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24th Ji.hlava International Documentary Film Festival

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Broken Windows
Broken Windows
Broken Windows

Broken Windows

director: Daniel Pitin
original title: Broken Windows
country: Czech Republic
year: 2018
running time: 6 min.

synopsis

This audiovisual collage places shots from Hitchcock’s Rear Window into paper set decoration, expanding the original movie’s ideas in a playful and provocative mode. As viewers, we must get through to the characters within a maze of colourful layers and alien objects that visualize the process of medialization and point out the framework limiting our view.

biography

Daniel Pitín (1977) graduated from Prague’s Academy of Fine Arts. His multi-layered paintings refer to classic and avantgarde painting alike. He describes his works as fragments of narratives that serve the goal of searching through the spaces of personal and collective memory. He often uses collage and video footage taken from various sources.

more about film

director: Daniel Pitin
sound: Džian Baban

other films in the section

There Is Something Behind The Sound
This sound-generated animation gives the audible world an impressive visual form of moving geometric shapes or a starry sky. The Max For Live and Touch Designer visual programming languages turn an original soundtrack into space galaxies where the technical and the human, the earthly and the spiritual, and machines and poetry meet.
personal program

There Is Something Behind The Sound

Julie Lupačová
Czech Republic / 2019 / 9 min.
section: Fascinations: Exprmntl.cz
World Premiere
Vilyž
By combining animated real objects, abstract illustrations, and computer graphics, a collage emerges of seemingly incompatible elements through which the filmmakers show the four basic elements – earth, air, water, and fire – and one place – they search for inspiration and passion in structures, shapes, surfaces, and materials of Švihov Castle.

Vilyž

Zbyšek Semelka, Tomáš Červený, Petr Kutek, Marie Píchová, Kristina Bártová, Klára Míčkočková
Czech Republic / 2016 / 2 min.
section: Fascinations: Exprmntl.cz
World Premiere
noimage
Civilization at the Crossroads: The Scientific-Technical Revolution and the Future of Socialism in Educational Films of the Sixties The screening is a precursor to the exhibition The Self-Awareness of Science: The Scientific-Technical Revolution and the Limits of Emancipation, which will open in December 2018 at Prague’s Display and FUTURA galleries. The exhibition will look at the activities in the 1960s of an interdisciplinary research team led by philosopher Radovan Richta that was expected to present a vision for “the new Czechoslovak model of socialism.” The advent of cybernetics and automatization was expected to help create a more humane socialist society in which people would be liberated from manual labor and from preexisting ideological authorities and predefined roles. The exhibition, which is being prepared by a team of historians, curators, and artists, tries to find the fine line between the liberating potential of science and technology and their use for maintaining and cementing technocratic power or authoritarian regimes. Its aim is to reconstruct the interdisciplinary dialogue of the 1960s, which has recently taken on new meaning, in particular in relation to the subjects of automatization, a society without work, or climate change.   The screening is part of the project “Shape the Future! The Concept of the Science-Technical Revolution,” organized as part of the program “Strategies AV21: Europe and the State: Between Barbarism and Civilization” (Czech Academy of Sciences, 2018)  

The Scientific-Technical Revolution and the Future of Socialism in Educational Films of the Sixties

120 min.
section: Fascinations: Exprmntl.cz
Ústí
A poetic short portrait of the Ústí region of the Czech Republic. Using experimental means of expression, the director creates a hypnotizing study that combines natural and urban landscape motifs into a multi-layered dynamic collage. The film was shot on 16 mm stock and was created without the use of visual effects.Fascinations: Exprmntl.cz: Out of competition

Ústí

Lukáš Janičík
Czech Republic / 2017 / 11 min.
section: Fascinations: Exprmntl.cz
Traffic
A bustling scene somewhere between documentary, abstraction, and animation, based on a static view of the intersection of Adam Mickiewicz and Józef Piłsudski Streets in Warsaw, is transformed into an audiovisual jumble of noises, shapes, colors, and movement, among which we see pedestrians, cars, and public transport vehicles.

Traffic

Zbyšek Semelka
Poland, Czech Republic / 2017 / 52 sec.
section: Fascinations: Exprmntl.cz
World Premiere
Anomaly
A metacommentary movie about a movie, in which the director and the cameraman are filming a report about the extinction of butterflies and ecosystem collapse, while in the editing room they polemise about ways to communicate clearly and comment on their dramaturgical decisions, as well as express frustration with the difficulty of reaching a modern audience with more complex communication.

Anomaly

Eva Lammelová
Czech Republic / 2018 / 22 min.
section: Fascinations: Exprmntl.cz
World Premiere
This Kind of Spring Has Never Been Yet
This personal essay relates the perception of space to the mental universe of screenwriter and director Pavel Juráček who found his “truly ideal place” in the town of Příbram. The sensitive combination of journal entries, intimate notes, and film fragments tries to break down conventional storytelling techniques to build an original world of timeless thinking.

This Kind of Spring Has Never Been Yet

Tereza Kozáková
Czech Republic / 2018 / 21 min.
section: Fascinations: Exprmntl.cz
World Premiere
Storyline
An interplay of horizontal and vertical lines, as well as other types of lines, found in in the public space, evokes a lyrical narrative combining them into a visual continuity in one image. Among found objects, events, and spaces, new relationships and continuations are created.

Storyline

Alžběta Kovandová
Czech Republic / 2017 / 4 min.
section: Fascinations: Exprmntl.cz
World Premiere
And Then He Just Stopped
The author uses film as an art-therapy tool to cope with traumatizing experience of her own. Told from a child’s point of view, the story builds on the symbolism of both common and uncommon objects, a clay body, a writhing snake or a metal means of payment, projected into the narrative structure of repeating motifs.
personal program

And Then He Just Stopped

Alexandra Sihelská
Czech Republic / 2019 / 6 min.
section: Fascinations: Exprmntl.cz
World Premiere
Today
A portrait of sunlight, created on 35mm film negative using a camera obscura built by the filmmaker. The camera records a plant from morning to evening at several-minute intervals. The sequence of images compiled from these photographs create a cinematic sundial.

Today

Simona Donovalova
Slovakia / 2017 / 8 min.
section: Fascinations: Exprmntl.cz
World Premiere
The conglomerate eternity
An archaeologically significant site diffuses its memory through levels of the myths, rituals, and folk tales in an essayist discourse on the forms of historical continuity. Absence of contact sound and minimalist music emphasizing the visual motifs of both alive and inanimate tracks in the landscape.

The conglomerate eternity

Petr Pololáník
Czech Republic / 2018 / 14 min.
section: Fascinations: Exprmntl.cz
World Premiere
Operation Urban Warrior
Anthony Bird is a war veteran who was the sole survivor of a military operation in his unit. His memories are as surreal as the animation which simulates the course of the incident in the form of a computer game. Everything looks flat but we must trust our own sensees which tell us that in reality, the world isn't flat.
personal program

Operation Urban Warrior

Dávid Lipkovič
Czech Republic / 2019 / 5 min.
section: Fascinations: Exprmntl.cz
World Premiere
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