Tyto webové stránky používají soubory cookies, které nám pomáhají zlepšovat naše služby, personalizovat reklamy a analyzovat návštěvnost. Používáním našich stránek s tímto souhlasíte.
Více informací

24th Ji.hlava International Documentary Film Festival

ji-hlavadok-revuecdfEmerging producersInspiration Forum
Beyond the One
Beyond the One
Beyond the One
Beyond the One

Beyond the One

director: Anna Marziano
original title: Al di là dell’uno
country: France, Italy, Germany
year: 2017
running time: 53 min.

synopsis

A cinematic treatise on diverse forms of affection, love and partnership, and the difficult search for an individual way of expressing these feelings in the face of tradition and social conventions. People from around the world talk about love intimacy, but also their dark side and the violence that can erupt when spontaneous emotions are smothered by compromise. The contrasting use of different film and video formats, combined with the asynchronous combination of sound and image, underscores the film’s specific openness resulting from the subjects’ courageous testimony. Does love die when it submits to conformity and becomes ideology?

“I filmed only when I felt my images became a caring record of a moment of sharing and when the act of filmmaking offered us the opportunity to live. That is how obstinately solitary and radically plural this act can be.” A. Marziano

biography

Anna Marziano (1982) studied film at the Centro Sperimentale di Cinematografia and political science at university in Padua. In her work, she experiments with the tools of documentary film. Her films have been shown all over the world, including the Toronto International Film Festival, Kurzfilmtage Oberhausen, the LABoral Centro de Arte in Gijón, and at numerous other venues. She has lived in Berlin since 2012.

more about film

director: Anna Marziano
producer: Olivier Marboeuf, Ann Carolin Renninger, Anna Marziano
photography: Anna Marziano
editing: Anna Marziano
sound: Anna Marziano

other films in the section

Did You Wonder Who Fired the Gun?
In 1946, S.E. Branch clearly shot Bill Spann, a black man, in Alabama. One story of many, it can be said, but this time it’s being unraveled by the great-nephew of the murderer through this political and aesthetically distinctive film essay. During the investigation, he constantly ran in to obstacles, due not only to the prevailing racism, but also the inevitable reflection of his own connection with history. A montage of black and white memories of places, endless drives through red sunsets, and agitating tunes brings the work together in the best southern Gothic tradition, in which “the past is never dead. It’s not even past.” (W. Faulkner)„This time I offered my love and my labor to a film that I wished somehow to be corrective. A film about the worst of my family.” T. Wilkerson

Did You Wonder Who Fired the Gun?

Travis Wilkerson
United States / 2017 / 90 min.
section: Opus Bonum
Central European Premiere
Dead Slow Ahead
A freighter sails through a barren seascape. Apparently drifting aimlessly. Apparently? A highly enigmatic allegory of the isolation of man and machine in a post-industrial capitalist society, which is as close to techno-pessimistic sci-fi as it is to romantic painting. This story, consisting almost exclusively of the landscape, the movements of workers and machinery, and the ship itself, uses a highly aesthetic style to put across the impression of absolute desolation and disconcertion. The sedative rhythm pulls the viewer into a completely new, unknown world. Bit by bit we come to a realisation and start to ask: is this the last ship of humanity, burdened with the difficult task of keeping in motion that which has long stopped making sense?DETAIL:“Is anybody listening? An entire river is entering through the keel. There’s a lot. The water is reaching the storage tanks. Roger! Roger! Attention! The wheat is getting wet. The wheat. Sir, this is a disaster!”

Dead Slow Ahead

Mauro Herce
Spain, France / 2015 / 74 min.
section: Opus Bonum
Central European Premiere
Spring yes yes yes
Originally a sound woman by trade, Audrey Ginestet has created an intimate reportage and purely personal experiment: She decided to spend a winter in Japan with a past lover, a man with whom she had a relationship ten years before in France and whom she has not seen since. The cramped little house becomes a stage for monologues on intercultural differences and the possibility of relationships across cultures and between individual beings, combined with the observation of details inside the house and in nature.

Spring yes yes yes

Audrey Ginestet
France, Japan / 2012 / 38 min.
section: Opus Bonum
Central European Premiere
She Sings
Past memories and flashes of future disappointment follow a 19-year-old Bhutanese girl to the capital city of Thimphu, where she hopes to fulfill her singing ambitions on a television song contest. The ambient nature of the scenes and dialogues creates a lo-ficomingof-age story in a country where television was not officially permitted until 1999. A mystical oscillation between Buddhism and pop culture, broken into stories and images of drunken venerable old women, loitering monkeys, and tears of disappointment and comfort in a community of kindred souls.  

She Sings

Dechen Roder, Caroline Sascha Cogez
Denmark, Bhutan / 2012 / 48 min.
section: Opus Bonum
Czech Premiere
The End of Time
From Swiss scientists who seek to probe regions of time we cannot see in a 27-kilometre long tunnel, to lava flows in Hawaii which have overwhelmed all but one home on the south side of Big Island, to a Hindu funeral rite near the place of Buddha’s enlightenment, Mettler explores our perception of time, the nature of time. “What is time? When no one asks me, then I know. Was I to explain it to someone, only then I don’t.” (St. Augustine)

The End of Time

Peter Mettler
Canada, Switzerland / 2012 / 109 min.
section: Opus Bonum
14 Homicides
The state of Utah has very broad definitions of when a police officer can use a weapon on duty. Last year, 14 controversial deaths were caused by the police. This documentary, based on traditional film structure, is made up of 14 two-minute static shots of the crime scenes. The soundtrack consists of recited texts made up of interrogation reports and the responses of people close to the victims. The objective communication sharply contrasts with the tragic incidents. The fixed camera view becomes a sad reminder of a fatal incident which paradoxically most authorities consider to be justified.DETAIL:An attorney for the Hunt family says they don't believe Darian attacked officers with the toy sword. He also stated that he was a harmless and innocent young man who was drawn into an incident provoked by the police.

