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24th Ji.hlava International Documentary Film Festival

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(T)ERROR
(T)ERROR
(T)ERROR

(T)ERROR

director: David Felix Sutcliffe, Lyric R. Cabral
original title: (T)ERROR
country: United States
year: 2015
running time: 84 min.

synopsis

Saeed “Shariff” Torres, a former Black Panther member, is now working for the FBI. His task is to discover signs of terrorism in American Muslim communities. This reportage captures the dimension of paranoia that exists in the USA’s security police in the best tradition of the American investigative reporting style. The director reveals undemocratic principles underpinning the functioning of American democracy.The attempt to uncover a crime before it occurs becomes an exercise in chasing phantoms, leads to a distortion of facts, and spreads feelings of fear amongst often innocent people.

DETAIL:
“Do you think your present right now is in any way related to your past?” “Well, I don't have a past, I don't even wanna make bring it back up. I really don't.”

biography

Lyric R. Cabral is a New York photographer. The film (T)ERROR is her debut work. David Felix Sutcliffe who co-directed the documentary lives in Philadelphia. His previous work includes the film Adama (2011), covering the story of a sixteen-year-old Muslim girl accused of being a ‘potential suicide bomber’. (T)ERROR received a special jury prize at the Sundance Film Festival.

more about film

director: David Felix Sutcliffe, Lyric R. Cabral
producer: Christopher St. John, Lyric R. Cabral, David Felix Sutcliffe
editing: Laura Minnear, Jean-Philippe Boucicaut
music: Robert Miller
sound: Frisly Soberanis

other films in the section

At home, walking
This poetic documentary about pilgrims is adapted to the rhythm of their walking. It serves as an act of liberation and knowledge, returning man as well as meditation to the present moment. During the annual pilgrimage through the Deccan Plateau, the differences between the sexes, different religions and castes become blurred. They are all aiming for the same goal. One of the many millions of pilgrims is the author herself, describing her impressions on a journey across the country and her journey in finding herself. Conceptualized as a personal diary, the film also calls for deceleration in an overly technological and fast-paced world.
personal program

At home, walking

Rajula Shah
India / 2019 / 114 min.
section: Opus Bonum
European Premiere
An Anthropological Television Myth
The recent history of Sicily is transformed into a kaleidoscopic disarray of images that rob television of its mythmaking potential. The film consists partially of scenes shot by a regional television station in the town of Catania between 1991 and 1994 – an era of important political change. The contrasting and unpredictable flow of images does not draw a map of these changes, but cuts up this map into a loose collage.

An Anthropological Television Myth

Maria Helene Bertino, Dario Castelli, Alessandro Gagliardo
Italy / 2011 / 54 min.
section: Opus Bonum
Czech Premiere
Albâtre
Liquid landscapes, each one absorbed into the next, transform the screen into a painter’s canvas. The digital decomposition of images in live interaction with Carlos Grätzer’s music draw attention to the permeability between traditional and abstract painting as well as to the harmony between the fine arts, film, and music. Shots evoking Monet’s Impression, Sunrise, or Renoir’s secluded forest corners, break apart into a raster pattern and are transformed into a shapeless mass of colors that then grow into a new composition. While the impressionists depicted a static moment, Perconte captures a moment that is in constant motion."Albâtre reflects the desire I had to express the energy of this very special part of France where everywhere the wind carries the sea, where nothing is stable, and where I love so much to film: the coast of Upper Normandy between Le Havre and Dieppe." J. Perconte

Albâtre

Jacques Perconte
France / 2018 / 41 min.
section: Opus Bonum
World Premiere
A last year in 114 minutes
The director captures the final year in the life of the woman who helped raise him, as age slowly gets the best of her. The simple filming style, in which neither the camera nor the protagonist ever leaves her flat, results in an unusually intense and extremely personal record of time passing and the relationship with a loved one. It’s a raw yet formal testament that sensitively manages to avoid any trace of sentimental kitsch, leading the viewer on an emotional journey of the everyday reality of Buni’s days and her mercilessly worsening physical and psychological condition.DETAIL:They put a pencil inside a tea package. I don’t know why someone would put the pencil in there. To keep a journal each time that you are drinking tea? I just don’t get it. In a tea for diabetes...

A last year in 114 minutes

Daniel Nicolae Djamo
Romania / 2014 / 114 min.
section: First Lights
International Premiere
Vacancy
The camera observes an American motel along the main highway – just the way many of us imagine the United States. We follow four people inside the room at night, where they have been living in a kind of private purgatory for several years. Their sins are drugs, crime, and bad decisions. The slow flow of scenes and the occasionally blurred image create an atmosphere of being out of time and out of place – which probably just where these four people, incapable of breaking free from the vicious circle of apathy, feel themselves to be. The four documentary portraits combine to form a picture of the depressing life of people nurturing a tiny flame of hope. „,I have been to hell and / back. / And let me / tell you / It was / wonderful‘ (from Louise Bourgeois work)“ A. Kandy Longuet

Vacancy

Alexandra Kandy Longuet
Belgium / 2018 / 80 min.
section: Opus Bonum
World Premiere
The Nature of Things
This documentary essay explores the inner world of Angelo Santagostino, a man suffering from ALS, which has left him unable to perform the most basic functions or to communicate without the help of a special computer. The illness has permanently imprisoned him in a wheelchair, but he has maintained a rich inner life. The film conveys Angelo’s dreams, memories, and fantasies in scenes that evoke unfettered movement beyond normal horizons, whether it’s travelling through the universe, swimming underwater, or riding rides at a theme park. The symbolic contrast between his immobile body and his boundless spirit creates a portrait of a person who has maintained admirable dignity in the face of death.„Angelo has been the longest and shortest journey of my life, for sure the most beautiful.” 

