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23rd Ji.hlava International Documentary Film Festival

ji-hlava dok cdf
Notes from Unknown Maladies
Notes from Unknown Maladies
Notes from Unknown Maladies
Notes from Unknown Maladies

Notes from Unknown Maladies

director: Liryc Dela Cruz
original title: Notes from Unknown Maladies
country: Philippines
year: 2017
running time: 62 min.

synopsis

A minimalist observational portrait of 94-year-old Concepcion presents the life of a person suffering with mental illness for fifty years. After a nervous breakdown, the filmmaker’s grandmother decided to isolate from the rest of the world and deal with the disease itself. In her solitude she is haunted with random memories, hallucinations, and gradually begins to face loss of memory and intellect. A black-and-white film steeped in a melancholic mood sensitively captures the themes of old age, disease and human loneliness. The slow pace and limited dialogue helps the viewer to transcend the world of a suffering single woman in a discreet and highly suggestive manner. 

"Dear Grandma, If you will see me lost in the unknown one day, please remind me about the suffering and memory of our nation. Only history and truth can save my fragile heart." L. P. Dela Cruz

biography

Liryc Paolo Dela Cruz (1992) is a Filipino film director, screenwriter and producer. He is the creator of several short films that are thematically related to his origins, history, and personal psychology. He often collaborates with the Philippine independent filmmaker Lavey Diaz and is considered one of the representatives of the slow cinema movement. In his contemplative films, he uses long minimalistic shots, without either a story or dialogue.

more about film

director: Liryc Dela Cruz
hrají: Concepcion Dela Cruz
producer: Liryc Dela Cruz
photography: Liryc Dela Cruz
editing: Liryc Dela Cruz, Mickel Mendoza

other films in the section

29 26
 The film 29 26 is an audiovisual recording of the thoughts and feelings of two sixteen-year-old and two nineteen-year-old girls, who in monologues reveal their concerns and ideas about the life they’ll lead in ten years. The director underscores their speech with stylized and realistic images of themselves, acquired under varying circumstances and on different materials, thus creating an original work of art connecting elements of multiple artistic areas that are close to the author. Long shots of the protagonists’ faces, captured in great detail, are highlighted with expressive illumination and interleaved with poetic, experimentally conceived passages.„‘The world grows with fear next to us‘“ - 29 26, tries to be an intimate and honest tribute/portrait about growing up. Together we create a new space, between performance and film hoping to remember who we were one day.“ P. Velho
personal program

29 26

Pedro Velho
Portugal / 2018 / 40 min.
section: Opus Bonum
World Premiere
Western, Family and Communism
The first shots of the film show Parisians demonstrating and protesting, interspersed with shouted political slogans of Iranian activists. While the situation is very heated in Paris, calmness reigns in Iran. A French family is traveling here in a caravan and getting to know the country. The father films footage of their journey including his wife and daughter. The first third of the film suggests that the issue is a national one, namely that of the Iranian citizens, while the remaining two-thirds shows, however, the French on holiday. From a formal point of view, the film comprises interesting shots taken with a handheld camera, as well highly-overexposed, almost white, shots and double exposures. „Perhaps politics is the multiple of experiments and inventions in an equation with two unknowns: ‚I‘ and ‚we‘. Rather than solve it, once and for all, it would be a matter of keeping trying. Once again. (Precarious springs of the peoples, Maria Kakogianni, 2017)“ L. Krief
personal program

Western, Family and Communism

Laurent Krief
France / 2018 / 83 min.
section: Opus Bonum
International Premiere
A Long Farewell
After years of negotiations, a complex of apartment buildings on the edge of Seoul is heading inexorably for destruction. With the demolition impending, the residents of the buildings slated for destruction try to express what this place means to them. Raya Kim’s minimalist documentary is not built on an apocalyptic mood or kitschy sentiment, but is rather precisely presented in the contrasts between image and sound. Static shots of homes and the surrounding landscape present a portrait of a quiet, seemingly undisturbed everyday life, while detached voices of observers recount their often-dramatic personal experiences, not hiding the uncertainty of what comes next. „What do the actual residents think about the houses scheduled for reconstruction? As with all homes, there are many different forms of time and love.” R. Kim

