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23rd Ji.hlava International Documentary Film Festival

ji-hlavadok-revuecdfEmerging producersInspiration Forum

Czech Joy

Czech Joy is not only a prestigious competition for the best Czech documentary, but also a celebration of the diverse range of new topics and the adventurous spirit of cinematic epxression.

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#sandrainuganda
A Czech NGO invited Sandra Kisić, a twenty-six-year old influencer of Bosnian origin, to come to Uganda. She spent ten days in and about the town of Kabala. Besides the local citizens, she was accompanied by a Dutch volunteer who already was on her umpteenth mission. Sandra, on the other hand, saw poverty and technological backwardness for the first time in reality, not just on her cell phone that she practically did not put down. The director captures the clash of seemingly remote, yet equivalent worlds facing up global challenges as an impartial observer to emphasize numerous tragicomic paradoxes. “Instant soup can warm you up, but it won’t give you strength. We can look at Instagram in a similar way, or we can use it as a medium that can present the ‘old school documentary film’ to the younger audience.” F. Remunda
personal program

#sandrainuganda

Filip Remunda
Czech Republic / 2019 / 70 min.
section: Czech Joy
World Premiere
Apparatgeist
The concept of Apparatgeist expresses how mankind’s relationship with technology evolves and how it transforms our social contacts. In a similar fashion to the authors of this theory, James E. Katz and Mark Aakhus, the film’s director has also focused on the current phenomenon of mobile phones. It takes us to an allegorical space of the apparatgeist, a barren, inhospitable place where cell phones act as small windows into different worlds of internet mundanity and bizarreness, and as a reflection of our interaction with a digital device. “How much do we hide behind our smartphones and use them to expose ourselves? To what extent is it possible to imprint ourselves into images composed of ones and zeros?” M.-M. Kochová
personal program

Apparatgeist

Marie-Magdalena Kochová
Czech Republic / 2019 / 11 min.
section: Czech Joy
World Premiere
Dunaj of Consciousness
Members of the Brno alternative rock legend Dunaj (Danube) meet after several years, determined to forget their grievances and disagreements of the past to perform a concert in the Romanian city of Banat, where they still have a strong fan base. On the way there, they take a boat down the Danube River, whose waves and mysterious nature evokes memories of the past among the band members and reflections on their careers, helped out by a meeting with former member Iva Bittová. The poetically infused film reveals the backstage of the band and, accompanied by the captivating tones of Dunaj’s songs, paints a complex portrait of the legendary music group. “Former members of the Dunaj band, now twenty years older, meet to find out they don’t have to do anything. They just want to let something special flourish, something created mainly by their being together. All the original pieces come together to create something compellingly impressive again.” D. Butula
personal program

Dunaj of Consciousness

David Butula
Czech Republic / 2019 / 83 min.
section: Czech Joy
World Premiere
FREM
The film is a reaction to the current wave of post-humanist thinking caused by the development of technology and artifi cial intelligence as well as the climate crisis. The human species is beginning to realize its insignifi cance and transience, and human identity has found itself in a crisis. The fi lm FREM attempts to refl ect this feeling and creates a dehumanized and alienated view of landscape and nature beyond human perception of reality. Incomplete thoughts and fragments of dialogue, diverse music interrupted by rushes and glitches, and the seemingly confused, unanchored camera, create a disturbing, philosophical refl ection on the limits of anthropocentric thinking. "Making this film was an extreme experience, in every aspect, not only physical, since we shot in Antarctica. I had to think un-thinkable. Leave the prison of anthropomorphism behind. Stop being human." V. Čákanyová
personal program

FREM

Viera Čákanyová
Slovakia, Czech Republic / 2019 / 73 min.
section: Czech Joy
World Premiere
Hate out of Love 3: Story of Domestic Violence
Abuse against seniors affects up to twenty percent of older Czechs. This vulnerable group often struggles for years with mental and physical abuse from their loved ones. Through focused, confidential, and harrowing interviews with three women and one man, the documentary recounts the situations in which these people find themselves as they near the end of their lives. Terror hidden behind the walls of their home gradually escalates into physical injury, litigation, and loss of property. In the film, they talk about how they coped with their children’s betrayal as well as their helplessness, knowing that society will not adequately defend them. “Our protagonists are disappointed by those they raised and for whom they cherished love – their children. It is difficult to experience it, and even more to admit such feelings to oneself and others. This is a more common trend than we would assume, though.” I. Pauerová Miloševićová
personal program

