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24th Ji.hlava International Documentary Film Festival

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365 days, also known as a Year
365 days, also known as a Year
365 days, also known as a Year
365 days, also known as a Year

365 days, also known as a Year

director: Dmytro Bondarchuk
original title: 365 days, also known as a Year
country: Ukraine
year: 2019
running time: 99 min.

synopsis

Day after day, images of film life in the author's collage glued together from fragments of feature films flow at a frame rate in which the date of the day appears in various forms. The original jigsaw puzzle shows what one year of diverse film footage might look like. The selection of scenes by calendar key is an interesting probe into the history of cinematography in different countries, a showcase of moods and diverse styles of film narration. The link between the selected scenes is a certain urgency connected with the realization of a specific date, whether such a date denotes a historical milestone or a simple act of brushing one’s teeth.

„365 Days' can be perceived simply as a recycled fiction story. As a video essay it discovers meaning of calendar dates for cinema and invites to think about life, memory and time.“ D. Bondarchuk 

biography

Dmytro Bondarchuk is a Ukrainian independent critic and a creator of experimental and animated films. He studied journalism at Taras Shevchenko University. Among his films include The History of the Hands (2016) and Devilry 8: Tiburon! (2014).

more about film

director: Dmytro Bondarchuk
producer: Dmytro Bondarchuk
editing: Dmytro Bondarchuk

other films in the section

Dialogue with Joseph
Yosef Yosade, a Lithuanian landscape artist, has worked for many years in Israel. His daughter Elżbieta has set the camera on him to capture the nuances of his creative process. Artfully framed static scenes of the master at work, in contemplation, or absorbed in discussions reveal the painter’s distinctive approach based on searching for the visual structure of a landscape. The director also presents visual depictions of landscapes in mutual conflict with their filmed versions, thereby linking the “abstract” and “concrete” perspectives. The film therefore reflects not only individual creation, but also examines the relationship between two specific media. “The film relates the structure of a landscape to that of a human being. Unstable, arid, peopled by other creatures, by footprints from the past; those are features which Joseph shares with the desert he paints.” Elżbieta Josadė

Dialogue with Joseph

Elžbieta Josadė
Lithuania, France / 2016 / 42 min.
section: Between the Seas
World Premiere
Looking for Mr. Dice
Many years ago, the film’s director and the man nicknamed Mr. Dice were best friends. In a whirlwind of parties, the famous musician and the influential banker were carried on a wave of the euphoria of wild capitalism after the collapse of the Soviet Union. The bank, however, led by Mr. Dice, went bankrupt and he disappeared without a trace with the money that his friends and clients had entrusted to him. Here begins the documentary search that leads us on an adventure from Latvia to the heat of Africa and far beyond the crime, guilt, and betrayal. It is also a search for the sense of deep friendship and the struggle with common sense and conventional moral categories. "I hope the film makes the audience to think what it really means "a true friendship” when money gets involved, as well as shows an ordinary man’s struggle through the abstract glory of diamonds." K. Roga

Looking for Mr. Dice

Kaspars Roga
Latvia / 2019 / 79 min.
section: Between the Seas
International Premiere
TIMEBOX
Professor Ioan-Matei Agapi, an 80-year-old photographer and cameraman from Iași, Romania, owns a unique collection of 16mm films and photographs documenting almost fifty years of the city’s history. His daughter, also a filmmaker, has decided to make a film about her father's archives. In the unconventional surroundings of his old apartment, he reminisces about the past until one day Ioan is informed that he must leave or be evicted from home where he has spent the past 40 years. Ioan’s years of work suddenly transform into a huge burden, and the film unexpectedly changes into drama in which conflicts with city officials reveal old and hidden conflicts within the family. "The deepest thing I learned whilst doing this film is that we are stronger than we think we are." N. Agapi 

TIMEBOX

Nora Agapi
Romania / 2018 / 69 min.
section: Between the Seas
International Premiere
Waiting room
Waiting, as a condition in which people spend a large part of their lives, is the central theme of this narrative film. The lives of seven women of various ages, who do not know each other, intersect for a brief period of time. They are linked by one place – the waiting room at the main railway station – where each one of them, in deep contemplation, is looking for something or someone different. The slow non-dramatic narration, with stiff stylised camera movements places the viewer in the role of stalker. In this film, in which the director admittedly combines elements from both fictional film and documentary practice, he worked with non-professional actresses.DETAIL:“Believe it or not, for me otherness is what is real, what is normal. I love those who are different. They are my people. My life is in God’s hands. That is how I received it, just like everyone else.”

Waiting room

Palo Korec
Slovakia / 2015 / 72 min.
section: Between the Seas
International Premiere
The End and the Means
Massage, doing the laundry, grazing water buffalo, snake charmers, street jugglers and dentists, music and dance lessons. Through his humble contemplation on various expressions of people’s devotion to their work, Paweł Wojtasik shows the web of human activities that each have their fixed place within India’s caste society. Work is not a path out of poverty or towards wealth, but a form of Hindu meditation on the roots of human activity and established working techniques and rituals. Man is a machine controlled by a higher power. This observational documentary, filmed primarily in India’s oldest city, Varanasi, focuses on the sacred Ganges River as a source of all human endeavours. „I wanted to investigate the Indian idea that work can lead to liberation rather than alienation. As a film worker myself, I learned from the people I filmed – to be present with the whole body and mind.“ P. Wojtasik

