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24th Ji.hlava International Documentary Film Festival

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The Sun Sets in the East
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The Sun Sets in the East
The Sun Sets in the East
The Sun Sets in the East
The Sun Sets in the East

The Sun Sets in the East

director: Alexander Belinski, Agne Dovydaityte
original title: Saulė leidžias rytuose
country: Lithuania
year: 2018
running time: 83 min.

synopsis

The film depicts the year 1984/85 through the diary entries by the director’s grandfather, a Soviet peasant from Lithuania, which reflect contemporary values associated with faith in God, as well as details about daily routines and political change. Despite its historicizing base, the film is still relevant today. The formal side is made up of live images taken with static cameras that contemplate the depopulated state of the Lithuanian rural areas. The poetic documentary essay about the irreparable impact of man examines the transformation of society from rural to urban and forces the viewer to question the hectic lifestyles we lead today.

"The Sun Sets in the East is a sincere film that can be watched and felt by anyone, and we hope that everyone will be able to find a reflection of themselves or their family's past in it." A. Dovydaityte, A. Belinski

biography

Alexander Belinski (1995) was born in Ukraine and raised in Germany and Great Britain. The short film director is debuting his feature-length film The Sun Sets in the East. Producer and director Agne Dovydaityte (1995) was born in Lithuania. She put her specialization in East European politics to good use in her feature-length debut The Sun Sets in the East. Both are graduates of the journalism programme at the University of London. 

more about film

director: Alexander Belinski, Agne Dovydaityte
producer: Agne Dovydaityte
script: Agne Dovydaityte
photography: Alexander Belinski
editing: Alexander Belinski
sound: Alexander Belinski

other films in the section

Trapped By Law
In 2010, thousands of Kosovo Roma were forcibly repatriated from the European Union to their original home. And this despite the fact that many had spent years living in the EU. They had grown up there, studied there, some had even been born there. This engaged documentary follows the story of brothers Kefaet and Selami, rappers from Essen who, from one day to the next, find themselves in Kosovo, cut off from the rest of the world and from their family in Germany. The director does not remain neutral in recording their many years spent trying to get out of a trap of absurd and unfriendly laws, and to return from their native homeland to their real one.DETAIL:“We also had hard situations, you know, where we were maybe thinking about this, you know, to get separated, go separate ways, but no – In the end it was always just differences here and there, that you have to compromise with.”

Trapped By Law

Sami Mustafa
Kosovo, Germany / 2015 / 90 min.
section: Between the Seas
World Premiere
Butterflies
Young Alexei is openly homosexual. Although his peers have no problem with his sexual orientation, his mother is unable to accept it. This documentary portrait follows Alexei during summer break, as he spends time with his new lover Grisha, whom he met at a Tarkovsky festival. The film takes an unusual observational approach in that the camera is often right up against people’s bodies and faces during impassioned discussions, arguments, or testimony. As a result, the spontaneous and eccentric manner in which Alexei breaks down gender stereotypes are brought to the fore. “Making a movie always goes hand in hand with fear and shame. This is because the film just now learned to dive into the man. Untill now it only described. During the work on the film Butterflies I always thought about it.” Dmitry Kubasov

Butterflies

Dmitry Kubasov
Russia / 2016 / 79 min.
section: Between the Seas
World Premiere
Enticing, Sugary, Boundless or Songs and Dances about Death
How can we talk about death and still enjoy the beauty of life? Who can we tell if we have no one? People from all corners of the world deal with the perspective of death and ask similar questions. This documentary collage by Tetiana Khodakivska and Oleksandr Stekolenko (1980) is a patient enterprise, working with intimate portraits of both ordinary people and the brilliant filmmakers, and thoughtfully placing them within a three-part mosaic about the greatest riddle of human existence. Only the motif of death gives life a purpose and links us all – but what must happen in order for us take it seriously? This imaginatively edited work of docufiction is a contemplation of life in relation to our own mortality. "This movie is about awareness of death. The story is built on documentary and fiction narrative techniques blended together. " T. Khodakivska, O. Stekolenko

