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24th Ji.hlava International Documentary Film Festival

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Liquid Mother Love
Liquid Mother Love
Liquid Mother Love
Liquid Mother Love

Liquid Mother Love

director: Ester Geislerová, Milan Mazúr
original title: Liquid Mother Love
country: Czech Republic
year: 2018
running time: 5 min.

synopsis

This film by the author duo Geislerová and Mazúr builds on the concept of the so-called liquid love introduced by sociologist Zygmunt Bauman and the work of theorist Elisabeth Badinter in its critical analysis of the question of predestination of women for the mother role realized through a collage of shots of women symbolizing motherhood as well as emancipation which questions the inevitability of this frequently debated social role.

biography

Milan Mazúr, a Slovak visual artist and filmmaker born in 1989, studied at UMPRUM in Prague. His choice of social subjects criticizes the mass culture and confronts it with his own existential thoughts.

Ester Geislerová (1984) is exploring field of existencial banality of women's lives, which puts her aside authors who are looking into the human identity, often with using themselves as objects. She graduated at Academy of Fine Arts in Prague and she spent part of the studies in the Intermedia department at Academy of Arts Architecture & Design also in Prague. 

more about film

director: Ester Geislerová, Milan Mazúr
cast: Anita Krausová, Anna Geislerová
producer: Ester Geislerová
photography: Milan Mazúr

other films in the section

There Is Something Behind The Sound
This sound-generated animation gives the audible world an impressive visual form of moving geometric shapes or a starry sky. The Max For Live and Touch Designer visual programming languages turn an original soundtrack into space galaxies where the technical and the human, the earthly and the spiritual, and machines and poetry meet.
personal program

There Is Something Behind The Sound

Julie Lupačová
Czech Republic / 2019 / 9 min.
section: Fascinations: Exprmntl.cz
World Premiere
puddles, I don’t know
Dry ground, gravel, cracks in the asphalt, a look into a microscope, and a weather map as parts of an associative string based on the theme of waiting for the rain. The visual poem shows the soil in close-ups, adding new visual and semantic layers. 

puddles, I don’t know

Anna Petruželová
Czech Republic / 2018 / 10 min.
section: Fascinations: Exprmntl.cz
World Premiere
Film as an Art Object. The Films of Stanislav Hora, 1980–2016
Fascinations: Exprmntl.cz - Out of competitionThe little-known Super 8mm films of Stanislav Hora (1959) from the 1980s are a little studied area of artistic film in our country. With his background in sculpture, Hora approaches film more as an artistic material – he uses it to animate the creation of sculptures, he draws on it, scratches and attacks its surface or uses it as a medium for art happenings. For Hora, film is a tool for expanding his artistic practice into other forms, a means for capturing visual processes or a kind of sculptural object. The Ji.hlava screenings are the premiere of newly digitized versions.Curator and author of the texts: Martin Blažíček (CAS FAMU)Digital reconstruction of the films: Lukáš Janičík, Emiliya VereshchaginaAudio mastering: Sara PinheiroThe films of Stanislav Hora were reconstructed at FAMU’s Centre for Audiovisual Studies thanks to the Academy of Performing Art’s institutional support for long-term conceptual development.Screening:BabraeCzechoslovakia, 1980, 6 min.Černý hadice / Black HoseCzechoslovakia, 1982, 3 min.Dobře posazená figura / Well-Positioned ModelCzechoslovakia, 1987, 3 min.Oko / EyeCzechoslovakia, 1987, 1 min.Pavouk / SpiderCzechoslovakia, 1987, 4 min.Kameny / StonesCzechoslovakia, 1987, 4 min.Fragment II – West BerlinCzechoslovakia, 1989, 6 min.FILCzech Republic, 2016, 5 min.

Film as an Art Object. The Films of Stanislav Hora, 1980–2016

90 min.
section: Fascinations: Exprmntl.cz
Life of Dreams
Lyricized images inspired by the world of dreams reflect the transition state between sleeping and waking. Ambiguous fragments of images, traces of experiences, and scenes from the unconscious together create a dream which slowly dissolves and all that remains are intangible clues and wakeful consciousness.

Life of Dreams

Evgeniya Opalko
Czech Republic / 2017 / 5 min.
section: Fascinations: Exprmntl.cz
World Premiere
Hypnagogia
An animated depiction of the half-waking state before we fall asleep. Various people describe how they see the state between waking and sleeping, while the visual show hypnagogic hallucinations – i.e., the vision that accompany the process of falling asleep. Colours are intertwined with shapes to create abstract landscapes from which every now and then concrete objects emerge.

