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24th Ji.hlava International Documentary Film Festival

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Jaroslav Kučera A Journal
Jaroslav Kučera A Journal
Jaroslav Kučera A Journal

Jaroslav Kučera A Journal

director: Jakub Felcman
original title: Jaroslav Kučera Deník
country: Czech Republic
year: 2019
running time: 67 min.

synopsis

Jaroslav Kučera was the husband of director Věra Chytilová and one of the most original cameramen of the Czechoslovak New Wave. Footage that he captured in his free time for private purposes served a few decades later as the basis for the creation of a fragile, intimate portrait which dispenses with words. In it, the master of the image freely sketches the innermost space of his family. Thanks to the director’s sensitive selection, we observe scenes of spontaneous posing before the lens and moments of repose, compellingly woven together with a soundtrack by producer Aid Kid.

“The most important information about Czech literature of the recent decades can be found in literary journals by Jan Zábrana, Ivan Diviš, and Pavel Juráček. With that in mind, we approached the processing of cameraman Jaroslav Kučera’s film diary.” J. Felcman

 

biography

Jakub Felcman (1980) graduated from the Faculty of Arts of Charles University and FAMU. He worked as a dramaturge at Czech Television and helped organize the Fresh Film Fest and Ostrava Kamera Oko. As a director, he contributed to the anthology film First World Problems (2019). In 2019 he premiered his documentary Jaroslav Kučera Close Up, which, unlike Diary, is composed primarily of the testimony of family members and friends.

more about film

director: Jakub Felcman
producer: Tomáš Michálek
editing: Matěj Sláma
music: Aid Kid
sound: Jakub Jurásek

other films in the section

Never Happened
“The deed did not occur,” proclaimed Vladimir Mečiar in 1996 on the murder of businessman Róbert Remiáš, which likely had a political motive and with which the Prime Minister himself was likely involved. His infamous dictum is an attempt to negate a documentary that combines an investigative approach with original filmmaking. The director builds her film on interviews with key players in the Remiáš case but does not limit herself to an austere presentation of facts. Alternating different film formats, from black and white film to VHS, she evokes a period of crime and highlights the central theme of confrontation with the past. “I wanted to make a poetic political film. Engagé art should not give up on the style.” B. Berezňáková  
personal program

Never Happened

Barbora Berezňáková
Slovakia, Czech Republic / 2019 / 82 min.
section: Czech Joy
Czech Premiere
The Last Shift of Thomas Hisem
“I hope that all is okay and that you’ll get something out of this,” proclaims miner Tomáš Hisem at the start of his shift at Ostrava’s Paskov Mine, which he decided to document. Although we don’t see his face (the camera that he has smuggled into the mine is attached to his helmet), we hear his distinct local dialect as he inspects the dark and dusty tunnels and claustrophobic underground spaces that we walk and crawl through on all fours. With a sense of immediacy and in his own distinctive manner, he captures a particular place at a particular time – one day before the Paskov Mine is closed and 1,300 of his colleagues lose their jobs. “I’m shooting this so those city slickers in Prague can see the hard-ass work we do!” J. Andrš

The Last Shift of Thomas Hisem

Jindřich Andrš
Czech Republic / 2017 / 29 min.
section: Czech Joy
World Premiere
The Way the President Departs
The compilation documentary The Way the President Departstakes us back to the events surrounding the presidential elections in Czechoslovakia in 1992 that led to the dissolution of the federal republic. The film, which uses clips from Czechoslovak Television and Original Videojournal, focuses on the first elections, in which the sole candidate was Václav Havel. It is Havel himself who is the focus of the film. We see primarily his immediate reactions to the changing situation around the elections, whether those intended for the public or expressed within his circle of advisors. In addition to observations of an important Czech politician, the film evokes public life in the 1990s.“I am sure that for today’s audiences, this behind-the-scenes look at politics will be interesting and stimulating, and they will be surprised at how dramatically the political scene has changed.”

The Way the President Departs

Pavel Kačírek
Czech Republic / 2016 / 51 min.
section: Czech Joy
World Premiere
Two Roads
The Jedlička Institute music class currently known as The Tap Tap band was founded 21 years ago by Šimon Ornest to give people with handicaps an opportunity to succeed outside of their daily institutional care. An observing and attentive camera captured the evolution of the personalities of several of the musicians over the course of several years. The attractive energy of the film which is exceptional in its approach to its theme as it avoids the usual compassionate sentiment stems from the relationships among the musicians and between them and their band leader, the motor of the action, whose work improves the public image of people with handicaps in an unorthodox way. “Even if it was hard for me at first, I was trying to make a film in a similar way that the band members are putting up with their destinies: with no sentiment, pointless pity or political correctness involved, yet with a touch of pitch black humour.” R. Síbrt
personal program

Two Roads

Radovan Síbrt
Czech Republic / 2019 / 80 min.
section: Czech Joy
World Premiere
Czechs against Czechs
This cinematic reportage with elements of a personal journal explores xenophobia in Czech society and anti-Nazi activists, but also the filmmaker’s personal experience from living among in an socially excluded Romani neighborhood. Most of the footage was shot by the director using his own camera, and the immediacy of the images is further accentuated by voiceover observations and commentary. In just a few scenes, he adds music for dramatic affect. With his direct questions, he tries to unmask the racist arguments not only of anti-Roma protestors, but also of many ordinary citizens. DETAIL:“I’d toss a grenade in there.” “In where?” “Among the gypsies. They reproduce like rats.” “They should be killed?” “Yes. You know what Hitler should have done? Leave the Jews and shoot the gypsies. There’s too many of them.”

