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24th Ji.hlava International Documentary Film Festival

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Guests
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Guests
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Guests

Guests

director: Alexey Sukhovey
original title: Un autre temps
country: Russia, France, Germany
year: 2014
running time: 62 min.

synopsis

Set in a remote Russian village located about hundered and sixty kilometres from Moscow, this observational documentary is focused on a group of loggers – illegal migrants from Tajikistan who came to Russia in the hope of finding work. Hired by Russian businesses, they live thousands of kilometres away from their families to whom they send their earnings. The uncompromising endless shots capture the simplicity of the lives of these seasonal workers, and the overall undisciplined style of the filming corresponds well to the unfriendly environment in which they must survive from day to day.

DETAIL:
“Yeah, well, life is tough. As they say – it's not a bed of roses. You have to live your life properly... Can you imagine how difficult it must be for our wives?”

biography

Alexey Sukhovey graduated from the Alexander Mozhaisky Military Academy in St. Petersburg, Russia, and served in the Russian armed forces from 1996 to 2004. He subsequently participated in and completed several workshops about creating films and documentaries. Guests is his debut feature-length documentary.

more about film

director: Alexey Sukhovey
producer: Anastasia Alexandrowa, Marie-Odile Gazin
photography: Alexey Sukhovey, Mikhail Kolchin
editing: Qutaiba Barhamji
sound: Alexey Sukhovey

other films in the section

No Place for Fools
The internet, madness, and old and new Russia - these are the touchpoints of this film standing at the fine line between performance and raw documentary. Sergei Astahov is a mentally disabled man who spends most of his time closed up in his Moscow flat, sending his messages out into the world in the form of videoblogs. For a single man, the camera becomes his sole partner and repetitive speaking a demonstration of life. In his missives, he confesses his homosexuality, his admiration for President Putin, and his belief in the Orthodox faith. Paradoxically, his mind is the meeting point for all the extremes of the Russian world, which has no place for the mentally ill.DETAIL:“I, Astahov, Sergiy, am a Russian’s Russian. I live in the capital, in the city of Moscow, in the capital of our country of Russia, Russ’ and the Russian Federation. I know all the laws and the laws of God.”

No Place for Fools

Oleg Mavromatti
Russia, United States, Bulgaria / 2014 / 87 min.
section: Between the Seas
Czech Premiere
Cain´s Children
Three men, each from a different corner of Hungary. Their fates, their worldviews, and their living conditions differ, but they nonetheless have something in common: when they were very young, each of them killed someone and then suffered for years in prison. How do people who spent critical moments of their adolescence in the difficult conditions of a detention center come to terms with committing a crime and living their lives afterwards? As an answer, this film offers a chilling, visually compelling treatment of beings on the edge of society, whose crippled lives are cracked like the linoleum that one of their mothers futilely attempts to piece together in her crumbling home. DETAIL:People thought I was a psychopathic animal. But they didn’t laugh anymore.

Cain´s Children

Marcell Gerő
Hungary, France / 2014 / 104 min.
section: First Lights
East European Premiere
Our Daily Water
Drinking water deliveries by boat to remote Croatian islands is a great opportunity to observe often humorous daily life. Especially when the ship’s captain has a tendency to make coarse comments, regaling his young nephew, the newest member of the crew, with his choleric outbursts. Our Daily Water is an observational film, but it gives inner energy and humor to its protagonists. The film’s creators successfully convey the atmosphere of lazy days along the hot Croatian coast and the explosive temperament of the locals."Through this Mediterranean comedy about a Captain and his crew I wanted to tell a story of invisible people who work honestly in order to prevent our country from becoming an "accidental state"." V. Vorkapić

Our Daily Water

Vlatka Vorkapic
Croatia / 2018 / 57 min.
section: Between the Seas
International Premiere
6 Degrees
The Six Degrees of Separation theory states that any two people in the world are connected by a maximum of six people who know each other. To test this theory, the Polish filmmakers set off on a long trip whose beginning and end were determined by lottery. On the various stops of their journey from a young Warsaw musician to an uneducated Mexican farmer, we learn a great deal about the various forms of interpersonal relationships. This experimental documentary, presented as a concrete application of a theoretical construct, is a visually impressive parable about closeness over large distances and the separation of people who are physically close together.DETAIL:“I don’t think there are five good relationships in politics. You have a few, less than that. Because you are not gonna trust anyone. No one. Betrayals are on this business I think everywhere.”

6 Degrees

Bartosz Dombrowski
Poland / 2013 / 80 min.
section: First Lights
International Premiere
Balaton Method
This documentary journey, which explores the landscape surrounding Hungary’s largest lake and its recreational resorts, includes live concert footage of seventeen local bands – well-established names and newcomers to the music scene alike. Their performances, including the participation of a hundred other musicians, are recorded at various times of day in diverse locations, ranging from harbours and hotel balconies to churches, helping to create a portrait of the distinctive atmosphere at each of the sites. This independent musical road movie shot around Lake Balaton is the first Hungarian feature-length film financed through a crowd-funding campaign.DETAIL:“Balaton! This word has magical power! It makes all eyes kindle, puts a smile on everybody's face. The shining sun and the naughty waves paint all the faces golden brown. The lake is full of tourists.”

Balaton Method

Bálint Szimler
Hungary / 2015 / 85 min.
section: First Lights, Between the Seas
International Premiere
TERRA NULLIUS or: How to be a Nationalist
Even uninhabited archipelagos may be subject to drawn out territorial disputes if they are rich in oil deposits. However, the filmmaker is more concerned with how ownership issues reverberate amongst nationalists in competing countries rather than in the history of the dispute or its resolution, making it possible to present the patriotic pathos-soaked ceremonies of the Japanese, the efforts of Chinese authorities to complicate diversionary activities, and the expressive protests and bizarre rituals of Taiwanese activists. The desire to understand the situation leads the director to participate in several futile attempts to land on the islands. Although he finds himself on the frontline during an escalation in the conflict, he is able to maintain his distance as an impartial observer.DETAIL:“I´m an American by birth, and a Taiwanese and a Chinese by blood. This blood is ideological. For me, and for the long dead philosopher Bishop Berkeley, to be is to be perceived.”

