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23rd Ji.hlava International Documentary Film Festival

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365 days, also known as a Year
365 days, also known as a Year
365 days, also known as a Year
365 days, also known as a Year

365 days, also known as a Year

director: Dmytro Bondarchuk
original title: 365 days, also known as a Year
country: Ukraine
year: 2019
running time: 99 min.

synopsis

Day after day, images of film life in the author's collage glued together from fragments of feature films flow at a frame rate in which the date of the day appears in various forms. The original jigsaw puzzle shows what one year of diverse film footage might look like. The selection of scenes by calendar key is an interesting probe into the history of cinematography in different countries, a showcase of moods and diverse styles of film narration. The link between the selected scenes is a certain urgency connected with the realization of a specific date, whether such a date denotes a historical milestone or a simple act of brushing one’s teeth.

„365 Days' can be perceived simply as a recycled fiction story. As a video essay it discovers meaning of calendar dates for cinema and invites to think about life, memory and time.“ D. Bondarchuk 

biography

Dmytro Bondarchuk is a Ukrainian independent critic and a creator of experimental and animated films. He studied journalism at Taras Shevchenko University. Among his films include The History of the Hands (2016) and Devilry 8: Tiburon! (2014).

more about film

director: Dmytro Bondarchuk
producer: Dmytro Bondarchuk
editing: Dmytro Bondarchuk

other films in the section

Monk of the Sea
Even today, seventy percent of the men in Thailand follow the old custom of spending at least a short part of their life as a Buddhist monk in a monastery. For Ball, the film’s protagonist, his two-week career as a monk is intended to serve as a symbolic steppingstone between his wild student life and more moderate adulthood. However, the reality of things is by far not so simple. Rafał Skalski’s staged documentary uses the example of Ball’s marginal experience to demonstrate the degree to which modern-day Thai society is based on the incompatibility between ascetic and hedonistic lifestyles, which the one-time transformation of the unrestrained young man into a monk cannot really conceal."To me, this is an instant kind of spirituality. We want to get a lot of things done in one go – quickly fall in love, make a career, be successful."

Monk of the Sea

Rafal Skalski
Poland, Germany / 2016 / 68 min.
section: Between the Seas
Czech Premiere
A Two Way Mirror
This poetic documentary presents one woman’s journey towards finding self-confidence, inner peace, and harmony. The filmmaker returns to Croatia’s Lika region, where her family comes from. In the bosom of nature, she tries to come to terms with the losses she has suffered in her life, her illness, and her fear of the future. The film is structured into six parts (prologue, spring, summer, autumn, winter, epilogue), each linked to a different stage of human life. It is a very open and intimate confession, framed in a mosaic of memories and experiences, thoughts and feelings. The film is also therapeutic, helping the filmmaker find the strength to fight. The film received the Croatian Oktavijan Award for Best Documentary Film. “Every fear comes with the reason. To cure my fears I merged secret patterns and knowledge of my family with the cycles of nature. Through this collision I revealed what is the human in beasts and the beastly in humans.” Katarina Zrinka Matijević Veličan

A Two Way Mirror

Katarina Zrinka Matijević
Croatia / 2016 / 42 min.
section: Between the Seas
European Premiere
One Day in Selimpasha
One man and an apartment, about which we know nothing. This is the premise of a conceptual documentary based on the concept of providing a deliberately limited amount of information to the viewer. We look into the intimate space behind the closed front door, where the most ordinary activities are carried out: cooking lunch, preparing tea, eating lunch, starting a fire in the fireplace. In this residential monodrama, a second living actor is desperately lacking, one that would bring to life the plot embodied in speech. It becomes a study of a person’s existence in their most personal space - a dwelling that can be just as much a preserve of peace and security as a golden cage of solitude."What are the feelings of a person who does nothing while everyone expects him to do something? What should he do? In general, is there any difference between the emotions of two humans? What does portrait mean? A human face or something else?" H. Baydarov