Czechs against Czechs

Tomáš Kratochvíl
Czech Republic / 2015 / 88 min.
section: Czech Joy
Czech Premiere
FC Roma
A chronicle of the FC Roma football club, whose members have to persuade the other - “gadjo” - teams in the third league to play against them, transforms into an excursion through the various types of everyday Czech xenophobia. The filmmakers’ inconspicuous, observational approach gives a voice to the charismatic coaches, who, with a healthy ironic worldview, comment on a society that gives them virtually no chance. The dialogue of the various protagonists is the most prominent feature of this stirring, yet hopeless sounding documentary. Racism proves to be absurd, often unintentionally comical, but often also chilling.“Hitler doesn’t belong on the playing field.”

FC Roma

Tomáš Bojar, Rozálie Kohoutová
Czech Republic / 2016 / 76 min.
section: Czech Joy
Why Do I Feel Like A Boy?
In a small village in the southern Czech Highlands, the director meets with sixteen-year-old Ben to examine the issue of defining his identity in person: Ben is living in a girl’s body, but feels like a boy. With his real feelings, he flees into the online world and truly feels happy, for example, when using greenscreen technology to participate in Prague Pride. The film indirectly captures the (mis)understanding and (un)acceptance he meets with at school and his focused insight is completed by interviews conducted by the director with his mother and sister, who involuntarily embody everything that Ben hates about himself. “What I like about it the most is how the story of a teenage transgender boy can disrupt the conservative structures of a television film, go beyond the media, and challenge the inhumane sterilization of transgender people in the Czech Republic.” K. Turečková    
personal program

Why Do I Feel Like A Boy?

Kateřina Turečková
Czech Republic / 2019 / 26 min.
section: Czech Joy
World Premiere
ALONE
Luba Skořepová has spent the past several years in solitude, struggling to stay an active theatre actress as long as she can. She invited the film crew into her home in order to shoot her daily life. Although the resulting film contains archival footage from her youth, it is definitely not a biographical film. The filmmakers focus on the present day, capturing scenes from the life of an old and solitary woman who possesses the will to live an active life but who is no longer important for others. Skořepová herself was behind the making of the film, through which she hopes to call attention to the subject of loneliness among old people.“Luba wanted to film Alone in order to call attention to the subject of loneliness among old people. I am convinced that we have succeeded.” O. Faifr

ALONE

Otakar Faifr
Czech Republic / 2017 / 63 min.
section: Czech Joy
World Premiere
Tears of Steel: Vladimír Stehlík Meets Lubomír Krystlík
The privatization and bankruptcy of the famous Poldi Kladno steel mill in the 1990s long left its mark on Czech society and the media. The FAMU graduate film returns to the affair many years later from the point of view of its main actors: Poldi Kladno’s CEO Vladimír Stehlík and his personal advisor Lubomír Krystlík. By juxtaposing their remarks with archival television videos, the film provides a humorous look at the ups and downs of two men who contributed extensively to building capitalism in post-1989 Bohemia and who are now learning the art of aging on their meager pensions. DETAIL:“You have to turn it into a show. Otherwise nobody will find it interesting. Also, there is no point in returning to the past. Document it and enough.” “And how should we turn it into a show?” “For instance by taking a picture of Stehlík’s teeth.”

Tears of Steel: Vladimír Stehlík Meets Lubomír Krystlík

Tomáš Potočný
Czech Republic / 2015 / 52 min.
section: Czech Joy
World Premiere
Nekyia: Inner portrait of the poet Hradecky
Poet Daniel Hradecký is the main actor of of this inter-genre film about a journey into the depths of his own consciousness. The black and white documentary parable looks into the human soul with interplay of sounds and raw images. Several episodes take place in the rough landscape of North Bohemia, accompanied by dramatic music. Their narrative includes fragments of the poet’s texts and his memories, reconstructed in the film: Daniel starts a shift in a factory, or he meets the devil in the dark. The film maps the poet’s inner world, and sinks deeper and deeper to the bottom of the raw imagination with him. “Is the man who likes dreaming happy?” A. Hospodářský The protagonist of the film, Daniel Hradecký will be reading poems as well works of other author after the screening of the film on Friday 25.10 in 18:00 in the Café Etage. 
personal program

Nekyia: Inner portrait of the poet Hradecky

Albert Hospodářský
Czech Republic / 2019 / 25 min.
section: Czech Joy
World Premiere
Dunaj of Consciousness
Members of the Brno alternative rock legend Dunaj (Danube) meet after several years, determined to forget their grievances and disagreements of the past to perform a concert in the Romanian city of Banat, where they still have a strong fan base. On the way there, they take a boat down the Danube River, whose waves and mysterious nature evokes memories of the past among the band members and reflections on their careers, helped out by a meeting with former member Iva Bittová. The poetically infused film reveals the backstage of the band and, accompanied by the captivating tones of Dunaj’s songs, paints a complex portrait of the legendary music group. “Former members of the Dunaj band, now twenty years older, meet to find out they don’t have to do anything. They just want to let something special flourish, something created mainly by their being together. All the original pieces come together to create something compellingly impressive again.” D. Butula
personal program

Dunaj of Consciousness

David Butula
Czech Republic / 2019 / 83 min.
section: Czech Joy
World Premiere
Passengers
The film’s director sees her four protagonists as passengers along for the ride. She started to follow them just before they left the children’s home where they grew up, and spent the next six years following their lives. The return to a non-functioning family environment often also means the return to established patterns, lack of a future, and unstable social relations. The film is an indirect indictment of the country’s institutionalized care system, which manages to look after children as minors but fails to properly prepare them for the transition into adulthood.„What is it like to sit in the back seat of your life?“         

Passengers

Jana Boršková
Czech Republic / 2018 / 78 min.
section: Czech Joy
World Premiere
Ministerstvo kultury
Fond kinematografie
Evropská unie
Město Jihlava
Kraj Vysočina
Česká televize
Český rozhlas
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