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23rd Ji.hlava International Documentary Film Festival

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Talks with TGM

director: Jakub Červenka
original title: Hovory s TGM
country: Czech Republic, Slovakia
year: 2018
running time: 80 min.

synopsis

Another contribution to the specific subgenre of animated history by the scriptwriter Pavel Kosatík. On 26 September 1928, Karel Čapek and President Masaryk meet in the gardens of Topolčianky castle to decide about the fate of their joint literary work. Their fiction film dialogue is based on quotes from a future book and their mutual correspondence, considerably freeing the original format of literary conversation from binding conventions. Čapek and Masaryk reproach and offend each other, but they also ask key personal questions and questions about the social functions of a writer and politician respectively.

“It’s a film about two extraordinary men; it’s about the fact that emotions can be sometimes more powerful than ideas even in such exceptional people.” J. Červenka

biography

Jakub Červenka (1983) has been a film producer until now. He worked on TV documentaries such as We Are Not Angels, We’re Just Doing Their Work (2006), ROM. ID (2010), The Infant Jesus of Prague (2011), and produced the puppet film The Little Man (2015). He also works in advertising and makes video clips, mostly for hip-hop artists such as Supercrooo and Moja reč.

more about film

director: Jakub Červenka
hrají: Martin Huba, Jan Budař
producer: Jakub Červenka, Petr Kratochvíl
script: Pavel Kosatík
editing: Martin Palouš
sound: Josef Mašek

other films in the section

De Sancto Ambrosio
The opening ten-minute sequence of the film raises a question whether something is about to happen or not. Nothing much is going to happen, though. Workers are working at a building site, kids are playing, tourists are sightseeing, a wedding and a funeral are in progress, followed by images of empty streets and perspectives of building rooftops – in brief, a microcosm. The film shows the town from a totally different perspective, laying out fragments of life of seemingly totally uninteresting people who simply go about their existence. The camera is set in motion without the passersby even noticing since it has been put in a strategic elevated spot. The whole movie consists purely of bird’s-eye view shots."I always had a fascination to go up the building's rooftops to contemplate the city. Spending one year on a medieval bell tower was like being in a time machine which made time into something tangible." A. Di Bias
personal program

De Sancto Ambrosio

Antonio Di Biase
Italy / 2018 / 50 min.
section: Opus Bonum
World Premiere
Albertine Gone
This updating of the sixth part of In Search of Lost Time explores the current identity of Proust’s book. Through a staged docu-fictions with elements of performance art, the filmmaker strips the text, quoted by an employee of a fire station, of its period references, thus giving it new attributes. Since 1993, Véronique Aubouy has been filming people reading various parts of Proust’s masterpiece of literature. The planned date of completion for her monumental project, which sees the protagonist as an object in a cinematic landscape and the book as a signpost of various interpretations, is in 2050."Since my discovery of Proust’s Recherche I'm convinced  that this book is an expression of the Here and now. When I met Jean, fireman, nurse anaesthetist who had read la Recherche during his night guards, the film was there, here and now." V. Aubouy
personal program

Albertine Gone

Véronique Aubouy
France / 2018 / 34 min.
section: Opus Bonum
International Premiere
Attention Economy: 39 Minutes After the Presidential Election
Petr Salaba’s film is a mosaic of videos that use different perspectives to record the actors and witnesses of the incident widely discussed in the media and related to re-electing Miloš Zeman the President of the Czech Republic at the end of January 2018. The film image, divided into several frames with parallel events, is a voyeuristic view of the exacerbated situation that occurred shortly after Zeman’s press conference at the congress Top Hotel in Prague. The journalists and film documentarists present at the press conference got into conflict with Zeman’s aggressive supporters after a man collapsed in the lounge. “We have to find the positive Nash equilibrium. wikipedia.org/wiki/Nash_equilibrium” P. Salaba
personal program

