Tyto webové stránky používají soubory cookies, které nám pomáhají zlepšovat naše služby, personalizovat reklamy a analyzovat návštěvnost. Používáním našich stránek s tímto souhlasíte.
Více informací

25th Ji.hlava International Documentary Film Festival

ji-hlavadok-revuecdfEmerging producersInspiration Forum
Oeconomia
play
Oeconomia
Oeconomia
Oeconomia
Oeconomia

Oeconomia

director: Carmen Losmann
original title: Oeconomia
country: Germany
year: 2020
running time: 89 min.

synopsis

Director Carmen Losmann’s film looks for answers to some of the crucial questions of today: Why is economic inequality on the rise? Why are both individuals and states increasingly indebted? Why is it that it is the clients who pay the most for bank crises? In order to understand the rules of a game, from which only a very small percentage of the participants benefit, she approached representatives of the banking and financial sector. Some wished to remain anonymous. The director put their answers into the mouths of actors and supplemented them with illustrative computer graphics. The document thoroughly, clearly and with foresight, analyzes the paradoxes of continuous economic growth and presents a tangible form of a system whose mechanisms should remain invisible in the interests of capitalism.

biography

German director Carmen Losmann (b. 1978) studied marketing in England and film and television production in Germany. Her filmmaking role models are Frederick Wiseman and Harun Farucki. Her debut documentary, Work Hard – Play Hard, about the dehumanizing pressure placed on work effectivity, was screened at Ji.hlava in 2012. Her film Oeconomia saw its world premiere in the Forum section of the Berlin Film Festival.
 

more about film

director: Carmen Losmann
producer: Hannes Lang, Mareike Wegener
photography: Dirk Lütter
editing: Henk Drees, Carmen Losmann
music: Peter Rösner
sound: Peter Rösner, Till Röllinghoff, Etienne Haug, Detlev Schmelzenbach

other films in the section

Stuff As Dreams
In a collage of private scenes and fragments of medialized events as part of the “war on terror”, Guli Silberstein uses his typical method of digital image degradation with the help of compression algorithms to draw attention to the actual process of remediating images and thus in two way raises questions as to their representation, credibility, and the emotions that they can carry.

Stuff As Dreams

Guli Silberstein
United Kingdom / 2016 / 6 min.
section: Testimonies
World Premiere
The Jump
Like many citizens of the Soviet Union at the time, Lithuanian seaman Simas Kudirka believed that a better future awaited him in the West. On 23 November 1970, when the Sovetskaya Litva he was on passed by the USCGC Vigilant, he decided to take advantage of the opportunity and jumped no less than three metres from the Soviet fishing boat onto the US Coast Guard patrol boat. This bold attempt of his to obtain political asylum caused social upheaval and prompted some very important dialogue between the two world powers. The dramatic re-enactment of this curious incident also reveals how radically the US government’s attitude towards refugees has changed since the Cold War.Q&A with the director Giedrė Žickytė:
personal program

The Jump

Giedrė Žickytė
Lithuania, Latvia, France / 2020 / 85 min.
section: Testimonies
Czech Premiere
Wrong Elements
Joseph Kony, the self-appointed leader of the Lord’s Resistance Army, abducted tens of thousands of children in northern Uganda over the course of twenty-five years and trained them to kill. In the interview led by the film’s director, the trio of narrators return to the site of their captivity and, with a touch of bizarre humor, replay the merciless daily routine of their stolen childhood in the bush.

Wrong Elements

Jonathan Littell
France, Belgium, Germany / 2015 / 133 min.
section: Testimonies
Central European Premiere
Recovering Industry
An experimental metric film that layers various images of the Czech automotive, chemical, and heavy industries from 2009 to the present and conceptually combines them with aesthetic alterations to the image. Economic crisis and recovery are expressed in varying sharpness, color, saturation, contrast or brightness.

Recovering Industry

Andrea Slováková
Czech Republic / 2015 / 19 min.
section: Testimonies
Czech Premiere
Vivos
At the end of September 2014, a group of students from the Ayotzinapa School of Education was brutally attacked by the police and masked assailants while passing through the city of Iguala. Six people were killed and another forty-three are missing after being abducted. Since then, their relatives have been living in uncertainty, unsuccessfully asking government authorities for the truth. In their minds, the victims are still alive. By alternating meditative, lyrical images and intimate interviews with the survivors, Ai Weiwei builds a complex, overly empathetic account of the tragedy caused by the repressive practices of a corrupt state where justice is almost impossible to obtain.   „The film is not an investigative documentary. It puts aside the facts uncovered by investigations into the case, paying more attention to how human survival is maintained under such circumstances. How does an ordinary family, after losing a loved one, face this society? How do they face themselves in their domestic lives? They must confront a reality they are unprepared for, which is the need to demand justice from the government and society.“ A. Weiwei
personal program

Vivos

Ai Weiwei
Germany, Mexico / 2020 / 112 min.
section: Testimonies
Czech Premiere
Vita Activa - The Spirit of Hannah Arendt
The provocative thesis that people who commit evil can be accused only of the stupidity with which they follow orders and of possessing a dull and stunted consciences is one of philosopher Hannah Arendt’s best known and radical ideas. This biographical documentary looks at her interesting personal life in the turbulent 20th century.