A Long Farewell

Raya Kim
South Korea / 2017 / 72 min.
section: Opus Bonum
International Premiere
The Wall
The Stalin Cult is once again gaining in strength in Russia. Every December 21st, the former Communist leader’s admirers gather to honor him on Red Square, at the site of his grave in the Kremlin Wall. In this observational documentary, the Russian director introduces the principle of “walking heads” – the majority of the footage consists of long takes showing the faces of the people waiting in line to place flowers and pay homage in front of a bust of Stalin. Accompanied by the sound of shuffling feet, a representative sample of various human types parades in front of our eyes, their faces reflecting almost a sacred reverence for a man who was responsible for the murder of several millions of their fellow citizens."Imagine thousands of Jews praying to Hitler’s grave. Impossible? How people can worship the one who annihilated them? In modern Russia we can witness a similar paradox." D. Bogolubov

The Wall

Dmitry Bogolubov
Russia / 2017 / 43 min.
section: Opus Bonum
World Premiere
The New Day
A mixture of documentary and fiction as seen through the eyes of a non-participant observer, this drama presents the life of the fisherman Maldonado. After his wife Celia leaves him, we watch his lonely life in a series of cyclical everyday activities as we listen to Celia’s voiceover. Although it tends to repeat itself, it reveals something new every day. We always observe a different part of the daily work of a fisherman, or see it from a different angle. This sense of conflict is heightened by contradictory motifs on-screen and in the voiceover. Words clash with images, the everyday with the extraordinary, space with time. “Maldonado is a fisherman of the Paraná River. Modern times leave him on a threshold: a way of inhabiting that no longer finds its possibilities. That frailty that cracks into his world is what we intent to film.”

The New Day

Gustavo Fontán
Argentina / 2016 / 62 min.
section: Opus Bonum
World Premiere
Things We Do Not Say
A video diary by a young Iranian actress, intended for her boyfriend living in exile. A lament of dashed hopes from the contested 2009 presidential elections, which were followed by the largest protests since the Islamic revolution. The filmmaker stages a parallel eight-year-old reality – the pre-election ecstasy is framed by an incomplete rehearsal of Macbeth. We relive situations that cannot be changed and that deeply resonate with the motif of coming to terms with reality. The actor’s hopeless gesture is balanced by a call for resisting totalitarianism and by an homage to the victims of the autocratic regime. The feverish atmosphere of the elections is muffled by the skepticism of the main protagonists – they, too, were once young and naive."Is there a void from which the sense emerges? Can we fill the emptiness by a reality, our own reality? The images that we remember, are they the same images, or reflections of those images?" A. Razi
personal program

Things We Do Not Say

Ali Razi
France, Iran / 2018 / 52 min.
section: Opus Bonum
World Premiere
Beyond the One
A cinematic treatise on diverse forms of affection, love and partnership, and the difficult search for an individual way of expressing these feelings in the face of tradition and social conventions. People from around the world talk about love intimacy, but also their dark side and the violence that can erupt when spontaneous emotions are smothered by compromise. The contrasting use of different film and video formats, combined with the asynchronous combination of sound and image, underscores the film’s specific openness resulting from the subjects’ courageous testimony. Does love die when it submits to conformity and becomes ideology?“I filmed only when I felt my images became a caring record of a moment of sharing and when the act of filmmaking offered us the opportunity to live. That is how obstinately solitary and radically plural this act can be.” A. Marziano

Beyond the One

Anna Marziano
Germany, Italy, France / 2017 / 53 min.
section: Opus Bonum
European Premiere
Did You Wonder Who Fired the Gun?
In 1946, S.E. Branch clearly shot Bill Spann, a black man, in Alabama. One story of many, it can be said, but this time it’s being unraveled by the great-nephew of the murderer through this political and aesthetically distinctive film essay. During the investigation, he constantly ran in to obstacles, due not only to the prevailing racism, but also the inevitable reflection of his own connection with history. A montage of black and white memories of places, endless drives through red sunsets, and agitating tunes brings the work together in the best southern Gothic tradition, in which “the past is never dead. It’s not even past.” (W. Faulkner)„This time I offered my love and my labor to a film that I wished somehow to be corrective. A film about the worst of my family.” T. Wilkerson

Did You Wonder Who Fired the Gun?

