24th Ji.hlava International Documentary Film Festival
Un film dramatique
director: Eric Baudelaire
original title: Un film dramatique
running time: 114 min.
synopsisFor four years, the director has been meeting up with students of a film club at Dora Maar high school in the ethnically colourful city of Saint Denis near Paris, observing how the protagonists and filmmakers-to-be were growing up, looking for their roots and identity, finding a common form of their film in making that had supposed to be really about anything in the beginning. Through showing everyday banalities, the participants were learning to work with the language of film, constantly coming back with reflections on changing formats and contents of their intended work that was meant to become a metaphor of their own place in the world.
biographyEric Baudelaire (1973) was born in Salt Lake City, but currently lives in Paris. Apart from filmmaking, he works with photography and visual arts. Ji.hlava IDFF has screened his films Also Known as Jihadi (2017) and Letters to Max (2014).
more about film
|cast:||Fatimata Sarr , Gabriel-David Pop, Alyssa David , Guy-Yanis Kodjo, Lina Ikhlef, Anida Ait Abdesselam , Ambrine Belarbi , Andres Castro Henao, Assia Chaiab , Melinda Damis , Océane El Faqir , Sabou Fofana, Gaëtan Gichtenaere, Bintou Kamate, Ibrahima Konate, Basile Leignel , Aissé Sacko , Rabyatou Saho , Mohammed Samassa, Manelle Zigh|
|producer:||Eric Baudelaire, Camille Laemlé|
|photography:||Claire Mathon, Alan Guichaoua, Raphaël Vandenbussche|
|sound:||Erwan Kerzanet, Philippe Welsh|
other films in the section
Deep inside the wild nature of Corsica, a woman leads her lonesome life, with menacing forebodings of the future passing through her dreams. She keeps entering the forest, hunting after wildlife and in the eyes of her dead pray, she can see faces of people doomed to pass away soon. The locals think about her as an insane beldam, turning away from her except for a shepherd who had already found out for himself that her gift of telling fortunes is real. A dark film filled with mysterious atmosphere lets the audience into the world of island legends, folk tales and rural superstitions. The film also makes observations on the everyday work of shepherds in the open nature, meanwhile involuntarily contemplating topics posed beyond the horizons of human understanding.
L' ULTIMU SOGNU
France / 2019 / 33 min.
The nonprofit B´Tselem organization documents the violation of human rights in Jordan’s West Bank. Thanks to the efforts of volunteers, it has collected thousands of hours of video records capturing the everyday hardships of Palestinians who are tormented by the Israeli army, the police, and even ordinary civilians. Amateurly filmed night raids and daily hardships provide a vivid narrative about injustice, helplessness and violence in the Israeli-occupied territories. The hand-held camera, which is the only weapon the volunteers use, creates a raw, aesthetically unadorned image of a world where people are deprived of their land, their privacy, a carefree childhood, and even a dignified death. “It is a story of a vulnerable life, with no political rights or the right to protest, a life on the receiving end of the project of dispossession of land and resources which is the Israeli occupation.” E. Tarabien
Of Land and Bread
Israel, Palestine / 2019 / 88 min.
“Krāslava Bridge is the first bridge over the river Daugava in the territory of Latvia — a gate for the Daugava river from Belarus to Latvia” says the opening title of the film in which a strategically built and historically significant construction holds a number of different meanings. An analytical documentary immortalised in a series of suggestive, black-and-white, static shots and sounds brings us closer to the life of the bridge in all its heaviness and lightness from various angles: through the eternally flowing river it arches over, we witness the endless movement of car traffic and pedestrians walking between two river banks as well as the call of the wild within close proximity to the manifestations of human civilisation, for which it serves as a symbolic backdrop. "The special thing about the documentary is the fact that we shot it on the leftovers of a 21-year-old 35mm negative. And it really worked. It looks great.” L. Pakalniņa
The First Bridge
Latvia / 2020 / 11 min.
Small silhouettes appear in the middle of the sights, observed from afar. They move quickly but they cannot escape the quick all-seeing eye. They are monitored all the time. Despite the apparent absence of the human element we are not watching an animated film or a computer game but authentic videos from Afghan, Iraqi and Syrian missions of American and French soldiers. The silhouettes belong to real people who are only a trigger pull away from death. This is the 21st-century warfare. Everyone who can be seen is under threat. Eléonore Weber used dehumanized images of dying for her chilling reflection of the modern form of war.
There will be no more night
France / 2020 / 75 min.
The Argentine Ministry of Justice encouraged research resulting in a thousand-page report on crimes against humanity committed during the military dictatorship in 1976–1983. The generally not very well-known content of the report can be heard from the mouth of the director who reads it in his car parked in front of twenty-five, mostly still functioning companies that used to denounce trade unionists and left-wing workers in exchange for their own profit. Illustratively brings evidence of thousands of missing people, hundreds of murders and countless cases of torture caused and links between dictatorship and capitalism. „The ruling paradigm in Argentine justice focused within the State itself, and not outside of it.“ J. Perel
Argentina / 2020 / 68 min.
