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24th Ji.hlava International Documentary Film Festival

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Moréna Rex
Moréna Rex
Moréna Rex
Moréna Rex

Moréna Rex

director: Marie Lukáčová
original title: Moréna Rex
country: Czech Republic
year: 2019
running time: 11 min.

synopsis

The video and rap clip confronts contemporary feminism and capitalism. The sober environment of economic forecasts and cash flows is transformed into a psychedelic 3D animation depicting a witch session. The film culminates with the author’s rap that hyperbolically criticizes the power and role of money in today’s society.

biography

Marie Lukáčová (1991) has graduated from the Academy of Arts, Architecture and Design in Prague and the Faculty of Fine Arts, Brno University of Technology. She is a leftist activist, which is also reflected in her videos. She has been nominated for this year’s Jindřich Chalupecký Award for young artists.

more about film

director: Marie Lukáčová
cast: Barbora Bažantová, Jakub Raška, Petra Jelínková, Marie Lukáčová, Veronika Weissová, Jakub Bažant

other films in the section

Operation Urban Warrior
Anthony Bird is a war veteran who was the sole survivor of a military operation in his unit. His memories are as surreal as the animation which simulates the course of the incident in the form of a computer game. Everything looks flat but we must trust our own sensees which tell us that in reality, the world isn't flat.
personal program

Operation Urban Warrior

Dávid Lipkovič
Czech Republic / 2019 / 5 min.
section: Fascinations: Exprmntl.cz
World Premiere
This Kind of Spring Has Never Been Yet
This personal essay relates the perception of space to the mental universe of screenwriter and director Pavel Juráček who found his “truly ideal place” in the town of Příbram. The sensitive combination of journal entries, intimate notes, and film fragments tries to break down conventional storytelling techniques to build an original world of timeless thinking.

This Kind of Spring Has Never Been Yet

Tereza Kozáková
Czech Republic / 2018 / 21 min.
section: Fascinations: Exprmntl.cz
World Premiere
Vilyž
By combining animated real objects, abstract illustrations, and computer graphics, a collage emerges of seemingly incompatible elements through which the filmmakers show the four basic elements – earth, air, water, and fire – and one place – they search for inspiration and passion in structures, shapes, surfaces, and materials of Švihov Castle.

Vilyž

Zbyšek Semelka, Tomáš Červený, Petr Kutek, Marie Píchová, Kristina Bártová, Klára Míčkočková
Czech Republic / 2016 / 2 min.
section: Fascinations: Exprmntl.cz
World Premiere
The Colonel’s Photograph
Excerpts from a television interview with Eugène Ionesco in an adaptation of his absurd story The Colonel’s Photograph, which is dominated by the motif of a swimming pool that conceals drowned bodies. The visual pun is a compilation of techniques: animation, video, 3D graphics, and text, which give the seemingly random scenes a sort of structure.

The Colonel’s Photograph

Martina Holá
Czech Republic / 2015 / 4 min.
section: Fascinations: Exprmntl.cz
About Me
In this short film, animated natural objects express the artist’s inner world: an unending search for new ways to do projects, searching for hidden meanings, and overcoming the fear of experimentation. The film’s central motif is, however, synesthesia as experienced through the fusion of physical sensory perceptions.

About Me

Anastasia Serdyuk
Czech Republic / 2017 / 1 min.
section: Fascinations: Exprmntl.cz
World Premiere
Exhausted Sun
A mysterious cinematic poem about remembering a long-lost summer afternoon. Disturbing abstract details of natural elements permeate the metaphor of a children's game, passing in a contemplative vision of the spiritual essence of light and darkness, in which opposites eventually dissolve into units of primal matter.
personal program

Exhausted Sun

Tomas Rampula
Czech Republic / 2019 / 12 min.
section: Fascinations: Exprmntl.cz
World Premiere
Feeling My Own Body
Personal reflections by a woman with a distorted image of herself. The twin voiceover presents the stream of negative as well as comforting thoughts that run through the head of a women suffering from bulimia. The film thus reveals the changing nature and uncertainty of personal experience, while also exploring parts of the naked figure to share her beautiful yet despised body.

Feeling My Own Body

Šárka Holečková
Czech Republic / 2017 / 3 min.
section: Fascinations: Exprmntl.cz
World Premiere
Pastiche
Inspired by the concept of retromania, the filmmaker calls attention to the current trend of recycling older visual styles and artifacts from the last decades of the 20th century. The numerous defects in image quality and the psychedelic soundtrack from homemade cassette recordings were created on purpose when digitalizing the original analogue material.
personal program

Pastiche

Magdalena Kašparová
Czech Republic / 2019 / 2 min.
section: Fascinations: Exprmntl.cz
World Premiere
Film as an Art Object. The Films of Stanislav Hora, 1980–2016
Fascinations: Exprmntl.cz - Out of competitionThe little-known Super 8mm films of Stanislav Hora (1959) from the 1980s are a little studied area of artistic film in our country. With his background in sculpture, Hora approaches film more as an artistic material – he uses it to animate the creation of sculptures, he draws on it, scratches and attacks its surface or uses it as a medium for art happenings. For Hora, film is a tool for expanding his artistic practice into other forms, a means for capturing visual processes or a kind of sculptural object. The Ji.hlava screenings are the premiere of newly digitized versions.Curator and author of the texts: Martin Blažíček (CAS FAMU)Digital reconstruction of the films: Lukáš Janičík, Emiliya VereshchaginaAudio mastering: Sara PinheiroThe films of Stanislav Hora were reconstructed at FAMU’s Centre for Audiovisual Studies thanks to the Academy of Performing Art’s institutional support for long-term conceptual development.Screening:BabraeCzechoslovakia, 1980, 6 min.Černý hadice / Black HoseCzechoslovakia, 1982, 3 min.Dobře posazená figura / Well-Positioned ModelCzechoslovakia, 1987, 3 min.Oko / EyeCzechoslovakia, 1987, 1 min.Pavouk / SpiderCzechoslovakia, 1987, 4 min.Kameny / StonesCzechoslovakia, 1987, 4 min.Fragment II – West BerlinCzechoslovakia, 1989, 6 min.FILCzech Republic, 2016, 5 min.

Film as an Art Object. The Films of Stanislav Hora, 1980–2016

90 min.
section: Fascinations: Exprmntl.cz
Sequence
A melancholic metaphor depicts transportation links and the logistical construction of a futuristic view of a dark, sterile environment. Fluorescent machines and vehicles that serve man live their own lives until their last moment, when they fall into pieces of the material from which they were constructed.

Sequence

Jakub Korselt
Czech Republic / 2018 / 1 min.
section: Fascinations: Exprmntl.cz
World Premiere
To Be Framed
Recent history dies out in the overgrown landscape of a former German military base where children are playing. Through performances by young protagonists and disturbing commentary that suggests that the innocence of the images isn’t what it appears to be, the film reflects on the phenomenon of violence and encourages us to learn from the past.

To Be Framed

Zbyněk Baladrán
Czech Republic, Netherlands / 2016 / 8 min.
section: Fascinations: Exprmntl.cz
Central European Premiere
Trace I Leave (behind)
Analogue film as an analogy for the physical world; the digital image as an analogy for the immaterial world. An experimental film that combines two substances to become an audiovisual imprint of our life within a space defined by material boundaries but that nonetheless possess the potential to “rise up” to the level of dimensionless.Fascinations: Exprmntl.cz - Out of competition

Trace I Leave (behind)

Simona Donovalova
Slovakia, Czech Republic / 2016 / 8 min.
section: Fascinations: Exprmntl.cz
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