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24th Ji.hlava International Documentary Film Festival

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Impossibility
Impossibility
Impossibility

Impossibility

director: Leonardo Barbuy
original title: Imposibilidad
country: Peru
year: 2019
running time: 9 min.

synopsis

The goal the protagonist of the film has set for himself seems impossible to him: to contact his former partner in order to see his own son. On a deeper level, this video essay on what is and isn't possible unifies the footage it uses - videos freely accessible on YouTube and a monochromatic yellow filter through which they are presented.

biography

Leonardo Barbuy (1985) from Peru started his artistic career as a composer but he has always been active in filmmaking. In 2017, he founded his own production company and he is currently working on his first feature film.

more about film

director: Leonardo Barbuy
producer: Leonardo Barbuy
editing: Leonardo Barbuy

other films in the section

The Lamp in the Ceiling
Contrary to popular belief, rape most often occurs among those who know each other and those who are close, all in a seemingly safe home environment. This documentary draws attention to the problem and reconstructs the memories of victims of sexual violence whose testimony manages to free a standard furnished apartment of its aura of innocence.
personal program

The Lamp in the Ceiling

Anette Svane
Norway / 2019 / 7 min.
section: Short Joy
World Premiere
Cablestreet
The documentary captures a data cable from Chinese company Huawei being laid out onto the seabed floor. Two robot-like voiceovers – English and Mandarin – reflect on the nature of technology and how they overlap with business, war, politics and society. They are not given any explicit identity and it can be interpreted as a conversation of artificial intelligence or as a symbolic dialogue between the US and China in the midst of a Cold War for technology.
personal program

Cablestreet

Meredith Lackey
United States / 2018 / 19 min.
section: Short Joy
European Premiere
It all came to pass, All fell into my hands like a five-petalled leaf, But there has to be more
In a Moscow apartment, Andrei Tarkovsky’s sister and brother-in-law remember the famous filmmaker. A film-collage consisting of family photos, visual impressions, narrative scraps, and vague and confusing memories reveals neglected fragments from the life of the Russian artist against a background of ambient music.
personal program

It all came to pass, All fell into my hands like a five-petalled leaf, But there has to be more

Sergei Sviatchenko, Noriko Okaku
United Kingdom, Denmark / 2018 / 12 min.
section: Short Joy
European Premiere
Dvalemodus
A majestic mountain range rises over a Norwegian town engulfed in darkness. The stormy sea laps at its shores. A thick snow is falling. The town’s inhabitants, almost motionless in their existence, are like creatures in hibernation. The camera’s static shots resembling photographs are woven together into an experimental documentary on life in Skaland.

Dvalemodus

Mattias De Craene, Bieke Depoorter
Belgium, Norway, Germany / 2017 / 9 min.
section: Short Joy
World Premiere
In the Frame
During the day, Oxana paints frames as a man; at night, she puts on her female skin. Oxana is a transsexual living in Moldova, where even expressions of tolerance towards sexual minorities can be dangerous. This short film is an intimate look at gender and at the social isolation of people denied to right to their own identity.

In the Frame

Ion Gnatiuc, Artiom Zavadovsky
Moldova, Romania, Germany, France / 2018 / 17 min.
section: Short Joy
Central European Premiere
Ten Meter Tower
A humorous conceptual game based on a simple idea – filming amateur swimmers as they get ready to jump from a 10-meter platform. The short scenes are a mixture of slapstick, miniature psychological portraits, and aesthetic studies of physical and verbal expressions and courage.

Ten Meter Tower

Maximilien Van Aertryck, Axel Danielson
Sweden / 2016 / 16 min.
section: Short Joy
Czech Premiere
Borders
An immobile camera monitors a path winding through the fields. The movements of the crowd are a harbinger of the interruption of the static image. The procession of refugees, under the watchful eye of military forces, winds in an orderly fashion through the Slovenian countryside. They march on, uninterested in the camera’s eye or in the revelation of their existence.

Borders

Damjan Kozole
Slovenia / 2016 / 10 min.
section: Short Joy
Czech Premiere
Commodity City
The Yiwu wholesale market in China is more than eight kilometres long. Short episodes follow buyers and the uncompromising negotiations between vendors. The observational documentary shows stalls so covered in goods they completely hide the vendors – and thus also the market’s other world, where their offspring spend their childhoods.

Commodity City

Jessica Kingdon
United States, China / 2016 / 10 min.
section: Short Joy
East European Premiere
Blue sky from pain
This film gives one of the many refugees who were unjustly imprisoned in detention centers located close to European borders a chance to tell his story. His horrifying experience is reflected in the static, well-composed, deep focus shots, which reveal traces of lingering suffering in the abandoned buildings.

Blue sky from pain

Hyacinthe Pavlides, Stephanos Mangriotis
Greece, France / 2016 / 14 min.
section: Short Joy
International Premiere
Butterfly Disaster
Extinction of monarch butterflies in the US became a topic of a film based on manipulation of found footage. The director adjusts archival recordings of butterflies or planes spreading fertilizers through double exposure, scratching, colouring and so don, coming up with a purely visual micro-essay asking who is really the pest and who is the infested in this ecosystem.
personal program

Butterfly Disaster

Caryn Cline
United States / 2019 / 6 min.
section: Short Joy
European Premiere
Shendy Wu: a Diary
A personal documentary about writing two diaries and finding a lost childhood friend who once moved with her parents back to her native China. Static shots of the streets of a Chinese metropolis and its surrounding natural beauty alternate with retrospective scenes from the Argentine homeland, suggestively drawing the viewer into the girl's loneliness in an unfamiliar environment.
personal program

Shendy Wu: a Diary

Ingrid Pokropek
Argentina / 2019 / 17 min.
section: Short Joy
European Premiere
First Feature
Saudi Arabian cinema only recently emerged from thirty-five years of being an underground phenomenon. Before it was legalized, Bentley Brown used his childhood home movie camera to record filmmakers working in the town of Jeddah. The film’s melancholy mood is underscored by the voiceover of the women who form most of the film crew.

First Feature

Bentley Brown
Saudi Arabia / 2018 / 14 min.
section: Short Joy
European Premiere
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Kraj Vysočina
Česká televize
Český rozhlas
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