63 min.
section: Between the Seas
World Premiere
YOU (pl) and ME
The video diary of a young woman involved in a love affair captures the metamorphosis of life and love on the outskirts of the Austrian metropolis. We follow the movements of spirit and body, approaching parenthood and other internal and external changes through the viewfinder of an old camera and the accompanying commentary. Although the film works with only photos and sound, it is full of motion. It creates an intimate atmosphere in which we watch Nica and Ben go through the twists and turns that life brings, which look like the most common and natural life events.DETAIL:“Back then – before you. I had wanted it to stop. I wanted all of these indignities, putdowns, rejections, validity to intimacy, beneath this cloak of hot air called the modern ‘being’ – to stop.”

YOU (pl) and ME

Jasmin Hirtl
Austria / 2015 / 88 min.
section: Between the Seas
World Premiere
de fac-to
How do we deal with our history? Is it possible that history becomes rather a tool made to justify our current interests and views? Such questions are posed in the observation documentary called de fac-to. The filmmakers visited several public events commemorating World War II in the Ukrainian town of Lviv. Moving recitations of poems are followed by anti-alcoholism propagandist bashings, allegations claiming that decommunization process in Ukraine had been started by Hitler or comparing numbers of victims during the Nazi and Communist eras. This diverse, often absurd kaleidoscope is structured as a stream of footage of events in chronological order with no commentary. „With our film we want to give an insight into specific situations and atmospheres, documenting the various protagonists as they find a relationship to the present through rituals celebrating the past.“ E. Shapiro-Obermair

de fac-to

Alexandra Wachter, Ekaterina Shapiro-Obermair
Russia, Austria / 2018 / 32 min.
section: Between the Seas
International Premiere
Sea Tomorrow
This observational documentary examines the disappearance of the Aral Sea and attempts at its restoration. At the location where the majority of maps and atlases show a large, majestic body of water, Katerina Suvorova finds only a largish pond and an arid wasteland, filled with the rusting remnants of wrecks waiting for scrap metal collectors. Shots of the enigmatic landscape, consisting of endless expanses of sand and dust, are alternated with captivating details. Just as fascinating is the strong will and faith of the people who have stayed in this inhospitable environment, such as old gardener, fishermen, and a hydrobiologist. They hope that the sea will return, they are fighting to save it, and they all hope for a better tomorrow. “I see people of the Aral region as a collective image of the last survivors on Earth. Their stories prove that even when the last shuttle abandons our racked planet, there will be people who stay and prefer correction of errors of the past to uncertainty of the future.” Katerina Suvorova

Sea Tomorrow

Yekaterina Suvorova
Kazakhstan, Germany / 2015 / 88 min.
section: Between the Seas
East European Premiere
Guests
Set in a remote Russian village located about hundered and sixty kilometres from Moscow, this observational documentary is focused on a group of loggers – illegal migrants from Tajikistan who came to Russia in the hope of finding work. Hired by Russian businesses, they live thousands of kilometres away from their families to whom they send their earnings. The uncompromising endless shots capture the simplicity of the lives of these seasonal workers, and the overall undisciplined style of the filming corresponds well to the unfriendly environment in which they must survive from day to day.DETAIL:“Yeah, well, life is tough. As they say – it's not a bed of roses. You have to live your life properly... Can you imagine how difficult it must be for our wives?”

Guests

Alexey Sukhovey
Russia, France, Germany / 2014 / 62 min.
section: Between the Seas
International Premiere
TEACH
The personality of a rural Transylvanian math teacher who teaches his students at home and ignores the existing curriculum, tells us not only about the Romanian school system, but also about society there as a whole. The stubborn elder man follows the words of essayist Constantine Noica, who believes that in an ideal school, there should not be any lessons, but rather students should go there to free themselves from the tyranny of learning. The observational portrait documentary monitors the dynamics of the lessons themselves, where, in addition to mathematics, the problem of education itself is addressed and where the teacher acts like a father fi gure.“I think that if you really want to make something matter within 100 years from now, then you have to educate people first.” A. Brendea
personal program

