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24th Ji.hlava International Documentary Film Festival

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Dopamina
Dopamina
Dopamina
Dopamina

Dopamina

director: Natalia Imery Almario
original title: Dopamina
country: Colombia, Uruguay, Argentina
year: 2019
running time: 87 min.

synopsis

The filmmaker’s family falls into crisis when her father is diagnosed with Parkinson’s disease – a condition in which the brain stops producing dopamine, the hormone responsible for muscle movement and happiness. At the same time, Natalia is coming out to her parents, former left-wing social activists, something for which they have no understanding. In her intimate and contemplative film, the director interviews her relatives about their life stories and, through an intergenerational dialogue, tries to reach a mutual respect and family harmony that could help her sick father.

“Making films is my way of experiencing the world, the most organic form of inhabiting it that I have ever felt. Dopamine, my first feature film, was a necessity and a beautiful exorcism.” N. Imery Almario 

biography

Colombian director and artist Natalia Imery Almario (1990) studied social communication and documentary filmmaking. She makes short films and video art for art galleries. For her short film Alén (2014), which mixes reality and fiction and maps the independent music scene in the Colombian city of Cali, she received an award at the festival in Cartagena.

more about film

director: Natalia Imery Almario
cast: Ricardo Imery, Gloria Almario, Natalia Imery, Enrica Colazzo, Angela Romero
producer: Oscar Ruiz Navia
script: Natalia Imery Almario
photography: Laura Imery
editing: María Alejandra Briganti
music: Irene Rodriguez Gomez

other films in the section

The Nature of Things
This documentary essay explores the inner world of Angelo Santagostino, a man suffering from ALS, which has left him unable to perform the most basic functions or to communicate without the help of a special computer. The illness has permanently imprisoned him in a wheelchair, but he has maintained a rich inner life. The film conveys Angelo’s dreams, memories, and fantasies in scenes that evoke unfettered movement beyond normal horizons, whether it’s travelling through the universe, swimming underwater, or riding rides at a theme park. The symbolic contrast between his immobile body and his boundless spirit creates a portrait of a person who has maintained admirable dignity in the face of death.„Angelo has been the longest and shortest journey of my life, for sure the most beautiful.” 

The Nature of Things

Laura Viezzoli
Italy / 2016 / 68 min.
section: First Lights
East European Premiere
On the Edge of Freedom
Moscow and Kyiv. Angela and Vlad. Two young and talented people brought together by an unusual passion for the extravagant and public conquest of forbidden parts of the city. Tall buildings, underground tunnels or freight trains are the new pastimes of a young generation yearning to get out of the rut, escape a predictable future and find fame among their peers through risky “urbex” videos. At the same time, however, the logic of social networks is turning them into a commercial phenomenon that can bring them big money – but also compel them to engage in even crazier stunts. “This is urban exploration, baby!” “This is a portrait of a new generation we rarely hear about. It is a film about the human behind an extreme phenomenon.” A. M. Hopland

On the Edge of Freedom

Anita Mathal Hopland, Jens Lengerke
Denmark / 2017 / 74 min.
section: First Lights
Central European Premiere
A house
An observational documentary that focuses on the Tentative Association, which helps young people with autism develop independence and socialization skills. Seven autistic people live in a big house and, together with their helpers, they fill their days with household tasks. Community coexistence offers a way for the inhabitants of the house to achieve their desired goals and the sharing of everyday work becomes the primary source of narrative. The film is a careful observation of life in this house. Actions and behaviors speak for themselves, giving space to the primary figures, not to those who make decisions about their lives.   "Thanks to the camera, I was able to get close to the inhabitants of the house. It acted as a kind of a screen between us, a way to avoid direct contact - which is problematic for some autistic people. When I looked at the LCD screen or directly into the optical viewfinder, I was able to really get close to them, which would be impossible with a direct gaze.” J. Auffray, FID interview
personal program

