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23rd Ji.hlava International Documentary Film Festival

ji-hlavadok-revuecdfEmerging producersInspiration Forum

First Lights

First Lights focuses on the first great works of beginning documentary filmmakers. Thee selected films offer a different view, allowing us to answer questions related to the history of documentary film, its changing topics and styles.

film database

Aphasia
The brutal Belgian colonial policy, the Austrian oppression of the Balkans, and ethnic conflicts after the breakup of Yugoslavia – these seemingly unrelated historical episodes create one line of the documentary. In the film, history becomes a kind of speech, which often leads to the inability to formulate a complete sentence in the statements of a person suffering from loss of speech or speech disorder. In three acts, the film looks for words to describe and understand the existence of the museum of the Belgian colonial history, the hovering of Kurt Waldheim before the commission investigating his involvement in SS, and the infamous photograph of the Belgrade’s most popular DJ kicking the head of a dead woman. “Slavenka Drakulic once wrote that if we believe that the perpetrators are monsters it is because we would like to separate ‘us’ from ‘them’. Aphasia came as a result of questioning that distance.” J. Juresa
personal program

Aphasia

Jelena Jureša
Belgium / 2019 / 80 min.
section: First Lights
International Premiere
Dopamina
The filmmaker’s family falls into crisis when her father is diagnosed with Parkinson’s disease – a condition in which the brain stops producing dopamine, the hormone responsible for muscle movement and happiness. At the same time, Natalia is coming out to her parents, former left-wing social activists, something for which they have no understanding. In her intimate and contemplative film, the director interviews her relatives about their life stories and, through an intergenerational dialogue, tries to reach a mutual respect and family harmony that could help her sick father. “Making films is my way of experiencing the world, the most organic form of inhabiting it that I have ever felt. Dopamine, my first feature film, was a necessity and a beautiful exorcism.” N. Imery Almario 
personal program

Dopamina

Natalia Imery Almario
Argentina, Uruguay, Colombia / 2019 / 87 min.
section: First Lights
World Premiere
FREM
The film is a reaction to the current wave of post-humanist thinking caused by the development of technology and artifi cial intelligence as well as the climate crisis. The human species is beginning to realize its insignifi cance and transience, and human identity has found itself in a crisis. The fi lm FREM attempts to refl ect this feeling and creates a dehumanized and alienated view of landscape and nature beyond human perception of reality. Incomplete thoughts and fragments of dialogue, diverse music interrupted by rushes and glitches, and the seemingly confused, unanchored camera, create a disturbing, philosophical refl ection on the limits of anthropocentric thinking. "Making this film was an extreme experience, in every aspect, not only physical, since we shot in Antarctica. I had to think un-thinkable. Leave the prison of anthropomorphism behind. Stop being human." V. Čákanyová
personal program

FREM

Viera Čákanyová
Slovakia, Czech Republic / 2019 / 73 min.
section: First Lights
World Premiere
IN MY SKIN
The theme of domestic violence is discussed in the public more often than before, but it still remains a burning issue victims are afraid to talk about. The director deals with the issue from an unusual perspective in a stylized documentary: she does not only describe the problem, but lets us experience it together with three female characters, using subjectifying methods based on testimonies of actual victims of domestic violence. Their inner voices describe how diffi cult it is to prevent or break up the relationship with the abuser. Then their actions suggest possible solutions.“For women, home is the most dangerous place. This movie resulted from the desire to let women tell their stories shame free. The viewer experiences their journey.” A.-S. Richard
personal program

IN MY SKIN

Anna-Sophia Richard
Germany / 2019 / 72 min.
section: First Lights
International Premiere
Mittelmeer
A poetic documentary about the Mediterranean brings together a mosaic of images of the southern and the northern coast that the director, writer and poet Nathalie Quintane collected without traveling anywhere – they acquired them through hotel and other publicly accessible webcams. In this way, both of them walk the shores and beaches, rocks and ports, enhanced with the memories and conversations that JeanMarc shares with his son about the current problems of coastal countries. Suddenly the contrasts between the European, African and Middle Eastern shores of the sea are revealed. "Webcam images placed around the Mediterranean Sea don’t have any deepness. They are like an ideal illusion of a unique world. A film has perhaps a chance to say it.“ J.-M. Chapoulie
personal program

