Tyto webové stránky používají soubory cookies, které nám pomáhají zlepšovat naše služby, personalizovat reklamy a analyzovat návštěvnost. Používáním našich stránek s tímto souhlasíte.
Více informací

25th Ji.hlava International Documentary Film Festival

ji-hlavadok-revuecdfEmerging producersInspiration Forum
PRISMA
PRISMA
PRISMA
PRISMA
PRISMA

PRISMA

director: Cheol-min Im
original title: PRISMA
country: South Korea
year: 2013
running time: 61 min.

synopsis

A cyclically awakening character or a show of both visual and sound errors are how Im deconstructs the pre-camera reality in his experimental film. The object of his interest is not the material world, but the power of the medium itself. The film appears as a living being, who with his mechanical limbs walks between the creator and the viewer. The medium as a divine algorithm decomposes reality and reassembles it. It dissolves the original meanings and floods things, places, and people with new collective beings.
 
"The traces of hidden time and dream were revived and playback eternally." PRISMA
 

biography

Cheolmin Im addressed Secret Garden (2010), Golden Light (2011), and B-ing B-ing (2016) with his short films. Prisma is his feature debut and, together with the experimental work Glow Job (2018), touches on the topic of sexual minorities.

more about film

director: Cheol-min Im

other films in the section

noimage
Archival footage from 1923 of a walk through Busan and Seoul proudly points out land and ship transport, banks and palaces, everyday life in the streets, and festive moments. Only subtle hints - a Japanese-run national bank, or references to a former Korean monarch - reveal that behind the images of prosperity, economic power, and technological progress, a drama of an annexed country is taking place.
personal program

Important Towns in Korea

South Korea / 1923 / 2 min.
section: Transparent Landscape: South Korea
Czech Premiere
Wet Dream
A voyeuristic evocation of a three-day funeral ritual presents death as a poetic and political affair. The phantasmagoric details of a dead body, hair, and human skin intersect erotically with intimacy, mystery, and fascination. Wet Dream is the haptic externalization of inner death in an oppressive society. “The film was shot without a screenplay, I don't maintain continuity of time and space, characters or story in it. The result is internal images created by combining fantasy and film experimentation.” Kim Yun-tae
personal program

Wet Dream

Yun-tae Kim
South Korea / 1992 / 15 min.
section: Transparent Landscape: South Korea
Global Groove
This key work of video art from the pre-Internet era presents the present saturated by sensory stimuli and its global dimension in a visionary way. The breathtaking psychedelic stream flows between avant-garde and the mass media, as well as among cultures. Allen Ginsberg, John Cage or Navajo, Korean and Nigerian artists ride the same wave.   “If we could compile a weekly TV festival made up of music and dance from every county, and distributed it free-of-charge round the world via the proposed common video market, it would have a phenomenal effect on education and entertainment.” Nam June Paik
personal program

Global Groove

Nam June Paik
South Korea / 1973 / 29 min.
section: Transparent Landscape: South Korea
Over me
The romance between a woman and a dead man from her dream speaks in hints and a poetic visual shorthand. Windows, walls, doors, and railroad tracks signify the impossibility of blending reality and the subconscious. Only through the medium of film can a bridge be built between the realms of the living and the dead and allow the lovers to meet in a lyrical blend of their images.
personal program

Over me

Chang-jae Lim
South Korea / 1996 / 18 min.
section: Transparent Landscape: South Korea
An Escalator in World Order
This editorial essay composed of propaganda films and news stories criticises the development of US-Korean relations after the Second World War. Kyung-man Kim subtly emphasises the rhetoric of the celebratory documents and turns it on its head. A constellation of Korean and American statesmen creates a media image of South Korea as a war-torn country that rises from the ashes like the mythical phoenix and, with the help of its saviour the USA, transforms itself into an economic power. But all the celebratory ceremonies, military parades, and rhetorical performances of Reagan, Clinton, and Bush are just puppet theatres for obedient citizens of a country troubled by dictatorship and autocratic regimes.   “The collision and irony between faith and the world, the unbridgeable gap.” 
personal program

An Escalator in World Order

Kyung-man Kim
South Korea / 2012 / 115 min.
section: Transparent Landscape: South Korea
Butterfly
This ironic collage connects aria from Puccini’s Madame Butterfly, a concert of American musician Laurie Anderson, and the symbol of butterfly. The conceptual work juxtaposes classic art and contemporary avant-garde, the East and the West, nature and civilization, and unites these contrasting themes in a diverse and poetic whole using visual effects.    “I want to shape the TV screen canvas as precisely as Leonardo, as freely as Picasso, as colorfully as Renoir, as profoundly as Mondrian, as violently as Pollock and as lyrically as Jasper Johns.” J. P. Nam
personal program

