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24th Ji.hlava International Documentary Film Festival

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Trace I Leave (behind)
Trace I Leave (behind)

Trace I Leave (behind)

director: Simona Donovalova
original title: Stopa (p)o mně
country: Slovakia, Czech Republic
year: 2016
running time: 8 min.

synopsis

Analogue film as an analogy for the physical world; the digital image as an analogy for the immaterial world. An experimental film that combines two substances to become an audiovisual imprint of our life within a space defined by material boundaries but that nonetheless possess the potential to “rise up” to the level of dimensionless.

Fascinations: Exprmntl.cz - Out of competition

biography

Simona Donovalová (1993), who is currently studying editing at FAMU, has worked on several student films. This year’s Ji.hlava IDFF is also showing her short film Trace I Leave (Behind).

more about film

director: Simona Donovalova
cast: Simona Donovalová, Jakub RA Svoboda
producer: Simona Donovalova, Ondřej Šejnoha
photography: Tomáš Šťastný
editing: Simona Donovalová
sound: Šimon Herrmann

other films in the section

Solar Projection
Technology as a silent witness to the permanent movement of celestial bodies... The light installation visualizes the arrival and departure of daylight as contemplation and a dramatic process. By condensing one day into a few minutes, it thematizes the passage of time and the cyclicity of natural processes.

Solar Projection

Jakub Rajnoch
Czech Republic / 2018 / 15 min.
section: Fascinations: Exprmntl.cz
World Premiere
Buffer Zone Blues
The almost hallucinogenic whirlwind of virtual views of potential targets of a nuclear attack in a “buffer zone” shows the viewer an unpleasant proximity of total destruction, which threatened Czechoslovakia in the 1950s. The visuality of the film, reminiscent of direction finding, was created using the data from Google Maps.

Buffer Zone Blues

Franz Milec
Czech Republic / 2018 / 9 min.
section: Fascinations: Exprmntl.cz
European Premiere
Storyline
An interplay of horizontal and vertical lines, as well as other types of lines, found in in the public space, evokes a lyrical narrative combining them into a visual continuity in one image. Among found objects, events, and spaces, new relationships and continuations are created.

Storyline

Alžběta Kovandová
Czech Republic / 2017 / 4 min.
section: Fascinations: Exprmntl.cz
World Premiere
Composition about nature
A series of three experimental films, which can be projected also in a loop, deals with nature through quick, dynamic camera movements, attacking the viewer’s perception. The films were produced as a final examination work in the studio of time-based media whose students try a variety of methods of multimedia processing of sound and image.
personal program

Composition about nature

Vojtěch Groot
Czech Republic / 2019 / 3 min.
section: Fascinations: Exprmntl.cz
World Premiere
puddles, I don’t know
Dry ground, gravel, cracks in the asphalt, a look into a microscope, and a weather map as parts of an associative string based on the theme of waiting for the rain. The visual poem shows the soil in close-ups, adding new visual and semantic layers. 

puddles, I don’t know

Anna Petruželová
Czech Republic / 2018 / 10 min.
section: Fascinations: Exprmntl.cz
World Premiere
Below the Black Sun
Short postdigital meteorological film poem about black sun and its light, mostly composed of manipulated found footage materials combined with original music. The main storyline is derived from the remixed section of the 1967 film Above the Horizon by American meteorological company.

Below the Black Sun

Kilián Kuděla
Czech Republic / 2018 / 6 min.
section: Fascinations: Exprmntl.cz
World Premiere
Home
When represented using 3D computer graphics, private artefacts become symbols showing home not just as a collection of iconic objects but above all as the personal stories associated with them. Through the ritual of, for instance, putting on slippers, home can be defined as an intimate private sphere that this act is meant to protect.

Home

Adéla Kudlová
Czech Republic / 2017 / 2 min.
section: Fascinations: Exprmntl.cz
World Premiere
noimage
Civilization at the Crossroads: The Scientific-Technical Revolution and the Future of Socialism in Educational Films of the Sixties The screening is a precursor to the exhibition The Self-Awareness of Science: The Scientific-Technical Revolution and the Limits of Emancipation, which will open in December 2018 at Prague’s Display and FUTURA galleries. The exhibition will look at the activities in the 1960s of an interdisciplinary research team led by philosopher Radovan Richta that was expected to present a vision for “the new Czechoslovak model of socialism.” The advent of cybernetics and automatization was expected to help create a more humane socialist society in which people would be liberated from manual labor and from preexisting ideological authorities and predefined roles. The exhibition, which is being prepared by a team of historians, curators, and artists, tries to find the fine line between the liberating potential of science and technology and their use for maintaining and cementing technocratic power or authoritarian regimes. Its aim is to reconstruct the interdisciplinary dialogue of the 1960s, which has recently taken on new meaning, in particular in relation to the subjects of automatization, a society without work, or climate change.   The screening is part of the project “Shape the Future! The Concept of the Science-Technical Revolution,” organized as part of the program “Strategies AV21: Europe and the State: Between Barbarism and Civilization” (Czech Academy of Sciences, 2018)  

The Scientific-Technical Revolution and the Future of Socialism in Educational Films of the Sixties

120 min.
section: Fascinations: Exprmntl.cz
Sequence
A melancholic metaphor depicts transportation links and the logistical construction of a futuristic view of a dark, sterile environment. Fluorescent machines and vehicles that serve man live their own lives until their last moment, when they fall into pieces of the material from which they were constructed.

Sequence

Jakub Korselt
Czech Republic / 2018 / 1 min.
section: Fascinations: Exprmntl.cz
World Premiere
De Potentia Dei
Potentia dei is a notion difficult to translate, but possible to explain. The same goes for a film essay by Ondřej Vavrečka, with signs and information, their interpretation and secrets as its main theme. The collage-like film uses sharp audiovisual contrasts to make people think.

De Potentia Dei

Ondřej Vavrečka
Czech Republic / 2016 / 66 min.
section: Fascinations: Exprmntl.cz
World Premiere
Night of the Hunter
A video essay examining the consumption of information in the virtual environment and its influence on ethics and engagement. The subject wanders through an abandoned office building. Using reality broken down into pixels and the manifestation of text, he highlights the detachment, blindness, and alienation of man moving through social networks.

Night of the Hunter

Jiří Žák
Czech Republic / 2016 / 24 min.
section: Fascinations: Exprmntl.cz
This Kind of Spring Has Never Been Yet
This personal essay relates the perception of space to the mental universe of screenwriter and director Pavel Juráček who found his “truly ideal place” in the town of Příbram. The sensitive combination of journal entries, intimate notes, and film fragments tries to break down conventional storytelling techniques to build an original world of timeless thinking.

This Kind of Spring Has Never Been Yet

Tereza Kozáková
Czech Republic / 2018 / 21 min.
section: Fascinations: Exprmntl.cz
World Premiere
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