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23rd Ji.hlava International Documentary Film Festival

ji-hlava dok cdf

Albertine Gone

director: Véronique Aubouy
original title: Albertine a disparu
country: France
year: 2018
running time: 34 min.
International Premiere

synopsis

This updating of the sixth part of In Search of Lost Time explores the current identity of Proust’s book. Through a staged docu-fictions with elements of performance art, the filmmaker strips the text, quoted by an employee of a fire station, of its period references, thus giving it new attributes. Since 1993, Véronique Aubouy has been filming people reading various parts of Proust’s masterpiece of literature. The planned date of completion for her monumental project, which sees the protagonist as an object in a cinematic landscape and the book as a signpost of various interpretations, is in 2050.

"Since my discovery of Proust’s Recherche I'm convinced  that this book is an expression of the Here and now. When I met Jean, fireman, nurse anaesthetist who had read la Recherche during his night guards, the film was there, here and now." V. Aubouy

biography

French director Véronique Aubouy (1961), whose films are strongly influenced by music and literature, has created numerous documentary portraits of leading artists. Her first fiction film, My Name Is Annemarie Schwarzenbach, premiered in 2015. She and wrote Mathieu Riboulet wrote a book about the project Proust lu titled À la lecture.

more about film

hrají: Jean Houtin, Lyna Koudry, Salomé Chollet, Isolde Faria
producer: Nathalie Trafford, Vladimir Léon
photography: Hugues Gemignani
editing: Camille Lotteau
hudba: François Marcelly-Fernandez, Lam Son N'Guyen, Rudolph DiP
sound: Rosalie Revoyre, Jérémie Halbert, Suzanne Durand, Florent Lavallée

other films in the section

Things We Do Not Say
A video diary by a young Iranian actress, intended for her boyfriend living in exile. A lament of dashed hopes from the contested 2009 presidential elections, which were followed by the largest protests since the Islamic revolution. The filmmaker stages a parallel eight-year-old reality – the pre-election ecstasy is framed by an incomplete rehearsal of Macbeth. We relive situations that cannot be changed and that deeply resonate with the motif of coming to terms with reality. The actor’s hopeless gesture is balanced by a call for resisting totalitarianism and by an homage to the victims of the autocratic regime. The feverish atmosphere of the elections is muffled by the skepticism of the main protagonists – they, too, were once young and naive."Is there a void from which the sense emerges? Can we fill the emptiness by a reality, our own reality? The images that we remember, are they the same images, or reflections of those images?" A. Razi
personal program

Things We Do Not Say

Ali Razi
France, Iran / 2018 / 52 min.
section: Opus Bonum
World Premiere
Talks with TGM
Another contribution to the specific subgenre of animated history by the scriptwriter Pavel Kosatík. On 26 September 1928, Karel Čapek and President Masaryk meet in the gardens of Topolčianky castle to decide about the fate of their joint literary work. Their fiction film dialogue is based on quotes from a future book and their mutual correspondence, considerably freeing the original format of literary conversation from binding conventions. Čapek and Masaryk reproach and offend each other, but they also ask key personal questions and questions about the social functions of a writer and politician respectively.“It’s a film about two extraordinary men; it’s about the fact that emotions can be sometimes more powerful than ideas even in such exceptional people.” J. Červenka
personal program

Talks with TGM

Jakub Červenka
Slovakia, Czech Republic / 2018 / 80 min.
section: Opus Bonum
World Premiere
Albâtre
Liquid landscapes, each one absorbed into the next, transform the screen into a painter’s canvas. The digital decomposition of images in live interaction with Carlos Grätzer’s music draw attention to the permeability between traditional and abstract painting as well as to the harmony between the fine arts, film, and music. Shots evoking Monet’s Impression, Sunrise, or Renoir’s secluded forest corners, break apart into a raster pattern and are transformed into a shapeless mass of colors that then grow into a new composition. While the impressionists depicted a static moment, Perconte captures a moment that is in constant motion."Albâtre reflects the desire I had to express the energy of this very special part of France where everywhere the wind carries the sea, where nothing is stable, and where I love so much to film: the coast of Upper Normandy between Le Havre and Dieppe." J. Perconte
personal program

