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24th Ji.hlava International Documentary Film Festival

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Fuses
Fuses

Fuses

director: Carolee Schneemann
original title: Fuses
country: United States
year: 1967
running time: 30 min.

synopsis

A classic work of avant-garde cinema, in which the intimacy of a sensual experience meets the materiality of the medium in a spontaneously poetic celebration of physical existence. The filmmaker utilizes burning, painting, and drawing on the film stock, modifying the speed of shots, and layering multiple exposures in a non-narrative structure of scenes from nature and sexual scenes in which the filmmaker performs with her partner.

biography

American multidisciplinary artist Carolee Schneemann (1939-2019) focused on performance, painting, photography, film and video. The author advocated a revolutionary open view of physicality, sexuality and gender. When creating her movies and videos, she worked with collage and painting directly on the film stock. Her film Endless Kisses (2008) was presented at the 2009 Ji.hlava IDFF.

more about film

director: Carolee Schneemann

other films in the section

Amalgam - Textur
A female nude descending the stairs and multiplied by optical copying by multiple exposures of her three repetitions. Textur is the third part of the four-part Amalgam film, an experiment with time exposure and image layering experiment that examines film time and the tense motion between a particular image and abstract traces of moving objects on a film material.
personal program

Amalgam - Textur

Werner Nekes
Germany / 1974 / 11 min.
section: Fascinations: Eroticism
Czech Premiere
Baby Doll
New York go-go dancers Ferne and Irene are preparing to perform and talk about their work. In a witty and empathetic observation, they reflect on their experience, their own dignity and the transformation of the perception of public behavior, which was more of an art form than a utilitarian service.
personal program

Baby Doll

Tessa Hughes-Freeland
United Kingdom / 1982 / 5 min.
section: Fascinations: Eroticism
Czech Premiere
Fireworks
This classic example of experimental and queer cinema weaves together a sadomasochistic fantasy of a violent conflict between the main protagonist and a group of well-built sailors. The film’s director, appearing in the role of the young man, explores desire and the imagination, supplementing sexual motifs with references to the conservative American dream shortly after the Second World War.
personal program

Fireworks

Kenneth Anger
United States / 1947 / 14 min.
section: Fascinations: Eroticism
Czech Premiere
Of Special Merit
A radical political gesture criticizing the new law on film funding in Germany, which included a clause on "immorality" that shook the film community into a sharp debate about whether or not to adopt the film at the Oberhausen festival. The initiator of the law is represented by a talking penis and manifestations of political propagation or servility towards power are made ironic through masturbation between the projected images.
personal program

Of Special Merit

Hellmuth Costard
German Democratic Republic / 1968 / 11 min.
section: Fascinations: Eroticism
Czech Premiere
Geography of the body
The wrinkles and curves of a naked female and male body, shot from unexpected angles through a magnifying glass, provoke an associative stream of commentary by British poet George Barker, whose ornamental tongue wrapped with a raw gaze of the skin is concluded by Aristophanes's exclamation: "The desire and pursuit of the whole is called love."
personal program

Geography of the body

Willard Maas
United States / 1943 / 7 min.
section: Fascinations: Eroticism
East European Premiere
Gilette o Juliette
The intensities of physical experience and mental passion are reflected in physical and metaphorical splices of cultural, political and personal mythologies. In intimate scenes of transforming photographs into food or masturbation with a razor blade, the image and body become the subject of borderline desire, injury, disruption and harm.
personal program

Gilette o Juliette

Sirio Luginbülh
France / 1978 / 15 min.
section: Fascinations: Eroticism
Central European Premiere
The Mechanics of Love
A controversial film for its time that transforms the act of sex into a fragile composition of shots of objects from the lovers' bedroom and the everyday artifacts that resemble it in form, movement and appearance. The playfully symbolic, rhythmic collage is complemented by a poetic commentary by photographer, composer and art critic John Gruen.
personal program

The Mechanics of Love

Willard Maas, Ben Moore
United States / 1955 / 7 min.
section: Fascinations: Eroticism
East European Premiere
Sexual Meditation: #1 Motel
This material experiment and a film avant-garde classic uses both physical and chemical interferences with the film stock, creating a parallel between the shown (human) body and the (celluloid) body of the 8-mm film in the situation of a single-occupied hotel room.
personal program

Sexual Meditation: #1 Motel

Stan Brakhage
United States / 1970 / 7 min.
section: Fascinations: Eroticism
Czech Premiere
Hold Me While I'm Naked
The sharply ironic allusion to both Hollywood and avant-garde cinematography thematizes sexual frustration in a fictitious situation of a depressive freelance director asking an actress to be naked in the shower. Thanks to the combination of humour and a low-quality aesthetic, this is the most famous underground short film by Kuchar.
personal program

Hold Me While I'm Naked

George Kuchar
United States / 1966 / 15 min.
section: Fascinations: Eroticism
Central European Premiere
Removed
In her collage of pornographic films from the 1970s, Uman uses white paint and nail polish remover to erase the actresses. The blank spots in the shape of the female bodies emphasize and critique their position within the filmed act of sex and seduction, ironically reducing the men to cheap gazes and possessive physical contact.
personal program

Removed

Naomi Uman
Mexico, United States / 1999 / 7 min.
section: Fascinations: Eroticism
Czech Premiere
Flaming creatures
This legendary film on the free poetics of the body works with the DIY aesthetic, sprightly staging, performances, and humor. It transgressively refers to the approaches of melodrama and burlesque which Smith uses to create an unconventional and - for the period - radical depiction of sex. For its erotic scenes, it was banned in many countries, and in the United States it ignited a debate on censorship.
personal program

Flaming creatures

Jack Smith
United States / 1963 / 45 min.
section: Fascinations: Eroticism
Czech Premiere
Pure beauté
A lyrical composition of sculptural fragments of the body is celebrated for its precise framing, editing and animation techniques that explores the connections between abstract shapes, sensuality, and erotic attraction. The film was shot using “totalization” - long exposures of movement result in the impression of a static object.
personal program

Pure beauté

Alexandre Alexeïeff
France / 1954 / 1 min.
section: Fascinations: Eroticism
Central European Premiere
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