Tyto webové stránky používají soubory cookies, které nám pomáhají zlepšovat naše služby, personalizovat reklamy a analyzovat návštěvnost. Používáním našich stránek s tímto souhlasíte.
Více informací

25th Ji.hlava International Documentary Film Festival

ji-hlavadok-revuecdfEmerging producersInspiration Forum
Re Dis Appearing
Re Dis Appearing

Re Dis Appearing

director: Theresa Hak Kyung Cha
original title: Re Dis Appearing
country: South Korea
year: 1977
running time: 3 min.

synopsis

Words come and go like water. The flow of spoken French and English on the border of clarity resonates in static shots, filled with simple pictorial symbols. Speech is not the bearer of meaning but a poetic element, a symbol of cyclicality, the bearer of displacement and exile.

 

„If words are to be uttered, they would be from behind the partition. Unaccountable is distance, time to transport from this present minute. “ Theresa Hak Kyung Cha


biography

Theresa Hak Kyung Cha (1951-1982), writer, film-maker and artist of South Korean origin, who has lived in the USA in 1962. In her poetic films, she experiments with literary language and connects Korean culture with conceptual art.

more about film

director: Theresa Hak Kyung Cha

other films in the section

Butterfly
This ironic collage connects aria from Puccini’s Madame Butterfly, a concert of American musician Laurie Anderson, and the symbol of butterfly. The conceptual work juxtaposes classic art and contemporary avant-garde, the East and the West, nature and civilization, and unites these contrasting themes in a diverse and poetic whole using visual effects.    “I want to shape the TV screen canvas as precisely as Leonardo, as freely as Picasso, as colorfully as Renoir, as profoundly as Mondrian, as violently as Pollock and as lyrically as Jasper Johns.” J. P. Nam
personal program

Butterfly

Nam June Paik
South Korea / 1986 / 2 min.
section: Transparent Landscape: South Korea
Czech Premiere
robinson or me (From the Far East)
We are all Robinson in our own minds. It looks like a room where behind its walls the human soul wanders and drowns in helplessness. Until he discovers solid ground in the form of daily rituals, in the water spraying from the shower, or in the tea bag at the bottom of the mug. The banal detail, accompanied by the adaptation of Karel Krolow's poems and aliquot songs, is fed by spirituality.   "Cho's single-channel tapes and installations are formalist, almost painterly explorations of subjectivity and the subconscious." Seoungho Cho
personal program

robinson or me (From the Far East)

Seouongh Cho
South Korea / 1996 / 11 min.
section: Transparent Landscape: South Korea
Czech Premiere
Factory Complex
Workers in Asian textile factories, flight attendants, and call center workers represent generations of mothers and daughters who have experienced the onset of neo-liberalism first-hand since the 1970s. Under the control of giants such as Samsung and Daewoo, they come to know the flip side of the dream of prosperity, which is also reflected in the surrealist René Magritte's Kiss of Lovers. The pair have their heads tangled in cloth, much like the heroines of the film, representing global blindness, and raises the question of whether only the exploited Third World workers are blind, or customers of e-shops and branded stores in the west as well.   “At the beginning of my career, I felt like a researcher, activist, social worker, or educator. Now I feel more like a funeral home employee.” Im Heung-soon
personal program

Factory Complex

IM Heung-soon
South Korea / 2014 / 95 min.
section: Transparent Landscape: South Korea
Czech Premiere
2minutes40seconds
A dynamic mosaic with monumental orchestra accompaniment shows the South Korea of the 1970s as one of the strongest economies of the region. Images of progress of the civilization and modern lifestyle interspersed with strong cultural and religious tradition make an appeal to the divided nation to unite.
personal program

2minutes40seconds

Ok-hee Han
South Korea / 1975 / 10 min.
section: Transparent Landscape: South Korea
Labor News No.1
The working class continues to be a victim of the cold war on both sides of the Korean Peninsula. While in the North it led to the establishment of a totalitarian regime, in the South, factory workers have become the target of anti-Communist propaganda and the modern-day slaves of gigantic government-backed corporations. Recordings of protests, television talk shows and songs about the fight against injustice present the wave of collective defiance that swept across the entire country in 1989. South Korean unions organized mass demonstrations in which the struggle was not for the Left or for the Right, but for democracy and the right to a dignified life.   “How much more we can get is not the whole issue. What is at stake is the problem of whether we could secure the foundation for humane lives, or go back to the lives of slaves.“ Labor News No. 1
personal program