Hypnagogia

Magdaléna Kvasničková
Czech Republic / 2017 / 4 min.
section: Fascinations: Exprmntl.cz
World Premiere
Unknown
The experimental film Unknown presents prototypical urban motifs, such as public transport and escalators, transforming them into abstract black and grey fragments using rotoscope animation to the accompaniment of authentic sounds. Using these scenes, the filmmaker is trying to evoke in the viewer the subjective feeling of alienation in the anonymous environment of a city.

Unknown

Jakub Korselt
Czech Republic / 2017 / 2 min.
section: Fascinations: Exprmntl.cz
World Premiere
noimage
Civilization at the Crossroads: The Scientific-Technical Revolution and the Future of Socialism in Educational Films of the Sixties The screening is a precursor to the exhibition The Self-Awareness of Science: The Scientific-Technical Revolution and the Limits of Emancipation, which will open in December 2018 at Prague’s Display and FUTURA galleries. The exhibition will look at the activities in the 1960s of an interdisciplinary research team led by philosopher Radovan Richta that was expected to present a vision for “the new Czechoslovak model of socialism.” The advent of cybernetics and automatization was expected to help create a more humane socialist society in which people would be liberated from manual labor and from preexisting ideological authorities and predefined roles. The exhibition, which is being prepared by a team of historians, curators, and artists, tries to find the fine line between the liberating potential of science and technology and their use for maintaining and cementing technocratic power or authoritarian regimes. Its aim is to reconstruct the interdisciplinary dialogue of the 1960s, which has recently taken on new meaning, in particular in relation to the subjects of automatization, a society without work, or climate change.   The screening is part of the project “Shape the Future! The Concept of the Science-Technical Revolution,” organized as part of the program “Strategies AV21: Europe and the State: Between Barbarism and Civilization” (Czech Academy of Sciences, 2018)  

The Scientific-Technical Revolution and the Future of Socialism in Educational Films of the Sixties

120 min.
section: Fascinations: Exprmntl.cz
Solar Projection
Technology as a silent witness to the permanent movement of celestial bodies... The light installation visualizes the arrival and departure of daylight as contemplation and a dramatic process. By condensing one day into a few minutes, it thematizes the passage of time and the cyclicity of natural processes.

Solar Projection

Jakub Rajnoch
Czech Republic / 2018 / 15 min.
section: Fascinations: Exprmntl.cz
World Premiere
The Moor Demon
An engraving by Josef Váchal and a text by writer Karel Klostermann have inspired the author to lament the endangered integrity of the Bohemian Forest, suffering from civilization more than ever before. The visual evocation of an old film suggests the timeless nature of environmental problems that have plagued the wild and lovely Bohemian Forest for a long time.

The Moor Demon

Magdalena Kašparová
Czech Republic / 2018 / 4 min.
section: Fascinations: Exprmntl.cz
World Premiere
Buffer Zone Blues
The almost hallucinogenic whirlwind of virtual views of potential targets of a nuclear attack in a “buffer zone” shows the viewer an unpleasant proximity of total destruction, which threatened Czechoslovakia in the 1950s. The visuality of the film, reminiscent of direction finding, was created using the data from Google Maps.

Buffer Zone Blues

Franz Milec
Czech Republic / 2018 / 9 min.
section: Fascinations: Exprmntl.cz
European Premiere
The Silk Road Vertigo
Out of desire to prove the power of socialism, Marshal Tito had a railway line built across all of Yugoslavia. In the post-ideological 21st century, the counterpart example to his deed might be the modern-time Chinese megalomaniac Silk Road portfolio of projects. A video essay shot in Montenegro, Hong Kong, Kazakhstan and China brings out a perspective on the global vision of Chinese state-run capitalism.
personal program

The Silk Road Vertigo

Vilém Duha, Pavel Sterec
Czech Republic / 2019 / 11 min.
section: Fascinations: Exprmntl.cz
World Premiere
Tradition
The town of Kyjov has two traditions: folk culture and methamphetamine. Dressing up in folk costumes is one of the things that the region of Moravian Slovakia is known for, but it is a façade funded from the municipal budget. Then there is the less idyllic reality of daily life, the status of men and women, and drinking at the 24-hour bar or in one’s basement. An exacting rhythmic film poem, shot and edited like its subject – traditionally, i.e., using analogue film.

Tradition

Kateřina Turečková
Czech Republic / 2017 / 8 min.
section: Fascinations: Exprmntl.cz
World Premiere
Ministerstvo kultury
Fond kinematografie
Evropská unie
Město Jihlava
Kraj Vysočina
Česká televize
Český rozhlas
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