14 Homicides

Jona Gerlach
United States / 2015 / 34 min.
section: Opus Bonum
World Premiere
20 Cents
São Paulo, June 2013: The local government’s decision to raise the price for a public transit ticket by 20 cents results in a wave of social unrest. The protests are an expression of a more general dissatisfaction among the working classes with their living conditions. However, the mass of protestors does not succeed in achieving a common vision: The carneval-like ethos is replaced by the atmosphere of guerilla struggle, and solidarity by violence. Over several days, this observational documentary places the viewer directly into the middle of the chaotic events. The cadence of kinetic footage of angry mobs, accompanied by tribal rhythms and heavy-metal riffs, is enough to give the viewer a sense of vertigo.DETAIL:“Brazil cannot continue being the country of impunity! Brazil cannot continue sending only poor to prison. It’s time the politicians go to jail.”

20 Cents

Tiago Tambelli
Brazil / 2014 / 52 min.
section: Opus Bonum
International Premiere
Lost Paradise
The life of the filmmaker, also the film’s main character, is determined by a double fear. On one side, her world collapses under the weight of personal and historical tragedies, on the other she is threatened by the loss of the memories of everything that is dear to her. In this documentary, which blurs the lines between personal and public, she attempts to preserve all traces of memories, whether they’re images of her deceased husband or the ruins of local Beirut monuments. Slowly flowing images, virtually free of musical accompaniment, give memory fragments emerging from the surfaces of material things, including the heroine’s body, space to have spontaneous effect. "This film evolves around the notions of disappearance and loss: individual death and disappearance of places, loss of personal memory and collective memory. " R. Mitri

Lost Paradise

Reine Mitri
Lebanon / 2017 / 61 min.
section: Opus Bonum
International Premiere
Vacancy
The camera observes an American motel along the main highway – just the way many of us imagine the United States. We follow four people inside the room at night, where they have been living in a kind of private purgatory for several years. Their sins are drugs, crime, and bad decisions. The slow flow of scenes and the occasionally blurred image create an atmosphere of being out of time and out of place – which probably just where these four people, incapable of breaking free from the vicious circle of apathy, feel themselves to be. The four documentary portraits combine to form a picture of the depressing life of people nurturing a tiny flame of hope. „,I have been to hell and / back. / And let me / tell you / It was / wonderful‘ (from Louise Bourgeois work)“ A. Kandy Longuet

Vacancy

Alexandra Kandy Longuet
Belgium / 2018 / 80 min.
section: Opus Bonum
World Premiere
A Volatile Tale
The unexpected birth of young birds frames this daily observation of a bird colony from the window of a flat in Rome. A poetic juxtaposition of human and bird life, of the search for god and a yearning for perfection, plays out on a minimalist stage of a few slanting rooftops. The footage of urban gulls, taken with a shaky handheld camera and intercut with shots of nuns from the neighbouring monastery, are mixed with poems, excerpts from novels and classical music. Only now and then – in a reflection in a window or from a seemingly banal conversation – do we learn anything about the people behind the camera.„Is life linear? Why should narration be. Our attentive eyes excite our thoughts. Let's follow them. A Volatile Tale proceeds through associations describing not the existing but the experience." C. Vestroni

A Volatile Tale

Carla Vestroni
Italy / 2017 / 44 min.
section: Opus Bonum
World Premiere
Day 32
Face to face with the possible end of the world, the filmmaker collects cinematic records of human existence as a message to someone or something that will come after us. This documentary essay erects a monument to the inventiveness and destructiveness of man, and its collection of images from the history of culture, war and sports forms a kind of ark, ready to survive the deluge. The natural elements assault the screen with all their might. The almost poetic voiceover offers a testament of life: at once generic and deeply personal. The director’s awareness of the inevitable end compels him to engage on an enigmatic journey in search of the places, people and phenomena of our civilization. “Two things always moved me: the end of the world and the end of images. I didn’t know they could come together, and was far from imagining they would be related. That’s how Day 32 was born.” A. V. Almeida

Day 32

Andre Valentim Almeida
Portugal / 2017 / 85 min.
section: Opus Bonum
International Premiere
Ex Press
A passenger train travels across the landscape of the Philippines, while a monologue description of the journey presents fragments of memory and fantasy that look back at the country’s past. This graduate film by debuting filmmaker Jet Leyco is not based on a fixed script, but was made intuitively and spontaneously on location. Documentary approaches are mixed with stages elements in order to create a hypnotic mixture at whose centre lies the search for the unexplained resignation of the police officers defending the train against vandals.

Ex Press

Jet Leyco
Philippines / 2011 / 90 min.
section: Opus Bonum
Central European Premiere
Ministerstvo kultury
Fond kinematografie
Evropská unie
Město Jihlava
Kraj Vysočina
Česká televize
Český rozhlas
Aktuálně.cz
Respekt