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23rd Ji.hlava International Documentary Film Festival

ji-hlava dok cdf
3 Dreams of Horses
3 Dreams of Horses
3 Dreams of Horses
3 Dreams of Horses

3 Dreams of Horses

director: Mike Hoolboom
original title: 3 Dreams of Horses
country: Canada
year: 2018
running time: 6 min.

synopsis

Raw film material consists in part of gelatin, which is made of the skin and bones of animals, including horses. The traces of light that shape our audiovisual dreams are thus imprinted on parts of animal bodies. Through the subtle use of audio, this found-footage collage focuses on images of the horse as an attraction, an animal of burden, and a mythological creature. 

"In 1900 there were 130,000 working horses in Manhattan. Horses were a central part of our lives. Jeremy Bentham: "The question is not: can they reason? Nor, can they talk? But, can they suffer?" M. Hoolboom

 

biography

Mike Hoolboom (1900) is a leading figure in Canadian experimental film and video who previously worked for the CFMDC distribution company and as artistic director of the Images festival. Besides being the author of numerous books on experimental cinema, he has also written his own novel. He has made more than 80 films and videos, many of which he edits or otherwise alters to create new forms. In 2003, the Ji.hlava IDFF honored him with a retrospective of his work, and last year the festival showed his most recent film Spectator (2017). 

 

more about film

director: Mike Hoolboom
producer: Mike Hoolboom
script: Mike Hoolboom
editing: MIke Hoolboom

other films in the section

Wanderlust Iteration #1
64 trees in a valley are presented in 3D, becoming both the object and space for every eye – exteriorized on the basis of various principles. The filmmaker continues to explore various possible approaches to spatial representation of creates ingeniously thrilling wanderings among images. "Stereo3D films shall be done of such a kind that they make no - or another - sense than if they where only in mono2D. What we know from flat filmmaking is no help." B. Speidel  
personal program

Wanderlust Iteration #1

Björn Speidel
Germany / 2018 / 9 min.
section: Fascinations
World Premiere
The Image that Spits, the Eye that Accumulates
The color of skin and of film become the center of discourse: The filmmaker’s mixed-race background is reflected in imprints of the landscape and ruptures within it, but also in the color of the faded Kodachrome film, whose typical visual characteristics have dissolved in time. Hues are barely visible and only with difficulty capture the image of a body that does not fall into any clear categories.  "Where does film fail or resist us? Working on celluloid I make images which affirm mixed race culture and the cultural in between." R. Storr  
personal program

The Image that Spits, the Eye that Accumulates

Rhea Storr
United Kingdom / 2018 / 11 min.
section: Fascinations
World Premiere
On the Border
The filmmaker takes hundreds of photographs of ocean trash that has washed up on the shores of Japan and uses the photogrammetry technique to turn them into sculptures. When filmed in the virtual space, they become mementos of environmental irresponsibility and examples of the excesses of our affluent way of everyday life. "Looking through the eyes of new technologies, we can have unexpected and incredible views of the reality." Y. Nishimura  
personal program

On the Border

Yoshiki Nishimura
Japan / 2018 / 7 min.
section: Fascinations
World Premiere
La Mesa
Genre conventions cleverly broken down with animations, breaking through the scenery of rural Mexico, where in the area surrounding the director’s family farm, symbols of stories of physical desire conceal a layer of idyllic childhood memories and come into conflict with the traditional concept of masculinity and identity expression.   "By centering queer desire within the story of my Mexican-American family, I validate my own lived experience as well as challenge popular representation of masculinity, power and vulnerability." A. G. Gomez  
personal program

La Mesa

Adrian Garcia Gomez
United States / 2018 / 10 min.
section: Fascinations
International Premiere
Musical Landscape
This conceptual experience in which differences in color are translated into notes on a piano looks at the area surrounding the port of Marseille. The result is a musical composition created through an abstracted reflection of the nature, look, and visual diversity of a place where ships arrive and depart. "Through video artworks, I ruminate both on the notions of temporality and duality of digital arts - the interplay of the sound and the image - to build new realities to the world around us." J.-M. Rolland  
personal program

