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23rd Ji.hlava International Documentary Film Festival

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Talks with TGM

director: Jakub Červenka
original title: Hovory s TGM
country: Czech Republic, Slovakia
year: 2018
running time: 80 min.
World Premiere

synopsis

Another contribution to the specific subgenre of animated history by the scriptwriter Pavel Kosatík. On 26 September 1928, Karel Čapek and President Masaryk meet in the gardens of Topolčianky castle to decide about the fate of their joint literary work. Their fiction film dialogue is based on quotes from a future book and their mutual correspondence, considerably freeing the original format of literary conversation from binding conventions. Čapek and Masaryk reproach and offend each other, but they also ask key personal questions and questions about the social functions of a writer and politician respectively.

“It’s a film about two extraordinary men; it’s about the fact that emotions can be sometimes more powerful than ideas even in such exceptional people.” J. Červenka

biography

Jakub Červenka (1983) has been a film producer until now. He worked on TV documentaries such as Nejsme andělé, jen děláme jejich práci (We Are Not Angels, We’re Just Doing Their Work, 2006), ROM. ID (2010), Pražské Jezulátko (The Infant Jesus of Prague, 2011), and produced the puppet film Malý Pán (The Little Man, 2015). He also works in advertising and makes video clips, mostly for hip-hop artists such as Supercrooo and Moja reč.

more about film

hrají: Martin Huba, Jan Budař
producer: Jakub Červenka, Petr Kratochvíl
script: Pavel Kosatík
editing: Martin Palouš
sound: Josef Mašek

other films in the section

Backstage Action
This is de facto a film about a film, with the only difference being that the focus is exclusively on the extras. They are filmed while waiting to take their turn, while conversing with others, and thinking about their performances. Although they take their duties very seriously and long to be stars, for the filmmakers, they’re just people that can be coordinated as necessary, nothing more. This film, on the contrary, gives them full consideration, revealing their personalities, what they experience, and what they dream of. The footage comes from many different places where movies are made, involving extras from all different nationalities."The representative becomes a present body, a speaking body, he becomes an acting body, even a political body liberated from the stereotypes that pertain to the community he was supposed to represent." S. Azari 
personal program

Backstage Action

Sanaz Azari
Belgium / 2018 / 61 min.
section: Opus Bonum
World Premiere
The End of Light
On a most real stage of all, a director of this hybrid film lets an unreal story flow. While Croatian nationalists stage a protest in front of the Rijeka theatre against its art director Oliver Frljić (a well-known figure to Czechs, among others), on a nearby island of Goli otok, amateur actors rehearse a surrealistic performance. Dilapidated buildings of a former concentration camp, secretly erected by Tito’s régime to hold political prisoners, serve as props of a Lynch-like scene in which smeared-faced actors become objects in the waxworks of their own dreams. The world of imagination and the world of bleak reality start moving away from each other.“Call to me and I will answer you and tell you great and unsearchable things you do not know. Jeremiah 33:3” A. Suk
personal program

The End of Light

Aleš Suk
Croatia / 2018 / 62 min.
section: Czech Joy
World Premiere
Expectant
If we look up the word expectante in a Spanish-English dictionary, we learn it is an adjective which can be translated as “expecting” or “biding one's time”. It is no accident this single-word title belongs to an disconcerting Peruvian film which takes its audience to a darkened city where a group of friends is spending an evening of leisure. Even though the neighborhood they live in is a relatively safe one, their locked doors and gates provide no more than an illusion of safety, which is a thought applicable world wide. The distant black-and-white camera through which the audience observes the plot seems to be biding its time for a chance to attack."I think cinema is about creating sensations and reaching out to a personal language as a way to manifest our vision as individuals." F. Rodriguez Rivero
personal program

