Music by Zdeněk Liška

Architect Josef Pleskot can be described as one of the best known and most respected contemporary Czech architects. Pleskot has earned many awards since the 1990s, and his designs regularly represent Czech architecture at international exhibitions.

The film combines the personal story of famous actor Jan Potměšil with the historical events of 1989. Students and actors had a great influence on the origin and course of the Velvet Revolution. They participated in demonstrations, went on strikes, but mainly tried to inform even the remote regions of what was happening. One of them, Jan Potměšil, paid a high price for this activity – on his return home after meeting up with some miners in Ostrava, he got into a collision with another car. The others escaped unscathed, but he was paralyzed for life. With a strong willpower and positive attitude to life, he managed to return not only to everyday life, but also to his profession.

Issues related to gender equality in the Czech society are discussed on many levels, with much stronger intensity and on a much larger scale than what was previously imaginable. Helped by growing media coverage, several recently founded associations and organizations try to raise awareness towards such issues among general public. These groups are often rejected by our society, much more often than politicians with their controversial statements. The documentary tries to stir the still waters of stereotypical attitudes through the “parades” of the male and female members of feminist groups.

Documentary filmmaker Pavel Štingl engaged in a three-year dialogue with sculptor Jaroslav Róna as he worked on one of the world’s largest bronze sculptures. The film also offers a chance to get to know an exceptional artistic individual and a member of the Hard-Heads art group.

Jiří Trnka was one of the greatest Czech artists of the 20th century and one of the founding fathers of puppet animation. His poetic and imaginative work starkly contrasts with the dark era of the 1950s in Czechoslovakia. His work was used by the regime as evidence that the communist society was able to provide artists with great conditions for creating works of art. The ideological race between East and West was unavoidable and affected both children and their stories.

They met on a Friday and got married on the Sunday.  They had to run away from home to flee from their parents' fury, so they went on a honeymoon to the cannibals. There, they lost their illusions, their camera and nearly their lives as well.  Where others would've given up, American filmmakers Martin and Osa Johnson risked their lives to narrate an account of a vanishing wilderness. Their story is an authentic imprint of times when filming Africa was more dangerous than all the local predators and malaria. Their work fascinated the public including Ernest Hemingway, Charlie Chaplin and the British Royal Family. However, our era has forgotten them...

In 1978, Ieva Lesinska was an ordinary university student who lived with her mother in then-Soviet Latvia. Her father worked officially as a translator for the UN in New York, but was also a KGB agent. When Ieva got permission to visit her father in the United States, he told her that he was about to "flee again" with his second wife. Ieva decided to stay with her father. The new family officially became East German emigrants with new identities: Peter and Linda Dorn with their daughter Evelyn. Today, Ieva is trying to reveal the incredible life and strange death of her father, a KGB agent who defected to the CIA, in a feature documentary.

Perhaps everyone knows of the footage of the crackdown on demonstrators at Národní třída on November 17th, 1989. Jan Slezák, Milan Danišovič and Jiří Laňka were involved in suppressing the demonstration on November 17th, 1989, albeit to a different degree. Jan Slezák was the commander of the company of the Emergency Regiment for Public Security and at the time of the crackdown, he waited in the emergency room as a backup. Milan Danišovič commanded the entire intervention. Jiří Laňka was a member of the special unit of the Ministry of the Interior, known as the "red berets."

Leave your mark. Write your name. Be seen. Quickly disappear. Find an escape. To travel the world, go against stereotypes, be a women, do graffiti, don’t let yourself get caught. An autobiographical film about the life of Sana and other women graffiti artists from fifteen cities throughout the world who live a dangerous life risking all for their controversial passion – graffiti.

Humans are the only living beings that consciously destroy the environment and landscape in which they live. Perhaps it is because we are incapable of nurturing our inner landscape, which we also often consciously destroy. The inner and outer landscapes are communicating vessels that reflect one another, and yoga can be one way of cultivating them.

A pictorial "féerie" (fairy play) documentary evoking the long-gone landscape of the Prague periphery around Botič. Becoming a model for confrontation with its modern appearance is this unfinished screenplay by director Jiří Lehovec, photographs by Josef Sudek and pictures by Kamil Lhoták.

After the successful and Ji.hlava MFDF Award-winning docuseries, Enclosed World, director Karel Žalud returns to prison once again. This time, he follows the story of Dan Lauf, a young warden working in a small prison in Teplice who leaves his pregnant wife for 30 days to help out at the large prison in Stráž pod Ralskem. His personal story shows not only the prison environment and the specific demands of Lauf's profession, but also the problems of the current Czech prison system.