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24th Ji.hlava International Documentary Film Festival

ji-hlavadok-revuecdfEmerging producersInspiration Forum
Talks with TGM
play
Talks with TGM
Talks with TGM
Talks with TGM
Talks with TGM
Talks with TGM
Talks with TGM
Talks with TGM

Talks with TGM

director: Jakub Červenka
original title: Hovory s TGM
country: Czech Republic, Slovakia
year: 2018
running time: 80 min.

synopsis

Another contribution to the specific subgenre of animated history by the scriptwriter Pavel Kosatík. On 26 September 1928, Karel Čapek and President Masaryk meet in the gardens of Topolčianky castle to decide about the fate of their joint literary work. Their fiction film dialogue is based on quotes from a future book and their mutual correspondence, considerably freeing the original format of literary conversation from binding conventions. Čapek and Masaryk reproach and offend each other, but they also ask key personal questions and questions about the social functions of a writer and politician respectively.

“It’s a film about two extraordinary men; it’s about the fact that emotions can be sometimes more powerful than ideas even in such exceptional people.” J. Červenka

biography

Jakub Červenka (1983) has been a film producer until now. He worked on TV documentaries such as We Are Not Angels, We’re Just Doing Their Work (2006), ROM. ID (2010), The Infant Jesus of Prague (2011), and produced the puppet film The Little Man (2015). He also works in advertising and makes video clips, mostly for hip-hop artists such as Supercrooo and Moja reč.

more about film

director: Jakub Červenka
cast: Martin Huba, Jan Budař
producer: Jakub Červenka, Petr Kratochvíl
script: Pavel Kosatík
editing: Martin Palouš
sound: Josef Mašek

other films in the section

Western, Family and Communism
The first shots of the film show Parisians demonstrating and protesting, interspersed with shouted political slogans of Iranian activists. While the situation is very heated in Paris, calmness reigns in Iran. A French family is traveling here in a caravan and getting to know the country. The father films footage of their journey including his wife and daughter. The first third of the film suggests that the issue is a national one, namely that of the Iranian citizens, while the remaining two-thirds shows, however, the French on holiday. From a formal point of view, the film comprises interesting shots taken with a handheld camera, as well highly-overexposed, almost white, shots and double exposures. „Perhaps politics is the multiple of experiments and inventions in an equation with two unknowns: ‚I‘ and ‚we‘. Rather than solve it, once and for all, it would be a matter of keeping trying. Once again. (Precarious springs of the peoples, Maria Kakogianni, 2017)“ L. Krief

Western, Family and Communism

Laurent Krief
France / 2018 / 83 min.
section: Opus Bonum
International Premiere
FREM
The film is a reaction to the current wave of post-humanist thinking caused by the development of technology and artifi cial intelligence as well as the climate crisis. The human species is beginning to realize its insignifi cance and transience, and human identity has found itself in a crisis. The fi lm FREM attempts to refl ect this feeling and creates a dehumanized and alienated view of landscape and nature beyond human perception of reality. Incomplete thoughts and fragments of dialogue, diverse music interrupted by rushes and glitches, and the seemingly confused, unanchored camera, create a disturbing, philosophical refl ection on the limits of anthropocentric thinking. "Making this film was an extreme experience, in every aspect, not only physical, since we shot in Antarctica. I had to think un-thinkable. Leave the prison of anthropomorphism behind. Stop being human." V. Čákanyová
personal program

FREM

Viera Čákanyová
Czech Republic, Slovakia / 2019 / 73 min.
section: Czech Joy
World Premiere
At home, walking
This poetic documentary about pilgrims is adapted to the rhythm of their walking. It serves as an act of liberation and knowledge, returning man as well as meditation to the present moment. During the annual pilgrimage through the Deccan Plateau, the differences between the sexes, different religions and castes become blurred. They are all aiming for the same goal. One of the many millions of pilgrims is the author herself, describing her impressions on a journey across the country and her journey in finding herself. Conceptualized as a personal diary, the film also calls for deceleration in an overly technological and fast-paced world.
personal program

