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24th Ji.hlava International Documentary Film Festival

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African Film School
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African Film School
African Film School
African Film School
African Film School

African Film School

director: Roger Horn
original title: African Film School
country: South Africa
year: 2017
running time: 5 min.

synopsis

Found 8mm home movies from safaris in South Africa and Zimbabwe in the 1960s – i.e., during the apartheid era. The filmmaker finds inspiration in Peter Kubelka’s avant-garde work Unsere Afrikareise and uses montage and editing to critically refl ect on the colonial representation of the African landscape.

“Having lived in South Africa for almost a decade, I wanted to find an abstract way to reflect on my journey as a filmmaker and highlight my concerns regarding the visual misrepresentations of Southern Africa.” R. Horn

biography

American director Roger Horn (1977) teaches film production and visual anthropology in Cape Town. In his work, he draws on more than twenty years of experience in various fields of media production. His films work with elements of visual anthropology and are made using found footage. Horn has repeatedly explored burning issues facing South Africa, such as xenophobia, migration, gender identity and sexuality.

more about film

director: Roger Horn
producer: Roger Horn
editing: Roger Horn
sound: Roger Horn

other films in the section

SYSTEM ERROR
Images of the landscape and man in it stutter, are lost behind defects, the loss of information and white noise, thus becoming a fitting metaphor for the restless region they depict. The basic building block is stone: it appears as a fortress and as hurled anger, in disintegrating images accompanied by the poetry of Israeli poet Yehuda Amichai, which was read 20 years ago when the first peace accord was signed between Israel and Palestine.“Oh, the poem of stone sadness, the poem thrown on the stones, the poem of thrown stones. Is there in this land a stone that was never thrown?”

SYSTEM ERROR

Guli Silberstein
United Kingdom / 2013 / 4 min.
section: Fascinations
World Premiere
CAMERA (Notes on Film 10)
A meditation on surveillance, dramatized by a person having panic and anxiety attacks in a white room with no doors or windows. The filmmaker reflects on the omnipresence of seemingly inconspicuous observation. The impossibility of a hidden camera’s objectivity is emphasized by reactive changes in its angle of view when the person attacks it. Austrian filmmaker and curator Norbert Pfaffenbichler (1967) is a pioneer of video art and a founding member of the VIDOK art group. His works often combine electronic music and abstract projections. Pfaffenbichler was the curator of the important group exhibition Abstraction Now at the Künstlerhaus in Vienna (2003), which worked with computergenerated sounds. Previously at Jihlava IDFF, he showed his film Intermezzo (Notes on Film 4) (2012).„Camera is a short étude on the topic of the invisible camera. it is part of my ‘notes on film-series ’ which deals with different topics from the history and theory of film.”

CAMERA (Notes on Film 10)

Norbert Pfaffenbichler
Austria / 2015 / 13 min.
section: Fascinations
Czech Premiere
Lviv Intervision
A found footage reminiscence of the beginnings of Ukrainian TV broadcast in 1957 and the first 20 years of its operations, when the first factory for manufacturing televisions began operating in Lviv, presents not only programs broadcast at that time, but also the way television transformed the household and family structures. "Despite it’s archival form, our film is not about the soviet past but today’s virtuality - a dramatic story of the the gaze and the sedation of a newly emerged TV-spectator, which continues until now." A. Onufrienko, S. Menzelevskyi, E. Parvulesco  

Lviv Intervision

Anna Onufrienko, Elias Parvulesco, Stanislav Menzelevskyi
Ukraine / 2018 / 14 min.
section: Fascinations
International Premiere
Disintegration 93-96
The personal insecurities and pent-up emotions of a Filipino immigrant to the USA give way to political ruminations and critical commentaries on the colonization of the mind by the American Dream. A montage of family movies from the title’s years presents an anatomy of family ties and a reliving of one’s own identity. “With every project I think I learn filmmaking from scratch, all over again in a new way, and I say ‘fuck that’ to whatever process I did before.” M. Reverza

Disintegration 93-96

Miko Revereza
United States, Philippines / 2017 / 5 min.
section: Fascinations
East European Premiere
Inside
Fragments of a body chiseled from darkness carve out a study of a nude female figure, sensual at specific moments, and in places disappearing into digital darkness. A lyrical treatise on intimacy and secrecy and an implicit polemic with a voyeuristic gaze create a longing for constrained completeness. "I dissect the perception and the mental state that arise while being watched, penetrated and examined and the experience of the viewer, involuntary being forced to follow the gaze of the camera." T. Kjellmark  

