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23rd Ji.hlava International Documentary Film Festival

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Flesh Memory
Flesh Memory
Flesh Memory
Flesh Memory

Flesh Memory

director: Jacky Goldberg
original title: Flesh Memory
country: France
year: 2018
running time: 60 min.

synopsis

Finley Blake supports herself by performing live online erotic webcam shows. Because of this, her young son was taken from her and she is desperately trying to get him back. She is 33 years old and alone, with only her cat and the rats that inhabit her house in Austin, Texas. The film captures several ordinary days of her life – days in which she is so terribly alone yet still surrounded by people. She lives her life through computer monitors, isolated from the outside world. Although this is an observational documentary, its composition, often alternating image sizes, helps make the film’s pace even more dynamic. 

"Title came first. I was showering when I decided I would, one day, make a movie called Flesh Memory, about eroticism and the Internet. Then I met Finley. And everything suddenly made sense. Best ideas always pop up in the shower, don’t they?" J. Goldberg

biography

French director Jacky Goldberg (1981) is the creator of a number of short films, of which Far From Manhattan (2010) was nominated for a Golden Leopard at the Locarna Film Festival. He also directed a documentary about comedy film director Judd Apatow called This Is Comedy (2014) and produced the film Golden Slumbers (2012). In addition, he writes film criticism and contributes articles to numerous periodicals. 

more about film

director: Jacky Goldberg
hrají: Finley Blake
producer: Jacky Goldberg, Sébastien de Fonséca Goldberg
photography: Alexandre Léglise
editing: Raphaël Lefèvre
music: Léonardo Ortega, Christophe Musset
sound: Romain De Gueltzl

other films in the section

Beyond the One
A cinematic treatise on diverse forms of affection, love and partnership, and the difficult search for an individual way of expressing these feelings in the face of tradition and social conventions. People from around the world talk about love intimacy, but also their dark side and the violence that can erupt when spontaneous emotions are smothered by compromise. The contrasting use of different film and video formats, combined with the asynchronous combination of sound and image, underscores the film’s specific openness resulting from the subjects’ courageous testimony. Does love die when it submits to conformity and becomes ideology?“I filmed only when I felt my images became a caring record of a moment of sharing and when the act of filmmaking offered us the opportunity to live. That is how obstinately solitary and radically plural this act can be.” A. Marziano

Beyond the One

Anna Marziano
Germany, Italy, France / 2017 / 53 min.
section: Opus Bonum
European Premiere
We Make Couples
A multi-layered reflection intertwining types of domestic skirmishes with the ones we have within society. It relies on a number of central themes, such as the depictions of faces, touches, projection, or exploding light. It formulates arguments about production (relationships), forms of resistance (against restrictions), systems for organizing the way we see things (ourselves and each other), about ways we project (ourselves to others), about personal and industrial relationships, expressions of beauty (and politics) in an age when “intensity is more important than endurance”. Using montage and rhythmically brilliant collage essays, the filmmaker combines found and his own materials.“The cure for loneliness is solitude.” (Marianne Moore)

We Make Couples

Mike Hoolboom
Canada / 2016 / 57 min.
section: Opus Bonum
Czech Premiere
The Road Back
The Road Back is a documentary journey to a time and place that have long been considered lost. The main character tries to find a lost village near a former international railway line where his recently deceased mother spent her youth. The past merges with the present as the filmmaker mixes archival films and close-ups of nature with old photographs. In fact, this blending of two media with different relationships to time forms the basis for discovering not only the relicts of the past that lie hidden beneath layers of contemporary phenomena, but also the unstoppable flow of seemingly unchanging time.“The Road Back incorporates the characteristics of home videos in narrative schemes. In the hope to create a personified and intimate film, based on the directness of home video.”

The Road Back

Wouters Maurits
Belgium / 2016 / 31 min.
section: Opus Bonum
World Premiere
Katyusha: Rocket Launchers, Folk Songs, and Ethnographic Refrains
What is the effect of an overheard melody, especially when it sounds almost painfully familiar? In a house full of personal photographs and to the sound of a barrel-organ melody, the film’s director explores the history of her family, which was forced to flee from the Soviet Union before the Second World War. This experimental anthropological film is a mediation on the shared experience of song and the phenomenon of memories associated with popular melodies. As if fired from the eponymous rocket launcher, the artificial folk song Katyusha soared through civilizational skies to become the soundtrack of more than a few human tragedies.“Conflating years of research, archival digging, and excerpts from familial, institutional, and other collections, Katyusha is an experimental documentary that ruminates on the circulation and constructions of cultural memory and national(ist) narratives.” 

Katyusha: Rocket Launchers, Folk Songs, and Ethnographic Refrains

Kandis Friesen
Canada / 2016 / 38 min.
section: Opus Bonum
International Premiere
Passion - Between Revolt and Resignation
Deeply personal and openly political, this documentary chronicles the life of activist Christian Labhart who was framed by Bach's oratorio of Matthew's Passion. The film presents a bitter testimony of the futile waiting for major social change, as well as the personified history of anti-establishment activism. A monologue recapitulating the director's life since 1968 across major historical events such as the fall of the Berlin Wall and the 9/11 attacks has been interwoven with quotes from left-wing thinkers from Bertolt Brecht to Slavoj Žižek. Newly shot footage illustrates how their warning theses are gradually being fulfilled in a contemporary public space.Fifty years ago I began to fight for a better world. Now I switch between revolt and resignation. With these feelings I began a cinematic trip through the jungle of today’s capitalism. Ch. Labhart
personal program

