synopsis
A fanciful portrait of a family member – a barroom drummer and irresistible ladies’ man who lisped as a child, thus forever mangling his name Franta as “Panťa”. The director adds a unique touch to the narrative by combining stylised dramatised scenes with authentic footage, personal commentary and the protagonist’s own testimony, thereby skilfully crafting a legend around a real person with an incredible story. “Panťa, he’s a bit of a madcap, but a great bloke,” says the narrator – played by the director’s schoolmate Vlastimil Venclík – at the end. The work is a second-year documentary project.
biography
Karel Fuksa (1946) studied documentary filmmaking (1966–1971, graduated in 1972) and worked for many years as a director and producer at the Czechoslovak Television studio in Brno. Among other things, he focused on ethnographic documentaries exploring traditional Moravian culture (
Poslední hudci [
The Last Musicians], 1974) and later on portraits of historical figures (
Až na dno zrady – Emanuel Moravec [
To the Very Depths of Betrayal – Emanuel Moravec], 1997, winner of an award at Academia film Olomouc festival).
film details
| director: | Karel Fuksa |
| producer: | Lukáš Hanzal |
Film at festival
| premiere type: | The film already had its Czech Premiere |
| festival edition: | 2026 |
| section: | FAMU 80 |
| language: | Czech |
| colour: | Black and white |
Info
| director: | Karel Fuksa |
| original title: | Můj strýc Panťa |
| country: | Czechoslovakia |
| year: | 1968 |
| running time: | 6 min. |