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24th Ji.hlava International Documentary Film Festival

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The Haunted
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The Haunted
The Haunted
The Haunted
The Haunted

The Haunted

director: Saodat Ismailova
original title: The Haunted
country: Norway, Uzbekistan
year: 2017
running time: 23 min.

synopsis

The Turan tiger, a majestic symbol of the Central Asian landscape, has been extinct for several decades, but it lives on as a sacred symbol in the collective imagination of the local population. In her captivating film essay, Ismailova pays homage to this animal as she shows how firmly bound it is, in people’s minds, with the region’s history. The tiger is a spectre that emerges from the darkness and disappears again, the landscape is like a network of ruins buried under layers of the past. The collage of visual and audio fragments, accompanied by the filmmaker’s passionate commentary, shows that “real” history cannot be separated from shared ideas and dreams.

"The Haunted is an intimate video letter to the spirit of the extinct Turan tiger, which disappeared from Central Asia in the 20th century. Today, the tiger lives on in people’s collective memory." S. Ismailova

biography

Saodat Ismailovová (1981) je uzbecká režisérka a vizuální umělkyně. Jakkoli je už mnoho let svázána s evropským uměleckým prostředím, ve své tvorbě se stále zaměřuje na Střední Asii, na historii, mýty a každodenní rituály, které jsou s ním spjaté. Mezi její snímky patří například 40 dní ticha (2013), dokument o ženě pronásledované minulostí, jenž měl premiéru na Berlinale a objevil se i v ČR.

more about film

director: Saodat Ismailova
producer: Saodat Ismailova
music: Camille Norment

other films in the section

Opera about Poland
A travelogue collage in search of Polish identity in an uncertain world. A carefully composed dream about the unfound unity of nation, old injustices and moments of glory that fade away under the burden of petty thoughts and the fear of non-existent enemies. A selection of period footage, newspaper articles, and bitterly current citations from the internet, mixed with journal entries by the author Andrzej Stasiuk to create a personal reflection of events. The staged portraits of ordinary Poles set to a tension-filled disharmonic operatic soundtrack at first seems like a series of unrelated images and thoughts, but they slowly come together to form a portrait of the soul of the Polish nation."To begin the repair or therapy you need to be diagnosed. You need to see what mistakes have been made in the past. Or check if you are living with untrue myths and beliefs." P. Stasik

Opera about Poland

Piotr Stasik
Poland / 2017 / 41 min.
section: Between the Seas
International Premiere
Butterflies
Young Alexei is openly homosexual. Although his peers have no problem with his sexual orientation, his mother is unable to accept it. This documentary portrait follows Alexei during summer break, as he spends time with his new lover Grisha, whom he met at a Tarkovsky festival. The film takes an unusual observational approach in that the camera is often right up against people’s bodies and faces during impassioned discussions, arguments, or testimony. As a result, the spontaneous and eccentric manner in which Alexei breaks down gender stereotypes are brought to the fore. “Making a movie always goes hand in hand with fear and shame. This is because the film just now learned to dive into the man. Untill now it only described. During the work on the film Butterflies I always thought about it.” Dmitry Kubasov

Butterflies

Dmitry Kubasov
Russia / 2016 / 79 min.
section: Between the Seas
World Premiere
The Winter Garden's Tale
Valentina Voronina, gardener and tenacious manager of a large conservatory, is fired after forty-five years on the job. Time is winning in its unequal battle with a lack of financing, a decaying building, and the approach of retirement age. The dilapidated conservatory reflects the weakening strength of its distinctive manager and visionary. The conviction that the plants will die if nobody looks after them, is intertwined with the appearance of esoterics and a shaman with a divining rod who discovers a spring of positive energy in front of the building’s entrance. Palm fronds rustle like a silent witness to the melancholic struggle against time and the relentlessness of decay. Another cruel winter is on the horizon. "It is built on its own internal rhythm without the author’s direct speech. Just rethought reality, placed in ironical and a little magic conditions with the main conflict between dreams and reality. " S. Mozgovyi

The Winter Garden's Tale

Simon Mozgovyi
Ukraine / 2018 / 75 min.
section: Between the Seas
World Premiere
Enticing, Sugary, Boundless or Songs and Dances about Death
How can we talk about death and still enjoy the beauty of life? Who can we tell if we have no one? People from all corners of the world deal with the perspective of death and ask similar questions. This documentary collage by Tetiana Khodakivska and Oleksandr Stekolenko (1980) is a patient enterprise, working with intimate portraits of both ordinary people and the brilliant filmmakers, and thoughtfully placing them within a three-part mosaic about the greatest riddle of human existence. Only the motif of death gives life a purpose and links us all – but what must happen in order for us take it seriously? This imaginatively edited work of docufiction is a contemplation of life in relation to our own mortality. "This movie is about awareness of death. The story is built on documentary and fiction narrative techniques blended together. " T. Khodakivska, O. Stekolenko

Enticing, Sugary, Boundless or Songs and Dances about Death

Oleksandr Stekolenko, Tetiana Khodakivska
Ukraine / 2017 / 95 min.
section: Between the Seas
World Premiere
Regina
This film about Regina Jonas asks two questions – can a woman become a rabbi, and how to film a documentary about the first female rabbi in history, when the only image we have of her is one single photograph? Using an abundance of archival footage, often played at a slower speed, the director brings to life the atmosphere of Berlin in the first half of the 20th century. The voiceovers of letters and documents are read not by actors, but by the director’s acquaintances who themselves lived through the Holocaust – as if experience could be imprinted onto a photograph just as well as onto the human voice.