Albâtre

Jacques Perconte
France / 2018 / 41 min.
section: Opus Bonum
World Premiere
29 26
 The film 29 26 is an audiovisual recording of the thoughts and feelings of two sixteen-year-old and two nineteen-year-old girls, who in monologues reveal their concerns and ideas about the life they’ll lead in ten years. The director underscores their speech with stylized and realistic images of themselves, acquired under varying circumstances and on different materials, thus creating an original work of art connecting elements of multiple artistic areas that are close to the author. Long shots of the protagonists’ faces, captured in great detail, are highlighted with expressive illumination and interleaved with poetic, experimentally conceived passages.„‘The world grows with fear next to us‘“ - 29 26, tries to be an intimate and honest tribute/portrait about growing up. Together we create a new space, between performance and film hoping to remember who we were one day.“ P. Velho
personal program

29 26

Pedro Velho
Portugal / 2018 / 40 min.
section: Opus Bonum
World Premiere
Flesh Memory
Finley Blake supports herself by performing live online erotic webcam shows. Because of this, her young son was taken from her and she is desperately trying to get him back. She is 33 years old and alone, with only her cat and the rats that inhabit her house in Austin, Texas. The film captures several ordinary days of her life – days in which she is so terribly alone yet still surrounded by people. She lives her life through computer monitors, isolated from the outside world. Although this is an observational documentary, its composition, often alternating image sizes, helps make the film’s pace even more dynamic. "Title came first. I was showering when I decided I would, one day, make a movie called Flesh Memory, about eroticism and the Internet. Then I met Finley. And everything suddenly made sense. Best ideas always pop up in the shower, don’t they?" J. Goldberg
personal program

Flesh Memory

Jacky Goldberg
France / 2018 / 60 min.
section: Opus Bonum
International Premiere
De Sancto Ambrosio
The opening ten-minute sequence of the film raises a question whether something is about to happen or not. Nothing much is going to happen, though. Workers are working at a building site, kids are playing, tourists are sightseeing, a wedding and a funeral are in progress, followed by images of empty streets and perspectives of building rooftops – in brief, a microcosm. The film shows the town from a totally different perspective, laying out fragments of life of seemingly totally uninteresting people who simply go about their existence. The camera is set in motion without the passersby even noticing since it has been put in a strategic elevated spot. The whole movie consists purely of bird’s-eye view shots."I always had a fascination to go up the building's rooftops to contemplate the city. Spending one year on a medieval bell tower was like being in a time machine which made time into something tangible." A. Di Bias
personal program

De Sancto Ambrosio

Antonio Di Biase
Italy / 2018 / 50 min.
section: Opus Bonum
World Premiere
Entrance to the End
A dark psycho-ethnographic journey of Maria von Hausswolff and Anne Gry F. Kristensen into the depths of the jungle of the human subconsciousness. The footage from the Panama rainforest was shot on 16mm and all sound was recorded on cassette tapes. The film is a subconscious reaction to Ruggero Deodato's Cannibal Holocaust, an ultraviolent Italian film from the 1970s, as well as to all romanticizing depictions of nature as a place of harmony which is in balance with both itself and its inhabitants. Balancing between imagination and reality, this work is on of the most uncompromising films at this year's festival."The film is a mysterious poem-like journey through an eerie jungle where the viewer get to meet all kinds of creatures and spirits, living and dead. It's shot on a 16mm bolex camera accompanied by sounds recorded on analogue tapes.“ M. Von Hausswolff, A. G. Friis Kristensen 
personal program

