25th Ji.hlava International Documentary Film Festival
director: Panagiotis Evangelidis
original title: Irving Park
running time: 117 min.
synopsisIrving Park is a neighborhood in Chicago where the film's four lead characters live together under one roof. But their cohabitation has a rather unusual arrangement – they are all aging gay men practicing dominant-submissive relationships. This time-lapse film gets right in the middle of the action of this abnormal household, and through a seemingly primordial provocation that seems only natural and commonplace, such as long conversations from the Lord and his naked slaves, the film enables a sense of family reciprocity, unsolvable crises and daily inhabitation. As one of the cast members admits: we all live in acceptable relationships of domination and submission.
biographyPanayotis Evangelidis was born in Athens. He has been involved with screenplays for such films as I epithesi tou gigantiaiou mousaka (1999), Strella (2009) and Xenia (2014). He directed the documentary films Chip and Ovi (2008), The Life and Death of Celso Junior (2010), They Glow in the Dark (2012) and Pure Life (2015).
more about film
|producer:||Araceli Lemos, Panagiotis Evangelidis|
other films in the section
An ageing beekeeper in the rural Macedonian mountains strives to maintain the tradition of honest, environmentally friendly beekeeping. Her quiet everyday life – caring for the colony and selling honey in a nearby town, the untiring care of her mother, living off their farm without electricity – is interrupted by the arrival of nomadic beekeepers, who perceive nature primarily as an opportunity for profit, a way to break free from their poverty. The filmmakers spent three years with the heroine of the film, shooting over four hundred hours of material which became the basis of this melancholy environmental appeal, lyrically depicting the immaculate beauty of nature.
Ljubomir Stefanov, Tamara Kotevska
Macedonia / 2019 / 85 min.
“A good terrorist is a dead terrorist,” a well-known saying goes. The same kind of ambivalence present in the title applies to this film telling the story of Jason Walters, a convicted and later redeemed member of the Dutch terrorist group Hofstad. They were responsible for manslaughter, planning of terrorist attacks and threatening with killings. Walters gave up only after two weeks of his flat being continuously besieged. Nevertheless, out of the testimonies of representatives of justice, prison wardens and other men charged with terrorist acts, a stereotypical image of a radical Muslim man embodying all the world’s evil suddenly melts away. A scarred Europe has displaced possibilities of redemption and repentance into toxically politicized causes outside all tolerable social criteria, as in the cases of most imprisoned terrorists.
The Good Terrorist
Netherlands / 2019 / 80 min.
Mikel, director of the film, along with the protagonist Mathias, are childhood friends, nevertheless due to the time that has elapsed, the former finds that he knows hardly anything about the latter. The mad circumstances leading up to a fatal twist in their lives makes them shoot a documentary reconstruction about the process that turns into a very personal portrayal of a man who was made to live a double life against his will, the border between each one of them being as thin as a line drawn between victim and perpetrator in a ruthless criminal underworld. More than to the criminal plot though, attention is turned to stubborn attempts of a person dragged down by a spiral of serious problems while being able to wear a mask of seemingly happy and steady life.
Mikel Cee Karlsson
Sweden, Finland / 2019 / 99 min.
East European Premiere
Catarina’s mother died when Catarina was 17 years old. Jacinto lost his mother prematurely as well. Catarina is the director of the film, Jacinto is her father, and together, they tell their family history, marked by the resistance against the fleetingness of time, in a poetic dialogue. The film combines documentary and fiction – the story of Beatriz and Henrique and how they fell in love, had a wedding and six children together. As a sailor, Henrique spent a lot of time away from home, so his wife took care of the children mostly herself. Ttheir eldest son Jacinto has been dreaming of becoming a bird since his childhood...“The question of metamorphosis is linked to the idea of how the character portraying my father in the film, transforms into me.” C. Vasconcelos
The Metamorphosis of Birds
Portugal / 2020 / 101 min.
The narrator of the film is Belgian fashion designer Martin Margiela. The film portrait captures his career from the 1980s to the present day using the footage of fashion shows and comments by Margiela’s close collaborators. The most important part of the film, however, is the designer, his voice and participation in the film. Margiela is known for his introversion; he does not let anyone photograph or interview him. When he does speak, he never speaks for himself but always on behalf of a collective. The film respects his approach and gives him a voice, not a face; we can see only his hands – the instruments of his imagination. “My documentary work is very personal and intimate in many ways, and what I want to achieve is to discreetly communicate these elements to the audience.” R. Holzemer
Martin Margiela: In His Own Words
Germany, Belgium / 2019 / 90 min.
