25th Ji.hlava International Documentary Film Festival
White on White
White on White is director Viera Čákanyová’s video diary that she kept while staying at the Polish Antarctic station, where in 2017 she shot the film FREM (2019), whose main character was an artificial neural network. During her stay, the author chats with various artificial intelligences, leading conversations that touch on the nature of film, art, and the meaning of life while also revealing a way of thinking that’s free from humanity and from an emotionality that forces deep introspection. Footage from her routine, everyday life at the station contrasts with lyrical images of the immaculate Antarctic nature, which the author complements with her own commentary and thoughts provoked by the loneliness of the ice-covered landscape.
„How can you think something fundamentally inhuman? I'm making a film about artificial intelligence, but it's getting harder, more absurd. The Antarctic landscape works like a drug. Am I walking in the white darkness, looking for a sense of relief? I am matter with consciousness, far from thermodynamic equilibrium. That’s is the only thing I can report on.“ V. Čákanyová
Q&A with the director Viera Čákanyová:
biographySlovak director Viera Čákanyová (1980) studied screenwriting at the Academy of Performing Arts in Bratislava and documentary filmmaking at FAMU, where she was awarded for her student films at the FAMUFEST festival. In addition to her own work, she also devotes her time to dramaturgy and collaborates on film projects with television stations and non-profit organisations.
more about film
|photography:||Viera Čákanyová, Tomáš Klein, Dominik Jursa|