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24th Ji.hlava International Documentary Film Festival

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Dialogue

Dialogue

director: Kryštof Strejc
original title: Dialog
country: Czech Republic
year: 2015
running time: 7 min.

synopsis

A dialogue between audio and video reinterprets a scene from the movie The Stranger (1967, dir. Luchino Visconti), in which the condemned debates with a priest about the absurdity of life, death, and the non-existence of God. The debate is abstracted by the skewed image as seen through cut glass and the meanings of their words take on a certain timelessness.

biography

Artist and experimental filmmaker Kryštof Strejc (1994) is currently studying painting at the Academy of Arts in Prague; he previously studied in the New Media studio at the University of West Bohemia in Pilsen. His film Before the Interception (2015) was screened at the Jihlava IDFF.

more about film

director: Kryštof Strejc
producer: Kryštof Strejc

other films in the section

Water Pure Azure
People’s limited view of the world often places the human perspective above the natural cycles. Visual details capture the egotism that often causes us to not see the essence of things, Together with an apt and uncompromising voiceover they call on us to become aware of the impact our actions have on our surroundings.

Water Pure Azure

Adéla Kudlová
Czech Republic, Finland / 2016 / 4 min.
section: Fascinations: Exprmntl.cz
And Then He Just Stopped
The author uses film as an art-therapy tool to cope with traumatizing experience of her own. Told from a child’s point of view, the story builds on the symbolism of both common and uncommon objects, a clay body, a writhing snake or a metal means of payment, projected into the narrative structure of repeating motifs.
personal program

And Then He Just Stopped

Alexandra Sihelská
Czech Republic / 2019 / 6 min.
section: Fascinations: Exprmntl.cz
World Premiere
Today
A portrait of sunlight, created on 35mm film negative using a camera obscura built by the filmmaker. The camera records a plant from morning to evening at several-minute intervals. The sequence of images compiled from these photographs create a cinematic sundial.

Today

Simona Donovalova
Slovakia / 2017 / 8 min.
section: Fascinations: Exprmntl.cz
World Premiere
Tradition
The town of Kyjov has two traditions: folk culture and methamphetamine. Dressing up in folk costumes is one of the things that the region of Moravian Slovakia is known for, but it is a façade funded from the municipal budget. Then there is the less idyllic reality of daily life, the status of men and women, and drinking at the 24-hour bar or in one’s basement. An exacting rhythmic film poem, shot and edited like its subject – traditionally, i.e., using analogue film.

Tradition

Kateřina Turečková
Czech Republic / 2017 / 8 min.
section: Fascinations: Exprmntl.cz
World Premiere
Ústí
A poetic short portrait of the Ústí region of the Czech Republic. Using experimental means of expression, the director creates a hypnotizing study that combines natural and urban landscape motifs into a multi-layered dynamic collage. The film was shot on 16 mm stock and was created without the use of visual effects.Fascinations: Exprmntl.cz: Out of competition

Ústí

Lukáš Janičík
Czech Republic / 2017 / 11 min.
section: Fascinations: Exprmntl.cz
Sequence
A melancholic metaphor depicts transportation links and the logistical construction of a futuristic view of a dark, sterile environment. Fluorescent machines and vehicles that serve man live their own lives until their last moment, when they fall into pieces of the material from which they were constructed.

Sequence

Jakub Korselt
Czech Republic / 2018 / 1 min.
section: Fascinations: Exprmntl.cz
World Premiere
Dream I Had / Virgin Fields
A passing landscape projected into a hypnotic pulsating structure explores time perception in relation to motion. The iridescent chain of trunks, branches and leaves zooming past creates counterpoint to the cyclically re-emerging ambient soundscape interspersed with beats by Evitceles, a Bulgarian experimental musician.
personal program

Dream I Had / Virgin Fields

Petra Bučková
Czech Republic, Bulgaria / 2019 / 6 min.
section: Fascinations: Exprmntl.cz
World Premiere
The conglomerate eternity
An archaeologically significant site diffuses its memory through levels of the myths, rituals, and folk tales in an essayist discourse on the forms of historical continuity. Absence of contact sound and minimalist music emphasizing the visual motifs of both alive and inanimate tracks in the landscape.

The conglomerate eternity

Petr Pololáník
Czech Republic / 2018 / 14 min.
section: Fascinations: Exprmntl.cz
World Premiere
Unknown
The experimental film Unknown presents prototypical urban motifs, such as public transport and escalators, transforming them into abstract black and grey fragments using rotoscope animation to the accompaniment of authentic sounds. Using these scenes, the filmmaker is trying to evoke in the viewer the subjective feeling of alienation in the anonymous environment of a city.

Unknown

Jakub Korselt
Czech Republic / 2017 / 2 min.
section: Fascinations: Exprmntl.cz
World Premiere
Prologue Of Signum Supra
Signum Supra presents art as a shamanic ritual, as an aestheticized tool materializing principles that cannot be grasped by consciousness. Gripping structures that resemble rocks and landscape contours float in indeterminate space, serving as a springboard for contemplating the patterns of perception beyond the visible and the tangible.

Prologue Of Signum Supra

Kryštof Brůha
Czech Republic / 2017 / 8 min.
section: Fascinations: Exprmntl.cz
World Premiere
Home
When represented using 3D computer graphics, private artefacts become symbols showing home not just as a collection of iconic objects but above all as the personal stories associated with them. Through the ritual of, for instance, putting on slippers, home can be defined as an intimate private sphere that this act is meant to protect.

Home

Adéla Kudlová
Czech Republic / 2017 / 2 min.
section: Fascinations: Exprmntl.cz
World Premiere
The Colonel’s Photograph
Excerpts from a television interview with Eugène Ionesco in an adaptation of his absurd story The Colonel’s Photograph, which is dominated by the motif of a swimming pool that conceals drowned bodies. The visual pun is a compilation of techniques: animation, video, 3D graphics, and text, which give the seemingly random scenes a sort of structure.

The Colonel’s Photograph

Martina Holá
Czech Republic / 2015 / 4 min.
section: Fascinations: Exprmntl.cz
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