Mittelmeer

Jean-Marc Chapoulie
France / 2019 / 73 min.
section: First Lights
International Premiere
Set Off
The city of Kobani lies in Syria on the border of the sphere of influence of the Islamic State, Turkey and the Kurds. Representatives of these three opposing parties battled it out between the years 2014 and 2016 during a war conflict that claimed the lives of many civilians, including thirty-three Turkish citizens who had come there beforehand for various reasons. Conceptualized as a film in their memory, the filmmakers use symbolism to follow their fateful journey as they set off for a city in ruins. The footage is complemented by double exposures of the survivors' faces, who tell of the untimely deaths of their friends and relatives. “Set Off was an exercise about how and what to tell, after an unmourned disaster; a journey parallel to theirs, daydreaming in the middle of a conflict zone, where landscape deconstructs power regimes.“ M. E. Büyükcoskun
personal program

Set Off

Mustafa Emin Büyükcoskun
Turkey, Germany / 2019 / 63 min.
section: First Lights
World Premiere
Slits
Physicist Catarina, dedicated to her work and teaching at university, has come close to a breakthrough discovery in her research on quantum mechanics. She discovered a so far unknown level of sound spectrum, which is to become key in new perspectives of looking at the world. This simple film with a powerful concept is not merely a story of a Brazilian female scientist, but it also offers a commentary about our (in)ability to capture reality. The rather non-traditional topic of the film corresponds with its unusual form: it consists simply of very long, seemingly static images. “To keep the possible and impossible in life in tension. To build an escape line from this journey. To create a crack in the wall that surrounds us. That is the most important reason to make films for me.” C. Segundo
personal program

Slits

Carlos Segundo
France, Brazil / 2019 / 78 min.
section: First Lights
International Premiere
The Building
In Kharkov, Ukraine lies Derzhprom Palace. The constructivist building, built between 1925 and 1927, was intended to embody the idea of communism. The palace soon became a symbol of the new society and inspired many avant-garde artists, e.g. Mayakovsky, Ejsenstein, Vertov and Dovzhenko. The film captures the current bustling activity of the building at a slow pace and offers a kaleidoscope of different perspectives. Through archival materials - building plans and contemporary film footage - it maps the history of the building and creates tension between the past and present, the new and old parts, the duties of employees and two astonished tourists wandering about.“Like rag-pickers of history, we look at the fragments left over from a time when a new society seemed possible, convinced that history is ultimately about the people who inhabit it” M. Mester, T. Kononenko
personal program

The Building

Matilda Mester, Tatjana Kononenko
Ukraine, Germany / 2019 / 93 min.
section: First Lights
World Premiere
Where the Land Ends
Québec is the largest Canadian province and the only one with the official language being only French. Modern struggles for Québec’s independence have resulted in two referendum polls which both acknowledged its being a part of Canada. The film explores Québec identity through the perspective of young people who haven’t had the chance to vote in the referendums. It comes up with questions about their relationship to their ancestors, whose traditions had been captured on camera by the documentary filmmaker Pierre Perrault, or whether their previously clear identification has begun losing ground now. In the course of a contemplative journey through the province’s cities and nature, seventeen young people provide their questions and ideas.“Where the Land Ends is a voice and a space. A voice that I realized I no longer heard, yet that I needed to hear. A space that still lived through some, but which we could no longer inhabit ourselves.” L. Darses     
personal program

Where the Land Ends

Loïc Darses
Canada / 2019 / 90 min.
section: First Lights
International Premiere
Ministerstvo kultury
Fond kinematografie
Evropská unie
Město Jihlava
Kraj Vysočina
Česká televize
Český rozhlas
Aktuálně.cz
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