The Nature of Things

Laura Viezzoli
Italy / 2016 / 68 min.
section: Opus Bonum
East European Premiere
Did You Wonder Who Fired the Gun?
In 1946, S.E. Branch clearly shot Bill Spann, a black man, in Alabama. One story of many, it can be said, but this time it’s being unraveled by the great-nephew of the murderer through this political and aesthetically distinctive film essay. During the investigation, he constantly ran in to obstacles, due not only to the prevailing racism, but also the inevitable reflection of his own connection with history. A montage of black and white memories of places, endless drives through red sunsets, and agitating tunes brings the work together in the best southern Gothic tradition, in which “the past is never dead. It’s not even past.” (W. Faulkner)„This time I offered my love and my labor to a film that I wished somehow to be corrective. A film about the worst of my family.” T. Wilkerson

Did You Wonder Who Fired the Gun?

Travis Wilkerson
United States / 2017 / 90 min.
section: Opus Bonum
Central European Premiere
Thawathosamat
This nearly four-hour film encyclopaedia takes us on a tour of Thailand’s many religions, including various forms of animism, Buddhism and Hinduism. Footage is limited to images of rituals, all without commentary and accompanied only with information on the location and the text of short excerpts from the prayers.In the immense length of the film, the individuality of each ritual dissolves into a flow of colours, lights, shouts, dance, song, music, voices and exploding firecrackers. It is an encyclopaedia that does not emphasize differences but blurs them.

Thawathosamat

Punlop Horharin
Thailand / 2012 / 170 min.
section: Opus Bonum
International Premiere
The Halves
The film’s main protagonist, Alexandr Zarchikov, works on a cargo ship transporting Japanese cars that have been cut in half to the Russian port city Vladivostok. There, the cars are reassembled and transporters take them away to their final destinations. Zarchikov decides to try working on the mainland, and joins one car on its journey through Siberia. His experience morphs into a meditative film essay, symbolically divided into two halves (sea and land), where he ponders his relationship with his motherland, religion, and nature, and tries to overcome his feelings of rootlessness.DETAIL:“When I worked on a ship like this, we always got home quickly, safe and sound. Now, I don’t feel at home on a boat, nor on the island I was born, Sakhalin. Maybe by making this film, I’ll find my place.”

The Halves

Alexandr Zarchikov
France, Russia / 2015 / 95 min.
section: First Lights
International Premiere
The Deathless Woman
The far right is on the rise again. Racial intolerance is spreading through real and virtual spaces. Which is why a woman buried alive in the Polish forests during World War II comes back to life to commemorate the history of violence against the Roma. Her “avatar” becomes a young researcher visiting locations in Poland and Hungary where Roma have lost their lives both in the distant and recent past. Thanks to the authentic testimonies and staged passages that blur the line between mystery novel and dreamlike horror, buried secrets come to light serving as both a warning and a reminder. “An uncanny series of events led me to a Polish forest. Later I found out this place was the forgotten grave of the Deathless Woman. Looking back now, I realize she'd been there all along, guiding me.” R. Mortimer
personal program

The Deathless Woman

Roz Mortimer
United Kingdom / 2019 / 88 min.
section: Opus Bonum
International Premiere
Looking for North Koreans
The dual nature of North and South Korea, forcibly divided by the Soviet Union’s power plays, continues to aff ect the lives of both countries’ inhabitants to this day. Every year, more and more people leave the totalitarian north; every year, more families and lives are torn apart. Kidnappings, extortion, human trafficking, threats of extermination, and hundreds of missing are the order of the day. A dark shadow looms over neighbouring China as well, where the trail of most traffickers and their victims comes to an end. The film goes searching for North Koreans who have disappeared, interviews victims and traffickers, and explores the grey zone of these political twins.  

Looking for North Koreans

Jero Yun
France / 2012 / 73 min.
section: Opus Bonum
World Premiere
The Sound of Old Rooms
Calcutta, 2011. A birthday party. Amidst the restless mood of the family celebration, we are thrown back to the student years of the ambitious and promising communist poet Sarthak. As a young idealist and bon vivant, he works to refine his empathy for the social problems of his nation, his altruistic concern for living beings, and his revolutionary consciousness. The past is woven together from memories, dilemmas, and basic human fears, concerns and joys. The echoes of old rooms resonate with a revolutionary ethos, artistic elitism, and the inability to take care of oneself.  

The Sound of Old Rooms

Sandeep Ray
India, South Korea, United States / 2011 / 74 min.
section: Opus Bonum
European Premiere
Ministerstvo kultury
Fond kinematografie
Evropská unie
Město Jihlava
Kraj Vysočina
Česká televize
Český rozhlas
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