Attention Economy: 39 Minutes After the Presidential Election

Petr Salaba
Czech Republic / 2018 / 8 min.
section: Czech Joy
World Premiere
Notes from Unknown Maladies
A minimalist observational portrait of 94-year-old Concepcion presents the life of a person suffering with mental illness for fifty years. After a nervous breakdown, the filmmaker’s grandmother decided to isolate from the rest of the world and deal with the disease itself. In her solitude she is haunted with random memories, hallucinations, and gradually begins to face loss of memory and intellect. A black-and-white film steeped in a melancholic mood sensitively captures the themes of old age, disease and human loneliness. The slow pace and limited dialogue helps the viewer to transcend the world of a suffering single woman in a discreet and highly suggestive manner. "Dear Grandma, If you will see me lost in the unknown one day, please remind me about the suffering and memory of our nation. Only history and truth can save my fragile heart." L. P. Dela Cruz
personal program

Notes from Unknown Maladies

Liryc Dela Cruz
Philippines / 2017 / 62 min.
section: Opus Bonum
European Premiere
We Can Do Better
As the personal advisor to presidential candidate Michal Horáček, documentary filmmaker Robin Kvapil recorded from behind the scenes of the campaign from autumn 2016. He filmed using anything he could get his hands on - camera, mobile phone, notebook computer. The film, co-directed by Radim Procházka, was an attempt to capture an authentic portrait of Horáček’s election campaign, presenting his team’s tactics, interactions with both supporters and opponents, with journalists, and with opposing candidates. With an awareness that they had most likely lost the election, but that there was still a long path ahead of them, Kvapil presented a reflection of their teamwork, commenting on their individual steps.„Documentarist as a presidential campaign adviser. ‚Nothing‘ and ‚I don‘t know‘ can not win over lies and hatred. The truth scares.“ R. Kvapil „Hustler, Trasher, Zjeman and Troll in the film about the backstage of democracy.“ R. Procházka
personal program

We Can Do Better

Robin Kvapil, Radim Procházka
Czech Republic / 2018 / 74 min.
section: Czech Joy
World Premiere
Vratislav Effenberger or Black Shark Hunting
In the spirit of this master of poetics, David Jařab approaches his portrait of leading Czech postwar surrealist Vratislav Effenberger as a game. He invited members of the local surrealist group to talk about Effenberger in places where he stages absurd encounters and interrelationships. The main theme is Effenberger’s unrealized (unrealizable) screenplays, which the filmmakers attempt to enact during the film. This surrealistic hunt for Effenberger’s imagination is capped by an interview with his son full of ambivalent personal memories. “Effenberger’s work with absurd humour and the principle of game enabled him to subversively attack the outer and inner realities of everyday life. This vision is close to mine and to the vision of my film.” D. Jařab
personal program

Vratislav Effenberger or Black Shark Hunting

David Jařab
Czech Republic / 2018 / 84 min.
section: Czech Joy
World Premiere
Things We Do Not Say
A video diary by a young Iranian actress, intended for her boyfriend living in exile. A lament of dashed hopes from the contested 2009 presidential elections, which were followed by the largest protests since the Islamic revolution. The filmmaker stages a parallel eight-year-old reality – the pre-election ecstasy is framed by an incomplete rehearsal of Macbeth. We relive situations that cannot be changed and that deeply resonate with the motif of coming to terms with reality. The actor’s hopeless gesture is balanced by a call for resisting totalitarianism and by an homage to the victims of the autocratic regime. The feverish atmosphere of the elections is muffled by the skepticism of the main protagonists – they, too, were once young and naive."Is there a void from which the sense emerges? Can we fill the emptiness by a reality, our own reality? The images that we remember, are they the same images, or reflections of those images?" A. Razi
personal program