Hate out of Love 3: Story of Domestic Violence

Ivana Pauerová Miloševićová
Czech Republic / 2019 / 52 min.
section: Czech Joy
World Premiere
I Want You If You Dare
Single mother Martina raised twin girls, one of whom was born blind and the other with polio, leaving her disabled. Both children are now adults, and disabled Jana would love to leave her mother and live on her own in institutional living. And she would also like to experience sex, perhaps with a paid assistant. The documentary offers a brutally unsentimental view into the life of an impoverished rural family with two permanently disabled members. It delicately captures both everyday and exceptional situations, focusing mainly on the personal, emotional and relationship problems between the protagonists.  „The harder the fates I make films about, the more I appreciate when my heroes can laugh at them. And when I can make the audience laugh well, I am happy.” D. Smržovská  
personal program

I Want You If You Dare

Dagmar Smržová
Czech Republic / 2019 / 84 min.
section: Czech Joy
World Premiere
Jaroslav Kučera A Journal
Jaroslav Kučera was the husband of director Věra Chytilová and one of the most original cameramen of the Czechoslovak New Wave. Footage that he captured in his free time for private purposes served a few decades later as the basis for the creation of a fragile, intimate portrait which dispenses with words. In it, the master of the image freely sketches the innermost space of his family. Thanks to the director’s sensitive selection, we observe scenes of spontaneous posing before the lens and moments of repose, compellingly woven together with a soundtrack by producer Aid Kid. “The most important information about Czech literature of the recent decades can be found in literary journals by Jan Zábrana, Ivan Diviš, and Pavel Juráček. With that in mind, we approached the processing of cameraman Jaroslav Kučera’s film diary.” J. Felcman  
personal program

Jaroslav Kučera A Journal

Jakub Felcman
Czech Republic / 2019 / 67 min.
section: Czech Joy
World Premiere
Kings of Šumava
Josef Hasil, nicknamed King of the Bohemian Forest, was a cross-border smuggler between communist Czechoslovakia and the West, and later an agent for the CIC news service. His actions are the central theme of a film created using narrative animation resembling modern film noir, conversations with witnesses, and shots of the beauty of the mysterious Bohemian forests. In places, the documentary also takes on the qualities of a Hollywood action film, which contrasts with the burden of moral decisions of an individual and the relentless power of the totalitarian regime. Almost detective-like investigation is framed by the Bohemian myths and legends that are still told of the man today. "Kings of Šumava poetically explores the duality of hero, villain and reunites former Czech immigrant Vlasta Bukovsky and infamous Czech people smuggler Josef Hasil." K. Kelly
personal program

Kings of Šumava

Kris Kelly
Ireland, Czech Republic / 2019 / 70 min.
section: Czech Joy
Czech Premiere
Kiruna – A Brand New World
Apocalyptic depiction of an area literally engulfed by the mining industry is presented in this documentary that observes the eponymous northern Swedish city, part of which was abandoned due to activities in the nearby iron mine. The mining company’s management decided not to halt profitable mining activities and instead made the decision to move the residents of the threatened district. Using footage shot in the city inside the Arctic Circle and directly in the mines, the director has uncovered subtle film imagery, and using the stories of three protagonists now living in a bizarre inter-time, imaginatively addresses the topics of resettlement, tradition, and respect for a particular location. “The dystopian story of Kiruna is about lost people looking for a home in an uprooted city. It shows the dark side of the advanced society, whether in Sweden or the Czech Republic.” G. Stocklassa
personal program

Kiruna – A Brand New World

Greta Stocklassa
Czech Republic / 2019 / 87 min.
section: Czech Joy
Czech Premiere
Lost Coast
The film follows the lives of fishermen and vacationers who, through community efforts and friendly cooperation, seek to improve the otherwise deserted shores of the South Moravian reservoir Nové Mlýny, whether for a family holiday or leisurely fishing. Due to bureaucratic machinations, however, they are forced to sell off their summer homes and leave this place full of nostalgia and memories for good. Discreetly observational camerawork reveals the ordinary hardships, difficulties and joys of ordinary people and, with humorous insight alternating with melancholy contemplation, recounts the story of the conflict between living human experience and the cold state apparatus.  “’It’s a pity - one beautiful era has come to an end… ’ Fisherman Saša”. J. Zykmund
personal program

Lost Coast

Jiří Zykmund
Czech Republic / 2019 / 78 min.
section: Czech Joy
World Premiere
Moravia, O Fair Land III.
After centuries of oppression, the spirit of Moravian Slovakia (Slovácko) awakens to the rhythm of folk music and speed metal. A folk costumed zombie horror under the supervision of a modern Adam and Eva from a Czech TV quiz show mixes classical tragedy and ethnographic studies, biblical parable and low-brow genres. Petr Šprincl subverts the sacred myths, satirically revealing the dark foundations of social rituals against a background of folklore motifs. After nationalism and fascism, the subjects of the first two parts of this Moravian Epic, the series continues with variations on the Mrštík brothers’ play Maryša, imbued with Satanism.   „The Trilogy Moravia, Beautiful Land starts with belonging to tribe, folk costume and folklore, continues with the birth of the fascist of Slovácko and his defeat of the devil, and pagan inferno breaks out in the final volume.“ P. Šprincl
personal program

Moravia, O Fair Land III.

