Tyto webové stránky používají soubory cookies, které nám pomáhají zlepšovat naše služby, personalizovat reklamy a analyzovat návštěvnost. Používáním našich stránek s tímto souhlasíte.
Více informací

23rd Ji.hlava International Documentary Film Festival

ji-hlava dok cdf

Lomelin

director: François Reichenbach
original title: Lomelin
country: France
year: 1965
running time: 22 min.

synopsis

Toreadors call their first entrance into the arena the “moment of truth”. We follow one such moment in the life of a Mexican toreador who is later considered one of the best bullfighters of all time. The camera becomes part of reality, without any additional commentary, only the soundtrack and editing give meaning to Lomelin’s gestures and emotions and those of his family. 

biography

François Reichenbach (1921-1993) was a filmmaker influenced by the travels of his youth. In his work, he addressed topics such as the relationship of France and the USA and shot portraits of renowned international artists.    

more about film

director: François Reichenbach
producer: Les Films de la Pléiade

other films in the section

An Insight into Madness, The Prisoner Party
The film is made up of the eponymous medium-length film and the short film The Prisoner Party. The director’s goal was for the viewers to better comprehend the everyday life of patients and doctors at the psychiatric hospital in Saint-Alban, where the first experiments with psychotherapy took place. The commentary uses Artaud’s texts on madness.
personal program

An Insight into Madness, The Prisoner Party

Mario Ruspoli
France / 1961 / 53 min.
section: Direct Vérité
Czech Premiere
Lonely Boy
At first glance, the film appears to be a survey about the gifted singer, the idol of a generation. The result is a unique way of observing stars through their own fans. The sound is significant here, achieving an unprecedented sense of reality. The innovative approach complements the film with staged scenes. 
personal program

Lonely Boy

Wolf Koenig, Roman Kroitor
Canada / 1962 / 27 min.
section: Direct Vérité
Czech Premiere
Artifices
A group of French pupils asks their American peers – what is the Far West? The young Americans answer with their teacher’s help. The director transforms the children’s statements into images, and shows how the state instills an official opinion on the Far West. Are we watching a visual rhapsody or is it a politically engaged cinéma direct documentary? 
personal program

Artifices

François Reichenbach
France / 1963 / 10 min.
section: Direct Vérité
Czech Premiere
Salesman
American filmmakers are the furthest from Vertov’s notion of film-truth. The Maysles directing duo is known for reducing the influence of editing. Salesman is based on the concept of living camera: to be as close as possible to the essence of the events and preserve their ambiguity. The film’s subject are the lives of door-to-door Bible salesmen.
personal program

Salesman

Charlotte Zwerin, David Maysles, Albert Maysles
United States / 1968 / 90 min.
section: Direct Vérité
The Village Pleasure
Or, how to become a Frenchman in a few lessons. It’s the essence of cinéma vérité, combining an essayistic approach with an effort to capture raw reality in all its truth, but at the same time, we’re watching a documentary version of The Firemen’s Ball in the French countryside. 
personal program

The Village Pleasure

François Reichenbach
France / 1963 / 47 min.
section: Direct Vérité
Czech Premiere
Manouane River Lumberjacks
This film, by one of the most important and most productive Canadian documentary filmmakers, examines the seasonal work of a diverse group of lumberjacks, among whom are members of Canadian Indian tribes. The style combines direct cinema with a lyrical approach to the landscape, which enthralls everyone.  
personal program

Manouane River Lumberjacks

Arthur Lamothe
Canada / 1962 / 28 min.
section: Direct Vérité
Czech Premiere
Happy Mother´s Day
This controversial film has provoked a discussion about manipulating the audience's opinion. It pretends to lay out the objective events surrounding a birth of quintuplets, while in reality putting forward a meticulously thought-out piece, prompting the viewer to wake up to the absurdity of the campaign. The film strives for committed objectivity rather than comprehensiveness.
personal program

Happy Mother´s Day

Richard Leacock, Donn Alan Pennebaker, Joyce Chopra
United States / 1963 / 30 min.
section: Direct Vérité
Czech Premiere
For the Ones to Come
Until 1924, one of the ways residents of Île-aux-Coudres supported themselves was by hunting porpoises. In 1962, filmmakers decided to revive this traditional activity that brought a sense of order to lives there. What at first seemed like a crazy idea became a major direct cinema project that perfectly captures the essence of this shooting method. 
personal program

For the Ones to Come

Pierre Perrault, Michel Brault
Canada / 1962 / 105 min.
section: Direct Vérité
Three Cheers for the Whale
This documentary “anti-Moby Dick” is a cooperative work with Chris Marker - creator of the commentary, editing, and sound.  A lively poetic essay on the plight of whales responds to the condemnation of their fishing at a conference in Stockholm. The commentary combines a male voice as the traditional explicative and a female voice, which is intimate and evokes the whales’ thoughts. 
personal program

Three Cheers for the Whale

Chris Marker, Mario Ruspoli
France / 1972 / 17 min.
section: Direct Vérité
Czech Premiere
On the Pole
This pillar of direct cinema captures the fame and death of race-car driver Eddie Sachs. It combines original with archival footage, black-and-white with colour film, and among other things makes use of sped-up images in order to achieve the same effect as in Primary. Again, the film tries to find the logic of the depicted events and to offer an objective take on them.
personal program

On the Pole

Robert Drew, Richard Leacock
United States / 1960 / 58 min.
section: Direct Vérité
Czech Premiere
CANDID EYE (1958-1960): The Back-breaking Leaf
A short film from the TV documentary series The Candid Eye, which was quite innovative content-wise and intended to show a new way of filming. The goal in this particular case was to visually and aurally capture the numbing drudgery of seasonal tobacco pickers. Despite this, at some moments the direction took on a certain aesthetic aspect. 
personal program

CANDID EYE (1958-1960): The Back-breaking Leaf

Terence Macartney-Filgate, Wolf Koenig, Roman Kroitor
Canada / 1959 / 29 min.
section: Direct Vérité
Czech Premiere
Gare du Nord
The collective narrative film Paris Through the Eyes Of... was intended as a New Wave manifesto with the goal of reviving interest in it. It didn’t quite happen, though, but an interesting work was created, part of which is the story of Odile, who has a fight with her husband and meets a mysterious man. It was shot as two long single takes on 16mm film and later transferred to 35mm.  
personal program

Gare du Nord

Jean Rouch
France / 1965 / 16 min.
section: Direct Vérité
Czech Premiere
Ministerstvo kultury
Fond kinematografie
Evropská unie
Město Jihlava
Kraj Vysočina
Česká televize
Český rozhlas
Aktuálně.cz
Respekt
UPP
Current time