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24th Ji.hlava International Documentary Film Festival

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Double 8
Double 8
Double 8
Double 8

Double 8

director: Christiana Perschon
original title: Double 8
country: Austria
year: 2016
running time: 3 min.

synopsis

Christiana Perschon shot her meeting with the artist Linda Christanell, a representative of Austria’s feminist avant-garde of the 1970s, on double 8mm fi lm without cutting. When shown, the fi lm’s split image shows footage of the two women fi lming one another to create a dialogue on seeing and being seen.

“Every interaction with an image searches for its own form.  Approaching someone with my camera is not a one-way encounter but an act of getting to know each other: I see you seeing me instead of looking at you.” C. Perschon

biography

Austrian filmmaker Christiana Perschon (1978) studied at the Academy of Fine Arts in Vienna. Her films and video installations explore aging,  the past and the transient nature of memories. She repeatedly makes  use of found footage and collage. Pershon spent two years collecting interviews with the aim of preserving people’s life stories for a Vienna mediatheque, and used some of this footage in her later fi lms.

more about film

director: Christiana Perschon
producer: Christiana Perschon
photography: Linda Christanell, Christiana Perschon

other films in the section

The Space Shuttle Challenger
Diary collages combine the emotions from important events such the interrogation of prisoners at Guantánamo, the Challenger disaster and the putsch in Chile with personal memories from the same points in time to create an interplay of large and small history. “I used footage of Chile’s Tancazo in my previous film. I later discovered the story behind that footage and was compelled to weave it into this film, originally intended to be a piece only about Omar Khadr.” C. Araneda

The Space Shuttle Challenger

Cecilia Araneda
Canada / 2017 / 9 min.
section: Fascinations
International Premiere
On the way to Syracuse
A prosaic record of a trip to the beach presented as a series of captivating, abstract scenes reminiscent of moving impressionist paintings. The camera is not being used to represent reality, but rather to reimagine it. Shots of people sunbathing and horses galloping along the coast reveal a picturesque quality of everyday life not seen very often, if at all.  
personal program

On the way to Syracuse

Patrick Bokanowski
France / 2020 / 5 min.
section: Fascinations
World Premiere
Displacement
The image’s fragile cohesiveness, disturbed by digital disintegration and overlays to create a visually impressive composition, emphasizes the need to think about remediated messages on the subject of nationalism and militarism, for the filmmaker works with images of Palestinian fields being burnt by Jewish settlers and vows taken by Israeli soldiers at the Wailing Wall in Jerusalem. “My work tracks patterns in nature, landscape and human form, perceived by camera and mind, struggling to comprehend the vast intensity of the living experience of the world through electronic media.“ G. Silberstein     

Displacement

Guli Silberstein
United Kingdom / 2019 / 5 min.
section: Fascinations
World Premiere
The Sun Quartet, part 1: Sun Stone
The use traditional multiple exposure techniques combine with the search for formal similarities to create a lyrical work in which the outlines of rivers and plants merge together and vibrant colors alternate in a constant rhythm of overlapping and multiplication. "Colectivo Los Ingrávidos arises from the need to dismantle the audiovisual grammar that the aesthetic-television-cinematic corporativism has used to guarantee the diffusion of one audiovisual ideology." Colectivo Los Ingrávidos  

The Sun Quartet, part 1: Sun Stone

Colectivo Los Ingrávidos
Mexico / 2017 / 8 min.
section: Fascinations
East European Premiere
Soar
A digital miniature in which the form into which the image is deconstructed emphasizes the things we leave in our wake – trajectories of movement, actions, decisions, gestures. This guide of the traces we leave behind dissolves into a depiction of the things that remain; the simple visual approach raises the imperative of understanding the consequences of the movements of mind, body, and things. "Choreography of an imaginary journey 
Color / 7 minutes 40" P. Bokanowski

Soar

Patrick Bokanowski
France / 2018 / 8 min.
section: Fascinations
Central European Premiere
When You Awake
A scary yet funny tale about the journey to collective unconsciousness via experiments with hypnosis through a collage of found footage from instructional, documentary, and fictional films, layered with themes of personal experiences and frustrations, reflections on social stereotypes and desires, and images of wild or strange animate and inanimate nature. Jay Rosenblatt (1955), American independent filmmaker and trained psychotherapist, is the creator of over thirty films in which he examines the nature and limits of the human psyche and emotions. He has received over a hundred various awards for his work. In addition to teaching, he also organizes the San Francisco Jewish Film Festival. His films I Just Wanted To Be Somebody (2006), Four Questions for a Rabbi (2008), and I Used to Be a Filmmaker (2003) have been screened at the Jihlava IDFF.“When You Awake was a pleasure to create, and hopefully that will come across to the audience. It was a nice departure for me since it is more playful than many of my films.”