At home, walking

Rajula Shah
India / 2019 / 114 min.
section: Opus Bonum
European Premiere
ALONE
Luba Skořepová has spent the past several years in solitude, struggling to stay an active theatre actress as long as she can. She invited the film crew into her home in order to shoot her daily life. Although the resulting film contains archival footage from her youth, it is definitely not a biographical film. The filmmakers focus on the present day, capturing scenes from the life of an old and solitary woman who possesses the will to live an active life but who is no longer important for others. Skořepová herself was behind the making of the film, through which she hopes to call attention to the subject of loneliness among old people.“Luba wanted to film Alone in order to call attention to the subject of loneliness among old people. I am convinced that we have succeeded.” O. Faifr

ALONE

Otakar Faifr
Czech Republic / 2017 / 63 min.
section: Czech Joy
World Premiere
Skokan
Director Petr Václav calls Skokan a documentary film with fairy-tale aspects, mainly because of its emphasis on authenticity in telling the fictional tale of a Romani recidivist in search of career opportunities at the Cannes film festival. The main character is played a by real ex-con, Julius Oračko, whom the filmmakers got out of prison on parole shortly before the start of filming. The film was shot with just a rough script, which was fine-tuned on the set. The scenes from Cannes were shot during the festival. The ending, which recalls the liberation of an enchanted princess, again feels like a fairy tale.“We improvised most of the scenes during filming – we used the places we were able to get into and the light that was available. Above all, I tried to capture the experiences of the main character,” P. Václav

Skokan

Petr Václav
Czech Republic, France / 2017 / 93 min.
section: Opus Bonum, Czech Joy
World Premiere
Taego Ãwa
Tutawa Tuagaek, the ageing leader of the Ãwa, a Brazilian indigenous tribe, is one of the last survivors of the 1973 massacre of Indians in the Amazon jungle. This team of filmmaker-ethnographers records his everyday life in the company of young followers, to whom he is trying to pass on his experiences. The Indian community’s everyday rituals are contrasted with found photographs and video clips that offer rare evidence of the atrocities that Tutawa recounts. Different epochs and visual formats create a continuum that reveals the traumatic history of an oppressed people who have managed to survive despite all odds."The imagination is not only mediator between understanding and sensibility, it has its own dynamism, scheme free, organized bodies, constituted individuals, fixed identities, consolidated psyches."

Taego Ãwa

Henrique Borela, Marcela Borela
Brazil / 2016 / 75 min.
section: Opus Bonum
East European Premiere
Once More unto the Breach
Because of his Russian origins, Italian soldier Romano Isman is called to the front to act as a military interrogator and translator for the fascist bigwigs and the local population. Isman’s narrative mixes a detailed description of the horrors of war and historical testimony with a lyrical disillusioned contemplation on the insignifi cance of the individual in the midst of war. The filmmaker creates a contrast between historicized illustrative images accompanying the narration of the protagonist and images of modern Ukraine and Russia, which to this day are still dealing with the despair and frustration caused by the events of the twentieth century. “Il varco combines found footage of different origins. it's a fictional story populated by presences: ghosts wandering in the Ukrainian steppe, echoes of bloody pasts, and wars still being fought today.” M. Manzolini, F. Ferrone
personal program

Once More unto the Breach

Michele Manzolini, Federico Ferrone
Italy / 2019 / 70 min.
section: Opus Bonum
International Premiere
Dying for Beginners / The Key of Silence
The joint title Dying for beginners brings together two short films that the directors shot together “in hospices, maternity wards, trains, and elsewhere.” They are based on interviews with the same protagonists and about similar subjects, but always as seen from a different angle. The first film, Marek Bouda’s The key of silence explores music and its relationship to old age and death. For instance, it asks what music we can hear in heaven or what music to play after our passing. In Dying for beginners, Bára Kopecká looks at the taboo subject of death in crematoria, among the dying, or in the maternity ward. “I was interested primarily in how music is reflected in the face of the listener when he is moved by it. And silence – the counterpoint to music, a pause in the composition, the end of life... the silence that remains after we are gone...” B. Kopecká