Butterfly

Nam June Paik
South Korea / 1986 / 2 min.
section: Transparent Landscape: South Korea
Czech Premiere
Planet of Snail
The deafblind poet knows reality only by touch, just like a snail. His slow haptic world of darkness and silence is as far removed from ordinary reality as life on an alien planet. However, this healing film does not represent existence in isolation and solitude as an oppressive existential drama, but as a lifelong therapy of darkness. Young-Chan does not reside on another planet - we are the ones who have distanced ourselves from within in an excess of visual and sound perceptions. A meditation on barriers and freedom cleanses the traces of civilization and opens the door to the elemental world of shapes, surfaces, movement, and the passage of time.   “People with disabilities are usually portrayed stereotypically as people who need our help and compassion. My film is different.” Seungjun Lee
personal program

Planet of Snail

Seung-jun Lee
South Korea, Japan, Finland / 2012 / 87 min.
section: Transparent Landscape: South Korea
Czech Premiere
The Murmuring
This film has a 500 views limit. Each Wednesday noon, a group of women gather in front of the Embassy of Japan in Seoul to stand up for the rights of comfort women. They demand that the Japanese government issues a formal apology and pays damages to the Korean women who were forced to serve as sex slaves by the Japanese army during the WWII. After years of living in seclusion and humiliation, these women decided to share their stories with the director and speak about this previously undisclosed chapter of the history of Korea. The Murmuring is one of the first Korean documentary films widely distributed in cinemas and forms the first part of the director's documentary trilogy about Korean women forced into sexual slavery, with the second part called Habitual Sadness (1997) and the third and final part My Own Breathing (1999).   „When I was gathering my friends to work with, I had a chance to visit House of Sharing – which was located in Hapjeong back then. Halmonis at House of Sharing were hostile to me just because I was a documentary filmmaker. I, however, was rather fascinated by their deep wounds and the defensive wall they had built. That was how the film started, but what I didn’t know at all was that it would turn out to be an eight-year-long documentary trilogy.“
personal program

The Murmuring

Young-joo Byun
South Korea / 1995 / 93 min.
section: Transparent Landscape: South Korea
Czech Premiere
A Dream of Iron
In the port city of Ulsan, fishermen once worshiped the whale as an exalted deity. Today, the port is occupied by Hyundai's steelworks and shipyards. This captivating essay shows how metal colossi are born in the mechanical bowels of factories. Shafts, beams, and cranes of superhuman size form the graceful curves of the mechanical gods of the industrial age. In his second feature film, based on a video installation, Park recontextualizes industrial production. The levitating iron masses transform into artistic and religious artifacts against a backdrop of Mahler, Tibetan songs, and the sound of whales.   "I compose films rather than edit them - to me, it's like creating a piece of music."   Kelvin Kyung Kun Park
personal program

A Dream of Iron

Kelvin Kyung Kun Park
South Korea / 2010 / 79 min.
section: Transparent Landscape: South Korea
Czech Premiere
Re Dis Appearing
Words come and go like water. The flow of spoken French and English on the border of clarity resonates in static shots, filled with simple pictorial symbols. Speech is not the bearer of meaning but a poetic element, a symbol of cyclicality, the bearer of displacement and exile.   „If words are to be uttered, they would be from behind the partition. Unaccountable is distance, time to transport from this present minute. “ Theresa Hak Kyung Cha
personal program

Re Dis Appearing

Theresa Hak Kyung Cha
South Korea / 1977 / 3 min.
section: Transparent Landscape: South Korea
Czech Premiere
Factory Complex
Workers in Asian textile factories, flight attendants, and call center workers represent generations of mothers and daughters who have experienced the onset of neo-liberalism first-hand since the 1970s. Under the control of giants such as Samsung and Daewoo, they come to know the flip side of the dream of prosperity, which is also reflected in the surrealist René Magritte's Kiss of Lovers. The pair have their heads tangled in cloth, much like the heroines of the film, representing global blindness, and raises the question of whether only the exploited Third World workers are blind, or customers of e-shops and branded stores in the west as well.   “At the beginning of my career, I felt like a researcher, activist, social worker, or educator. Now I feel more like a funeral home employee.” Im Heung-soon
personal program

Factory Complex

IM Heung-soon
South Korea / 2014 / 95 min.
section: Transparent Landscape: South Korea
Czech Premiere
Ten Oxherding Pictures #4: Catching the Ox-Two Chinese Quinces
Zen meditation, inspired by a series of ten Buddhist poems, reflects on the fate of two quinces. In vivid detail and framed by a red and white poetic acronym, these two fruits of the same tree set out on two fascinatingly different journeys. Each quince becomes part of a contemplative still life, both at a different pace and in a different space. They transform into an abstract part of the pictorial composition and, impartially, with the silent snowfall and the murmurs of rain and thunder, presenting the cycle of death and birth and departure and return.   "This film seeks to answer the question of what enlightenment is and how to achieve it." Ji-sang Lee 
personal program

Ten Oxherding Pictures #4: Catching the Ox-Two Chinese Quinces

Lee Ji-sang
South Korea / 2007 / 22 min.
section: Transparent Landscape: South Korea
Ministerstvo kultury
Fond kinematografie
Creative Europe
Město Jihlava
Kraj Vysočina
Česká televize
Český rozhlas
Aktuálně.cz
Respekt