When You Awake

Jay Rosenblatt
United States / 2016 / 12 min.
section: Fascinations
Czech Premiere
abiding
A visual miniature made of a single image strip, evokes the process of wandering through the landscape through both captured images and through images made by motion of their individual parts, resourcefully putting in use optic features of film imprint in order to let the scenes disappear in the structure of the material by blurring and slurring their outlines. “I build shutterless cameras to bypass sequential frame-by-frame recording and document reality using an uninterrupted flow of light. The world appears melted together in a single image shifting in time.” U. Petronin

abiding

Ugo Petronin
Netherlands / 2019 / 5 min.
section: Fascinations
European Premiere
Twenty Nine Minutes at Sea
Other possibilities of the sea. Digital impressionism, expressed through a patient deconstruction of the image into moving colours, set to the subtle sound of a never-ceasing wind. The rocking motion, further emphasized by contemplating slowness, evokes a sense of the permanently changing waves. “It is a long and deep inner journey in our relationship with violence and memory. Digital moving images are made to maintain information stable. But we can break it. ” J. Perconte

Twenty Nine Minutes at Sea

Jacques Perconte
France / 2016 / 30 min.
section: Fascinations
World Premiere
Obatala Film
An anthology of rituals, masks, skin paintings, and other decorations, captured from up close in Ile-Ife, the legendary holy city of the Yoruba, who live primarily in southwestern Nigeria but also in some parts of Latin America and who consider the god Obatala to be the creator of Earth and of human bodies.  "I understand my cinematic practice as an inquiry into modes of experience and as a gesture of channeling. One of them could be the state of devotion and possession by spiritual and cosmic forces. " S. Wiedemann  

Obatala Film

Sebastian Wiedemann
Nigeria, Brazil, Colombia / 2019 / 7 min.
section: Fascinations
International Premiere
Beyond the Mirror Rim
A collage of reflections on various artificial and natural surfaces forms fleeting, concrete and variable abstract visual compositions, with a voiceover meditation on forms of perception related to the acquisition and deepening of knowledge, from Antiquity to today’s technical and social influences on how we perceive the world. German director, photographer, cinematographer, and university lecturer Thomas Kutschker (1963) experiments with sound, mixing recordings from social networks from around the world with excerpts from old films to explore human fear and the yearning for knowledge. The Jihlava IDFF previously showed his films Shadow Worlds (2008), Me, Myself and I in the Age of Download (2010), and Financial Locations (Global Mash Up) (2015).“Words, sounds and pictures seem to be independent, disconnected as the appearance of light, shadow and reflexion themselves... But they are woven into each other and connected following their own logical construction.”

Beyond the Mirror Rim

Thomas Kutschker
Germany / 2016 / 14 min.
section: Fascinations
World Premiere
JEAN LUC NANCY
A miniature inspired by the leading contemporary French philosopher. The fragility of examining the possibilities of uniqueness and subordination in relation to something different. Objects here do not function as symbols; a crystal pendulum and anonymous figures highlight the multitude of loopholes and fundamental non-discursiveness of expressing delicate subjectivities. "The film is about the duality of one’s search for their own individuality versus the desire to belong." A. Zwirchmayr  

JEAN LUC NANCY

Antoinette Zwirchmayr
Austria / 2018 / 5 min.
section: Fascinations
World Premiere
Filipiniana
An ironic collage offers a reflection on lords and leaders, their gestures, attributes, characteristics, and deeds. The images, which oscillate between the credibility of archival footage and the artificiality of costume dramas on cardboard stage sets, become hyperboles of the typical attributes of power and engage in, are a radically rebellious play with punk expression. Khavn de la Cruz (1973) is a Philippine filmmaker, musician, and writer, a leading figure of the younger generation of Philippine cinema. He has helped produce 47 feature-length and 112 short films, and founded MOV, an international film, music, and literary festival in Quezon City. In addition to a number of feature-length films (Kamias: Memory of Forgetting, 1999, 2006 Jihlava IDFF; Manila in the Fangs of Darkness, 2008, 2008 Jihlava IDFF), a crosssection of his short films were presented at the 2006 Jihlava IDFF in the Translucent Beings section.“To reimage, rewrite, and reread my country’s bastard history, using dismembered icons and scenographies that both affirm and negate remembered mythology.”

Filipiniana

Khavn De La Cruz
Philippines / 2015 / 13 min.
section: Fascinations
European Premiere
Ministerstvo kultury
Fond kinematografie
Creative Europe
Město Jihlava
Kraj Vysočina
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