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24th Ji.hlava International Documentary Film Festival

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Talking About Adultery
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Talking About Adultery
Talking About Adultery
Talking About Adultery
Talking About Adultery

Talking About Adultery

director: Bára Jíchová Tyson
original title: Talking About Adultery
country: Czech Republic, United States
year: 2019
running time: 72 min.

synopsis

In open testimonies by husbands, wives, and lovers, this highly stylized introspective fi m presents different forms of marriage and searches for the meaning of this institution in our post-consumerist society. Through a visually dominant text conversation between the central couple R. and B., the viewer gradually begins to identify with the stories of anonymous heroes who balance fulfillment of love and sexuality in relationships, cope with their frustration, or describe the rediscovered value of marriage. Metaphors and collages reflect the filmmaker’s perspective, and ultimately a surprising twist of life connected to the filming.

“Infidelity is actually a boring topic, yet it can be quite telling about one.” B. Jíchová Tyson

biography

Bára Jíchová Tyson is a Czech artist and documentary filmmaker who has lived in the United States since 2002, where she studied filmmaking at the Massachusetts College of Art and Design. Her short film The Hatch House made the rounds of the American festival circuit in 2016.

more about film

director: Bára Jíchová Tyson
producer: Emily Miller, Bára Jíchová Tyson, Richard Tyson
script: Bára Jíchová Tyson
photography: Benjamin Jicha, Bára Jíchová Tyson
editing: Bára Jíchová Tyson, David Barker, Alyse Ardell Spiegel
music: Brian Saia, BAZEL
sound: Jun Mizumachi

other films in the section

Never Happened
“The deed did not occur,” proclaimed Vladimir Mečiar in 1996 on the murder of businessman Róbert Remiáš, which likely had a political motive and with which the Prime Minister himself was likely involved. His infamous dictum is an attempt to negate a documentary that combines an investigative approach with original filmmaking. The director builds her film on interviews with key players in the Remiáš case but does not limit herself to an austere presentation of facts. Alternating different film formats, from black and white film to VHS, she evokes a period of crime and highlights the central theme of confrontation with the past. “I wanted to make a poetic political film. Engagé art should not give up on the style.” B. Berezňáková  
personal program

Never Happened

Barbora Berezňáková
Slovakia, Czech Republic / 2019 / 82 min.
section: Czech Joy
Czech Premiere
Life and Death in Tanvald - director’s cut
The town of Tanvald as a symbol for identifying current society-wide attitudes. The death of a young Roma spurs the filmmakers’ investigation into the incident’s true course of events. The mysteries of the country’s creeping xenophobia provide a key to understanding anti-Roma attitudes. Over the course of a year, we witness the transforming landscape of Czech nationalism and the social tectonics of the racial conflict of a twisted society. The self-analytical look at the schism between the two filmmakers provides a welcome debate on the ethical integrity of the documentary filmmaker. The filmmaker’s approach comes close to desecrating the sanctity of childhood innocence.

Life and Death in Tanvald - director’s cut

Vít Klusák, Filip Remunda
Czech Republic / 2013 / 57 min.
section: Czech Joy
World Premiere
I Want You If You Dare
Single mother Martina raised twin girls, one of whom was born blind and the other with polio, leaving her disabled. Both children are now adults, and disabled Jana would love to leave her mother and live on her own in institutional living. And she would also like to experience sex, perhaps with a paid assistant. The documentary offers a brutally unsentimental view into the life of an impoverished rural family with two permanently disabled members. It delicately captures both everyday and exceptional situations, focusing mainly on the personal, emotional and relationship problems between the protagonists.  „The harder the fates I make films about, the more I appreciate when my heroes can laugh at them. And when I can make the audience laugh well, I am happy.” D. Smržová
personal program

I Want You If You Dare

Dagmar Smržová
Czech Republic / 2019 / 84 min.
section: Czech Joy
World Premiere
Is Everyone Right? Karel Floss and the Others.
A multi-portrait of the history of post-1989 Czech ideas and sensibilities, centered around left-wing Christian philosopher Karel Floss. Circling his ideas on God, truth, and politics like satellites are statements by strongly antithetical individuals including Milan Knížák, Ondřej Slačálek, Noam Chomsky, and Czech nationalist thinkers. Working with a subtle sense of irony, the film is openly inspired by the style of Karel Vachek as it makes use of semantic counterpoints, situational humor and aloof formal elements. The result is a kind of audiovisual riverbed for channeling the fury of a nation that recalls a child that is just learning to think and does not know what to relate to first, because in a certain sense, basically “everyone is right”.DETAIL:“That means that truth unifies, but it unifies without asking us to give up on differences. And so we fling ourselves into the trap of dogmatism – any position is dogmatic if it claims that if there exist truths, then these truths will not accept any differences.”

Is Everyone Right? Karel Floss and the Others.

