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24th Ji.hlava International Documentary Film Festival

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365 days, also known as a Year
365 days, also known as a Year
365 days, also known as a Year
365 days, also known as a Year

365 days, also known as a Year

director: Dmytro Bondarchuk
original title: 365 days, also known as a Year
country: Ukraine
year: 2019
running time: 99 min.

synopsis

Day after day, images of film life in the author's collage glued together from fragments of feature films flow at a frame rate in which the date of the day appears in various forms. The original jigsaw puzzle shows what one year of diverse film footage might look like. The selection of scenes by calendar key is an interesting probe into the history of cinematography in different countries, a showcase of moods and diverse styles of film narration. The link between the selected scenes is a certain urgency connected with the realization of a specific date, whether such a date denotes a historical milestone or a simple act of brushing one’s teeth.

„365 Days' can be perceived simply as a recycled fiction story. As a video essay it discovers meaning of calendar dates for cinema and invites to think about life, memory and time.“ D. Bondarchuk 

biography

Dmytro Bondarchuk is a Ukrainian independent critic and a creator of experimental and animated films. He studied journalism at Taras Shevchenko University. Among his films include The History of the Hands (2016) and Devilry 8: Tiburon! (2014).

more about film

director: Dmytro Bondarchuk
producer: Dmytro Bondarchuk
editing: Dmytro Bondarchuk

other films in the section

António and Catarina
In one of the gloomy rooms in his flat, seventy-year-old Augusto casts shy glances at the camera behind which stands twenty-five year old Cristina, the film’s director. For three years she repeatedly visited him to record their interviews, during which they used the assumed names of António and Catarina. This game with identity, and mainly with the nature of their mutual relationship, is reflected in small talk, where the topics turn to diverse themes, including masturbation and gender stereotypes. Augusto/António is usually the one talking as well as the one in front of the camera, which records his image in dark details. Cristina/Catarina stands behind the camera and asks questions. “Drawn by the vigour of an old enchanting man, I made this film without knowing where it would take me.” C. Hanes

António and Catarina

Cristina Hanes
Portugal / 2017 / 40 min.
section: Between the Seas
East European Premiere
The Halves
The film’s main protagonist, Alexandr Zarchikov, works on a cargo ship transporting Japanese cars that have been cut in half to the Russian port city Vladivostok. There, the cars are reassembled and transporters take them away to their final destinations. Zarchikov decides to try working on the mainland, and joins one car on its journey through Siberia. His experience morphs into a meditative film essay, symbolically divided into two halves (sea and land), where he ponders his relationship with his motherland, religion, and nature, and tries to overcome his feelings of rootlessness.DETAIL:“When I worked on a ship like this, we always got home quickly, safe and sound. Now, I don’t feel at home on a boat, nor on the island I was born, Sakhalin. Maybe by making this film, I’ll find my place.”

The Halves

Alexandr Zarchikov
France, Russia / 2015 / 95 min.
section: Between the Seas
International Premiere
The Makavejev Case or Trial in a Movie Theater
In 1971, the film WR: Mysteries of the Organism, an outstanding example of the Yugoslav Black Wave, was enthusiastically received at the Cannes Film Festival. Back home, however, this radical and ironic exploration of sexuality and communism was banned by the Yugoslav regime, and director Dušan Makavejev subsequently emigrated. The ban was decided during the film’s premiere screening, which turned into an unofficial trial. The Makavejev Case plays a newly discovered audio record of the debate in its entirety, accompanied by images of the incredulous faces of people listening to the audiotape recording: actors from Makavejev’s film, random passers-by on the street, and monkeys in a cage. „Makavejev - is my favorite Serbian director. WR: Mysteries of the Organism became a symbol of Makavejev’s heritage: a film language as a play game and an everlasting experiment in in directing." G. Radovanovic
personal program

