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24th Ji.hlava International Documentary Film Festival

ji-hlavadok-revuecdfEmerging producersInspiration Forum
Dunaj of Consciousness
Dunaj of Consciousness
Dunaj of Consciousness

Dunaj of Consciousness

director: David Butula
original title: Dunaj vědomí
country: Czech Republic
year: 2019
running time: 83 min.

synopsis

Members of the Brno alternative rock legend Dunaj (Danube) meet after several years, determined to forget their grievances and disagreements of the past to perform a concert in the Romanian city of Banat, where they still have a strong fan base. On the way there, they take a boat down the Danube River, whose waves and mysterious nature evokes memories of the past among the band members and reflections on their careers, helped out by a meeting with former member Iva Bittová. The poetically infused film reveals the backstage of the band and, accompanied by the captivating tones of Dunaj’s songs, paints a complex portrait of the legendary music group.

“Former members of the Dunaj band, now twenty years older, meet to find out they don’t have to do anything. They just want to let something special flourish, something created mainly by their being together. All the original pieces come together to create something compellingly impressive again.” D. Butula

biography

Documentary filmmaker, dramaturg, and musician David Butula (1976) worked as head of production in the Brno studio of Czech Television. He also worked as a councilor for culture, tourism, and sport for the Brno-center district. He organizes cultural festivals, is a member of a band, and is currently director of the South Moravian branch of Post Bellum - Memory of the Nation.

more about film

director: David Butula
producer: Jan Hubáček, Zdenka Kujová, Dušan Mulíček
photography: Stanislav Adam
editing: Hana Dvořáčková
music: Dunaj
sound: Jiří Kubík, Petr Stuhlík, Ondřej Gášek, Ladislav Mirvald

other films in the section

Two Roads
The Jedlička Institute music class currently known as The Tap Tap band was founded 21 years ago by Šimon Ornest to give people with handicaps an opportunity to succeed outside of their daily institutional care. An observing and attentive camera captured the evolution of the personalities of several of the musicians over the course of several years. The attractive energy of the film which is exceptional in its approach to its theme as it avoids the usual compassionate sentiment stems from the relationships among the musicians and between them and their band leader, the motor of the action, whose work improves the public image of people with handicaps in an unorthodox way. “Even if it was hard for me at first, I was trying to make a film in a similar way that the band members are putting up with their destinies: with no sentiment, pointless pity or political correctness involved, yet with a touch of pitch black humour.” R. Síbrt
personal program

Two Roads

Radovan Síbrt
Czech Republic / 2019 / 80 min.
section: Czech Joy
World Premiere
ALONE
Luba Skořepová has spent the past several years in solitude, struggling to stay an active theatre actress as long as she can. She invited the film crew into her home in order to shoot her daily life. Although the resulting film contains archival footage from her youth, it is definitely not a biographical film. The filmmakers focus on the present day, capturing scenes from the life of an old and solitary woman who possesses the will to live an active life but who is no longer important for others. Skořepová herself was behind the making of the film, through which she hopes to call attention to the subject of loneliness among old people.“Luba wanted to film Alone in order to call attention to the subject of loneliness among old people. I am convinced that we have succeeded.” O. Faifr

ALONE

Otakar Faifr
Czech Republic / 2017 / 63 min.
section: Czech Joy
World Premiere
FREM
The film is a reaction to the current wave of post-humanist thinking caused by the development of technology and artifi cial intelligence as well as the climate crisis. The human species is beginning to realize its insignifi cance and transience, and human identity has found itself in a crisis. The fi lm FREM attempts to refl ect this feeling and creates a dehumanized and alienated view of landscape and nature beyond human perception of reality. Incomplete thoughts and fragments of dialogue, diverse music interrupted by rushes and glitches, and the seemingly confused, unanchored camera, create a disturbing, philosophical refl ection on the limits of anthropocentric thinking. "Making this film was an extreme experience, in every aspect, not only physical, since we shot in Antarctica. I had to think un-thinkable. Leave the prison of anthropomorphism behind. Stop being human." V. Čákanyová
personal program

FREM

Viera Čákanyová
Czech Republic, Slovakia / 2019 / 73 min.
section: Czech Joy
World Premiere
Non-Parent
With her documentary study of the current form of the family, the director follows up on her earlier film Generation Singles. By looking at six different stories, she presents various views and opinions regarding partnership and parenthood – what does shared custody look like, how does a single parent raise children and how do lesbians? How do patchwork families function, how is it with adopted kids and how is it with people who have decided to never have any at all? In intimate on-camera interviews, the participants explain their decisions, however voluntary, and reflect on the causes and consequences of their (non-)functioning families or partnerships. “Changes in the concept of family are a sign of the times. Today there are many different forms of cohabitation. I am not judging whether the fact that the family is changing is good or bad. I am merely recording this trend because it affects us all.” J. Počtová

Non-Parent

Jana Počtová
Czech Republic / 2017 / 83 min.
section: Czech Joy
World Premiere
Will the World Remember Your Name?
Fetal ultrasound screening. Tourists pointing their mobiles at themselves using selfie sticks. Mannequins in store windows. People walking down the street examining their reflections in glass storefronts. Photographing models for 3D printers. A series of commonplace scenes shows us the various forms of images and depiction with which we surround ourselves, which we use to observe ourselves, understand ourselves, and also form and archive ourselves. At the same time, the question asked in the film title points out how our attention is shifting from words to images. The issue is no longer whether the world will remember our name, but whether we can imprint our image into its memory. “In the main role: The ego.” M.-M. Kochová

Will the World Remember Your Name?