Vita Activa - The Spirit of Hannah Arendt

Ada Ushpiz
Israel / 2015 / 124 min.
section: Testimonies
Czech Premiere
Living Water
Jordan is the second driest country in the world, and villages in the vast Wadi Rum desert depend on the water network located just below their feet. While the local population is faced with water shortages and expect the kingdom’s leaders to provide support like they promised, only large farms and the seaside town of Aqaba (where the King of Jordan has grand plans) have permits for deep-sea drilling. Through a series of interviews and poetic shots of the arid landscape, this ecographic documentary captures the complex state of the country, which is about to run out of valuable water resources, and the conflict between the state government and the local community worried about their future. http://livingwaterfilm.com/
personal program

Living Water

Pavel Borecký
Czech Republic, Jordan, Switzerland / 2020 / 77 min.
section: Testimonies
World Premiere
Peter Handke - In the Woods, Might Be Late
This documentary portrait explores the life and works of the Austrian author Peter Handke (1942). Through interviews, quotes, and archive materials Corrina Belz takes a look at the life and thoughts of this famous artist. She has created an empathic and inspirational film about the perception of reality and how it is transformed into a work of art, initiating questions about how one should live.

Peter Handke - In the Woods, Might Be Late

Corinna Belz
Germany / 2016 / 89 min.
section: Testimonies
Czech Premiere
Zero Days
This investigative documentary explores Stuxnext – a top-secret cyberattack engineered by Israel and the USA against Iranian nuclear facilities. In addition to presenting a collection of facts and interviews with experts, it also reveals the information search process. The film very forcefully draws attention to the power of computer weapons and the risk of a global cybernetic war.

Zero Days

Alex Gibney
United States / 2016 / 116 min.
section: Testimonies
Czech Premiere
Capital in the 21st Century
In the more than six hundred pages of his best-selling Capital in the 21st Century, Thomas Piketty explores why the one-sided accumulation of capital leads to increasingly greater social inequalities and the transformation of a democracy into an oligarchy. Director Justin Pemberton has taken this book, rich in graphs, numbers and complex economic terms, and transformed it into an energetic audiovisual lecture, which, with the contribution of leading economic experts, explains the history of the complicated relationship between power and prosperity. This alluring kaleidoscopic collage humorously exposes the weaknesses of capitalism and points out what we may lose if we fail to reverse current developments.     “While we were making the film, I thought of Capital as a wild animal that can be really destructive when it’s just left to roam and follow its instincts but actually can be tamed and used for good and under the right circumstances.” J. Pemberton  
personal program

Capital in the 21st Century

Justin Pemberton
France, New Zealand / 2019 / 103 min.
section: Testimonies
Czech Premiere
Dugma: The Button
An everyday observation of Syrian men who have volunteered to be suicide bombers in the struggle against the government. The mosaic of monologues and testimonies slowly changes into a “conversation with the enemy” in an attempt at breaking through unspoken cultural prejudices.

Dugma: The Button

Paul Refsdal
Syria, Norway / 2016 / 58 min.
section: Testimonies
European Premiere
The Viewing Booth
Lying at the heart of the film is Virginia Woolf's rhetorical question whether we really perceive the images of war in the same manner. These considerations provoked the director of the film to carry out an unusual audiovisual experiment. He presented several volunteers with 40 videos published freely on the Internet, which depict various aspects of the Israeli-Palestinian conflict. Closed in the viewing booth, they can play any of the clips, stop them at will, replay them, and comment on them. Their act of viewing, however, is recorded. And the director's dialogue with one particular participant eventually becomes an essential part of the film.     “It’s a film about a breakdown of communication, but that also becomes dialogue, although it’s a problematic dialogue.” R. Alexandrowicz Q&A with the director of The Viewing Booth Ra'ananem Alexandrowiczem:
personal program

The Viewing Booth

Ra'anan Alexandrowicz
Israel / 2019 / 72 min.
section: Testimonies
Czech Premiere
Ministerstvo kultury
Fond kinematografie
Creative Europe
Město Jihlava
Kraj Vysočina
Česká televize
Český rozhlas
Aktuálně.cz
Respekt