The End and the Means

Pawel Wojtasik
United States, India, France / 2018 / 99 min.
section: Between the Seas
World Premiere
PhoeniXXX
Two young Romanian women make money as models on an erotic video chat site. All while they try to lead normal family lives, get along with their parents, and raise children. This observational documentary captures exactly this - their private space. The filmmakers let them speak freely about not only their jobs, but also how they themselves see their lives. At the same time, they show how a publicly condemned profession influences people’s behavior and their view of the world. The film also presents dramatic generational differences in contemporary Romanian society in which the older generation, working in agriculture, wants their children to remain at home while the younger one seems to be moving coninously to the bigger cities, leaving behind their past. "For a good documentary you have to go out and live among your characters." M. G. Dragolea

PhoeniXXX

Mihai Gavril Dragolea
Romania / 2017 / 53 min.
section: Between the Seas
International Premiere
Sleeping souls
A Russian director puts together a mosaic or his country’s rural mentality deformed by government propaganda. The pre-election season in the Russian town of Achinsk is filled with the voices of the regime’s supporters, drowned out only by the chopping of ice on a Siberian lake. The regime’s skeptical opponents are already predicting the clear outcome. The locals’ passivity and the election commission’s unspoken stance on the clear ballot manipulation culminate in the citizens’ inability to change the situation. Putin’s emotional tears following his victory are a visual metaphor for the artificiality of the entire election process in Russia.

Sleeping souls

Alexander Rastorguev
France / 2013 / 51 min.
section: Between the Seas
East European Premiere
Lecedra
Lecedra is a small village in Bulgaria. It is also the director’ home, to which he returns after a long absence, camera in hand. A documentary about the impossibility of being an impartial observer in a place to which one is bound by emotions. Into the sometimes highly descriptive observations, there suddenly intrudes the director’s emotionally animated commentary. A small, snow-shrouded village in a post-communist country. The Eisenstein-like conflict between the old and the new (relicts of totalitarianism contrast with the achievements of capitalism) takes on sleepy contours in the wintry timelessness, far from the budding spring.

Lecedra

Jivko Darakchiev
France, Bulgaria / 2012 / 29 min.
section: Between the Seas
Central European Premiere
The Sun Sets in the East
The film depicts the year 1984/85 through the diary entries by the director’s grandfather, a Soviet peasant from Lithuania, which reflect contemporary values associated with faith in God, as well as details about daily routines and political change. Despite its historicizing base, the film is still relevant today. The formal side is made up of live images taken with static cameras that contemplate the depopulated state of the Lithuanian rural areas. The poetic documentary essay about the irreparable impact of man examines the transformation of society from rural to urban and forces the viewer to question the hectic lifestyles we lead today."The Sun Sets in the East is a sincere film that can be watched and felt by anyone, and we hope that everyone will be able to find a reflection of themselves or their family's past in it." A. Dovydaityte, A. Belinski

The Sun Sets in the East

Alexander Belinski, Agne Dovydaityte
Lithuania / 2018 / 83 min.
section: Between the Seas
World Premiere
Belonging
At the initiative of the Austrian Empress, Maria Theresa, ethnic Germans began settling in the Danube basin from the 18th century. In many Eastern European countries, they lived together with the locals up until World War II when their Germanness became a pretext for violence that only a tenth of its victims survived. This captivating journey into recent history revisits the silent trauma through a series of painful memories of witnesses who hover over the question of whether belonging to a nation means being held accountable for the acts that have been committed on its behalf. Their voices emerge from behind the visual band of witnesses to these events – houses with paint chipping off, the cold landscape, and abandoned and forgotten cemeteries.     “The question of belonging is universal – it consists of the desire to define oneself in relation to others. It is also something that we did not choose. It is a primary need, but also a fleeting, fragile, and – depending on the context – convincing idea.” T. Lukač
personal program

Belonging

Tea Lukač
Serbia / 2020 / 49 min.
section: Between the Seas
International Premiere
Antigone - How Dare We!
The classical heroine as a symbol of moral resistance against the malevolence of the state is significantly transformed in Slovenian philosopher Slavoj Žižek’s conception. His polemic interpretation of the famous myth is interspersed with acted passages from the staging of his drama The Triple Life of Antigone set in a Ljubljana housing estate. In contrast to this, there are television recordings of political cataclysms – from the division of Berlin to the birth of the Baader–Meinhof Group, from raw images of the refugee crisis to how it was discussed by the European Parliament. Against this backdrop and using Antigone, Creon and the chorus as a mouthpiece, the director asks crucial questions about the essence of law and morals in the world of broken-down democracy.   „It is a kind of political essay on European democracy today and at the same time a combination of a feature-length documentary, because I want to present the key points of Žižek's drama at the same time.” J. Sever  
personal program

Antigone - How Dare We!

Jani Sever
Slovenia / 2020 / 87 min.
section: Between the Seas
International Premiere
Steam on the River
Like the steam that silently appears and then disappears over a flowing river, the life of every human is just as fleeting, and this particularly applies in the case of artists. The transience of their fame is the main topic of this documentary, which provides a glimpse into the lives of three ageing jazzmen: trumpeter Laco Deczi, saxophonist Ľubomír Tamaškovič, and contrabass player Ján Jankeje, who fled from the Soviet-occupied Czechoslovakia to the West, where their stars shone alongside those of the world’s famous musicians. The reflective melancholy mood of the film, capturing the mist of fame just before it dissipates, is reflected in the overall relaxed, contemplative rhythm of the narrative.DETAIL:“Worldly fame – empty name... When the mist rises off the water, it exists only briefly and then disappears. The same applies to us humans. Each one of us spends some time here... and it is a bad idea to be in a hurry.”

Steam on the River

Filip Remunda, Robert Kirchhoff
Slovakia, Czech Republic / 2015 / 90 min.
section: Between the Seas
World Premiere
Ministerstvo kultury
Fond kinematografie
Creative Europe
Město Jihlava
Kraj Vysočina
Česká televize
Český rozhlas
Aktuálně.cz
Respekt