East European Premiere
A documentary portrait of the Portuguese filmmaker Pedro Costa is a contemporary audiovisual reflection on the meanings that objects, locations and sounds in films carry. The filmography of the director of films such as House of Lava, Bones, In Vanda’s Room, and Colossal Youth is explored using not only his own words and clips from his movie trailers, but also a melancholic atmosphere and experiments with image and sound. Despite occasional glimpses into Costa’s office, he remains an enigmatic personality, which we know only through his work and creative processes. How he thinks, what he feels, and how he lives must be derived from his work.
Portugal / 2019 / 65 min.
Streaming has become an unprecedented hit in China with a commercial value in the billions. In 2017, more than 427 million people could not get by without sharing the details of their pre-camera privacy. Whether it be an incompetent street dancer, an adult man suffering from a genetic disorder that makes him look like a child, or a slacker working in an underwear factory. The director watched dozens of these “newsmakers” and from more than 800 hours of absolute mundanity, she put together a remarkable collective portrait of a generation for whom offline and online worlds are inextricably linked, showing a fascinating testimony about the pursuit of rapid success and the loneliness and mere killing of time.
United States, Hong Kong SAR China / 2019 / 124 min.
East European Premiere
In an abandoned industrial zone at the foot of the Austrian Alps, a Nigerian mechanic lives and works by dismantling old cars and selling their individual parts, mainly to Eastern Europe and Africa. The documentary captures him during his work and while taking meditative breaks with a cigarette overlooking Erzberg Mountain, where iron ore has been mined since ancient Rome. The hero's isolated microcosm is observed at the very edge of economic activity, yet it is inextricably linked to global economic relations in Europe and Africa, the mining of resources, and the exploitation of profits.
Movements of a Nearby Mountain
Austria, France / 2019 / 85 min.
Multi-talented artist and Czech native Jiří Synek (1921-2017), known to readers as František Listopad, spent most of his life in Portugal, where he performed under the name Jorge. He was a poet, translator, theater and film director, organizer, and teacher, and as such had a large influence on Portuguese cultural life. He had a significant role in building the Portuguese television and film school. He also wrote continuously, and his poems and prose are an exceptional testimony to the melancholy of exile. The documentary contains revealing archival recordings and poetic sequences, presenting Listopad through his ideas and life philosophy.
Four Seasons and Autumn
Pedro Sena Nunes
Portugal / 2018 / 90 min.
Central European Premiere
For four years, the director has been meeting up with students of a film club at Dora Maar high school in the ethnically colourful city of Saint Denis near Paris, observing how the protagonists and filmmakers-to-be were growing up, looking for their roots and identity, finding a common form of their film in making that had supposed to be really about anything in the beginning. Through showing everyday banalities, the participants were learning to work with the language of film, constantly coming back with reflections on changing formats and contents of their intended work that was meant to become a metaphor of their own place in the world.
Un film dramatique
France / 2019 / 114 min.
Central European Premiere
“Krāslava Bridge is the first bridge over the river Daugava in the territory of Latvia — a gate for the Daugava river from Belarus to Latvia” says the opening title of the film in which a strategically built and historically significant construction holds a number of different meanings. An analytical documentary immortalised in a series of suggestive, black-and-white, static shots and sounds brings us closer to the life of the bridge in all its heaviness and lightness from various angles: through the eternally flowing river it arches over, we witness the endless movement of car traffic and pedestrians walking between two river banks as well as the call of the wild within close proximity to the manifestations of human civilisation, for which it serves as a symbolic backdrop. "The special thing about the documentary is the fact that we shot it on the leftovers of a 21-year-old 35mm negative. And it really worked. It looks great.” L. Pakalniņa
The First Bridge
Latvia / 2020 / 11 min.
Three places and three moments spent with the Geneva Golden Youth. For his documentary, the director organized a workshop with students from the prestigious HEAD School of Art and Design in Geneva to get to know the young men and women who are well-accustomed to a life of luxury and who like to kill time having long discussions in the nightclub, snorting cocaine and sipping champagne. The director sees the film as a highly subjective vision, a kind of pseudo-ethnological work in which some formal elements show hints of irony. Here he acts as an amused moralist and observer trying to break into a world riddled with lavish parties, drugs and all-pervasive vanity.
France, Switzerland / 2019 / 31 min.