Enticing, Sugary, Boundless or Songs and Dances about Death

Oleksandr Stekolenko, Tetiana Khodakivska
Ukraine / 2017 / 95 min.
section: Between the Seas
World Premiere
The Winter Garden's Tale
Valentina Voronina, gardener and tenacious manager of a large conservatory, is fired after forty-five years on the job. Time is winning in its unequal battle with a lack of financing, a decaying building, and the approach of retirement age. The dilapidated conservatory reflects the weakening strength of its distinctive manager and visionary. The conviction that the plants will die if nobody looks after them, is intertwined with the appearance of esoterics and a shaman with a divining rod who discovers a spring of positive energy in front of the building’s entrance. Palm fronds rustle like a silent witness to the melancholic struggle against time and the relentlessness of decay. Another cruel winter is on the horizon. "It is built on its own internal rhythm without the author’s direct speech. Just rethought reality, placed in ironical and a little magic conditions with the main conflict between dreams and reality. " S. Mozgovyi

The Winter Garden's Tale

Simon Mozgovyi
Ukraine / 2018 / 75 min.
section: Between the Seas
World Premiere
The Halves
The film’s main protagonist, Alexandr Zarchikov, works on a cargo ship transporting Japanese cars that have been cut in half to the Russian port city Vladivostok. There, the cars are reassembled and transporters take them away to their final destinations. Zarchikov decides to try working on the mainland, and joins one car on its journey through Siberia. His experience morphs into a meditative film essay, symbolically divided into two halves (sea and land), where he ponders his relationship with his motherland, religion, and nature, and tries to overcome his feelings of rootlessness.DETAIL:“When I worked on a ship like this, we always got home quickly, safe and sound. Now, I don’t feel at home on a boat, nor on the island I was born, Sakhalin. Maybe by making this film, I’ll find my place.”

The Halves

Alexandr Zarchikov
France, Russia / 2015 / 95 min.
section: Between the Seas
International Premiere
Looking for Mr. Dice
Many years ago, the film’s director and the man nicknamed Mr. Dice were best friends. In a whirlwind of parties, the famous musician and the influential banker were carried on a wave of the euphoria of wild capitalism after the collapse of the Soviet Union. The bank, however, led by Mr. Dice, went bankrupt and he disappeared without a trace with the money that his friends and clients had entrusted to him. Here begins the documentary search that leads us on an adventure from Latvia to the heat of Africa and far beyond the crime, guilt, and betrayal. It is also a search for the sense of deep friendship and the struggle with common sense and conventional moral categories. "I hope the film makes the audience to think what it really means "a true friendship” when money gets involved, as well as shows an ordinary man’s struggle through the abstract glory of diamonds." K. Roga
personal program

Looking for Mr. Dice

Kaspars Roga
Latvia / 2019 / 79 min.
section: Between the Seas
International Premiere
Opera about Poland
A travelogue collage in search of Polish identity in an uncertain world. A carefully composed dream about the unfound unity of nation, old injustices and moments of glory that fade away under the burden of petty thoughts and the fear of non-existent enemies. A selection of period footage, newspaper articles, and bitterly current citations from the internet, mixed with journal entries by the author Andrzej Stasiuk to create a personal reflection of events. The staged portraits of ordinary Poles set to a tension-filled disharmonic operatic soundtrack at first seems like a series of unrelated images and thoughts, but they slowly come together to form a portrait of the soul of the Polish nation."To begin the repair or therapy you need to be diagnosed. You need to see what mistakes have been made in the past. Or check if you are living with untrue myths and beliefs." P. Stasik

Opera about Poland

Piotr Stasik
Poland / 2017 / 41 min.
section: Between the Seas
International Premiere
Our Daily Water
Drinking water deliveries by boat to remote Croatian islands is a great opportunity to observe often humorous daily life. Especially when the ship’s captain has a tendency to make coarse comments, regaling his young nephew, the newest member of the crew, with his choleric outbursts. Our Daily Water is an observational film, but it gives inner energy and humor to its protagonists. The film’s creators successfully convey the atmosphere of lazy days along the hot Croatian coast and the explosive temperament of the locals."Through this Mediterranean comedy about a Captain and his crew I wanted to tell a story of invisible people who work honestly in order to prevent our country from becoming an "accidental state"." V. Vorkapić

