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24th Ji.hlava International Documentary Film Festival

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Dopamina
Dopamina
Dopamina
Dopamina

Dopamina

director: Natalia Imery Almario
original title: Dopamina
country: Colombia, Uruguay, Argentina
year: 2019
running time: 87 min.

synopsis

The filmmaker’s family falls into crisis when her father is diagnosed with Parkinson’s disease – a condition in which the brain stops producing dopamine, the hormone responsible for muscle movement and happiness. At the same time, Natalia is coming out to her parents, former left-wing social activists, something for which they have no understanding. In her intimate and contemplative film, the director interviews her relatives about their life stories and, through an intergenerational dialogue, tries to reach a mutual respect and family harmony that could help her sick father.

“Making films is my way of experiencing the world, the most organic form of inhabiting it that I have ever felt. Dopamine, my first feature film, was a necessity and a beautiful exorcism.” N. Imery Almario 

biography

Colombian director and artist Natalia Imery Almario (1990) studied social communication and documentary filmmaking. She makes short films and video art for art galleries. For her short film Alén (2014), which mixes reality and fiction and maps the independent music scene in the Colombian city of Cali, she received an award at the festival in Cartagena.

more about film

director: Natalia Imery Almario
cast: Ricardo Imery, Gloria Almario, Natalia Imery, Enrica Colazzo, Angela Romero
producer: Oscar Ruiz Navia
script: Natalia Imery Almario
photography: Laura Imery
editing: María Alejandra Briganti
music: Irene Rodriguez Gomez

other films in the section

Noiseless, Desert Extras
Since the dawn of cinematography, the Moroccan city of Ouarzazate has been a lively center where extras for films with an Arabic theme are found in abundance. This poetic documentary, intentionally using acknowledged staging, shows how the electrifying energy of film flows through the local population. In this “game for real”, the filmmakers deconstruct film as an imitation of life, but one that becomes more than real for the interviewed film extras. This story presents the totality of moving images from a location where you would definitely never look for it."We are concerned about ideologies and fantasies that shape singular communities. In Noiseless we decided to build pictures with the extras of Ouarzazate to reflect on cinema's illusions." G. Lepore, Maciek and Michał Madracki

Noiseless, Desert Extras

Michał Mądracki, Maciej Madracki, Gilles Lepore
Poland, France, Morocco / 2017 / 64 min.
section: First Lights
European Premiere
The Things
Nearly 10 years after the conflict in Georgia, Georgian inhabitants of the Russian-occupied territory are still living in temporary camps, waiting to return home. Their dwellings are cookie-cutter houses. They brought only the few items that they managed to grab from their homes when fleeing from the occupation army. Equally austere, almost as empty as their provisional housing, they live their lives at the mercy of waiting for what is to come. In this meditative documentary, real relics of their past lives, everyday things brought from their original homes, are the most tangible manifestations of the irreversibility of time as measured by losses. “We attempted to reflect about war experience from particular perspective, to meet persons rather than statistics, to observe rather than inquire, to contemplate about something we all share - the attachments.” Nino Gogua

The Things

Nino Gogua
Georgia / 2016 / 62 min.
section: First Lights
World Premiere
27 Times Time
Documentary filmmaker Annick Ghijzelings used her visit to Polynesia to shoot a personal meditation on the phenomenon of time. She slowed down the smooth flow of time in order to consider, in 27 short fragments, the various ways time can be represented. She does so by combining poetic narrative with images of the past and slow-motion shots of nature and local life. Gradually, she puts together a multilayered image of time that questions the boundaries between art, science, and philosophy, between advanced civilization and native cultures, and between the past, present, and future."The stories never subscribe to explanations or expert digressions. They are off-camera, barely pronounced, they are whispered in our ear like a secret between friends that beckons sharing."

27 Times Time

Annick Ghijzelings
Belgium / 2016 / 73 min.
section: First Lights
International Premiere
Like an Abortion, for the Very First Time
The Umbrella Movement was a wave of street protests that took place in Hong Kong from September to December 2014 as a reaction to oppressive practices of the Chinese government against the citizens of Hong Kong dissatisfied with planned changes in the electoral system. In her feature film debut, To Liu captured the citizens of the western part of Kowloon, Mong Kok, whose protests might not have been as visible as those of the leading activists, but were no less important. The documentary rhythmized by opening entries and darkening of the scene, much like the director’s first film, follows two characters, a master and an apprentice.„'We are the fucking losers. But at least we fought', Mongkok people." T. Liu

Like an Abortion, for the Very First Time

To Liu
Hong Kong SAR China / 2018 / 102 min.
section: First Lights
World Premiere
Connatural
This documentary, shot on black and white film, is an excruciating meditation on living close to death, which is nonetheless an inseparable part of life. Three generations of women live in one home, away from other people: an ageing mother, her two daughters, and her granddaughter. In long, slow shots, we see ordinary, regular actions that make up their day: braiding hair in the morning, cleaning the mother’s feet, reading the evening prayers. Lyrically stylized scenes depict their lives as an endless succession of moments of solitude, but which in their sequence and repetition gain strength, approaching analogy in the surrounding beautiful but inert nature.“Connatural stems from a need to express a series of emotions and thoughts related to the human condition. It delves into universal issues that are not usually represented as the experience of old age, everyday life and closeness to death.” J. Bellido

Connatural

Javier Bellido Valdivia
Peru / 2018 / 83 min.
section: First Lights
World Premiere
Helena's Law
Documentary filmmaker Petra Nesvačilová’s study of the famous “Berdych Gang” focuses on police officer Helena Kahnová, but she also interviews other actors in the case, including the accused and the convicted. The resulting film is a mosaic that says less about the case or its background than it does about the people who exist on the edge of the law, and about their thoughts and motivations. Nesvačilová herself comes into contact with the criminal underworld and becomes an actor in her own film. She must decide whether it is safe to meet certain people, which leads her to consider questions related to the essence of crime and of good and evil in general.“I thought I was shooting a portrait of a brave police woman, but in the end I found myself in places that I had always been afraid of and that I only knew from the movies. The underworld. And now I see that this underworld is all around us – sometimes very, very close.”