TEACH

Alex Brendea
Romania / 2019 / 82 min.
section: Between the Seas
International Premiere
Looking for Mr. Dice
Many years ago, the film’s director and the man nicknamed Mr. Dice were best friends. In a whirlwind of parties, the famous musician and the influential banker were carried on a wave of the euphoria of wild capitalism after the collapse of the Soviet Union. The bank, however, led by Mr. Dice, went bankrupt and he disappeared without a trace with the money that his friends and clients had entrusted to him. Here begins the documentary search that leads us on an adventure from Latvia to the heat of Africa and far beyond the crime, guilt, and betrayal. It is also a search for the sense of deep friendship and the struggle with common sense and conventional moral categories. "I hope the film makes the audience to think what it really means "a true friendship” when money gets involved, as well as shows an ordinary man’s struggle through the abstract glory of diamonds." K. Roga
personal program

Looking for Mr. Dice

Kaspars Roga
Latvia / 2019 / 79 min.
section: Between the Seas
International Premiere
THE GOOD DEATH
Terminally ill Janette wants to die with dignity, but it’s not possible in the UK, where she lives. She therefore decides for assisted suicide. She must plan her journey to Switzerland before her rapidly advancing disease makes it impossible. The question of whether we own our own lives or whether they own us is the primary impetus behind this documentary portrait, which shows that death can be good despite the sadness that always accompanies it. The film, with dramatically suggestive camera work, uses feature film techniques, and engaging characters and stories of her loved ones are interwoven with Janette’s story."Let's talk about death because we will all die someday. The question is: can we choose when and how? I think we should." T. Krupa

THE GOOD DEATH

Tomáš Krupa
Slovakia, Czech Republic, Austria, France, Switzerland / 2018 / 83 min.
section: Between the Seas
World Premiere
No Place for Fools
The internet, madness, and old and new Russia - these are the touchpoints of this film standing at the fine line between performance and raw documentary. Sergei Astahov is a mentally disabled man who spends most of his time closed up in his Moscow flat, sending his messages out into the world in the form of videoblogs. For a single man, the camera becomes his sole partner and repetitive speaking a demonstration of life. In his missives, he confesses his homosexuality, his admiration for President Putin, and his belief in the Orthodox faith. Paradoxically, his mind is the meeting point for all the extremes of the Russian world, which has no place for the mentally ill.DETAIL:“I, Astahov, Sergiy, am a Russian’s Russian. I live in the capital, in the city of Moscow, in the capital of our country of Russia, Russ’ and the Russian Federation. I know all the laws and the laws of God.”

No Place for Fools

Oleg Mavromatti
Russia, United States, Bulgaria / 2014 / 87 min.
section: Between the Seas
Czech Premiere
Under the Sun
Over the course of one year, this film follows the life of an ordinary Pyongyang family whose daughter was chosen to take part in one of the famous Korean “Spartakiads”. The ritualised explosions of colour and joy contrast sharply with pale everyday reality, which is not particularly terrible, but rather quite surreal, like a typical life as seen “through the looking glass”. The film portrays North Korea in probably the only possible way: as an unintentional situational tragicomedy. Precisely staged film scenes duplicate principles common for life in “the most beautiful country on the eastern side of the globe”: virtually horrifying selfstaging of the residents’ own lives.Detail:“Zin-mi, you have joined Children’s Union, what do you expect from your adult life?” “When joining the Children‘s Union,we enter to the adult life. And begin to think, what else shall you do for the Great Leader Kim Jong Un.”

Under the Sun

Vitaly Mansky
Czech Republic, Russia, Germany, North Korea, Latvia / 2015 / 106 min.
section: Between the Seas
Czech Premiere
Ministerstvo kultury
Fond kinematografie
Evropská unie
Město Jihlava
Kraj Vysočina
Česká televize
Český rozhlas
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