Our Daily Water

Vlatka Vorkapic
Croatia / 2018 / 57 min.
section: Between the Seas
International Premiere
This is a war, baby
Without showing any explicit battle footage, this film nevertheless manages to show the life of Ukrainian soldiers and volunteers on the Donetsk front. Images of ruin and destruction from places that only recently were the scenes of fighting are transformed into a tragicomic parable of survival in a provisional space-time. Looting is a daily occurrence, and going out in search of booty becomes a boyish adventure during which the participants explore places only recently inhabited by private individuals. And when all this is recorded by a Polish television crew headed by a canny female reporter, an existential satire is born. The war is there, but somewhere around the corner."The most difficult thing for me in creating this film was the choice between my personal sympathies and the desire to present the most objective picture of the war I saw in front of me." Y. Pupyrin

This is a war, baby

Yurii Pupirin
Ukraine / 2017 / 59 min.
section: Between the Seas
World Premiere
Flotel Europa
In an emotionally gripping, deeply personal story about the loss of one’s childhood and a difficult adolescence in a politically unstable time, the director brings to life twenty-year-old memories from the time spent at the side of his mother, older brother, and hundreds of other refugees from war-torn Bosnia and Herzegovina. Together they awaited asylum in temporary housing on the Flotel Europa, which docked on the shores of Denmark in the early 1990s. The director incorporated archival video footage that the refugees themselves shot directly on the boat.DETAIL:“There were many good people, but the divisions caused by the war in Bosnia had slowly but surely settled in between us, refugees on Flotel Europa.”

Flotel Europa

Vladimir Tomić
Serbia, Denmark / 2015 / 71 min.
section: Between the Seas
Czech Premiere
Sea Tomorrow
This observational documentary examines the disappearance of the Aral Sea and attempts at its restoration. At the location where the majority of maps and atlases show a large, majestic body of water, Katerina Suvorova finds only a largish pond and an arid wasteland, filled with the rusting remnants of wrecks waiting for scrap metal collectors. Shots of the enigmatic landscape, consisting of endless expanses of sand and dust, are alternated with captivating details. Just as fascinating is the strong will and faith of the people who have stayed in this inhospitable environment, such as old gardener, fishermen, and a hydrobiologist. They hope that the sea will return, they are fighting to save it, and they all hope for a better tomorrow. “I see people of the Aral region as a collective image of the last survivors on Earth. Their stories prove that even when the last shuttle abandons our racked planet, there will be people who stay and prefer correction of errors of the past to uncertainty of the future.” Katerina Suvorova

Sea Tomorrow

Yekaterina Suvorova
Kazakhstan, Germany / 2015 / 88 min.
section: Between the Seas
East European Premiere
One Day in Selimpasha
One man and an apartment, about which we know nothing. This is the premise of a conceptual documentary based on the concept of providing a deliberately limited amount of information to the viewer. We look into the intimate space behind the closed front door, where the most ordinary activities are carried out: cooking lunch, preparing tea, eating lunch, starting a fire in the fireplace. In this residential monodrama, a second living actor is desperately lacking, one that would bring to life the plot embodied in speech. It becomes a study of a person’s existence in their most personal space - a dwelling that can be just as much a preserve of peace and security as a golden cage of solitude."What are the feelings of a person who does nothing while everyone expects him to do something? What should he do? In general, is there any difference between the emotions of two humans? What does portrait mean? A human face or something else?" H. Baydarov

One Day in Selimpasha

Hilal Baydarov
Azerbaijan / 2018 / 64 min.
section: Between the Seas
World Premiere
Ministerstvo kultury
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Evropská unie
Město Jihlava
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