On March 20, 1995, members of the Japanese Aum Shinrikyo religious cult released deadly sarin gas in five Tokyo subway stations. Twelve people died. Among the hundreds of others who suffered long-term complications was the film's director Atsushi Sakahara. After more than twenty years, he decided to find out who was behind the attacks. He managed to convince a man who is still associated with the active movement to appear in a film. Through inconsequential conversation, the filmmaker slowly gains his trust so that he can confront him about the trauma that he has caused him. An intimate debate about the banality and inconspicuousness of evil shows how long the road to truth and redemption can be. “I promised my high school classmate that I would become a respected director. But he committed suicide, and I blamed myself for not being able to stop him. For the next thirty years, I tried to keep my promise. After the sarin attack, my determination grew even stronger.” A. Sakahara
Me and the Cult Leader - A Modern Report on the Banality of Evil
Japan / 2020 / 114 min.
East European Premiere
Liberal-minded twenty-five-year-old Eva lives in Berlin, and none of the words used to describe her alternative life are entirely accurate. She is a wanderer, poet, lesbian, prostitute, virgin, housewife, drug addict, and model who decided at age fourteen that privacy was an outdated concept. Thanks to social networks, which she uses to permanently present herself to the public, we see primarily those characteristics by which she defines herself in opposition to majority society: an absolute openness in terms of showing physicality, sexuality, and drug use. Searching Eva is not just about the search for a woman whose body (and soul) have become a public spectacle; it is a multilayered film essay that explores female identity as such.
Germany / 2019 / 84 min.
East European Premiere
A sensitive portrait of Daniel Spoerri that takes viewers not only to the workroom of this versatile artist, but also to his childhood spent in Romania where his father fell victim to the Jewish pogrom. In addition to Spoerri himself, his assemblages speak to them, breathing new life into various objects. They enhance the theme of rebirth around which the director constructed her own personal, fine-tuned film. - Daniel Spoerri (1930) is a Swiss visual artist and writer born in Romania. He is famous for his snare-pictures (tableau pièges), in which he places groups of objects found in chance positions onto a plane surface so that the resulting object can be hung up like a painting.
This Movie is a Gift
Austria / 2019 / 72 min.
East European Premiere
This autobiographical film shot in the form of a diary captures the everyday life and woes of an old man with many successes under his belt and a richly lived past, but whose zest for life is slowly beginning to fade away. Jørgen Leth survived a devastating earthquake in Haiti, but his legs have not served him well since and every step he takes is an arduous task. He travels to Laos with a team of filmmakers and his adult children where he plans a project with help from the local people to capture the pristine nature of the country. During the project’s pre-production phase, he revisits the past to speak about his own life story, taking a poetic approach as he answers the burning question: is it still possible to find beauty and happiness if one is barely able to put on his own shoes? “I think that happiness, or what appears to be happiness, exists in the simple life. What some might view as cheating.” I Walk (00:58:50–00:59:01)
Denmark / 2019 / 90 min.
Three places and three moments spent with the Geneva Golden Youth. For his documentary, the director organized a workshop with students from the prestigious HEAD School of Art and Design in Geneva to get to know the young men and women who are well-accustomed to a life of luxury and who like to kill time having long discussions in the nightclub, snorting cocaine and sipping champagne. The director sees the film as a highly subjective vision, a kind of pseudo-ethnological work in which some formal elements show hints of irony. Here he acts as an amused moralist and observer trying to break into a world riddled with lavish parties, drugs and all-pervasive vanity.
France, Switzerland / 2019 / 31 min.
Catarina’s mother died when Catarina was 17 years old. Jacinto lost his mother prematurely as well. Catarina is the director of the film, Jacinto is her father, and together, they tell their family history, marked by the resistance against the fleetingness of time, in a poetic dialogue. The film combines documentary and fiction – the story of Beatriz and Henrique and how they fell in love, had a wedding and six children together. As a sailor, Henrique spent a lot of time away from home, so his wife took care of the children mostly herself. Ttheir eldest son Jacinto has been dreaming of becoming a bird since his childhood...“The question of metamorphosis is linked to the idea of how the character portraying my father in the film, transforms into me.” C. Vasconcelos
The Metamorphosis of Birds
Portugal / 2020 / 101 min.
Right from its opening line: “Not everything in this story is true”, the film can be seen as a playful application of deductive reasoning often found in crime fiction. Somewhere at a landfill site where you can allegedly get the best views of the Adriatic sea, a middle-aged man comes across a microcassette and begins to deduce who could have made such a recording and for what reason based on the cassette’s simple label description. Accompanied by an essential Balkan brass band and with the help of animation by Ivana Pipal, the man begins to piece together a caricature image of this mystery person’s life and love story, which most likely never even happened. But whatever the case may be, this story will continue to be recycled. „I think local love is a good thing, to understand your surroundings. It’s when patriotic feelings start to lead to exclusion and neighborly tensions that it becomes dangerous.“ I. Bezinović
Microcassette - The Smallest Cassette I've Ever Seen
Ivana Pipal, Igor Bezinović
Croatia, Serbia / 2020 / 19 min.