Regina

Diana Groó
United Kingdom, Hungary, Germany / 2013 / 63 min.
section: Between the Seas
Czech Premiere
Waiting room
Waiting, as a condition in which people spend a large part of their lives, is the central theme of this narrative film. The lives of seven women of various ages, who do not know each other, intersect for a brief period of time. They are linked by one place – the waiting room at the main railway station – where each one of them, in deep contemplation, is looking for something or someone different. The slow non-dramatic narration, with stiff stylised camera movements places the viewer in the role of stalker. In this film, in which the director admittedly combines elements from both fictional film and documentary practice, he worked with non-professional actresses.DETAIL:“Believe it or not, for me otherness is what is real, what is normal. I love those who are different. They are my people. My life is in God’s hands. That is how I received it, just like everyone else.”

Waiting room

Palo Korec
Slovakia / 2015 / 72 min.
section: Between the Seas
International Premiere
Call Me Marianna
At the center of this film stands an attractive forty-year-old woman who has decided to fulfill a lifelong dream at the cost of great sacrifice - to be herself. She alienated her parents and lost loved ones when she underwent a long-desired sex change. The film attempts to explain to viewers and help them understand the difficult decision that Marianna had to face. While in the first, staged, part of the film the woman comes to terms with her own past through autobiographical theater performance, in the second, documentary part of the film, she is, however, confronted with unexpected twists and precarious situations that fate has set before her.DETAIL:“I’ll finally be able to look at myself in the mirror naked and not feel disgusted by my own body. – There are men and women. There’s male and female. The world doesn’t really allow any third options.”

Call Me Marianna

Karolina Bielawska
Poland / 2015 / 75 min.
section: Between the Seas
Czech Premiere
THE GOOD DEATH
Terminally ill Janette wants to die with dignity, but it’s not possible in the UK, where she lives. She therefore decides for assisted suicide. She must plan her journey to Switzerland before her rapidly advancing disease makes it impossible. The question of whether we own our own lives or whether they own us is the primary impetus behind this documentary portrait, which shows that death can be good despite the sadness that always accompanies it. The film, with dramatically suggestive camera work, uses feature film techniques, and engaging characters and stories of her loved ones are interwoven with Janette’s story."Let's talk about death because we will all die someday. The question is: can we choose when and how? I think we should." T. Krupa

THE GOOD DEATH

Tomáš Krupa
Slovakia, Czech Republic, Austria, France, Switzerland / 2018 / 83 min.
section: Between the Seas
World Premiere
A Two Way Mirror
This poetic documentary presents one woman’s journey towards finding self-confidence, inner peace, and harmony. The filmmaker returns to Croatia’s Lika region, where her family comes from. In the bosom of nature, she tries to come to terms with the losses she has suffered in her life, her illness, and her fear of the future. The film is structured into six parts (prologue, spring, summer, autumn, winter, epilogue), each linked to a different stage of human life. It is a very open and intimate confession, framed in a mosaic of memories and experiences, thoughts and feelings. The film is also therapeutic, helping the filmmaker find the strength to fight. The film received the Croatian Oktavijan Award for Best Documentary Film. “Every fear comes with the reason. To cure my fears I merged secret patterns and knowledge of my family with the cycles of nature. Through this collision I revealed what is the human in beasts and the beastly in humans.” Katarina Zrinka Matijević Veličan

A Two Way Mirror

Katarina Zrinka Matijević
Croatia / 2016 / 42 min.
section: Between the Seas
European Premiere
My Friend Boris Nemtsov
Until his violent death in February 2015, Boris Nemtsov was know as the face of the anti-Putin opposition movement. This intimate portrait brings us closer to his activities during his final years, when voices of protest became stronger in Russian society. The film does not portray grand speeches and gestures, but rather the daily activities of a politician, which included long business trips in addition to appearances in the media or at demonstrations, the everyday office routine, and discussions with people on the street. Nemstov’s close contact with social actors and the director are evidence of his courage and spontaneity, without needless pathos. “It is a film début, a documental tragedy. It took three years to make this portrait of Boris Nemtsov. Murdered in February 2015, the outstanding leader of Russian opposition is shown sympathetically, with humane warmth and irony.” Zosya Rodkevich

My Friend Boris Nemtsov

Zosya Rodkevich
Estonia / 2016 / 70 min.
section: Between the Seas
Czech Premiere
Christ Lives in Siberia
After the breakup of the Soviet Union, a Siberian policeman claimed to be the reincarnation of Jesus Christ, and together with his followers set up Sun City in remote Siberia as an outpost of Christian life. Over a decade later, a mother of four children decides to leave her husband and life in Saint Petersburg behind and heads east with her offspring. The expected classic denouement of this tale does not, however, come to pass. To the contrary - this purely observational documentary shows that the coexistence of the breakaway religious group is problematic in some aspects, but despite that, it is a functional way of life in today’s complicated world.DETAIL:“We have to work for the children, for the future. That’s the right way, then everything will turn out right. They won’t have to live through the convulsions, the tough times which we had. It can all be different for them.”

Christ Lives in Siberia

Arbo Tammiksaar, Jaak Kilmi
Estonia, Finland / 2015 / 85 min.
section: Between the Seas
International Premiere
Between Us
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personal program

Between Us

Dorota Proba
Poland / 2020 / 52 min.
section: Between the Seas
International Premiere
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