One Day in Selimpasha

Hilal Baydarov
Azerbaijan / 2018 / 64 min.
section: Between the Seas
World Premiere
de fac-to
How do we deal with our history? Is it possible that history becomes rather a tool made to justify our current interests and views? Such questions are posed in the observation documentary called de fac-to. The filmmakers visited several public events commemorating World War II in the Ukrainian town of Lviv. Moving recitations of poems are followed by anti-alcoholism propagandist bashings, allegations claiming that decommunization process in Ukraine had been started by Hitler or comparing numbers of victims during the Nazi and Communist eras. This diverse, often absurd kaleidoscope is structured as a stream of footage of events in chronological order with no commentary. „With our film we want to give an insight into specific situations and atmospheres, documenting the various protagonists as they find a relationship to the present through rituals celebrating the past.“ E. Shapiro-Obermair

de fac-to

Alexandra Wachter, Ekaterina Shapiro-Obermair
Austria, Russia / 2018 / 32 min.
section: Between the Seas
International Premiere
Opera about Poland
A travelogue collage in search of Polish identity in an uncertain world. A carefully composed dream about the unfound unity of nation, old injustices and moments of glory that fade away under the burden of petty thoughts and the fear of non-existent enemies. A selection of period footage, newspaper articles, and bitterly current citations from the internet, mixed with journal entries by the author Andrzej Stasiuk to create a personal reflection of events. The staged portraits of ordinary Poles set to a tension-filled disharmonic operatic soundtrack at first seems like a series of unrelated images and thoughts, but they slowly come together to form a portrait of the soul of the Polish nation."To begin the repair or therapy you need to be diagnosed. You need to see what mistakes have been made in the past. Or check if you are living with untrue myths and beliefs." P. Stasik

Opera about Poland

Piotr Stasik
Poland / 2017 / 41 min.
section: Between the Seas
International Premiere
My Friend Boris Nemtsov
Until his violent death in February 2015, Boris Nemtsov was know as the face of the anti-Putin opposition movement. This intimate portrait brings us closer to his activities during his final years, when voices of protest became stronger in Russian society. The film does not portray grand speeches and gestures, but rather the daily activities of a politician, which included long business trips in addition to appearances in the media or at demonstrations, the everyday office routine, and discussions with people on the street. Nemstov’s close contact with social actors and the director are evidence of his courage and spontaneity, without needless pathos. “It is a film début, a documental tragedy. It took three years to make this portrait of Boris Nemtsov. Murdered in February 2015, the outstanding leader of Russian opposition is shown sympathetically, with humane warmth and irony.” Zosya Rodkevich

My Friend Boris Nemtsov

Zosya Rodkevich
Estonia / 2016 / 70 min.
section: Between the Seas
Czech Premiere
Cinema Futures
A multi-genre collage consisting of variations on educational films, interviews with famous people (film theorist David Bordwell, director Christopher Nolan), and free-association poetry, Cinema Futures makes humorous use of a subversive and almost conspiratorial commentary. A meditation on the future of film in a world of digital platforms, this wild cinematic “ride” through a labyrinth of museums and archives to bring life classic cinematic and archival methods and contrast them with today’s ubiquitous virtuality. Does the death of celluloid also mean the death of film? Are we losing our audiovisual memory?"A few years before a digitally presented film was exclusive. I disliked it. Scratches, dust and the noise of the silver belong to my formative movie experiences. But nostalgia is not an option."

Cinema Futures

Michael Palm
Austria / 2016 / 125 min.
section: Between the Seas
East European Premiere
Birthday
A lonely life made up of daily routine tasks is depicted in this documentary made by the director about his own mother. It’s her birthday – her husband has been dead for years and her children have forgotten her, with the exception of her son, who remains behind the camera. Despite this, the ageing woman cleans, cooks, and makes ready for a possible celebration. Cursory inspections of her mobile phone screen show that she would have been happy with just a phone message. Birthdays give new meaning to loneliness, just as the director cuts away various natural barriers of the camera image and amplifies the sound effects track to allow silence to emerge and envelop the main character."One day of any person is the summary of his life. What we feel in one day is the same for all our life. Nothing changes. Repetitions, Repetitions and Repetitions. Just like my mother on her birthday." H. Baydarov

