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24th Ji.hlava International Documentary Film Festival

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Who's Afraid Of RGB
Who's Afraid Of RGB
Who's Afraid Of RGB
Who's Afraid Of RGB

Who's Afraid Of RGB

director: Billy Roisz
original title: Who's Afraid Of RGB
country: Austria
year: 2019
running time: 9 min.

synopsis

Another contribution of this authoress to the reflection of genre films, this time dealing with romantic melodrama, confronts the expressive character of the film medium with the viewers’ perception in radical juxtapositions of eyes closely observing the movie Who’s Afraid of Virginia Woolf? and spots of red, green and blue colours that bite into them accompanied by harrowing noises and music.

Who's Afraid of RGB plays with self-referentiality in art, with the relation between artwork and viewer, references to other works of art and to scientific fields, as here to psychophysiology.” B. Roisz 

biography

Austrian multidisciplinary artist Billy Roisz (1967) has been creating video & sound art and performances since the 1990s. In her experimental work, she deals with issues of interactions between image and sound and their perception. Her means of expression partly include light effects and trembling image, which contribute to creation of abstract compositions. In 2014, Ji.hlava IFDF screened her film darkroom.

more about film

director: Billy Roisz
producer: Billy Roisz
photography: Dieter Kovacic
music: Billy Roisz, Susanna Gartmayer

other films in the section

Latency Contemplation 2
Natural textures and close-ups of various surfaces of soil, rocks and water are vertically sliced and rhythmically abstracted. Within the stream of images, this tour of the outer world becomes a way of experiencing the landscape and its transformations, in whose regularity we can find stability and inner peace. “Cho´s internal visions and perception of the outer world come together in an abstract meditation on space, place and sound. Natural landscapes are pushed to the edge of abstraction through layering and other forms of manipulation.”

Latency Contemplation 2

Seoungho Cho
United States, South Korea / 2017 / 8 min.
section: Fascinations
Czech Premiere
The Pit
Contemporary and archival footage of the Berkeley Pit, an open pit copper mine in Montana – today filled with contaminated water – is chemically altered using poisonous substances from this water containing copper, arsenic, cadmium, zinc, and sulfuric acid in order to call attention to the destructive consequences of mining. “The film shows the destructive consequences of mine waste through a variety of photochemical processes using the same contaminants found in the water of the pit.“ J. Gerlach
personal program

The Pit

Jona Gerlach
United States / 2019 / 10 min.
section: Fascinations
European Premiere
Action, Almost Unable to Think
A visually ingenious portrayal of a life story and inner world of a soldier killed in an explosion is told through hypnotically visualized allegoric scenes and objects during an imaginary encounter of views by a scientist searching for a relation to reality, a filmmaker reflecting on a role of time in art and a refugee stripped of the possibility to live in his hometown. “The film was originated from the real story that a solder was killed by bomb while greeting to a civilian. It tries to recapture that moment of contradictories and fragilities.” H. Mao     
personal program

Action, Almost Unable to Think

Haonan Mao
China / 2018 / 11 min.
section: Fascinations
World Premiere
The Space Shuttle Challenger
Diary collages combine the emotions from important events such the interrogation of prisoners at Guantánamo, the Challenger disaster and the putsch in Chile with personal memories from the same points in time to create an interplay of large and small history. “I used footage of Chile’s Tancazo in my previous film. I later discovered the story behind that footage and was compelled to weave it into this film, originally intended to be a piece only about Omar Khadr.” C. Araneda

The Space Shuttle Challenger

Cecilia Araneda
Canada / 2017 / 9 min.
section: Fascinations
International Premiere
Shapes of Facts
Ghostly hills and inhospitable landscapes created by physically deformed newspapers are a critical allegory of the inner workings of the contemporary media world in which, beside journalists who still hold in esteem reliable and verified information, the voice of those crooking facts and creating parallel and alternative “realities” intensify by the day. “A fact is supposed to be specific and verifiable. The fact you are willing to accept makes your reality of this world. Watch out! There are many different versions of each fact.” Y. Nishimura
personal program

Shapes of Facts

Yoshiki Nishimura
Japan / 2019 / 10 min.
section: Fascinations
World Premiere
Boat People
As essayistic meditation on mass movements of people since the Second World War, including today’s mass flight from war, the possibility of death and environmental catastrophe. Images of the natural elements and scenes taken from the films of, among others, Humphrey Jennings or Derek Jarman explore the relationship between the representation of movements and ideas. “Notes from a country gripped by sudden political insularity: Boat People explores the meaning of welcome and the age-old possibilities of hospitality.” S. Wood

