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24th Ji.hlava International Documentary Film Festival

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Heavy Metal
Heavy Metal
Heavy Metal
Heavy Metal

Heavy Metal

director: Eugene Golovanevsky
original title: Khevi Myetal
country: Ukraine
year: 2018
running time: 47 min.

synopsis

In this documentary, we are not going to discover anything about the eponymous musical genre but instead will meet a group of workers dismantling a high-rise building made of concrete and metal. The filmmakers observe and register their labour using ingenious, visually stunning images, sometimes joined into several composition plans.

biography

Eugene Golovanevsky (1983) was born in Odessa, Ukraine. Heavy Metal is his second short film made as his diploma work at the Marina Razbezhkina and Mikhail Ugarov Academy of Documentary Film and Theatre.

more about film

director: Eugene Golovanevsky
producer: Eugene Golovanevsky
photography: Eugene Golovanevsky
editing: Eugene Golovanevsky

other films in the section

On the Moon, Luna, and Their Reflection
Indigenous religions were still practiced in Slovenia in the second half of the twentieth century. The filmmaker chose nature as the highest entity as the common denominator for their portrayal. Shots of forests and trees in variable weather conditions in different seasons are the dominant visual elements. With words and images, some rituals are presented simultaneously, returning man to places from where he came, and similarly the film also induces the mystical atmosphere of religious ceremonies. “On the Moon, Luna, and Their Reflection proved to be a springboard for me - making me believe that film in general should be much more alike to poetry.” I. Vogrinc Vidali 
personal program

On the Moon, Luna, and Their Reflection

Ivana Vogrinc Vidali
Slovenia / 2018 / 21 min.
section: Between the Seas: Student Film Competition
International Premiere
The Drop
Like other miners, Chyngyz works twenty four hours under difficult conditions of the confined space of a shaft where miners risk a lot all the time. Although they work in fear for their lives, they are grateful for the work in the mine because it allows them to feed their families. The observation camera moves from stylized pictorial compositions of a morning journey to the mine to long sequences following the movement of miners in the shaft and their routine work to show their fate in an intense and immediate composite image.“One of the heroes of this film reenacts the famous pose in film Titanic, he wants to be Jack. He sings as he asks for raindrops when the time of love comes.” E. Tashbaeva
personal program

The Drop

Elnura Tashbaeva
Kyrgyzstan / 2019 / 20 min.
section: Between the Seas: Student Film Competition
International Premiere
A Well-Kept Secret
The small Estonian village of Soonlepa is home to its last three residents – a witch, an artist, and a philologist. All their lives will change when Aino the witch is diagnosed with cancer. This melancholy film captures everyday life in an abandoned village with interviews full of memories of youth and discussions of art and poetry. 

A Well-Kept Secret

Mihkel Oksmann
Estonia / 2018 / 25 min.
section: Between the Seas: Student Film Competition
World Premiere
Mother. Gabriele. Television.
Some consider television to be just a marginal entertainment, but for others it’s an essential part of everyday life. The film follows two friends - social actresses - who entertain themselves by participating in various TV shows. Their lives seem very empty, and they can only find happiness in the TV shows. 

Mother. Gabriele. Television.

Lucia Kašová
Slovakia / 2018 / 28 min.
section: Between the Seas: Student Film Competition
World Premiere
There Will Be More Springs to Come
On average, the population of Lithuania is twice as poor as it was ten years ago. A contemplative film comprises scenes of a girl harvesting and selling strawberries during five years of economic and political changes in Lithuania. The film is about the circle of life and the market, and the influence of national economics on human existence.