Travis Wilkerson
United States / 2017 / 90 min.
section: Opus Bonum
Central European Premiere
The Nature of Things
This documentary essay explores the inner world of Angelo Santagostino, a man suffering from ALS, which has left him unable to perform the most basic functions or to communicate without the help of a special computer. The illness has permanently imprisoned him in a wheelchair, but he has maintained a rich inner life. The film conveys Angelo’s dreams, memories, and fantasies in scenes that evoke unfettered movement beyond normal horizons, whether it’s travelling through the universe, swimming underwater, or riding rides at a theme park. The symbolic contrast between his immobile body and his boundless spirit creates a portrait of a person who has maintained admirable dignity in the face of death.„Angelo has been the longest and shortest journey of my life, for sure the most beautiful.” 

The Nature of Things

Laura Viezzoli
Italy / 2016 / 68 min.
section: Opus Bonum
East European Premiere
Entrance to the End
A dark psycho-ethnographic journey of Maria von Hausswolff and Anne Gry F. Kristensen into the depths of the jungle of the human subconsciousness. The footage from the Panama rainforest was shot on 16mm and all sound was recorded on cassette tapes. The film is a subconscious reaction to Ruggero Deodato's Cannibal Holocaust, an ultraviolent Italian film from the 1970s, as well as to all romanticizing depictions of nature as a place of harmony which is in balance with both itself and its inhabitants. Balancing between imagination and reality, this work is on of the most uncompromising films at this year's festival."The film is a mysterious poem-like journey through an eerie jungle where the viewer get to meet all kinds of creatures and spirits, living and dead. It's shot on a 16mm bolex camera accompanied by sounds recorded on analogue tapes.“ M. Von Hausswolff, A. G. Friis Kristensen 
personal program

Entrance to the End

Maria Von Hausswolff, Anne Gry Friis Kristensen
Sweden, Denmark / 2018 / 33 min.
section: Opus Bonum
World Premiere
Wind Shaped Rocks
What starts out as a calm, observational record from an excursion boat filled with Taiwanese tourists admiring glaciers, soon turns into a frenzied – in places almost hallucinogenic – series of bizarre events after a black hole appears in the sky. Shots of the tourists alternate with views of horses grazing in a snowy landscape, a couple in a hotel room, and a group of young people digging film strips out of a garbage can. From the start, the viewer searches for the key to this random sequence of wordless scenes, trying to keep pace with the rapid, sometimes even stroboscopic montage of juxtaposed shots, which is slowed down with contemplative views of monstrous icebergs. "Glaciers exist before/after human time-space. History is obsolete since self-representation democratized. This is a love story between users of a cybernetic system. Life is nonlinear inside a rhizome." E. Makoszay

Wind Shaped Rocks

Eduardo Makoszay
Mexico / 2017 / 44 min.
section: Opus Bonum
World Premiere
Smiling on the Phone
This observational documentary investigates the phenomenon of the call centre as a contemporary labor issue. “A”, employed in a Nike customer service centre, decides to document her last weeks prior to her return to Spain. A casually placed camera captures her loneliness, her colleagues, or aimless shots of a room with strange voices and sounds. It reveals the discrepancy between the image, as presented by the media and as it is promoted among employees, and its perception, which we come to know from text messages sent between “A” and “K” that flash onto the screen. The feelings of alienation and demotivation conflict with the requirement to behave more positively and enthusiastically.“Smiling on the Phone explores issues of contemporary labor and highlights the political relevance of documenting the workspace while exploring forms of response and resistance to those work-related images created by the powers.”

Smiling on the Phone

Aitziber Olaskoaga
Netherlands, Spain, United States / 2016 / 38 min.
section: Opus Bonum
International Premiere
Ministerstvo kultury
Fond kinematografie
Evropská unie
Město Jihlava
Kraj Vysočina
Česká televize
Český rozhlas
Aktuálně.cz
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