Helena's Law

Petra Nesvačilová
Czech Republic / 2016 / 80 min.
section: First Lights
World Premiere
God Straightens Legs
At the center of this observational documentary stands the director's mother, Renée, bedridden with an insidious disease. With respect for her mother’s devotional faith, the atheistic-minded filmmaker captures a woman who for religious reasons refused to undergo traditional chemotherapy and waits for a miracle between the walls of her bedroom . While outside the window of the woman's room life goes on day after day, the camera patiently follows the protagonist during her normal activities with which she whiles away the hours - watching TV, talking with friends, praying with a friend, meeting with nurses, as well as routinely cleaning the house."Dealing not only with the trauma of her diagnosis but also with societal reproach for her decision, I wanted to make a portrait of my mother without judgement, instead with empathy, curiosity and patience." J. Walinga

God Straightens Legs

Joële Walinga
Canada / 2018 / 67 min.
section: First Lights
International Premiere
Where the Land Ends
Québec is the largest Canadian province and the only one with the official language being only French. Modern struggles for Québec’s independence have resulted in two referendum polls which both acknowledged its being a part of Canada. The film explores Québec identity through the perspective of young people who haven’t had the chance to vote in the referendums. It comes up with questions about their relationship to their ancestors, whose traditions had been captured on camera by the documentary filmmaker Pierre Perrault, or whether their previously clear identification has begun losing ground now. In the course of a contemplative journey through the province’s cities and nature, seventeen young people provide their questions and ideas.“Where the Land Ends is a voice and a space. A voice that I realized I no longer heard, yet that I needed to hear. A space that still lived through some, but which we could no longer inhabit ourselves.” L. Darses     
personal program

Where the Land Ends

Loïc Darses
Canada / 2019 / 90 min.
section: First Lights
International Premiere
Czech Journal: Teaching War
This episode from the Czech Journal series examines how a military spirit is slowly returning to our society. Attempts to renew military training or compulsory military service and in general to prepare the nation for the next big war go hand in hand with society’s fear of the Russians, the Muslims, or whatever other “enemies”. This observational flight over the machine gun nest of Czech militarism becomes a grotesque, unsettling military parade. It can be considered not only to be a message about how easily people allow themselves to be manipulated into a state of paranoia by the media, but also a warning against the possibility that extremism will become a part of the regular school curriculum.“In order to identify the reason for which people prepare for war in the name of peace, I have started to portray the rising military spirit in a kaleidoscopic image.”

Czech Journal: Teaching War

Adéla Komrzý
Czech Republic / 2016 / 69 min.
section: First Lights
World Premiere
Savagery
Just forty years ago, the Brazilian state of Pará was covered by rainforest. Today, it is an area where the wilderness comes into harsh conflict with the savagery of the urban population. Using several segments, a team of two French documentarians compose an especially brutal poetical mythology of a place where poachers hunt snakes that are many meters long, crowds of people look on during police murder investigations, and a mother must apologize because her adolescent rapper son insulted the local police. Using a handheld camera, the filmmakers take spontaneous shots, sensitive to both the genius loci and the unaffected interviews with local inhabitants. "We went to Pará, Brazil, at the pursuit of some sort of vision of savagery. Crossing tales, ecological themes and fantastic apparitions, we try to undo this arbitrary separation between the fascination with nature and the fear of violence." J. Le Fourn

Savagery

Jonathan Le Fourn, Rèmi De Gaalon
France / 2017 / 94 min.
section: First Lights
International Premiere
Instructions for Use of Jiří Kolář
Roman Štětina returns to the subject of radio in a documentary project created in collaboration with radio director Miroslav Buriánek. In documenting Buriánek and the members of the KLAS theater ensemble as they prepare a radio adaptation of Kolář’s poetry collection Instructions for Use, Štětina tries to explore radio directing as a distinctive but hidden artistic act. Without showing the viewer the final radio production, Štětina offers us a unique chance to witness the creative process involved in creating a radio adaptation. The voiceover features commentary on the events in the studio.“Speak, create, share geometrically. No slapped on layers of lyricism. Just sorrow and yearning. And respect the rule of the right angle.” (Miroslav Buriánek)

Instructions for Use of Jiří Kolář

Roman Štětina, Miroslav Buriánek
Czech Republic / 2016 / 130 min.
section: First Lights
World Premiere
Sand and Blood
The film takes a look at the recent history of two Middle Eastern countries torn by war – Iraq and Syria – from the perspective of local residents who have made the decision to flee their homes and seek asylum in Austria. It’s made up of a montage of conversations with refugees and amateur videos and images from various social networks and online platforms depicting events in both countries. Sand and Blood links individual stories and histories which are intended to awaken a deeper interest in the topic. Instead of a political film, the director considers his work to be something like a painting or poem. „A film that forces the viewer to question the very nature of good and evil, victim and perpetrator.” M. Krepp

Sand and Blood

Matthias Krepp
Austria / 2017 / 90 min.
section: First Lights
East European Premiere
Ministerstvo kultury
Fond kinematografie
Evropská unie
Město Jihlava
Kraj Vysočina
Česká televize
Český rozhlas
Aktuálně.cz
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