Helena Všetečková
Czech Republic / 2015 / 124 min.
section: Czech Joy
World Premiere
#sandrainuganda
A Czech NGO invited Sandra Kisić, a twenty-six-year old influencer of Bosnian origin, to come to Uganda. She spent ten days in and about the town of Kabala. Besides the local citizens, she was accompanied by a Dutch volunteer who already was on her umpteenth mission. Sandra, on the other hand, saw poverty and technological backwardness for the first time in reality, not just on her cell phone that she practically did not put down. The director captures the clash of seemingly remote, yet equivalent worlds facing up global challenges as an impartial observer to emphasize numerous tragicomic paradoxes. “Instant soup can warm you up, but it won’t give you strength. We can look at Instagram in a similar way, or we can use it as a medium that can present the ‘old school documentary film’ to the younger audience.” F. Remunda
personal program

#sandrainuganda

Filip Remunda
Czech Republic / 2019 / 70 min.
section: Czech Joy
World Premiere
Blind Gulliver
In Martin Ryšavý’s new film, the film medium becomes an analogue of the human mind. The artist uses it not only to organize memories, but also as a specific instrument of perception. The film features scenes from visits to Ukraine and Russia, a monologue by a Russian tarot card reader, and the director’s eye exam. Using focus, he creates parallels between the camera and the sight organ; with editing, a web of associations emerges in which personal memories intertwine with observations of public political and social events. Blind Gulliver is a film about searching for perspectives in all senses of the word.“I pass through the world with eyes wide open.”

Blind Gulliver

Martin Ryšavý
Czech Republic / 2016 / 105 min.
section: Czech Joy
World Premiere
Normal Autistic Film
Children with autism don’t suffer from an incurable disease. They suffer because they are neurodiverse in a world set up for neurotypicals. With that perspective, Miroslav Janek embarks on a series of live meetings with a number of children and young adults who have been diagnosed with Asperger’s syndrome. He gives them the opportunity to express freely their relationship with the world and with themselves, as well as what sets them apart from “normal”. We find that he’s brought us into the company of fun, fascinating people who often suffer because they are labelled as “disabled”. This excursion into the world of autism redefines the seemingly firm boundaries between “otherness” and normality.“Now let’s talk about Asperger syndrome. What Asperger’s knows how to do. The standard form of Asperger’s syndrome, the milder version, which is what I have, is able to find friends. But the more severe version can’t. He has no friends.”

Normal Autistic Film

Miroslav Janek
Czech Republic / 2016 / 90 min.
section: Czech Joy
Central Bus Station
Only recently, Tel Aviv’s Central Bus Station was still the largest in the world. But this oversized space only serves more than its original purpose to bring in masses of people who, confused by its complicated interior design, succumb to shopping fever. Over time this concrete monster, which won’t be easy to tear down, has become a temporary refuge for people on the margins of society – refugees, criminals, prostitutes. Like its main protagonist, the tourist guide Yonatan, the film’s director is fascinated by one of the wonders of the world of redundancy and the microcosm of the people who live here.“To me, the Central Bus Station is not only a strange place, but also a place where everyone can find a kind of home.” T. Elšík

Central Bus Station

Tomáš Elšík
Czech Republic / 2018 / 75 min.
section: Czech Joy
East European Premiere
White-Black Film
A film object with several variations on the meaning of the word “image” – be it a film image, a primitive painting, or an idea. Using for the most part static shots of Australian nature, the film looks the continent’s aboriginal inhabitants, their troubled history under white colonial rule, and their unique relationship to art. The history of the aborigines since the arrival of white colonialists is usually divided into three periods: the “time of killing”, the “time of farming”, and the “time of alcohol”. First they were murdered by the colonisers, then they slaved away on their farms, and then they got alcohol.

White-Black Film

Vladimír Turner
Czech Republic / 2013 / 30 min.
section: Czech Joy
World Premiere
Will the World Remember Your Name?
Fetal ultrasound screening. Tourists pointing their mobiles at themselves using selfie sticks. Mannequins in store windows. People walking down the street examining their reflections in glass storefronts. Photographing models for 3D printers. A series of commonplace scenes shows us the various forms of images and depiction with which we surround ourselves, which we use to observe ourselves, understand ourselves, and also form and archive ourselves. At the same time, the question asked in the film title points out how our attention is shifting from words to images. The issue is no longer whether the world will remember our name, but whether we can imprint our image into its memory. “In the main role: The ego.” M.-M. Kochová

Will the World Remember Your Name?

Marie-Magdalena Kochová
Czech Republic / 2017 / 17 min.
section: Czech Joy
World Premiere
Techsquat
The new form of community living called techsquat is open to all creatives, entrepreneurs and managers who want to share their personal and working space-time with similar-minded people. Five young people living together in a Prague apartment like to think of techsquatting as a progressive and stimulating lifestyle. The filmmakers follow their daily lives as they test the viability of this idea. Their observational approach based on long static shots does not prevent them from engaging in a bit of sarcasm – as hinted at in their choice and ordering of scenes and fully revealed at the film’s end.DETAIL:“Quality – it’s basically an attribute of things, like how we spend our time or something that works well. I think that people can be of good quality, too, and I firmly hope that there are a lot of quality people here.”

Techsquat

Tereza Bernátková
Czech Republic / 2015 / 36 min.
section: Czech Joy
World Premiere
Incoming
It’s 4903 km to the Czech town of Aš, but in Logar, Afghanistan, the main distance that the Czech team is trying to overcome is cultural. Talking heads ponder how to pass on know-how in a country wracked by 30 years of war, but more than once a siren tears the filmmakers and main protagonists back to reality, and there follows a far more dynamic spectacle. “Every day, we travel to hell. We put on vests and ballistic eyewear. We look like robots. We step out of those enormous vehicles like aliens.” In such a situation, taking off your helmet is an act of courage and humanity.

Incoming

Radim Špaček
Czech Republic / 2013 / 70 min.
section: Czech Joy
World Premiere
Ministerstvo kultury
Fond kinematografie
Evropská unie
Město Jihlava
Kraj Vysočina
Česká televize
Český rozhlas
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