Expectant

Farid Rodriguez Rivero
Portugal, Peru / 2018 / 77 min.
section: Opus Bonum
International Premiere
29 26
 The film 29 26 is an audiovisual recording of the thoughts and feelings of two sixteen-year-old and two nineteen-year-old girls, who in monologues reveal their concerns and ideas about the life they’ll lead in ten years. The director underscores their speech with stylized and realistic images of themselves, acquired under varying circumstances and on different materials, thus creating an original work of art connecting elements of multiple artistic areas that are close to the author. Long shots of the protagonists’ faces, captured in great detail, are highlighted with expressive illumination and interleaved with poetic, experimentally conceived passages.„‘The world grows with fear next to us‘“ - 29 26, tries to be an intimate and honest tribute/portrait about growing up. Together we create a new space, between performance and film hoping to remember who we were one day.“ P. Velho
personal program

29 26

Pedro Velho
Portugal / 2018 / 40 min.
section: Opus Bonum
World Premiere
Flesh Memory
Finley Blake supports herself by performing live online erotic webcam shows. Because of this, her young son was taken from her and she is desperately trying to get him back. She is 33 years old and alone, with only her cat and the rats that inhabit her house in Austin, Texas. The film captures several ordinary days of her life – days in which she is so terribly alone yet still surrounded by people. She lives her life through computer monitors, isolated from the outside world. Although this is an observational documentary, its composition, often alternating image sizes, helps make the film’s pace even more dynamic. "Title came first. I was showering when I decided I would, one day, make a movie called Flesh Memory, about eroticism and the Internet. Then I met Finley. And everything suddenly made sense. Best ideas always pop up in the shower, don’t they?" J. Goldberg
personal program

Flesh Memory

Jacky Goldberg
France / 2018 / 60 min.
section: Opus Bonum
International Premiere
Enclosed World
This four-hour documentary – a compilation of Czech Television’s eponymous series – systematically charts life in prison and the associated societal circumstances. Through looking at human fates, on both sides of the bars, it explores imprisonment as something that, although often addressed in the media, is something with which most of us have no personal experience. Using the powerful stories of several individuals who are at different stages of their incarceration, the film presents not only a cross-sectional view of the current correctional system but also contemplations about guilt, punishment, justice, and whether an individual caught in the gears of a repressive system can actually remedy their behavior and change.“Enclosed world has undoubtedly been the longest, most demanding and most exhausting project I have worked on. I don’t know how many such things you can do in your life if you don’t slow down to survive. Maybe just one…” K. Žalud
personal program

Enclosed World

Karel Žalud
Czech Republic / 2018 / 229 min.
section: Czech Joy
World Premiere
Vacancy
The camera observes an American motel along the main highway – just the way many of us imagine the United States. We follow four people inside the room at night, where they have been living in a kind of private purgatory for several years. Their sins are drugs, crime, and bad decisions. The slow flow of scenes and the occasionally blurred image create an atmosphere of being out of time and out of place – which probably just where these four people, incapable of breaking free from the vicious circle of apathy, feel themselves to be. The four documentary portraits combine to form a picture of the depressing life of people nurturing a tiny flame of hope. „,I have been to hell and / back. / And let me / tell you / It was / wonderful‘ (from Louise Bourgeois work)“ A. Kandy Longuet
personal program

Vacancy

Alexandra Kandy Longuet
Belgium / 2018 / 80 min.
section: Opus Bonum
World Premiere
Until Porn Do Us Part
Eulália, a religious and conservative sixty-something woman, must come to terms with a difficult period in her life. Her son has emigrated to Germany, where is a gay porn star. Eulália spends ever more time on Facebook scanning his profile and writing long, mostly unread messages. This dramatically structured observational documentary touches on a number of contemporary issues, including the crisis of the traditional family, how social networks are changing interpersonal relationships, and society’s views of homosexuality and pornography. An unobtrusive look at the LGBT community, humility, and the strength of motherly love."God heard my prayers / He gave me a lovely son / I'll never trade him for anything / Not even for the biggest treasures / Even if I have to spend / My whole life suffering..." J. Pelicano
personal program