There Will Be More Springs to Come

Neringa Starkevičiūtė
Lithuania / 2018 / 27 min.
section: Between the Seas: Student Film Competition
World Premiere
Daily manure
Pigeons are sitting down on the roof of a dilapidated farmhouse; a truck is dumping old bread on a pile; cattle is running around among the cars at the scrapyard; goats are grazing in the vicinity of large shipping containers... The leitmotif of the documentary is the fact that unprocessed foods are used as fertilizers and feed material for livestock, and the film shows one of the forms of agriculture in the 21st century in a series silent prose scenes. The slow pace and cyclic variation of the same stylistic parameters evokes the poetics of decline and decomposition. “In the course of four seasons, I'verecorded a place where our overproduction ends up. A cemetery where leftovers devour the leftovers.  The never ending cycle of crestion and demise.” N. Krutilová
personal program

Daily manure

Nikola Krutilová
Czech Republic / 2019 / 24 min.
section: Between the Seas: Student Film Competition
World Premiere
Windows
A man who finds it difficult to stay in one place for too long. He has moved 16 times over the past seven years, and he is moving now. As he packs his things, he observes his neighbours through the window, filming them so that he won’t forget them. The film thus consists of footage of windows in which people are moving, with the voiceover of a hidden observer. 

Windows

Akvilė Žilionytė
Lithuania / 2018 / 21 min.
section: Between the Seas: Student Film Competition
World Premiere
Hopschotch
Katya and Matvei live together in the Belarusian countryside. Then something happens that causes them to reassess their relationship. In this directorial debut – a melancholic study of the dynamic between two lovers – the intense sense of tension between the two protagonists contrasts with the calm co-existence of two friends who have come to visit. 

Hopschotch

Dasha Demura
Belarus, Russia / 2018 / 54 min.
section: Between the Seas: Student Film Competition
International Premiere
I'm 20
Sima is a 20-year-old student of history. Both her mother and her father – the latter a famous hippie and Soviet dissident known as “Jura the saboteur” – died when she was still a child. In this diary-like film, Sima, confronted with the people who knew her father, tries to find out who he was and what values he represented, and in this way to perhaps find her own place in life.

I'm 20

Ekaterina Mamontova
Russia / 2018 / 45 min.
section: Between the Seas: Student Film Competition
World Premiere
The Kids in Wonderland
Believing in God is great. The director carries out a social probe into the roots of young Charismatics in his hometown in Slovakia. Pop songs, ecstasy-like states, and modern merchandising all target youth. What do representatives of a generation think about the recent phenomenon, the Charismatic Movement? 

The Kids in Wonderland

Ema Kovalčíková
Czech Republic / 2018 / 38 min.
section: Between the Seas: Student Film Competition
World Premiere
Herding
This student-made documentary from the Kyrgyz Mountains region is a sensational viewing experience thanks to its interplay of form and content. Captured in the cinematographic style of a shaking image from a handheld camera, episodic moments such as milking goat milk and bathing in a healing spring in the middle of a pasture compose an authentic record of the life of local herdsmen, who must lead their herds to graze through the pasture despite the adversity of the elements working against them. In its clarity, the film's unkempt style, shot in the mountains above Lake Issyk-kul, allows it to reflect on nature and naturalism.   „In childhood,I helped my brother drive the horses from the village to the mountains after I had good memories,then when I studied directing at the documentary film courses i chose this topic after.“ E. Omurbekov       
personal program

Herding

Erlan Omurbekov
Kyrgyzstan / 2019 / 19 min.
section: Between the Seas: Student Film Competition
International Premiere
Boundaries
The idea and story of the film begins on a train: the recording of a message on a cell phone suddenly stops after the crossing of the state border. The real situation initiates a movement to the realm of art: the short message becomes a documentary letter, the director’s poetic meditation on the importance and ubiquity of borders – in geography, history, and cinematography. Listening to the persistent humming sound, we follow the author on her existential journey through four cities consisting of real images and footage taken by the director’s father 25 years ago that always bring us to some visible or invisible border. “In the film school I was assigned to make a video essay on ‚Boundaries in film‘ topic. I started to think of where cinema ‚ends‘ but instead I realized I should first learn where is the end of myself.” Y. Shatun     
personal program

Boundaries

Yuliya Shatun
Belarus / 2019 / 29 min.
section: Between the Seas: Student Film Competition
World Premiere
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