A house

Judith Auffray
France, Switzerland / 2019 / 81 min.
section: First Lights
International Premiere
Boy of War
Artiom is 18 years old and has just one wish: to go to war and fight for his homeland, Ukraine. Everything else comes second. He dresses in camouflage, watches war videos online, and in his free time practices battle scenes with his friends. Or at least they think they are battle scenes. As a child, he only sees the surface of the war. And he has the bad luck that the fighting rages so tantalizingly close. This observational documentary is a fascinating study of the cult of war in a post-Soviet setting where those who succumb to the allure of battle are the least suitable and least predisposed to fighting – a fact perfectly illustrated by Artiom’s final struggle with the reality of war."War is not about weapons, tanks or bombs. War is in the mind of the soldiers, the leaders and the crowd. It excites theirs souls, captivate their lives, strikes their imagination…before destroying them. War is a state of mind." C. Clément-Delmas

Boy of War

Cyprien Clément-Delmas, Igor Kosenko
Germany, Czech Republic / 2018 / 79 min.
section: First Lights
World Premiere
Noiseless, Desert Extras
Since the dawn of cinematography, the Moroccan city of Ouarzazate has been a lively center where extras for films with an Arabic theme are found in abundance. This poetic documentary, intentionally using acknowledged staging, shows how the electrifying energy of film flows through the local population. In this “game for real”, the filmmakers deconstruct film as an imitation of life, but one that becomes more than real for the interviewed film extras. This story presents the totality of moving images from a location where you would definitely never look for it."We are concerned about ideologies and fantasies that shape singular communities. In Noiseless we decided to build pictures with the extras of Ouarzazate to reflect on cinema's illusions." G. Lepore, Maciek and Michał Madracki

Noiseless, Desert Extras

Michał Mądracki, Maciej Madracki, Gilles Lepore
Poland, France, Morocco / 2017 / 64 min.
section: First Lights
European Premiere
Savagery
Just forty years ago, the Brazilian state of Pará was covered by rainforest. Today, it is an area where the wilderness comes into harsh conflict with the savagery of the urban population. Using several segments, a team of two French documentarians compose an especially brutal poetical mythology of a place where poachers hunt snakes that are many meters long, crowds of people look on during police murder investigations, and a mother must apologize because her adolescent rapper son insulted the local police. Using a handheld camera, the filmmakers take spontaneous shots, sensitive to both the genius loci and the unaffected interviews with local inhabitants. "We went to Pará, Brazil, at the pursuit of some sort of vision of savagery. Crossing tales, ecological themes and fantastic apparitions, we try to undo this arbitrary separation between the fascination with nature and the fear of violence." J. Le Fourn

Savagery

Jonathan Le Fourn, Rèmi De Gaalon
France / 2017 / 94 min.
section: First Lights
International Premiere
Czech Journal: Teaching War
This episode from the Czech Journal series examines how a military spirit is slowly returning to our society. Attempts to renew military training or compulsory military service and in general to prepare the nation for the next big war go hand in hand with society’s fear of the Russians, the Muslims, or whatever other “enemies”. This observational flight over the machine gun nest of Czech militarism becomes a grotesque, unsettling military parade. It can be considered not only to be a message about how easily people allow themselves to be manipulated into a state of paranoia by the media, but also a warning against the possibility that extremism will become a part of the regular school curriculum.“In order to identify the reason for which people prepare for war in the name of peace, I have started to portray the rising military spirit in a kaleidoscopic image.”