Petr Šprincl
Czech Republic / 2019 / 65 min.
section: Czech Joy
World Premiere
Nekyia: Inner portrait of the poet Hradecky
Poet Daniel Hradecký is the main actor of of this inter-genre film about a journey into the depths of his own consciousness. The black and white documentary parable looks into the human soul with interplay of sounds and raw images. Several episodes take place in the rough landscape of North Bohemia, accompanied by dramatic music. Their narrative includes fragments of the poet’s texts and his memories, reconstructed in the film: Daniel starts a shift in a factory, or he meets the devil in the dark. The film maps the poet’s inner world, and sinks deeper and deeper to the bottom of the raw imagination with him. “Is the man who likes dreaming happy?” A. Hospodářský The protagonist of the film, Daniel Hradecký will be reading poems as well works of other author after the screening of the film on Friday 25.10 in 18:00 in the Café Etage. 
personal program

Nekyia: Inner portrait of the poet Hradecky

Albert Hospodářský
Czech Republic / 2019 / 25 min.
section: Czech Joy
World Premiere
Never Happened
“The deed did not occur,” proclaimed Vladimir Mečiar in 1996 on the murder of businessman Róbert Remiáš, which likely had a political motive and with which the Prime Minister himself was likely involved. His infamous dictum is an attempt to negate a documentary that combines an investigative approach with original filmmaking. The director builds her film on interviews with key players in the Remiáš case but does not limit herself to an austere presentation of facts. Alternating different film formats, from black and white film to VHS, she evokes a period of crime and highlights the central theme of confrontation with the past. “I wanted to make a poetic political film. Engagé art should not give up on the style.” B. Berezňáková  
personal program

Never Happened

Barbora Berezňáková
Czech Republic, Slovakia / 2019 / 82 min.
section: Czech Joy
Czech Premiere
Sólo
Martín Perano is a young Argentinean piano virtuoso and composer whose life has been turned upside-down by mental illness. He spent the past few years in the largest psychiatric hospital in South America, El Borda in Buenos Aires. After his release he returned to the nearly empty house of his parents, where his biggest concern was to learn to live without walls and to go back to the piano, which he played every day in the institute. The director patiently observes Martín’s return; in interviews with his loved ones, he learns more about Martín’s past, lyrically approaching the inner workings of a person obsessed with creation, capable of taking strength from their own hypersensitivity. “The other patients sat in respectful silence listening to this curious sonata of fingers rapping the table. After a few minutes, Martín finished playing. Strong emotions could be read in the eyes of his audience, as though they had been listening to real music.” A. Benki
personal program

Sólo

Artemio Benki
Czech Republic / 2019 / 84 min.
section: Czech Joy
Czech Premiere
Talking About Adultery
In open testimonies by husbands, wives, and lovers, this highly stylized introspective fi m presents different forms of marriage and searches for the meaning of this institution in our post-consumerist society. Through a visually dominant text conversation between the central couple R. and B., the viewer gradually begins to identify with the stories of anonymous heroes who balance fulfillment of love and sexuality in relationships, cope with their frustration, or describe the rediscovered value of marriage. Metaphors and collages reflect the filmmaker’s perspective, and ultimately a surprising twist of life connected to the filming. “Infidelity is actually a boring topic, yet it can be quite telling about one.” B. Jíchová Tyson
personal program

Talking About Adultery

Bára Jíchová Tyson
United States, Czech Republic / 2019 / 72 min.
section: Czech Joy
Czech Premiere
The Judge over the Czech Way
The documentary reflects on thirty years of renewed democracy by way of a court hearing, whose subject matter. The film brings together actors in the roles of the plaintiff, defense counsel and judge with real people who represent Czech society as spectators, witnesses and members of the jury. The film is clearly inspired by a court hearing regarding a two-generation dispute filmed by Czechoslovak Television in 1966. “The story of an idealism and naivety of one and rationality of others. Review of thirty years of a divided society, who did not know about it. ” R. Sedláček
personal program