Musical Landscape

Jean-Michel Rolland
France / 2018 / 8 min.
section: Fascinations
East European Premiere
The Sun Quartet, part 1: Sun Stone
The use traditional multiple exposure techniques combine with the search for formal similarities to create a lyrical work in which the outlines of rivers and plants merge together and vibrant colors alternate in a constant rhythm of overlapping and multiplication. "Colectivo Los Ingrávidos arises from the need to dismantle the audiovisual grammar that the aesthetic-television-cinematic corporativism has used to guarantee the diffusion of one audiovisual ideology." Colectivo Los Ingrávidos  
personal program

The Sun Quartet, part 1: Sun Stone

Colectivo Los Ingrávidos
Mexico / 2017 / 8 min.
section: Fascinations
East European Premiere
Dushanbe
Through the use of animation, the backlit photographs blend with the director’s aunt’s memories of the mountains, the local views, and the inside of the home from which she was forced into exile. The fragments of memory offer insight into life in the diaspora through architectural projects by which the aunt has recreated her native Tajikistan in her new home in Darmstadt.   "Film is grounded in found footage through the photographic, constructing an assemblage from fragments of exile. I focused on colour, texture, and materiality in both image and sound, resuturing diasporic time and space through the slowed-down gesture of animation." K. Friesen  
personal program

Dushanbe

Kandis Friesen
United States, Canada / 2018 / 5 min.
section: Fascinations
European Premiere
Nutrition Fugue
This ironic found-footage collage created from raw footage originally shot for the Közért (“For the Public”) retail chain, a state-run network of shops in Hungary during communism, shows the problems of eating and nutrition in state-run economies, lives and images. "35 mm reels of socialist food advertisements were put in the soil to rot and decay." P. Lichter  
personal program

Nutrition Fugue

Péter Lichter
Hungary / 2018 / 4 min.
section: Fascinations
World Premiere
Morphology of a Dream
A visual composition based on a study of the rhythm of sleep cycles during REM sleep. The flowing images melt into overlapping splotches of color to create shapes of fleeting sleep images at various speeds, thus reflecting the impossibility of capturing any concrete motifs.   "Connecting my observation with an intuitive way of filming, I document phenomena in the natural world to reveal evocative visual rhythms through the ecstatic clash of color and form." M. Szlam  
personal program

Morphology of a Dream

Malena Szlam
Canada, United States / 2018 / 6 min.
section: Fascinations
World Premiere
WHERE DO WE GO
Images recorded on a Lomography Supersampler, which photographs four immediately sequential moments on one frame of 35mm film, multiply the illusion of rhythmic movement and create a visual melody that hurtles forward, while the imprint of the moment remains fixed in place. The drum performance emphasizes the minimalist sharpness of the patterns. "Where do we go, in a time where borders are going to be closed again? The feeling of freedom has gone. I try to break down visual borders to rebuild a base for the spirit of freedom again." S. A. Fruhauf  
personal program

WHERE DO WE GO

Siegfried Alexander Fruhauf
Austria / 2018 / 4 min.
section: Fascinations
International Premiere
The Moons of Palaver
Images originally from the tests of spotlights are inserted into models where they evoke the phases of the Moon and in regular intervals combine to hint at a harmonic line of bright reflections. A fleeting arrangement of the traces of humans and machines forever trapped in the depths of the night.  "The Moons of Palaver had to be short, quiet, with soft light, gently mechanical, edited late in the night, a paradox and a mystery. It had to be a poem that I couldn’t possibly write." E. Gaucher  
personal program

The Moons of Palaver

Eric Gaucher
Canada / 2018 / 3 min.
section: Fascinations
European Premiere
Or / Or, Hawick, may 18
In the middle of the Teviot River in Scotland, the filmmaker saw a color in the sky like in the paintings of Gustav Klimt. He translates his amazement at this moment into fluid patterns of a digitally decomposed scene, all the way to its radical ending when the variously colored grids flowing on the screen like a calm horizon again dissolve into Klimt’s golden color. "Making films is opening my heart and letting the magical powers of life shine in my imagination to merge them in images. I try to thrill those who watch colour and time flow in my films." J. Perconte  
personal program

Or / Or, Hawick, may 18

Jacques Perconte
France / 2018 / 9 min.
section: Fascinations
World Premiere
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