Things We Do Not Say

Ali Razi
France, Iran / 2018 / 52 min.
section: Opus Bonum
World Premiere
Central Bus Station
Only recently, Tel Aviv’s Central Bus Station was still the largest in the world. But this oversized space only serves more than its original purpose to bring in masses of people who, confused by its complicated interior design, succumb to shopping fever. Over time this concrete monster, which won’t be easy to tear down, has become a temporary refuge for people on the margins of society – refugees, criminals, prostitutes. Like its main protagonist, the tourist guide Yonatan, the film’s director is fascinated by one of the wonders of the world of redundancy and the microcosm of the people who live here.“To me, the Central Bus Station is not only a strange place, but also a place where everyone can find a kind of home.” T. Elšík
personal program

Central Bus Station

Tomáš Elšík
Czech Republic / 2018 / 75 min.
section: Czech Joy
East European Premiere
Illusion
In her original concept of a film as a computer game, the author presents her personal report from Budapest where she was spent a year as a student. The viewers take part in a game, going through several levels that put them into everyday situations related to the issues of the contemporary Hungarian society: they see the capital with the eyes of tourists, but they are mostly forced to use the subjective perspective of the Hungarians to think about the freedom of art, the right to education, medical care, and the questionable Hungarian political situation in general where the name of the Hungarian Prime Minister, Viktor Orban, is often heard again and again.“The most demanding part of this film was to fight my own paranoia and the standardized thinking constantly produced by my characters and the system I made the film about.” K. Turečková
personal program

Illusion

Kateřina Turečková
Czech Republic / 2018 / 52 min.
section: Czech Joy
World Premiere
Until Porn Do Us Part
Eulália, a religious and conservative sixty-something woman, must come to terms with a difficult period in her life. Her son has emigrated to Germany, where is a gay porn star. Eulália spends ever more time on Facebook scanning his profile and writing long, mostly unread messages. This dramatically structured observational documentary touches on a number of contemporary issues, including the crisis of the traditional family, how social networks are changing interpersonal relationships, and society’s views of homosexuality and pornography. An unobtrusive look at the LGBT community, humility, and the strength of motherly love."God heard my prayers / He gave me a lovely son / I'll never trade him for anything / Not even for the biggest treasures / Even if I have to spend / My whole life suffering..." J. Pelicano
personal program

Until Porn Do Us Part

Jorge Pelicano
Portugal / 2018 / 90 min.
section: Opus Bonum
World Premiere
Enclosed World
This four-hour documentary – a compilation of Czech Television’s eponymous series – systematically charts life in prison and the associated societal circumstances. Through looking at human fates, on both sides of the bars, it explores imprisonment as something that, although often addressed in the media, is something with which most of us have no personal experience. Using the powerful stories of several individuals who are at different stages of their incarceration, the film presents not only a cross-sectional view of the current correctional system but also contemplations about guilt, punishment, justice, and whether an individual caught in the gears of a repressive system can actually remedy their behavior and change.“Enclosed world has undoubtedly been the longest, most demanding and most exhausting project I have worked on. I don’t know how many such things you can do in your life if you don’t slow down to survive. Maybe just one…” K. Žalud
personal program

Enclosed World

Karel Žalud
Czech Republic / 2018 / 229 min.
section: Czech Joy
World Premiere
Good Mr. Benda
A sensitive portrait of grandfather Miroslav Benda, a tried and true Sokol member and an ordinary man with extraordinary vigor and ideals, revealing a story of human resilience and optimism through nostalgia and situational comedy. The film is a kind of observational documentary - it includes family videos and archival film material. We’re drawn into the microcosm of the village of Křenovice u Slavkova by two Japanese women who have decided to visit Benda, thanks to his long friendship with a university professor from Tokyo. Together with Benda, the audience travels to the only Japanese gas station in Europe, to Prague’s Strahov Stadium, and to New York to visit American Sokol members. “Old Mr. Benda fascinates me with his ability to elevate banality to a feast; he is like a Zen master who was asked about the meaning of life and said: ‘When you want to eat, eat; when you want to sleep, sleep.’” P. Jurda
personal program

Good Mr. Benda

Pavel Jurda
Czech Republic / 2018 / 76 min.
section: Czech Joy
World Premiere
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