Entrance to the End

Maria Von Hausswolff, Anne Gry Friis Kristensen
Sweden, Denmark / 2018 / 33 min.
section: Opus Bonum
World Premiere
Notes from Unknown Maladies
A minimalist observational portrait of 94-year-old Concepcion presents the life of a person suffering with mental illness for fifty years. After a nervous breakdown, the filmmaker’s grandmother decided to isolate from the rest of the world and deal with the disease itself. In her solitude she is haunted with random memories, hallucinations, and gradually begins to face loss of memory and intellect. A black-and-white film steeped in a melancholic mood sensitively captures the themes of old age, disease and human loneliness. The slow pace and limited dialogue helps the viewer to transcend the world of a suffering single woman in a discreet and highly suggestive manner. "Dear Grandma, If you will see me lost in the unknown one day, please remind me about the suffering and memory of our nation. Only history and truth can save my fragile heart." L. P. Dela Cruz
personal program

Notes from Unknown Maladies

Liryc Dela Cruz
Philippines / 2017 / 62 min.
section: Opus Bonum
European Premiere
Until Porn Do Us Part
Eulália, a religious and conservative sixty-something woman, must come to terms with a difficult period in her life. Her son has emigrated to Germany, where is a gay porn star. Eulália spends ever more time on Facebook scanning his profile and writing long, mostly unread messages. This dramatically structured observational documentary touches on a number of contemporary issues, including the crisis of the traditional family, how social networks are changing interpersonal relationships, and society’s views of homosexuality and pornography. An unobtrusive look at the LGBT community, humility, and the strength of motherly love."God heard my prayers / He gave me a lovely son / I'll never trade him for anything / Not even for the biggest treasures / Even if I have to spend / My whole life suffering..." J. Pelicano
personal program

Until Porn Do Us Part

Jorge Pelicano
Portugal / 2018 / 90 min.
section: Opus Bonum
World Premiere
Backstage Action
This is de facto a film about a film, with the only difference being that the focus is exclusively on the extras. They are filmed while waiting to take their turn, while conversing with others, and thinking about their performances. Although they take their duties very seriously and long to be stars, for the filmmakers, they’re just people that can be coordinated as necessary, nothing more. This film, on the contrary, gives them full consideration, revealing their personalities, what they experience, and what they dream of. The footage comes from many different places where movies are made, involving extras from all different nationalities."The representative becomes a present body, a speaking body, he becomes an acting body, even a political body liberated from the stereotypes that pertain to the community he was supposed to represent." S. Azari 
personal program

Backstage Action

Sanaz Azari
Belgium / 2018 / 61 min.
section: Opus Bonum
World Premiere
Expectant
If we look up the word expectante in a Spanish-English dictionary, we learn it is an adjective which can be translated as “expecting” or “biding one's time”. It is no accident this single-word title belongs to an disconcerting Peruvian film which takes its audience to a darkened city where a group of friends is spending an evening of leisure. Even though the neighborhood they live in is a relatively safe one, their locked doors and gates provide no more than an illusion of safety, which is a thought applicable world wide. The distant black-and-white camera through which the audience observes the plot seems to be biding its time for a chance to attack."I think cinema is about creating sensations and reaching out to a personal language as a way to manifest our vision as individuals." F. Rodriguez Rivero
personal program

Expectant

Farid Rodriguez Rivero
Portugal, Peru / 2018 / 77 min.
section: Opus Bonum
International Premiere
NU
“A terrible winter came. Snow was falling in endless flurry. The wind cooled down the air and the earth. The sun stopped shining. Three winters came without a summer that would follow them.” These words open the documentary dystopia conceived as personal correspondence between a woman/the nature and the last surviving man. On the background of images of natural scenery and desolate achievements of the civilization, a poetic confession of feelings is followed by descriptions of banal experiences and symbolic situations, all presented with a declamatory diction. In the last moments of humanity, the severed bond between the loving mother and her lost and rediscovered son is restored again.„You loved me as a male loves a woman, with his worst defects. You wanted to possess me, to dominate me, to control me, you wanted to strip me. You choked me, you devoured me. You loved me for you only, you took all I had. And you did not know you were going to die.“ F. Cousseau
personal program

NU

Blandine Huk, Frédéric Cousseau
France / 2018 / 54 min.
section: Opus Bonum
World Premiere
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