synopsis
The music animation (or animated music?) inspired by Will Bradley’s composition
Celery Stalks at Midnight from 1940 is one of the early works of John Whitney, the pioneer of computer animation. Filmstrip only served as a means of capturing the abstract world created before the camera lens. Inspired by Oskar Fischinger, Whitney makes abstract patterns move and intersect on a blue background. The variations and permutations of simple shapes copying the form, melody and phrasing of the composition represent a visual equivalent to the language of music.
biography
John Whitney (1917–1995) was a representative of avant-garde in American film and a pioneer of computer animation. He made his first 8mm films before WWII. His focus is the analogy between film and music. His works include
Five Film Exercises (1943–1944) which he shot together with his brother James,
Permutation (1968) and
Matrix (1971).
more about film
Info
| director: | John Whitney |
| original title: | Celery Stalks At Midnight |
| country: | United States |
| year: | 1951 |
| running time: | 3 min. |