Passion - Between Revolt and Resignation

Christian Labhart
Switzerland / 2019 / 80 min.
section: Opus Bonum
International Premiere
Missing
Once we begin to consider certain people, items, or memories as our own, we lay ourselves open to the threat that we’ll lose them. Once the loss actually occurs, our mental image of the lost thing doesn’t disappear – on the contrary – it intensifies. This documentary, inspired by the stories of missing people in Iranian newspapers, searches for people who have disappeared for various reasons, but their tracks still resonate. A wide spectrum of archival materials offers a variety of answers to the question of how the absent can remain present, while live images of grieving loved ones then act as an appeal to all those who would brush off this painful ambivalence. „It could be so simple at times. We just leave home and forget to return. Or don’t want to return. Or cannot return...” F. Sharifi

Missing

Farahnaz Sharifi
Iran / 2017 / 60 min.
section: Opus Bonum
World Premiere
Wind Shaped Rocks
What starts out as a calm, observational record from an excursion boat filled with Taiwanese tourists admiring glaciers, soon turns into a frenzied – in places almost hallucinogenic – series of bizarre events after a black hole appears in the sky. Shots of the tourists alternate with views of horses grazing in a snowy landscape, a couple in a hotel room, and a group of young people digging film strips out of a garbage can. From the start, the viewer searches for the key to this random sequence of wordless scenes, trying to keep pace with the rapid, sometimes even stroboscopic montage of juxtaposed shots, which is slowed down with contemplative views of monstrous icebergs. "Glaciers exist before/after human time-space. History is obsolete since self-representation democratized. This is a love story between users of a cybernetic system. Life is nonlinear inside a rhizome." E. Makoszay

Wind Shaped Rocks

Eduardo Makoszay
Mexico / 2017 / 44 min.
section: Opus Bonum
World Premiere
Day 32
Face to face with the possible end of the world, the filmmaker collects cinematic records of human existence as a message to someone or something that will come after us. This documentary essay erects a monument to the inventiveness and destructiveness of man, and its collection of images from the history of culture, war and sports forms a kind of ark, ready to survive the deluge. The natural elements assault the screen with all their might. The almost poetic voiceover offers a testament of life: at once generic and deeply personal. The director’s awareness of the inevitable end compels him to engage on an enigmatic journey in search of the places, people and phenomena of our civilization. “Two things always moved me: the end of the world and the end of images. I didn’t know they could come together, and was far from imagining they would be related. That’s how Day 32 was born.” A. V. Almeida

Day 32

Andre Valentim Almeida
Portugal / 2017 / 85 min.
section: Opus Bonum
International Premiere
Backstage Action
This is de facto a film about a film, with the only difference being that the focus is exclusively on the extras. They are filmed while waiting to take their turn, while conversing with others, and thinking about their performances. Although they take their duties very seriously and long to be stars, for the filmmakers, they’re just people that can be coordinated as necessary, nothing more. This film, on the contrary, gives them full consideration, revealing their personalities, what they experience, and what they dream of. The footage comes from many different places where movies are made, involving extras from all different nationalities."The representative becomes a present body, a speaking body, he becomes an acting body, even a political body liberated from the stereotypes that pertain to the community he was supposed to represent." S. Azari 

Backstage Action

Sanaz Azari
Belgium / 2018 / 61 min.
section: Opus Bonum
World Premiere
The Nature of Things
This documentary essay explores the inner world of Angelo Santagostino, a man suffering from ALS, which has left him unable to perform the most basic functions or to communicate without the help of a special computer. The illness has permanently imprisoned him in a wheelchair, but he has maintained a rich inner life. The film conveys Angelo’s dreams, memories, and fantasies in scenes that evoke unfettered movement beyond normal horizons, whether it’s travelling through the universe, swimming underwater, or riding rides at a theme park. The symbolic contrast between his immobile body and his boundless spirit creates a portrait of a person who has maintained admirable dignity in the face of death.„Angelo has been the longest and shortest journey of my life, for sure the most beautiful.” 

The Nature of Things

Laura Viezzoli
Italy / 2016 / 68 min.
section: Opus Bonum
East European Premiere
Skokan
Director Petr Václav calls Skokan a documentary film with fairy-tale aspects, mainly because of its emphasis on authenticity in telling the fictional tale of a Romani recidivist in search of career opportunities at the Cannes film festival. The main character is played a by real ex-con, Julius Oračko, whom the filmmakers got out of prison on parole shortly before the start of filming. The film was shot with just a rough script, which was fine-tuned on the set. The scenes from Cannes were shot during the festival. The ending, which recalls the liberation of an enchanted princess, again feels like a fairy tale.“We improvised most of the scenes during filming – we used the places we were able to get into and the light that was available. Above all, I tried to capture the experiences of the main character,” P. Václav

Skokan

Petr Václav
France, Czech Republic / 2017 / 93 min.
section: Opus Bonum
World Premiere
27 Times Time
Documentary filmmaker Annick Ghijzelings used her visit to Polynesia to shoot a personal meditation on the phenomenon of time. She slowed down the smooth flow of time in order to consider, in 27 short fragments, the various ways time can be represented. She does so by combining poetic narrative with images of the past and slow-motion shots of nature and local life. Gradually, she puts together a multilayered image of time that questions the boundaries between art, science, and philosophy, between advanced civilization and native cultures, and between the past, present, and future."The stories never subscribe to explanations or expert digressions. They are off-camera, barely pronounced, they are whispered in our ear like a secret between friends that beckons sharing."

27 Times Time

Annick Ghijzelings
Belgium / 2016 / 73 min.
section: Opus Bonum
International Premiere
Ministerstvo kultury
Fond kinematografie
Evropská unie
Město Jihlava
Kraj Vysočina
Česká televize
Český rozhlas
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