Boat People

Sarah Wood
United Kingdom / 2016 / 22 min.
section: Fascinations
East European Premiere
not even nothing can be free of ghosts
Made without a camera, using algorithms programmed to respond to the rhythm of light, this film explores the topology of dark space and tests the senses through vibrating light compositions whose rhythm of appearing and disappearing leaves a trace in the viewers’ minds even after they have left the darkness of the cinema. Austrian-born visual artist Rainer Kohlberger (1982) lives and works in Berlin. He creates experimental films, installations, and videos using algorithms to generate animations that he accompanies with life performance. He is a recipient of the ZKM AppArtAward for artistic innovation. His works test the limits of the viewer’s senses and play with the imperfection and subjectivity of human perception.“In my film, created out of ‘nothing’ with the help of algorithms, a constant pulse unveils materiality in a condition between being and non-being, since matter is merely vacuum fluctuations.”

not even nothing can be free of ghosts

Rainer Kohlberger
Austria, Germany / 2016 / 11 min.
section: Fascinations
Czech Premiere
Obatala Film
An anthology of rituals, masks, skin paintings, and other decorations, captured from up close in Ile-Ife, the legendary holy city of the Yoruba, who live primarily in southwestern Nigeria but also in some parts of Latin America and who consider the god Obatala to be the creator of Earth and of human bodies.  "I understand my cinematic practice as an inquiry into modes of experience and as a gesture of channeling. One of them could be the state of devotion and possession by spiritual and cosmic forces. " S. Wiedemann  
personal program

Obatala Film

Sebastian Wiedemann
Nigeria, Brazil, Colombia / 2019 / 7 min.
section: Fascinations
International Premiere
An Aviation Field
Observing a volcanic crater opens up a narrative filled with allusions and intimations that create an imaginary city along the lines of the metropolis of Brasilia inside the Cape Verdean volcano Pico de Fogo. A projection of an urban plan creates a world of possible stories, while shots of the urban model take us on a walk along the geometry of the city where even the cloud cover has been calculated. Portuguese filmmaker Joana Pimenta (1986) lives and works in the USA and Brazil. Her films and video installations work with techniques from visual anthropology. Previously at Jihlava, she showed her film debut The Figures Carved into the Knife by the Sap of the Banana Trees (2014), in which she used invented memories to construct a dream correspondence between the Madeira islands and the former Portuguese colony of Mozambique.“There I found myself, time traveler, space archaeolo gist, trying to rebuild exoticism out of wrecks and remainders.”

An Aviation Field

Joana Pimenta
Portugal, United States, Brazil / 2016 / 14 min.
section: Fascinations
European Premiere
more than everything
A pensive analysis of the vision and perception apparatus shared by all two-eyed beings gazes far ahead and in an intriguing perception experiment, explores the imagination of the depth of field and the illusory consistency of the image while dissecting the routine perspective on objects, shapes, motion and the phenomena around us."This is a dance between your brain and the world. We are bathed in interferences from sensual data to what might be out there. We will go to another land, we will try another sea. One plus one equals three." R. Kohlberger

more than everything

Rainer Kohlberger
Germany / 2018 / 13 min.
section: Fascinations
East European Premiere
Mayhem
Minor irregularities are transformed into an elemental disorder of growing, jumping, decaying and reappearing bubbles, only to become focused into a circle of changing colors. Using digital tools, the author depicts the simple process by which water boils and cools again. Japanese experimental filmmaker, producer, and computer artist Yoshiki Nishimura has shown several of his films at previous editions of the Jihlava IDFF. In Fascinating Moments (2014) he followed the choreography of snowflakes, An Observation (2013) is a composition of upside images of the sea, and Orbiting (2015) explored the changing light of the moon as it shines through a visually manipulated digital image.“By using different media, we have great possibilities of expanding our views of reality into various directions.”

Mayhem

Yoshiki Nishimura
Japan / 2016 / 10 min.
section: Fascinations
World Premiere
Biblion
A visual study of the book as a medium and cultural artefact. Parallel images analyse books from the point of view of appearance and material with the film plunging into the depths of their microscopic fabric while, at the opposite end of the spectrum, the variety of their surfaces, textures, fonts and shapes blossoms into structured volumes ordered on a bookshelf. “Born from observing the phenomena of quietly vanishing old book stores, our work first became an exploration of the medium of the book itself, and then grew in to something more haunting.” E. Tammi, S. Ekström  
personal program

Biblion

Saara Ekström, Eero Tammi
Finland / 2019 / 13 min.
section: Fascinations
World Premiere
Ministerstvo kultury
Fond kinematografie
Evropská unie
Město Jihlava
Kraj Vysočina
Česká televize
Český rozhlas
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