Birthday

Hilal Baydarov
Azerbaijan / 2018 / 63 min.
section: Between the Seas
World Premiere
Bojo Beach
Regular rushes of waves wash the Ghanaian coast, and a group of fishermen pulls their catch from the sea as they do every day. This short film depicts the labours of local fishermen in several chapters. Almost aescetically static cinematography and minimal editing during the fishermen’s work set it off from anything that could happen on the beach that day. Thanks to the slow pace, unintentional abstract compositions of the fishing nets end up in the picture, or a lonely mountain is traced in the background. The film’s atmosphere isn’t determined by people but rather by the rhythm of the sea, the colour of the sky, and the structure of the sand on Bojo Beach."The idea of being sat on the beach is always one of soaking up the atmosphere, breathing in the air, being contemplative, just watching things, just letting them happen. All this in a globalized world" E. Groen

Bojo Beach

Elke Groen
Austria / 2017 / 25 min.
section: Between the Seas
International Premiere
A Hole in the Head
Everyone knows about the Roma holocaust, but no one talks about it. The process of eliminating memories of it began more or less at the end of the Second World War, when many mass graves in work and detention camps remained intact. Even for the winners, the Roma were “second class” victims. In a number of European countries (France, Czech Republic, Slovakia, Poland, Germany, Croatia, Serbia), the director confronts a forgetful present with memories of the last surviving witnesses of these horrific events. The result is a partially scripted and staged documentary - an elegy to the victims of a monstrous regime and human indifference. “I think that what helped the Roma and Sinti survive persecution is their non-material relationship with the world, with being, with time. This was my main starting point for the film. The memory they carry with them, and the memory we perceive – our collective consciousness.” Robert Kirchhoff  

A Hole in the Head

Robert Kirchhoff
Slovakia, Czech Republic / 2016 / 90 min.
section: Between the Seas
World Premiere
TIMEBOX
Professor Ioan-Matei Agapi, an 80-year-old photographer and cameraman from Iași, Romania, owns a unique collection of 16mm films and photographs documenting almost fifty years of the city’s history. His daughter, also a filmmaker, has decided to make a film about her father's archives. In the unconventional surroundings of his old apartment, he reminisces about the past until one day Ioan is informed that he must leave or be evicted from home where he has spent the past 40 years. Ioan’s years of work suddenly transform into a huge burden, and the film unexpectedly changes into drama in which conflicts with city officials reveal old and hidden conflicts within the family. "The deepest thing I learned whilst doing this film is that we are stronger than we think we are." N. Agapi 

TIMEBOX

Nora Agapi
Romania / 2018 / 69 min.
section: Between the Seas
International Premiere
The Winter Garden's Tale
Valentina Voronina, gardener and tenacious manager of a large conservatory, is fired after forty-five years on the job. Time is winning in its unequal battle with a lack of financing, a decaying building, and the approach of retirement age. The dilapidated conservatory reflects the weakening strength of its distinctive manager and visionary. The conviction that the plants will die if nobody looks after them, is intertwined with the appearance of esoterics and a shaman with a divining rod who discovers a spring of positive energy in front of the building’s entrance. Palm fronds rustle like a silent witness to the melancholic struggle against time and the relentlessness of decay. Another cruel winter is on the horizon. "It is built on its own internal rhythm without the author’s direct speech. Just rethought reality, placed in ironical and a little magic conditions with the main conflict between dreams and reality. " S. Mozgovyi

The Winter Garden's Tale

Simon Mozgovyi
Ukraine / 2018 / 75 min.
section: Between the Seas
World Premiere
Ministerstvo kultury
Fond kinematografie
Evropská unie
Město Jihlava
Kraj Vysočina
Česká televize
Český rozhlas
Aktuálně.cz
Respekt