TERRA NULLIUS or: How to be a Nationalist

James T. Hong
China, Taiwan, Japan / 2015 / 78 min.
section: First Lights
World Premiere
The Haunted
The Turan tiger, a majestic symbol of the Central Asian landscape, has been extinct for several decades, but it lives on as a sacred symbol in the collective imagination of the local population. In her captivating film essay, Ismailova pays homage to this animal as she shows how firmly bound it is, in people’s minds, with the region’s history. The tiger is a spectre that emerges from the darkness and disappears again, the landscape is like a network of ruins buried under layers of the past. The collage of visual and audio fragments, accompanied by the filmmaker’s passionate commentary, shows that “real” history cannot be separated from shared ideas and dreams."The Haunted is an intimate video letter to the spirit of the extinct Turan tiger, which disappeared from Central Asia in the 20th century. Today, the tiger lives on in people’s collective memory." S. Ismailova

The Haunted

Saodat Ismailova
Norway, Uzbekistan / 2017 / 23 min.
section: Between the Seas
Central European Premiere
THE GOOD DEATH
Terminally ill Janette wants to die with dignity, but it’s not possible in the UK, where she lives. She therefore decides for assisted suicide. She must plan her journey to Switzerland before her rapidly advancing disease makes it impossible. The question of whether we own our own lives or whether they own us is the primary impetus behind this documentary portrait, which shows that death can be good despite the sadness that always accompanies it. The film, with dramatically suggestive camera work, uses feature film techniques, and engaging characters and stories of her loved ones are interwoven with Janette’s story."Let's talk about death because we will all die someday. The question is: can we choose when and how? I think we should." T. Krupa

THE GOOD DEATH

Tomáš Krupa
Slovakia, Czech Republic, Austria, France, Switzerland / 2018 / 83 min.
section: Between the Seas
World Premiere
The Dazzling Light of Sunset
On dilapidated theater stages, the secular rituals of contemporary Georgian society play out: weddings, fashion shows, beauty pageants, political elections. The static camera, which captures this emotionless choreography of ceremonies in wide-angle shots, contrasts with the dynamic pans of the small camera held by a television reporter whose energetic activities keep a local television station going. A series of carefully framed scenes from the events that Dariko chooses to present to her viewers is juxtaposed with images from inside the run-down television studio, which survives thanks to fees earned from reading obituaries.“It fascinated me how small stories from small towns were so much more important than the big politics. And I wondered what these small stories were.” Salomé Jashi

The Dazzling Light of Sunset

Salomé Jashi
Georgia, Germany / 2016 / 74 min.
section: Between the Seas
Central European Premiere
Birthday
A lonely life made up of daily routine tasks is depicted in this documentary made by the director about his own mother. It’s her birthday – her husband has been dead for years and her children have forgotten her, with the exception of her son, who remains behind the camera. Despite this, the ageing woman cleans, cooks, and makes ready for a possible celebration. Cursory inspections of her mobile phone screen show that she would have been happy with just a phone message. Birthdays give new meaning to loneliness, just as the director cuts away various natural barriers of the camera image and amplifies the sound effects track to allow silence to emerge and envelop the main character."One day of any person is the summary of his life. What we feel in one day is the same for all our life. Nothing changes. Repetitions, Repetitions and Repetitions. Just like my mother on her birthday." H. Baydarov

Birthday

Hilal Baydarov
Azerbaijan / 2018 / 63 min.
section: Between the Seas
World Premiere
The Makavejev Case or Trial in a Movie Theater
In 1971, the film WR: Mysteries of the Organism, an outstanding example of the Yugoslav Black Wave, was enthusiastically received at the Cannes Film Festival. Back home, however, this radical and ironic exploration of sexuality and communism was banned by the Yugoslav regime, and director Dušan Makavejev subsequently emigrated. The ban was decided during the film’s premiere screening, which turned into an unofficial trial. The Makavejev Case plays a newly discovered audio record of the debate in its entirety, accompanied by images of the incredulous faces of people listening to the audiotape recording: actors from Makavejev’s film, random passers-by on the street, and monkeys in a cage. „Makavejev - is my favorite Serbian director. WR: Mysteries of the Organism became a symbol of Makavejev’s heritage: a film language as a play game and an everlasting experiment in in directing." G. Radovanovic
personal program

The Makavejev Case or Trial in a Movie Theater

Goran Radovanovic
Serbia / 2019 / 73 min.
section: Between the Seas
International Premiere
The 727 Days Without Karamo
This film revealing the senseless nature of Austria’s immigration policy towards inhabitants of the Third World is more than a mere critique of the system. Director Anja Salomonowitz uses intimate stories of mixed couples/marriages to show the power of love. The film’s protagonists are composed into long, static shots that all share a unifying element – yellow. The film finds its emotional core in children’s rooms, since it is here that the young protagonists are at the mercy of mothers in love and the authorities; watching a 10-year-old girl pray for her father to return from Africa sends a chill down our spines.

The 727 Days Without Karamo

Anja Salomonowitz
Austria / 2013 / 80 min.
section: Between the Seas
Czech Premiere
Ministerstvo kultury
Fond kinematografie
Evropská unie
Město Jihlava
Kraj Vysočina
Česká televize
Český rozhlas
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