The Makavejev Case or Trial in a Movie Theater

Goran Radovanovic
Serbia / 2019 / 73 min.
section: Between the Seas
International Premiere
The Haunted
The Turan tiger, a majestic symbol of the Central Asian landscape, has been extinct for several decades, but it lives on as a sacred symbol in the collective imagination of the local population. In her captivating film essay, Ismailova pays homage to this animal as she shows how firmly bound it is, in people’s minds, with the region’s history. The tiger is a spectre that emerges from the darkness and disappears again, the landscape is like a network of ruins buried under layers of the past. The collage of visual and audio fragments, accompanied by the filmmaker’s passionate commentary, shows that “real” history cannot be separated from shared ideas and dreams."The Haunted is an intimate video letter to the spirit of the extinct Turan tiger, which disappeared from Central Asia in the 20th century. Today, the tiger lives on in people’s collective memory." S. Ismailova

The Haunted

Saodat Ismailova
Norway, Uzbekistan / 2017 / 23 min.
section: Between the Seas
Central European Premiere
Cinema Futures
A multi-genre collage consisting of variations on educational films, interviews with famous people (film theorist David Bordwell, director Christopher Nolan), and free-association poetry, Cinema Futures makes humorous use of a subversive and almost conspiratorial commentary. A meditation on the future of film in a world of digital platforms, this wild cinematic “ride” through a labyrinth of museums and archives to bring life classic cinematic and archival methods and contrast them with today’s ubiquitous virtuality. Does the death of celluloid also mean the death of film? Are we losing our audiovisual memory?"A few years before a digitally presented film was exclusive. I disliked it. Scratches, dust and the noise of the silver belong to my formative movie experiences. But nostalgia is not an option."

Cinema Futures

Michael Palm
Austria / 2016 / 125 min.
section: Between the Seas
East European Premiere
Dialogue with Joseph
Yosef Yosade, a Lithuanian landscape artist, has worked for many years in Israel. His daughter Elżbieta has set the camera on him to capture the nuances of his creative process. Artfully framed static scenes of the master at work, in contemplation, or absorbed in discussions reveal the painter’s distinctive approach based on searching for the visual structure of a landscape. The director also presents visual depictions of landscapes in mutual conflict with their filmed versions, thereby linking the “abstract” and “concrete” perspectives. The film therefore reflects not only individual creation, but also examines the relationship between two specific media. “The film relates the structure of a landscape to that of a human being. Unstable, arid, peopled by other creatures, by footprints from the past; those are features which Joseph shares with the desert he paints.” Elżbieta Josadė

Dialogue with Joseph

Elžbieta Josadė
Lithuania, France / 2016 / 42 min.
section: Between the Seas
World Premiere
The End and the Means
Massage, doing the laundry, grazing water buffalo, snake charmers, street jugglers and dentists, music and dance lessons. Through his humble contemplation on various expressions of people’s devotion to their work, Paweł Wojtasik shows the web of human activities that each have their fixed place within India’s caste society. Work is not a path out of poverty or towards wealth, but a form of Hindu meditation on the roots of human activity and established working techniques and rituals. Man is a machine controlled by a higher power. This observational documentary, filmed primarily in India’s oldest city, Varanasi, focuses on the sacred Ganges River as a source of all human endeavours. „I wanted to investigate the Indian idea that work can lead to liberation rather than alienation. As a film worker myself, I learned from the people I filmed – to be present with the whole body and mind.“ P. Wojtasik

The End and the Means

Pawel Wojtasik
United States, India, France / 2018 / 99 min.
section: Between the Seas
World Premiere
Call Me Marianna
At the center of this film stands an attractive forty-year-old woman who has decided to fulfill a lifelong dream at the cost of great sacrifice - to be herself. She alienated her parents and lost loved ones when she underwent a long-desired sex change. The film attempts to explain to viewers and help them understand the difficult decision that Marianna had to face. While in the first, staged, part of the film the woman comes to terms with her own past through autobiographical theater performance, in the second, documentary part of the film, she is, however, confronted with unexpected twists and precarious situations that fate has set before her.DETAIL:“I’ll finally be able to look at myself in the mirror naked and not feel disgusted by my own body. – There are men and women. There’s male and female. The world doesn’t really allow any third options.”

