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24th Ji.hlava International Documentary Film Festival

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The Moor Demon
The Moor Demon
The Moor Demon
The Moor Demon
The Moor Demon
The Moor Demon

The Moor Demon

director: Magdalena Kašparová
original title: Démon slatě
country: Czech Republic
year: 2018
running time: 4 min.

synopsis

An engraving by Josef Váchal and a text by writer Karel Klostermann have inspired the author to lament the endangered integrity of the Bohemian Forest, suffering from civilization more than ever before. The visual evocation of an old film suggests the timeless nature of environmental problems that have plagued the wild and lovely Bohemian Forest for a long time.

biography

Magdalene Kašparová (1993) is a student of the New Media Studio, Academy of Arts, Architecture and Design in Prague, where she works mainly with graphic design and animation. She is interested in the relationship between digital and analogue chromacity.

 

more about film

director: Magdalena Kašparová
cast: Tomáš Procházka
producer: Nová média I. škola Tomáše Svobody
music: Kristián Kašpar

other films in the section

Insection
The slow movement of various species of insect in an abstract, brightly lit setting creates suggestive allusions to incontrollable chaos, apathy, and the decay of social structures. The minimalist visual imagery is accompanied by ambient music that works with realistic sound and static. 

Insection

Michal Kindernay
Czech Republic / 2018 / 3 min.
section: Fascinations: Exprmntl.cz
World Premiere
Solar Projection
Technology as a silent witness to the permanent movement of celestial bodies... The light installation visualizes the arrival and departure of daylight as contemplation and a dramatic process. By condensing one day into a few minutes, it thematizes the passage of time and the cyclicity of natural processes.

Solar Projection

Jakub Rajnoch
Czech Republic / 2018 / 15 min.
section: Fascinations: Exprmntl.cz
World Premiere
Trace I Leave (behind)
Analogue film as an analogy for the physical world; the digital image as an analogy for the immaterial world. An experimental film that combines two substances to become an audiovisual imprint of our life within a space defined by material boundaries but that nonetheless possess the potential to “rise up” to the level of dimensionless.Fascinations: Exprmntl.cz - Out of competition

Trace I Leave (behind)

Simona Donovalova
Slovakia, Czech Republic / 2016 / 8 min.
section: Fascinations: Exprmntl.cz
Storyline
An interplay of horizontal and vertical lines, as well as other types of lines, found in in the public space, evokes a lyrical narrative combining them into a visual continuity in one image. Among found objects, events, and spaces, new relationships and continuations are created.

Storyline

Alžběta Kovandová
Czech Republic / 2017 / 4 min.
section: Fascinations: Exprmntl.cz
World Premiere
Broken Windows
This audiovisual collage places shots from Hitchcock’s Rear Window into paper set decoration, expanding the original movie’s ideas in a playful and provocative mode. As viewers, we must get through to the characters within a maze of colourful layers and alien objects that visualize the process of medialization and point out the framework limiting our view.
personal program

Broken Windows

Daniel Pitin
Czech Republic / 2018 / 6 min.
section: Fascinations: Exprmntl.cz
World Premiere
Feeling My Own Body
Personal reflections by a woman with a distorted image of herself. The twin voiceover presents the stream of negative as well as comforting thoughts that run through the head of a women suffering from bulimia. The film thus reveals the changing nature and uncertainty of personal experience, while also exploring parts of the naked figure to share her beautiful yet despised body.

Feeling My Own Body

Šárka Holečková
Czech Republic / 2017 / 3 min.
section: Fascinations: Exprmntl.cz
World Premiere
Dialogue
A dialogue between audio and video reinterprets a scene from the movie The Stranger (1967, dir. Luchino Visconti), in which the condemned debates with a priest about the absurdity of life, death, and the non-existence of God. The debate is abstracted by the skewed image as seen through cut glass and the meanings of their words take on a certain timelessness.

Dialogue

Kryštof Strejc
Czech Republic / 2015 / 7 min.
section: Fascinations: Exprmntl.cz
World Premiere
Pastiche
Inspired by the concept of retromania, the filmmaker calls attention to the current trend of recycling older visual styles and artifacts from the last decades of the 20th century. The numerous defects in image quality and the psychedelic soundtrack from homemade cassette recordings were created on purpose when digitalizing the original analogue material.
personal program

Pastiche

Magdalena Kašparová
Czech Republic / 2019 / 2 min.
section: Fascinations: Exprmntl.cz
World Premiere
puddles, I don’t know
Dry ground, gravel, cracks in the asphalt, a look into a microscope, and a weather map as parts of an associative string based on the theme of waiting for the rain. The visual poem shows the soil in close-ups, adding new visual and semantic layers. 

puddles, I don’t know

Anna Petruželová
Czech Republic / 2018 / 10 min.
section: Fascinations: Exprmntl.cz
World Premiere
This Kind of Spring Has Never Been Yet
This personal essay relates the perception of space to the mental universe of screenwriter and director Pavel Juráček who found his “truly ideal place” in the town of Příbram. The sensitive combination of journal entries, intimate notes, and film fragments tries to break down conventional storytelling techniques to build an original world of timeless thinking.

This Kind of Spring Has Never Been Yet

Tereza Kozáková
Czech Republic / 2018 / 21 min.
section: Fascinations: Exprmntl.cz
World Premiere
How to Stop Watching a Video That Never Ends
A film essay based on the conflict between decorative shots from a bird’s eye perspective and three mechanical, linearly-connected monologues dissects the subconsciousness of an individual saturated with a multitude of differing choices, opinions, and possibilities in the numbers-driven age of digital media.

How to Stop Watching a Video That Never Ends

Jan Martinec
Czech Republic, China, Taiwan / 2018 / 8 min.
section: Fascinations: Exprmntl.cz
World Premiere
And Then He Just Stopped
The author uses film as an art-therapy tool to cope with traumatizing experience of her own. Told from a child’s point of view, the story builds on the symbolism of both common and uncommon objects, a clay body, a writhing snake or a metal means of payment, projected into the narrative structure of repeating motifs.
personal program

And Then He Just Stopped

Alexandra Sihelská
Czech Republic / 2019 / 6 min.
section: Fascinations: Exprmntl.cz
World Premiere
Ministerstvo kultury
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