Marie-Magdalena Kochová
Czech Republic / 2017 / 17 min.
section: Czech Joy
World Premiere
Enclosed World
This four-hour documentary – a compilation of Czech Television’s eponymous series – systematically charts life in prison and the associated societal circumstances. Through looking at human fates, on both sides of the bars, it explores imprisonment as something that, although often addressed in the media, is something with which most of us have no personal experience. Using the powerful stories of several individuals who are at different stages of their incarceration, the film presents not only a cross-sectional view of the current correctional system but also contemplations about guilt, punishment, justice, and whether an individual caught in the gears of a repressive system can actually remedy their behavior and change.“Enclosed world has undoubtedly been the longest, most demanding and most exhausting project I have worked on. I don’t know how many such things you can do in your life if you don’t slow down to survive. Maybe just one…” K. Žalud

Enclosed World

Karel Žalud
Czech Republic / 2018 / 229 min.
section: Czech Joy
World Premiere
Everything Has Its Own Time
Viola Ježková’s experimentally conceived film presents real time and cinematic time as something woven into one image. The image layers are often layered over one another, and the audio tracks are intermixed. This very personal documentary is a poetic exploration of memory, consciousness and future expectations as inexorably joined by reality. Filing by before our eyes (before the cinematographic gaze) are scenes from the past and images of everyday life; in the voiceover, inner voices recite fragments of long-ago dialogues between those who have left us but have not left us alone. “How to come to terms with loss? How to treat the remains? How to understand the meaning of memories? When we enter a picture, we leave the frame. We meet ideas of images. And through this encounter we gain a new image – an image for the future.” V. Ježková

Everything Has Its Own Time

Viola Ježková
Czech Republic / 2017 / 29 min.
section: Czech Joy
World Premiere
Good Mr. Benda
A sensitive portrait of grandfather Miroslav Benda, a tried and true Sokol member and an ordinary man with extraordinary vigor and ideals, revealing a story of human resilience and optimism through nostalgia and situational comedy. The film is a kind of observational documentary - it includes family videos and archival film material. We’re drawn into the microcosm of the village of Křenovice u Slavkova by two Japanese women who have decided to visit Benda, thanks to his long friendship with a university professor from Tokyo. Together with Benda, the audience travels to the only Japanese gas station in Europe, to Prague’s Strahov Stadium, and to New York to visit American Sokol members. “Old Mr. Benda fascinates me with his ability to elevate banality to a feast; he is like a Zen master who was asked about the meaning of life and said: ‘When you want to eat, eat; when you want to sleep, sleep.’” P. Jurda

Good Mr. Benda

Pavel Jurda
Czech Republic / 2018 / 76 min.
section: Czech Joy
World Premiere
Talks with TGM
Another contribution to the specific subgenre of animated history by the scriptwriter Pavel Kosatík. On 26 September 1928, Karel Čapek and President Masaryk meet in the gardens of Topolčianky castle to decide about the fate of their joint literary work. Their fiction film dialogue is based on quotes from a future book and their mutual correspondence, considerably freeing the original format of literary conversation from binding conventions. Čapek and Masaryk reproach and offend each other, but they also ask key personal questions and questions about the social functions of a writer and politician respectively.“It’s a film about two extraordinary men; it’s about the fact that emotions can be sometimes more powerful than ideas even in such exceptional people.” J. Červenka

Talks with TGM

Jakub Červenka
Czech Republic, Slovakia / 2018 / 80 min.
section: Czech Joy
World Premiere
Blind Gulliver
In Martin Ryšavý’s new film, the film medium becomes an analogue of the human mind. The artist uses it not only to organize memories, but also as a specific instrument of perception. The film features scenes from visits to Ukraine and Russia, a monologue by a Russian tarot card reader, and the director’s eye exam. Using focus, he creates parallels between the camera and the sight organ; with editing, a web of associations emerges in which personal memories intertwine with observations of public political and social events. Blind Gulliver is a film about searching for perspectives in all senses of the word.“I pass through the world with eyes wide open.”

Blind Gulliver

Martin Ryšavý
Czech Republic / 2016 / 105 min.
section: Czech Joy
World Premiere
Solos for Members of Parliament
Twenty-one politicians reply to the question of how they view the Czech Republic’s future. The survey, built on the democratic principles of equality and freedom of speech, provides the same conditions for all of the interviewees and presents their uncensored and complete responses. However, this raw materials provides more testimony regarding the present than the future, as it unmasks the faces MPs and senators present to the public and demonstrates the rhetorical means they use to expand political power. Freedom is a double-edged sword depending on whose hands hold it. The same applies to media as a tool used for disseminating propaganda as well as for undermining it.“The film shows the people behind mandates, trying to approach them on the condition that they have to approach us.  To what extent is a different form of public meetings with politicians possible? To what extent are other worlds possible?” T. Bernátková

Solos for Members of Parliament

Tereza Bernátková
Czech Republic / 2018 / 34 min.
section: Czech Joy
World Premiere
FC Roma
A chronicle of the FC Roma football club, whose members have to persuade the other - “gadjo” - teams in the third league to play against them, transforms into an excursion through the various types of everyday Czech xenophobia. The filmmakers’ inconspicuous, observational approach gives a voice to the charismatic coaches, who, with a healthy ironic worldview, comment on a society that gives them virtually no chance. The dialogue of the various protagonists is the most prominent feature of this stirring, yet hopeless sounding documentary. Racism proves to be absurd, often unintentionally comical, but often also chilling.“Hitler doesn’t belong on the playing field.”

FC Roma

Tomáš Bojar, Rozálie Kohoutová
Czech Republic / 2016 / 76 min.
section: Czech Joy
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