Czech Journal: Teaching War

Adéla Komrzý
Czech Republic / 2016 / 69 min.
section: First Lights
World Premiere
Connatural
This documentary, shot on black and white film, is an excruciating meditation on living close to death, which is nonetheless an inseparable part of life. Three generations of women live in one home, away from other people: an ageing mother, her two daughters, and her granddaughter. In long, slow shots, we see ordinary, regular actions that make up their day: braiding hair in the morning, cleaning the mother’s feet, reading the evening prayers. Lyrically stylized scenes depict their lives as an endless succession of moments of solitude, but which in their sequence and repetition gain strength, approaching analogy in the surrounding beautiful but inert nature.“Connatural stems from a need to express a series of emotions and thoughts related to the human condition. It delves into universal issues that are not usually represented as the experience of old age, everyday life and closeness to death.” J. Bellido

Connatural

Javier Bellido Valdivia
Peru / 2018 / 83 min.
section: First Lights
World Premiere
Slits
Physicist Catarina, dedicated to her work and teaching at university, has come close to a breakthrough discovery in her research on quantum mechanics. She discovered a so far unknown level of sound spectrum, which is to become key in new perspectives of looking at the world. This simple film with a powerful concept is not merely a story of a Brazilian female scientist, but it also offers a commentary about our (in)ability to capture reality. The rather non-traditional topic of the film corresponds with its unusual form: it consists simply of very long, seemingly static images. “To keep the possible and impossible in life in tension. To build an escape line from this journey. To create a crack in the wall that surrounds us. That is the most important reason to make films for me.” C. Segundo

Slits

Carlos Segundo
Brazil, France / 2019 / 78 min.
section: First Lights
International Premiere
Interregnum
The whole world experienced it. Empty streets. A restricted social life. Listening to news reports about increasing numbers of infected and dead. A slow return to the norm only after several months. The first people in the streets and the first stroll through the city. Because of the declared state of emergency and mandatory quarantine requirements, Fernando was stuck in Barcelona and César in Santiago. Together, they have created a penetrating film collage from their everyday impressions during the days of stagnation and uncertainty and from the letters they exchanged between March and May 2020. The leitmotif of their Covid correspondence is the desire to move about freely and a search for fixed points. One of these is a deep friendship. "Fragile and uncertain, like the era of the pandemic, the film emerges as a dialogue from the domestic, as an act of resistance that starts from the real and opens up to the possibility of reversing it" C. Souto Vilanova, F. Gómez-Luna     
personal program

Interregnum

César Souto Vilanova, Fernando Gómez-Luna
Spain / 2020 / 79 min.
section: First Lights
World Premiere
God Straightens Legs
At the center of this observational documentary stands the director's mother, Renée, bedridden with an insidious disease. With respect for her mother’s devotional faith, the atheistic-minded filmmaker captures a woman who for religious reasons refused to undergo traditional chemotherapy and waits for a miracle between the walls of her bedroom . While outside the window of the woman's room life goes on day after day, the camera patiently follows the protagonist during her normal activities with which she whiles away the hours - watching TV, talking with friends, praying with a friend, meeting with nurses, as well as routinely cleaning the house."Dealing not only with the trauma of her diagnosis but also with societal reproach for her decision, I wanted to make a portrait of my mother without judgement, instead with empathy, curiosity and patience." J. Walinga

God Straightens Legs

Joële Walinga
Canada / 2018 / 67 min.
section: First Lights
International Premiere
#3511
The film’s main topics are migration and the integration of immigrants into their new society. #3511 explores these issues through the story of an Australian soldier whose daily correspondence and diary from his time traveling during World War I are combined with a short story by J. L. Borges. His particular life story is a metaphor for contemporary questions regarding exile, memory, and integration. In terms of form, the film consists primarily of footage of an abandoned landscape and homes, accompanied by a voiceover commentary. On rare occasions, we can see the speakers’ faces. „The film began from a serendipitous coincidence : fiction and reality. 100 years later the material challenged the limits of what could be, known and reconstructed. But what if fiction were to pose reality as an enigma ?“ I.Stillwell

#3511

Isaac Stillwell
Australia, France, Belgium, Germany, Poland / 2018 / 68 min.
section: First Lights
World Premiere
Ministerstvo kultury
Fond kinematografie
Creative Europe
Město Jihlava
Kraj Vysočina
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Český rozhlas
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