Dying for Beginners / The Key of Silence

Marek Bouda, Bára Kopecká
Czech Republic / 2017 / 58 min.
section: Czech Joy
World Premiere
Heidegger in Auschwitz
Czech Joy - Out of competitionThe German philosopher Martin Heidegger, one of the most important thinkers of the 20th century, goes on a tour of Auschwitz forty years after his death. He takes 2,500 photographs during his visit. On his way back, he visits Prague and his attention is caught by the tail end of a marathon, which conspicuously reminds him of a funeral. The following winter, his Jewish lover and another of the most important thinkers of the 20th century, Hannah Arendt, rises from the grave as well. With a 16mm camera in hand, she aimlessly wanders the area surrounding Heidegger’s chalet in Todtnauberg. She has visions of various motifs from the great philosopher’s central work, Being and Time. All is arranged in a strictly structural shape. Static in movement, kinetic in stillness. “Oh, Germany! People laugh when they hear the talk that comes from your house. But anyone who sees you reaches for a knife.” M. Ježek

Heidegger in Auschwitz

Martin Ježek
Czech Republic / 2016 / 50 min.
section: Czech Joy
Czech Premiere
Hate out of Love 3: Story of Domestic Violence
Abuse against seniors affects up to twenty percent of older Czechs. This vulnerable group often struggles for years with mental and physical abuse from their loved ones. Through focused, confidential, and harrowing interviews with three women and one man, the documentary recounts the situations in which these people find themselves as they near the end of their lives. Terror hidden behind the walls of their home gradually escalates into physical injury, litigation, and loss of property. In the film, they talk about how they coped with their children’s betrayal as well as their helplessness, knowing that society will not adequately defend them. “Our protagonists are disappointed by those they raised and for whom they cherished love – their children. It is difficult to experience it, and even more to admit such feelings to oneself and others. This is a more common trend than we would assume, though.” I. Pauerová Miloševićová
personal program

Hate out of Love 3: Story of Domestic Violence

Ivana Pauerová Miloševićová
Czech Republic / 2019 / 52 min.
section: Czech Joy
Wishing you the same
The iconic book Europeana: A Brief History of the Twentieth Century by Patrik Ouředník, first published in 2001, has transformed the imagination of the French film-maker into an apocalyptic chronicle of the last century. A straightforward testimony of scientific rationality, which led the society to a spiritual crisis and resulted in six genocides, is accompanied with melancholic Mahlerian echoes of La Belle Époque when the world was just getting ready for the century that negated all humanity. The film raises the question whether Europe in post-history and post-humanity, sweetly anaesthetized to collective unconsciousness, will pretend as if nothing had happened. “I wanted to breathe life into Ourednik's amazing text and to present its visions on the screen. The purpose of the resulting film play is to make the viewer reflect on different aspects of humanity.” A. de Mezamat
personal program

Wishing you the same

Arnaud de Mezamat
France / 2019 / 95 min.
section: Opus Bonum
European Premiere
Kalado
“There are many teachings in the world – karate, aikido, tai chi, yoga. But none teach you purification. Only kalado,” says the film’s protagonist, the performance artist Sai Kijima. As the viewer listens to his introspective commentary, the camera show him exploring the limits of the body with his strange movements. Kalado is a tool for getting to know oneself, for questioning ingrained ideas about oneself, and for finding one’s hidden identity. The film captures the ritual nature of Kijima’s performances and the manner in which he lets deeply rooted traumas flow forth in a cleansing outburst of creativity. “When I met Sai, I was captivated above all by the fact that he dances and cleans. I was interested in finding Kalado. When we finished filming, he said ‘Life is misunderstanding. Misunderstanding is understanding. This is Kalado.’” T. Tara

Kalado

Tereza Tara
Czech Republic / 2017 / 30 min.
section: Czech Joy
World Premiere
Ministerstvo kultury
Fond kinematografie
Evropská unie
Město Jihlava
Kraj Vysočina
Česká televize
Český rozhlas
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