The Judge over the Czech Way

Robert Sedláček
Czech Republic / 2019 / 84 min.
section: Czech Joy
World Premiere
The Sound is Innocent
In this documentary essay, the director personally presents the history of electronic and experimental music from the pre-war years to the present day. The film takes place in an almost dream-like space-time that serves both as a recording studio and as a museum of technological artifacts, which allow the filmmaker to take playful grasp of the concept of talking heads. The sonically and visually layered excursion to the beginnings of the efforts to liberate and conceptualize sound is also a debate about the forms, possibilities, and perspectives of the acoustic relations to the world, in which the voices of the past constantly overlap with the sounds of the future. „Music documentaries usually tend to build a monument to a composer, band or subculture… My aim was to treat this topic in an essay-like style, using all available means that film as an audiovisual medium offers.” J. Ožvold
personal program

The Sound is Innocent

Johana Ožvold
Slovakia, France, Czech Republic / 2019 / 68 min.
section: Czech Joy
Czech Premiere
The State Capture
After the murders of the journalist Jan Kuciak and his fiancée Martina Kušnírová, the shooting of the documentary about a new kind of social establishment in which the traditional state structures become replaced with Mafia and oligarchy took a huge turn. By interviewing various persons - lawyers, bloggers, journalist, security experts, and former secret service agents -, the author tries to uncover the complex network of those influencing the Slovakian public space. The investigative film about a country in which the communist regime fell thirty years ago offers overwhelming facts about the unclear relationships among former secret service agents and interest groups, and shows the issues and threats faced by both journalists and the public. “The murder of a journalist raised more questions than just who the killer was. The tragedy illuminated the real picture of social institutions and created a short window when it was possible to capture it with a camera.” Z. Piussi
personal program

The State Capture

Zuzana Piussi
Czech Republic, Slovakia / 2019 / 79 min.
section: Czech Joy
Czech Premiere
Two Roads
The Jedlička Institute music class currently known as The Tap Tap band was founded 21 years ago by Šimon Ornest to give people with handicaps an opportunity to succeed outside of their daily institutional care. An observing and attentive camera captured the evolution of the personalities of several of the musicians over the course of several years. The attractive energy of the film which is exceptional in its approach to its theme as it avoids the usual compassionate sentiment stems from the relationships among the musicians and between them and their band leader, the motor of the action, whose work improves the public image of people with handicaps in an unorthodox way. “Even if it was hard for me at first, I was trying to make a film in a similar way that the band members are putting up with their destinies: with no sentiment, pointless pity or political correctness involved, yet with a touch of pitch black humour.” R. Síbrt
personal program

Two Roads

Radovan Síbrt
Czech Republic / 2019 / 80 min.
section: Czech Joy
World Premiere
Viva Video, Video Viva
Today, analogue video is attractive primarily thanks to the distinctive aesthetic quality of its pixelated image and raster errors. But for Czech artists who first explored the possibilities offered by video art in the late 1980s, this medium represented a path towards freedom. Through a portrait of her grandfather Radek Pilař, one of the pioneers of Czech video art, the director explores her own legacy of imperative creative fascination. Her film’s main story, i.e., the process of reconstructing the 1989 exhibition Video Day, contrasts this enchantment with life in the final days of the totalitarian regime, which different sharply with the adventures of those who decided to emigrate – whom the filmmaker also visits in order to discover forgotten works, get to know their creators, and re-establish broken ties.  “’The computers, which are here with me, quietly tell me they want me to understand them, to live with them. Because we will live with them. But either they’re devils, or they will be gods.’ Radek Pilař.” A. Komrzý
personal program

Viva Video, Video Viva

Adéla Komrzý
Czech Republic / 2018 / 85 min.
section: Czech Joy
World Premiere
Why Do I Feel Like A Boy?
In a small village in the southern Czech Highlands, the director meets with sixteen-year-old Ben to examine the issue of defining his identity in person: Ben is living in a girl’s body, but feels like a boy. With his real feelings, he flees into the online world and truly feels happy, for example, when using greenscreen technology to participate in Prague Pride. The film indirectly captures the (mis)understanding and (un)acceptance he meets with at school and his focused insight is completed by interviews conducted by the director with his mother and sister, who involuntarily embody everything that Ben hates about himself. “What I like about it the most is how the story of a teenage transgender boy can disrupt the conservative structures of a television film, go beyond the media, and challenge the inhumane sterilization of transgender people in the Czech Republic.” K. Turečková    
personal program

Why Do I Feel Like A Boy?

Kateřina Turečková
Czech Republic / 2019 / 26 min.
section: Czech Joy
World Premiere
Ministerstvo kultury
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Evropská unie
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Kraj Vysočina
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