Inside

Tove Kjellmark
Sweden / 2018 / 10 min.
section: Fascinations
East European Premiere
The Sun Quartet, part 1: Sun Stone
The use traditional multiple exposure techniques combine with the search for formal similarities to create a lyrical work in which the outlines of rivers and plants merge together and vibrant colors alternate in a constant rhythm of overlapping and multiplication. "Colectivo Los Ingrávidos arises from the need to dismantle the audiovisual grammar that the aesthetic-television-cinematic corporativism has used to guarantee the diffusion of one audiovisual ideology." Colectivo Los Ingrávidos  

The Sun Quartet, part 1: Sun Stone

Colectivo Los Ingrávidos
Mexico / 2017 / 8 min.
section: Fascinations
East European Premiere
Garden Exercises
A tour of botanical gardens in Bilbao, Toronto and Quito, filmed on a haptic camera as part of a project for developing a camera that will record the things its owner touches. The filmmakers explore the diversity of visual identities at a time dominated by the combination of sight and sound. “The video is a part of the collaborative ‘Haptic/Visual Identities’ project investigating ‘haptic visuality’ through film via a digital DIY prototype. The work presents ‘macro images’ of a garden in a former colonial paradise.” A. Mergler

Garden Exercises

Cristian Villavicencio, Agata Mergler
Ecuador / 2017 / 7 min.
section: Fascinations
World Premiere
Not Moldova, 1937
A diary witness of the author’s journey to Moldovia, a country which her parents had been forced to leave in the 1930s due to their Jewish origin. Archival footage combined with stories of survivors recalls the exodus, war and totalitarianism, confronting images of local objects with scenes of traditional rituals.  “In my film I witnessed spaces and silently collected painful history that carved pain and suffer.” M. Piller

Not Moldova, 1937

Madi Piller
Canada, Moldova / 2019 / 13 min.
section: Fascinations
European Premiere
Once Upon a Time
A film poem in which human consciousness intertwines with the element of water. The leitmotif flowing through the entire work is memory, the eternal clash between the urge to look back and the awareness of space and time ahead. The river flooding the film not only gives it a temporythmic structure but is also a reminder of the eternal natural order.   "I made this film to reconcile with myself in the past who couldn't fully like myself for a long time. I would like to dedicate this film to all who have the same experience." Ji-Yoon Park 
personal program

Once Upon a Time

Ji-Yoon Park
South Korea, United Kingdom / 2020 / 5 min.
section: Fascinations
World Premiere
We Are Without
An unknown entity wanders through a constructed reality to the brink of nothingness - a town in the fog. The film evokes the shadows of a grainy black-and-white dystopian landscape, from which, however, we can see mere fragments, intertwined with shots of the details of male hands. Ramir’s films are characterized by his unique style, achieved through the use of special lens filters.    “We Are Without is a visual response to life, death and self-deception.” S.J. Ramir  
personal program

We Are Without

SJ. Ramir
Australia, New Zealand / 2020 / 3 min.
section: Fascinations
World Premiere
Proof of Memory
Visual memories collected during the first year after the filmmaker’s graduation from university, altered using computer graphics to create disconnected particles of overlapping scenes showing various forms of depression from burnout, relationship crises, and a lack of physical and mental strength."Feelings that are impossible to be expressed by words can be shown through a camera or a computer." Y. Kawata

Proof of Memory

Yosuke Kawata
Japan / 2017 / 10 min.
section: Fascinations
Central European Premiere
The Space Shuttle Challenger
Diary collages combine the emotions from important events such the interrogation of prisoners at Guantánamo, the Challenger disaster and the putsch in Chile with personal memories from the same points in time to create an interplay of large and small history. “I used footage of Chile’s Tancazo in my previous film. I later discovered the story behind that footage and was compelled to weave it into this film, originally intended to be a piece only about Omar Khadr.” C. Araneda

The Space Shuttle Challenger

Cecilia Araneda
Canada / 2017 / 9 min.
section: Fascinations
International Premiere
Ministerstvo kultury
Fond kinematografie
Creative Europe
Město Jihlava
Kraj Vysočina
Česká televize
Český rozhlas
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