Call Me Marianna

Karolina Bielawska
Poland / 2015 / 75 min.
section: Between the Seas
Czech Premiere
Under the Sun
Over the course of one year, this film follows the life of an ordinary Pyongyang family whose daughter was chosen to take part in one of the famous Korean “Spartakiads”. The ritualised explosions of colour and joy contrast sharply with pale everyday reality, which is not particularly terrible, but rather quite surreal, like a typical life as seen “through the looking glass”. The film portrays North Korea in probably the only possible way: as an unintentional situational tragicomedy. Precisely staged film scenes duplicate principles common for life in “the most beautiful country on the eastern side of the globe”: virtually horrifying selfstaging of the residents’ own lives.Detail:“Zin-mi, you have joined Children’s Union, what do you expect from your adult life?” “When joining the Children‘s Union,we enter to the adult life. And begin to think, what else shall you do for the Great Leader Kim Jong Un.”

Under the Sun

Vitaly Mansky
Czech Republic, Russia, Germany, North Korea, Latvia / 2015 / 106 min.
section: Between the Seas
Czech Premiere
Extra-Terrestrial Ecologies (Retroflectors: the astronaut, the robot, the alien)
What new things can we learn about ecology from science fiction? According to this video essay by artist Ralo Mayer, quite a lot. A flow of thoughts and analogies inspired not only by such sci-fi films as The Martian, E. T. the Extra-Terrestrial and Silent Running, but also by Biosphere 2, a project simulating an enclosed ecosystem located far away in outer space, have led the artist to reevaluate the way in which ecology is currently considered.  For his new view of things, which relies more on a cosmic rather than an earthly perspective, the key concepts consist of humans as space travellers, robotic technologies, and extraterrestrials as apparitions whom we suspect exist in distant star systems."Ecology in outer space, far from our home planet, is literally unheimlich–uncanny, or better: unsettling. After years of research about Biosphere 2, I met E. T. & we talked Haraway in a Redwood forest." R. Mayer

Extra-Terrestrial Ecologies (Retroflectors: the astronaut, the robot, the alien)

Ralo Mayer
Austria / 2018 / 43 min.
section: Between the Seas
International Premiere
The Calling
Fathers Gabriel, Vicilentius, and Nazari, three monks of varying ages living at the Orthodox Pochayiv Lavra monastery in Ukraine, spend their time in isolation from the world. Nevertheless, they all came here after having lived a worldly life, and so they harbor memories of the turbulent recent history of their homeland. The film brings these memories to life against the backdrop of their daily routine within the monastery’s majestic architecture. The quiet, meditative observation of the monks’ rituals, work, and free time creates a sympathetic portrait of a place and its inhabitants, using snippets of life to offer a glimpse into their existence. “This film is shows a metamorphosis of a human individual who abandoned the worldly life and decided to follow God.” E. Praus
personal program

The Calling

Erik Praus
Slovakia / 2019 / 70 min.
section: Between the Seas
International Premiere
Notorious Deeds
October 1989. A high school student in Bucharest is apprehended for pasting up anti-regime posters and is interred in a secret police building for a number of days. As a result, his family, loved ones, friends, and schoolmates are affected by restrictions. Twenty years later at their class reunion, an excursion begins into memories of that moment of shock etched forever into memory, but for each somewhat differently. Director Gabriel Tempea is more interested in exploring the subjective interpretation from the point of view of “talking heads” than the actual facts. A postmodern form of oral history based on the testimonies of those who have most of their lives ahead of them.“Based on personal, subjective and painstakingly detailed recollections of an exceptional occurrence, I attempted to provide a glimpse at the bigger picture of  atroubled historical period.” Gabriel Tempea

Notorious Deeds

Gabriel Tempea
Romania, Austria / 2015 / 68 min.
section: Between the Seas
World Premiere
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