Until Porn Do Us Part

Jorge Pelicano
Portugal / 2018 / 90 min.
section: Opus Bonum
World Premiere
Entrance to the End
A dark psycho-ethnographic journey of Maria von Hausswolff and Anne Gry F. Kristensen into the depths of the jungle of the human subconsciousness. The footage from the Panama rainforest was shot on 16mm and all sound was recorded on cassette tapes. The film is a subconscious reaction to Ruggero Deodato's Cannibal Holocaust, an ultraviolent Italian film from the 1970s, as well as to all romanticizing depictions of nature as a place of harmony which is in balance with both itself and its inhabitants. Balancing between imagination and reality, this work is on of the most uncompromising films at this year's festival."The film is a mysterious poem-like journey through an eerie jungle where the viewer get to meet all kinds of creatures and spirits, living and dead. It's shot on a 16mm bolex camera accompanied by sounds recorded on analogue tapes.“ M. Von Hausswolff, A. G. Friis Kristensen 
personal program

Entrance to the End

Maria Von Hausswolff, Anne Gry Friis Kristensen
Sweden, Denmark / 2018 / 33 min.
section: Opus Bonum
World Premiere
Things We Do Not Say
A video diary by a young Iranian actress, intended for her boyfriend living in exile. A lament of dashed hopes from the contested 2009 presidential elections, which were followed by the largest protests since the Islamic revolution. The filmmaker stages a parallel eight-year-old reality – the pre-election ecstasy is framed by an incomplete rehearsal of Macbeth. We relive situations that cannot be changed and that deeply resonate with the motif of coming to terms with reality. The actor’s hopeless gesture is balanced by a call for resisting totalitarianism and by an homage to the victims of the autocratic regime. The feverish atmosphere of the elections is muffled by the skepticism of the main protagonists – they, too, were once young and naive."Is there a void from which the sense emerges? Can we fill the emptiness by a reality, our own reality? The images that we remember, are they the same images, or reflections of those images?" A. Razi
personal program

Things We Do Not Say

Ali Razi
France, Iran / 2018 / 52 min.
section: Opus Bonum
World Premiere
Carousel
A chrono-photographic visit to the museum in the age of its digital reproducibility. This is the director’s characterization of Carousel, a film that skirts the boundary between documentary and visual art. Using un-commented images, the film correlates the museum space, its visitors, and digital recording technology. Using changing film speeds, visitors become ghosts, their movement becoming the most fundamental element, dictated more by a need to document everything with the camera than a desire to actually view the exhibited objects. The film’s conclusion shows that the most remarkable exhibits at museums today are their visitors."You don't have to see. You don't have to feel. You don't have to share. You just have to follow the guide, turn around and admire." A.Gerber
personal program

Carousel

Arnaud Gerber
Germany, France / 2018 / 35 min.
section: Opus Bonum
World Premiere
Good Mr. Benda
A sensitive portrait of grandfather Miroslav Benda, a tried and true Sokol member and an ordinary man with extraordinary vigor and ideals, revealing a story of human resilience and optimism through nostalgia and situational comedy. The film is a kind of observational documentary - it includes family videos and archival film material. We’re drawn into the microcosm of the village of Křenovice u Slavkova by two Japanese women who have decided to visit Benda, thanks to his long friendship with a university professor from Tokyo. Together with Benda, the audience travels to the only Japanese gas station in Europe, to Prague’s Strahov Stadium, and to New York to visit American Sokol members. “Old Mr. Benda fascinates me with his ability to elevate banality to a feast; he is like a Zen master who was asked about the meaning of life and said: ‘When you want to eat, eat; when you want to sleep, sleep.’” P. Jurda
personal program

Good Mr. Benda

Pavel Jurda
Czech Republic / 2018 / 76 min.
section: Czech Joy
World Premiere
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