Labor News No.1

Labor News Production
South Korea / 1989 / 74 min.
section: Transparent Landscape: South Korea
Swing Diary
Nan Lee originally intended to make a documentary about Korean jazz when he became fascinated by the possibilities of improvisation and decided to make a film about life instead. A story about money, porn, and animated agony, it connects documentary and fiction and, with exaggeration and subversive energy, takes a look into the everyday life of a bored young man.   “The film shows how we subconsciously improvise on our journey through life and move to the rhythm of those around us.” Nan Lee
personal program

Swing Diary

Nan Lee
South Korea / 1996 / 13 min.
section: Transparent Landscape: South Korea
Czech Premiere
noimage
Archival footage from 1923 of a walk through Busan and Seoul proudly points out land and ship transport, banks and palaces, everyday life in the streets, and festive moments. Only subtle hints - a Japanese-run national bank, or references to a former Korean monarch - reveal that behind the images of prosperity, economic power, and technological progress, a drama of an annexed country is taking place.
personal program

Important Towns in Korea

South Korea / 1923 / 2 min.
section: Transparent Landscape: South Korea
Czech Premiere
I Am a Truck
The clip, one of twenty news clips that Kim made for the American Information Service shortly after the end of the Korean War, tells the story of a car. The vehicle speaks in a continuous monologue to the audience as it follows the process of its demise and rebirth. The components move from the junkyard to the car factory, where they are transformed into the metal interior of a new vehicle. We are not just following the story of the car, but that of the entire country as it recovers from the war and builds a new economy, led by businesses like Hyundai, a symbol of prosperity and national pride.“How will humanity make enough for three meals a day out of post-war poverty?”Kim Ki-young
personal program

I Am a Truck

Kim Ki-young
South Korea / 1953 / 18 min.
section: Transparent Landscape: South Korea
Czech Premiere
noimage
Following the modernization and industrialization of the country and the adoption of the Western model, Japan turned to annexed territory to cover the lack of resources on its own soil. Under the rule of the Japanese Empire, Korea thus became a stockpile of human labor and livestock.
personal program

Livestock Industry of Korea

South Korea / 1924 / 7 min.
section: Transparent Landscape: South Korea
Czech Premiere
PRISMA
A cyclically awakening character or a show of both visual and sound errors are how Im deconstructs the pre-camera reality in his experimental film. The object of his interest is not the material world, but the power of the medium itself. The film appears as a living being, who with his mechanical limbs walks between the creator and the viewer. The medium as a divine algorithm decomposes reality and reassembles it. It dissolves the original meanings and floods things, places, and people with new collective beings.   "The traces of hidden time and dream were revived and playback eternally." PRISMA  
personal program

PRISMA

Cheol-min Im
South Korea / 2013 / 61 min.
section: Transparent Landscape: South Korea
Czech Premiere
Sanggye-Dong Olympic
In preparation for the 1988 Summer Olympics, the Korean government evicted one hundred and sixty families out onto the streets. It demolished their houses in the slums of Seoul's Sanggyedong and had luxury apartments built in its place. Dongwon Kim lived with the evicted families for three years and filmed their fight against the state authorities. The alarming film reveals the averted face of a sporting event abused for ideological purposes. He ushered in a new era of Korean social documentaries, revealing the averted face of South Korea perceived as a land of fabulous wealth, happiness, and economic growth.   "The situation requires us to make films on social issues." Dongwon Kim
personal program

Sanggye-Dong Olympic

Dong-won Kim
South Korea / 1988 / 27 min.
section: Transparent Landscape: South Korea
Czech Premiere
Over me
The romance between a woman and a dead man from her dream speaks in hints and a poetic visual shorthand. Windows, walls, doors, and railroad tracks signify the impossibility of blending reality and the subconscious. Only through the medium of film can a bridge be built between the realms of the living and the dead and allow the lovers to meet in a lyrical blend of their images.
personal program

Over me

Chang-jae Lim
South Korea / 1996 / 18 min.
section: Transparent Landscape: South Korea
Ministerstvo kultury
Fond kinematografie
Creative Europe
Město Jihlava
Kraj Vysočina
Česká televize
Český rozhlas
Aktuálně.cz
Respekt